Pavel Acevedo
Turtle Land/ Tierra de Tortuga, 2021
Serigraph, Edition 12 of 16
40 x 30 in.
According to the Zapotec story, La Tortuga (the turtle) asked a vulture to carry him to meet the Gods. The vulture agreed, but the turtle consistently complained about the vulture's foul odor during the trip. Annoyed and tired from the turtle's comments, the vulture dropped the turtle from high above, causing the turtle's shell to break into a hundred pieces. The Gods felt pity for the turtle and mended the pieces with resin from the Tule tree, creating the mosaic-like shell we see today.
In this case, the image of the turtle symbolizes a compass, documenting the four cardinal directions, setting the tone for the exhibition. North is represented by feathered nahuales (mythical creatures half-human-half animal), pine needles, and the turtle's head peeking above ground. East and West are blanketed by foliage and water, while blue waves and aquatic nahuales surround the South.
From Oaxaca, Mexico, and moving to California in 2010, much of Acevedo's art incorporates themes and imagery depicting the migratory experience in California. As a relief printmaker, utilizing plywood and linoleum surfaces, he creates portraits of friends, the pre-hispanic codex, and other images that depict the diverse multitudes found in the city. Through the use of portraits and imagery, both new and old, he is able to invent a conversation that is neither Mexican nor American, but rather a contemporary reality that reflects his unique life.
Acevedo attended the School of Fine Arts Oaxaca (Escuela de Bellas Artes) and participated in different art workshops at the "Rufino Tamayo workshop." In 2010 he moved to California, where he continues to live and work today. Although his art has led him to many locations across the country, his studio, Urge Palette Art Supplies, is in Riverside, and he tends to create most of his art in East Los Angeles. Many of his pieces can be seen in murals and streets around Riverside, as well as in the Riverside Art Museum.