Seffa Klein is a French-American artist currently living and working between Los Angeles and Arizona. Her multidisciplinary practice includes paintings composed with elemental metals, sculptures built with her updated SK Brick, drawing, installation, writing, and music. Each body of work contributes towards her dedication to envision beautiful new ideologies, structures, and shapes, both physical and internal, for humanity's uplifted future. Her work has been exhibited in solo and group shows across Los Angeles including "LA on Fire" at Wilding Cran gallery, at the ALAC art fair with Louise Alexander Gallery, and in "The Edge of Light: Historic and Contemporary Perspectives on California Abstraction" at Huntington Beach Art Center in 2019. She was named by artnet one of 9 emerging Los Angeles artists to watch in 2019. In 2020, Her work was written about in LALA magazine, LA mag and The Lab Mag. Between 2019 and 2022 she did an extended live-work residency on a 48 acre ranch in the hills of west LA, isolating herself for long periods and producing several new bodies of work. In 2023, her New York solo debut "WEBs: Where Everything Belongs" was written about by artnet, CNN, and Surface Mag, and artnet named her among "5 Artists on the Verge of a Breakthrough Whose Work You Can See in and Around New York This May" during Frieze NY.

Wes Aderhold is an artist living and working in New York City. He is self-taught and blends abstraction, figuration, and cubism. He is inspired by the ubiquitous difficulties of life and the underpinnings of being human.

Wes Aderhold is an artist living and working in New York City. He is self-taught and blends abstraction, figuration, and cubism. He is inspired by the ubiquitous difficulties of life and the underpinnings of being human.

Artist Bio
Rotem Reshef is a painter and installation artist based in New York and Tel Aviv. Her work creates social commentary via immersive installations and paintings that relate to society's effect on climate change and its relations to the private and public environments.

Reshef uses waste vegetation (branches, petals, ferns, leaves etc.), collected in the streets, parks and elsewhere in the urban surroundings, and imprints these "relics" onto her canvases, in a technique that resembles photograms.

In the spirit of Ecofeminism, reacting to a world that has suffered greatly from industries that had excavated and damaged entire natural areas for centuries, Reshef is suggesting a more compassionate approach of coexistence with nature, out of respect and acknowledgment of its importance for centuries to come.

Through her artistic practice, Reshef wishes to bring optimism and stability, and to address longevity, historical perspectives and the power of nourishment and life.