Orange County artist Laurie Horner has turned the multi-functional Lumio book lamp (in maple finish) into a genuine work of art.

Based on the expressive cover illustration by Robert Heindel, this handmade mixed-media piece includes raised detailing and feathers that accentuate Icarus's outstretched wings. This one-of-a-kind piece is guaranteed to be a conversation starter and will light your world for years to come.

The Lumio lamp conceals itself in the form of a hardcover book, opens to 360 degrees, and comes with a micro-USB charger, magnetic wooden pegs for mounting, and a leather strap for hanging.

Raffle tickets are $25 each, or 5 for $100. Get your raffle ticket today for a chance to win this beautiful 50th anniversary memento honoringThe Romantic Manifesto.

See it in action here:

Attention fans of The Fountainhead and serious collectors alike: for the first time in 26 years, you can bid on and own this original Ayn Rand memorabilia.

Culled from her papers and first auctioned by ARI in 1993, on offer is a clippings folder labeled "Clippings - 'The Fountainhead' (since our return to N.Y. - 1951)" in Ayn Rand's penciled handwriting. Inside are 21 varied newspaper clippings and one piece of publishing ephemera. Many of these clippings contain her writing, such as the date or the name of the newspaper. She combined mentions of both the movie and the book in the same folder.

Notable highlights include TV Guide pages carefully saved and stapled together--with The Fountainhead movie airings highlighted; a humorous bit in an NYT column by David Dempsey about how to calculate the cost of a reprint; and a column called "What London Is Reading," by Wallace Reyburn. Reyburn's analysis of the most in-demand books at London's public libraries includes a highly favorable review of the book he's checked out the most. Spoiler alert: it's The Fountainhead.

Each separate piece has been housed in an archival Mylar L-Sleeve (and backed with acid-free paper where appropriate) for safe storage and handling. Includes a letter of provenance signed by Leonard Peikoff.

This unique group of items is united by one overarching theme: Ayn Rand's love of cats.

The first item is a sterling silver winking cat pin owned by Ayn Rand. The item donor saw Ayn Rand wear this pin while attending her nonfiction writing course. The pin's diameter is approximately 2". The back is imprinted:

JoPoL

STERLING

GEORG JENSEN INC.

U.S.A.

256

JoPol is for Joan Polsdorfer, the first American jewelry designer to work for Georg Jensen. Georg Jensen is a Danish company founded in 1904, known for its craftsmanship and elegant Scandinavian design. The pin's patina has not been removed. A small black velvet display case included.

The second item is a kitten handkerchief measuring 11" square. The handkerchief has been carefully stitched onto a black velvet background and framed for display. Framed with a minimalist black and silver frame using archival materials. The overall dimensions of this deluxe framed piece are approximately 18" by 18".

The third and last item is an original Julius Shulman photographic print. This print was obtained directly from his studio and bears a Shulman-inscribed catalog number. Since Shulman's death in 2009, his photo archive has been relocated to the Getty Research Institute.

The photograph of Ayn Rand and Frank O'Connor was taken in 1947. They are standing on a patio of the Richard Neutra-designed von Sternberg house, built in 1934 in Chatsworth, California. Ayn can be seen holding one of her beloved cats. This print is also framed with a black velvet mat and minimalist black and silver frame (using archival materials). The overall dimensions of this deluxe framed piece are 16 1/2" by 14 1/2".

Includes a letter of provenance for the pin and the handkerchief, signed by Leonard Peikoff.

This original oil painting by Sylvia Bokor was completed in 1984. Titled The City, it is oil on illustration board.

It was professionally cleaned and re-varnished in 2019. Framed in an eye-catching metallic blue-green and lustrous silver with mitered corners, using archival quality materials.

The overall dimensions of this deluxe framed piece are approximately 28" by 20".

Originally won at an ARI auction in 1987, Ayn Rand's copy of Henry Hazlitt's The Great Idea was donated back to ARI and is now available again for the first time in more than 30 years.

This book contains more than four dozen pages of penciled comments in Ayn Rand's distinctive handwriting. Ayn Rand marginalia books rarely surface, and this one has an impeccable provenance.

Economics fans will be thrilled to see her outraged comments in the section discussing Marx's "unworkable dictum." In other places she blasts Hazlitt's equivocating language or takes umbrage at a depiction of "cupidity."

There is one small "page turning" tear at the middle bottom of pp. 319/320. Both the recto and verso of this leaf are heavily annotated, so it may have been torn by Ayn Rand, working in haste.

