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Naming opportunity claimed!
Boquet Valley, 1864.William Trost Richards (1833-1905)Oil on canvas22 x 31 inches 2012.041.001
Self Portrait (Man Looking), 1927.Harold Weston (1894-1972)Oil on canvas22 x 13.5 inches 2003.005.0002
A large-scale looping video installment features interviews with artists, views into their studios, and select materials from the ADKX collection to orient visitors to the signature characteristics of Adirondack style.
Going Out: Deer Hunting in the Adirondacks, 1862.Arthur Fitzwilliam Tait (1819-1905)Oil on canvas20 x 30 inches 1973.036.0001
Sponsor this piece of rustic furniture!
Seth Pierce incorporated a flower basket pattern, a popular quilt motif, into the mosaic twig work design of this cupboard, which includes ten varieties of Adirondack wood on a pine cabinet.
Corner Cupboard, 1880-1890.Seth Pierce (1829-1911)Wood/metal77.5 x 44 x 26 inches1957.161.0001
The museum's exceptional collection of more than 80,000 photographs will be featured throughout Artists & Inspiration in the Wild. Your donation will fund the exhibition of these light-sensitive materials on a rotating basis, beginning with this example from world-renowned photographer Margaret Bourke-White:
Camp Cedars, 1933.Margaret Bourke-White(1904-1971)Gelatin silver printP010981
The Road to Ausable, ca. 1893.Roswell Morse Shurtleff (1838-1915)Oil on canvas40 x 30 inches1973.091.0001
Cool blues and patterned floors evoke the waterways and snow paths of the Adirondacks. Guideboats and glass, maps and photographs all reflect how ice and water have shaped the region's landscape.
Lake Saranac, 1934.Dale Nichols (1904-1995)Oil on canvas24.125 x 30.25 inches 2003.026.0001
Sponsor this painting!
Snowed In, 1877.Arthur Fitzwilliam Tait (1819-1905)Oil on canvas36 x 28 inches1960.077.0001
First Christmas at Home, ca. 1960
(collection of folk paintings)Edna West Teall (1881-1968)Acrylic paint on canvas board2018.013.0012
This interactive brings Teall's work to life, allowing visitors to see three-dimensional views of her art.
A Good Time Coming, 1862Arthur Fitzwilliam Tait (1819-1905) Oil on canvas20 x 30 inches 1963.037.0001
A lawyer, artist, writer, and humanitarian (he was Chair of the United Nations Genocide Convention), Rosenberg retreated to the Adirondacks to find peace and paint at his home, Shanty Brook, in Essex County.
Hurricane Mountain, 1956James Naumburg Rosenberg (1874-1970)Oil on canvas26.75 x 33 inches2011.063.0001Gift of Anthony Zagoreos
Mountain View on the Saranac, 1868.Homer Dodge Martin (1836-1897)Oil on canvas30 x 56 inches 1971.046.0001
Still Hunting on the First Snow: A Second Shot, 1855Arthur Fitzwilliam Tait (1819-1905) Oil on canvas54 x 76 inches 1965.036.0001
Schroon Lake, 1846.Thomas Cole (1801-1848)Oil on canvas 33 x 32 inches 1965.003.0002
Mountain Road, 1960.Rockwell Kent (1882-1971)Oil on canvas28 x 44 inches1974.068.0001
Untitled: Asgaard Farm, 1961Rockwell Kent (1882-1971)Oil on canvas28 x 42 inches1961.056.0001
An Anxious Moment, 1880Arthur Fitzwilliam Tait (1819-1905)Oil on canvas20 x 30 inches1957.206.0001
Untitled: Ausable River, ca. 1869.Samuel Colman (1832-1920)Oil on canvas30 x 40 inches1972.160.0003
Ernest Stowe's furniture is characterized by his use of white birch bark and yellow birch rounds and his rustic adaptation of traditional, high style furniture design.
Sideboard, 1900-1911Ernest Stowe (1865-1940)White birch, yellow birch86.75 x 56.75 x 28 inches1983.077.0012
The Adirondacks are defined by the patterns of high peaks and low valleys, seen in works that capture the boundless views and vast scale.
Satisfying the most wanted experience in a traditional art exhibition, a large-scale, three-dimensional rendering of Tait's "Fishing Through the Ice" gives visitors the opportunity to explore art through the sense of touch.
Fishing Through The Ice, 1854.Arthur Fitzwilliam Tait (1819-1905)Oil on canvas28 x 35.5 inches 2006.008.0001
Autumn Morning, Racquette Lake, 1872Arthur Fitzwilliam Tait (1819-1905) Oil on canvas 36 x 72 inches1963.037.0002
A Natural Fisherman, 1875.Arthur Fitzwilliam Tait (1819-1905)Oil on canvas14 x 22 inches 1974.101.0001
Hands-on interactives invite families to play with shade and shadow, colors, shapes, and materials. Visitors can work together to manipulate a variety of materials - some opaque, others transparent - in front of light sources to gain insights into artists' choices in creating their compositions.
Visitors digitally transform William Richardson Tyler's painting "West Mountain, Raquette Lake" by adjusting light and color. Learning by doing, visitors will see how the quality of light an artist selects creates mood in the finished work.
Lake George, 1856.John Frederick Kensett (1816-1872)Oil on canvas26 x 42 inches1965.079.0001
Giant, 1922.Harold Weston (1894-1972)Oil on canvas18 x 22 inches2005.024.0001
Near Saranac Lake, Adirondacks (1874).Levi Wells Prentice (1851-1935)Oil on canvas40.25 x 58 inches2017.011.0001
St. Regis Reservation, 1937Amy White JonesOil on Masonite28 x 53 inches1986.065.001
A Pleasant Day at Lake George, ca. 1883William Bliss Baker (1859-1886)Oil on canvas20 x 36 inches 1966.114.0002
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