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Untitled (P2415)Marlon Mullen28 x 26"Acrylic on stretched canvasCourtesy of the artist and NIAD Art Center
Marlon Mullen bases his paintings on found photographic images - mostly from lifestyle, news and contemporary art periodicals - which the artist uses as a departure point for his subsequent work.In the process of developing a painting Mullen's original magazine pages usually become obscured, or literally abstracted, where an image is subsequently reduced to a graphic schema of interlocking colors and forms. Mullen's works lives within the multiple histories of 20th century modernism, while remaining highly personal.Mullen's work was included in the 2019 Whitney Biennial in New York as well as in SFMOMA's SECA Art Awards exhibition. Although Marlon Mullen creates his work at NIAD Art Center, he is represented exclusively by JTT in New York and Adams and Ollman in Oregon.
Fair Market Value $3,200 / Opening Bid Starts at $1,500 / Bid Increments $100
Untitled by Saul Algeria Acrylic on canvas, 201940 x 40"
Saul likes animals and video games. But, really, who doesn't? What makes Saul different from you and I though is he's able to get his obsessions down rather quickly and beautifully on paper. Although Saul's watercolors are hugely popular he also works in ceramics, creating mostly icons found in, yes, video games.
Untitled by Mireya Betances Mixed media on canvas, 201816 x 20"
Mireya Betances sorts through her environment for images and text to use in her work. Whether it's an ad in a magazine or a completed drawing from another artist all is fair play. Mireya's work is mimetic in nature, but the results - often with essential letters missing or the scale out of whack - are uniquely hers.
Untitled by Lisa Blevens Embroidery on unprimed, stretched canvas, 201926 x 24"
Lisa Blevens frequently peppers her figurative work to overflowing with brightly colored hearts, bunnies, stars and flowers floating on minimal fields of color. The maximalism of her images gives an early impression of abstraction.
Untitled by Julio Del Rio Acrylic on canvas, 201730 x 30"
Julio Del Rio's work depicts a small militia of powerful and strange, sometimes humanoid, figures (often ceramic, but frequently seen on paper or canvas as well). Some are based on modern and post-modern sculptures by the likes of Jeff Koons or Georg Condo. Many of the figures sport a skin etched with text or symbols, creating a connection back in time with the terracotta warriors of ancient China. But, unlike the uniform drabness of the funerary sculptures, Del Rio's pieces are painted and glazed in a burst of colors.
Untitled by Luis EstradaMixed media on canvas, 201930 x 30"
Upon first encounter with Luis Estrada's work it is evident that the artist is obsessed with the weather. His paintings and drawings are peppered with meteorological symbols and diagrams. One quickly notices that entangled among the weather forecast is information about the local train systems - freight and transit - as well as images from professional wrestling. The works seem to be one man's attempt at grappling with and controlling the quotidian deluge of information cast at us.
Untitled by Felicia Griffin+Michael Bailey Acrylic on canvas, 201924 x 24"
Felicia Griffin began creating at NIAD at age 22 in 1985. Proficient and prolific in numerous art mediums - from printmaking to painting to sculpture - her work uses an economy of materials, while featuring a rhythm and vibrancy all her own.
While Michael Bailey's time at NIAD was short, his friendship - and collaboration - with Felicia Griffin yielded ethereal color field paintings in which their conversation takes visual form.
Untitled by Raven Harper Acrylic on canvas, 201930 x 40"
Raven Harper's work explores the African American experience. In ceramics or fiber, Harper captures likenesses of Tupac and his mother, Smokey Robinson and Rosa Parks, connecting her present with a glorious and sometimes overlooked past.
Untitled (P1000) by Karen MayMixed media on found painting, 201924 x 18"
Karen May's work is almost funerary in nature, seeking to recapture the memories of her past. For more than a half-century May lived with her mother and father and memories of this seemingly idyllic time tend to haunt her work. Her paintings are often depictions of the home they shared. Her sculptures are recreations of her family.
Untitled by Dorrie ReidAcrylic on canvas, 201920x30"
Drawing inspiration from diverse interests - including animals and the environment, identity, family history, and civil rights activism, Dorrie Reid's disarming works reflect a joyful approach to art-making. Endlessly imaginative, her artistic practice becomes a natural extension of memory and personal experience. Born and raised in the Bay Area, Dorrie Reid was first introduced to art-making early on in school, primarily through drawing. Reid has worked across a wide range of media over the past two decades. Recurring themes for Reid are significant seasons and times of year, as well as numerous iterations of the Black Panther slogan "All Power to the People," realized as text-based prints, drawings, and elaborate quilts.
Reid's first solo exhibition opens in May at Kapp Kapp Projects in Philadelphia.
Untitled by Shantae RobinsonAcrylic on canvas, 201624 x 36"
Oh man, does Shantae Robinson know how to use color. Her abstract paintings and drawings - often based on a grid structure - come alive with color, seeming to emit some sort of life vibrations.
Untitled by Jesus SalasAcrylic on canvas, 2019 12 x 12"
Jesus Salas documents the interior of the bus that brings him to Art Center in graphite and sometimes marker on a found sheet of paper. Less frequently, and on the flip side of the page, he captures the exterior of the bus. And recently, he has begun to create paintings sporting a minimalist field covered atop with the numbers one to one hundred. Often the numerals become unclear or blurred due Salas' hurried layering.
Untitled by Tre'von SilvaMixed media on canvas, 201924 x 18"
Tre'von Silva creates striking abstract paintings and works on paper. Whether his work layers gestural brushstrokes or torn paper collage elements, the immediacy and lyricality of his pieces have drawn a devoted audience even though Silva is just completing his second year of studio practice at NIAD.
Untitled (Trio) by Shana HarperInk on stained, stretched canvas, 2020 Three panels of 16 x 20" each
Over the last decade, Shana Harper has built an extensive body of prints often of a lyrical and floral design. Her leadership in NIAD's wider neighborhood - facilitating workshops at local libraries as well as at NIAD's neighbors, DPRC - has underscored Harper's position as an artist dedicated to her craft and to her community.
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