The poor condition original dust jacket has been protected with a Brodart cover for safe handling. Housed in a custom blue and white clamshell case that plays off the cover colors.

This is a limited edition giclée on canvas of The Romantic Manifesto cover illustration by Nick Gaetano. It was reprinted in 2018 in anticipation of the book's upcoming 50th anniversary. This is number 15 out of 150.

The print has been framed using archival materials, with an inner frame chosen to reflect the sweeping curvature of both the wings and the clouds. The iridescent metal outer frame precisely matches the blue sky background when viewed at the correct angle.

Many versions of the paperback copy have faded over the years, but the Spanish hardcover nearly matches the depth of these beautiful colors.

The overall dimensions of this deluxe framed piece are 22" by 32".

New American Library, New York, 1966. Limited first edition, issued with a slipcase in lieu of a dust jacket. Signed by Ayn Rand, number 133 of 700 signed copies.

Near fine in a fair slipcase. The slipcase has done its job of protecting the book over the years, and displays visible toning and foxing. The book is in excellent condition. A minor manufacturing flaw at the bottom of page 161 has been professionally repaired.

This collection of 22 essays includes 16 by Ayn Rand. Additional contributions include three essays by Alan Greenspan, two by Nathaniel Branden, and one by Robert Hessen.

Celebrating the 20th anniversary of the Ayn Rand postage stamp release, this is the first of two stamp-related offerings.

Signed by artist Nick Gaetano, this limited edition print of the Ayn Rand stamp is number 72 out of 250.

Framed using archival-quality materials, its golden yellow mat highlights the sunbeams slanting toward the left half of Ayn Rand's face. The generously sized red-orange frame picks up the glow of the sunset in the background, while its silvered glazing complements the blue shadows on the right half of Ayn Rand's face.

The overall dimensions of this deluxe framed piece are 23 1/2" by 29".

2019 is the 20th anniversary of the Ayn Rand postage stamp release. To celebrate this anniversary, here is the second of two stamp-related auction offerings. This package contains two items.

The first item is an exclusive framed piece featuring First Day Issue envelopes of Nick Gaetano book covers, each signed by the artist. There are four different envelopes: one Anthem, one For the New Intellectual, and two Philosophy: Who Needs It covers (one of them unpublished). Franked using a stylized Ayn Rand postmark at the MEGA-EVENT STATION in NEW YORK, NY on April 22, 1999.

These envelopes surround a photographic print made from an original found in Ayn Rand's personal photograph collection: a 1936 Pach Bros. publicity portrait for the publication of We the Living. This print was created by photographer Mark Vieira, whose early career included working for Hollywood photography legend George Hurrell.

Framed with a steeply angled, ombre-shaded frame using archival materials. The overall dimensions of this deluxe framed piece are approximately 31" by 16".

The other item in this package is an original Minkus Stamp Journal, Vol VI, No. 2 (1971). In great condition, this magazine contains Ayn Rand's article titled "Why I Like Stamp Collecting," and includes a black and white illustration of her favorite stamps.

This first edition hardcover copy of The Romantic Manifesto (celebrating its 50th publication anniversary) is inscribed by Ayn Rand on the title page.

Autographed copies of this edition are comparatively rare, but what sets this volume apart are the extensive notes written by its owner, artist Sylvia Bokor.

There's no doubt that this work of nonfiction was of paramount importance to Ms. Bokor. Page after page is filled with her analyses on concepts such as "sense of life," or the definition of "romanticism."

Art lovers will relish the opportunity to see how a working artist and Objectivist explores the ideas set forth by the first working artist and Objectivist: Ayn Rand herself.

The still bright dust jacket remains in good condition, despite several chips and small tears. Protected with a Brodart cover and housed in a custom black clamshell case.

Originally won at an ARI auction in 1991, Ayn Rand's copy of Carl Snyder's Capitalism the Creator was donated back to ARI and is now available again for the first time in more than 25 years.

Subtitled The Economic Foundations of Modern Industrial Society, this work is referenced in Capitalism: The Unknown Ideal, in the chapter "Common Fallacies About Capitalism."

The Macmillan Company, New York, 1941. Red boards without dust jacket; very good condition with 44 original charts. There is some slight foxing along the inside crease of the front end page, and a small moisture mark along the bottom page edges (not visible on inner leaves). Housed in a black custom clamshell case, with gold lettering to match the book's spine.

This work's title page contains an ancient Greek quotation that translates: "If you do not know that for money-making the best capital of all is trustworthiness, you do not know anything at all."