This 18"x22" oil painting giclee print titled "Ggaal'" is the Koyukon Athabascan word for king salmon. This painting depicts the significance of our subsistence traditions at my family's fish camp on the Yukon River, and highlights the salmon crisis that has deeply affected our communities. The original is oil on canvas and the print is an archival, professional quality giclee. Laurel was born and raised in Anchorage while spending summers at her family's fish camp on the Yukon River. Her family on her mom's side is from Rampart with roots in Allakaket. Laurel has been drawing and painting her whole life. She is inspired by her Koyukon heritage, fish camp, and Alaska's beauty. More of Laurel's amazing work can be found at laurelfateart.com.

Aapiaq is originally from Kinigin on the tip of the Seward Peninsula. She studied Art K-12 Teaching for her undergraduate degree. She is currently in a doctorate program and paints and beads when she has the extra time in between work, school, and parenting. Her main painting medium is acrylic, but she also occasionally uses watercolors. Her inspiration comes from connection to place and people, so her work often features nature or individuals who have made a positive impact on her life.

Rachel Stasenko is an Inupiaq artist from Shishmaref. Born and raised, she has long been a fierce advocate for the Kigiqtaamiut way of life.

18"x24". Tammy Holland grew up alternating between Fairbanks and fish camp on the Yukon near Rampart. Through her work in both sculpture and painting, she celebrates her roots in an Athabaskan/Yupik family and honors traditions. Her art is a reflection of her childhood, celebrating the subsistence lifestyle she grew up with, nature, and the strong matriarchal bonds that shaped her character. Tammy plays with a bold color pallet and perspectives, often blowing up the subject to larger than life. Bright happy imagery makes up the body of her work.

18"x24". Tammy Holland grew up alternating between Fairbanks and fish camp on the Yukon near Rampart. Through her work in both sculpture and painting, she celebrates her roots in an Athabaskan/Yupik family and honors traditions. Her art is a reflection of her childhood, celebrating the subsistence lifestyle she grew up with, nature, and the strong matriarchal bonds that shaped her character. Tammy plays with a bold color pallet and perspectives, often blowing up the subject to larger than life. Bright happy imagery makes up the body of her work.More of Tammy's work can be found at tammyhollandstudios.com.

18"x24". Tammy Holland grew up alternating between Fairbanks and fish camp on the Yukon near Rampart. Through her work in both sculpture and painting, she celebrates her roots in an Athabaskan/Yupik family and honors traditions. Her art is a reflection of her childhood, celebrating the subsistence lifestyle she grew up with, nature, and the strong matriarchal bonds that shaped her character. Tammy plays with a bold color pallet and perspectives, often blowing up the subject to larger than life. Bright happy imagery makes up the body of her work. More of Tammy's work can be found at tammyhollandstudios.com.

30"x40" acrylic painting of masks on canvas. Arielo Taylor is an Unangax multidisciplinary artist born and raised in Anchorage Alaska. Known for creating many styles of works on canvas to large scale murals, to tattoos and an ever growing list of hobbies from engraving to film photography. His inspiration is drawn from music, film, nature and many other sources. More of Bisco's work can be found at www.Bisco-art.square.site.

Small square baleen basket with ivory whale tail lid topper made by Inupiaq artist Max Tooyak.

Sitting Woman Doll with Skin and Ulu made by Margaret Stiefel.

Large round baleen basket with ivory whale tail lid topper made by James Omnik Sr.

Sheared Beaver Key Chain made by Claire Nay.

Mixed media with white lace edge and blue flowers. This work is a response to the abuse that Indigenous communities face, and represents the grief and mourning of individuals, families, and communities. Sonya Kelliher-Combs is an artist from Nome who uses mixed media paintings and sculptures to explore the ongoing struggle for self-definition and identity in the Alaska Native context. Her use of synthetic, organic, traditional, and modern materials moves beyond oppositions between Western/Native culture, self/other, and man/nature, to examine their interdependence while also questioning accepted notions of beauty. Sonya's work has been featured in numerous museums, including the National Museum of the American Indian, the IAIA Museum of Contemporary Native Art, Anchorage Museum, and the Alaska State Museum. You can find more of Sonya's work at sonyakellihercombs.com.

These exquisite bowls, crafted from silver salmon and Arctic rainbow trout skins and embellished with dentalium, caribou bone, and abalone, are titled United for Survival-a tribute to the resilience of our fish as they fight their way home. Created by world-renowned Koyukon Athabascan artist Audrey Ambrose Armstrong, one of our Artists in Action, this set reflects her mastery in reviving the ancient art of fish-skin sewing, a tradition she has shared in more than 40 classes.

Apqusiuq-the act of breaking trail across sea ice-depicts a figure moving steadily through shifting terrain, guided by deep knowledge of currents, weather, and season. Painted on 40" x 40" hand-stitched denim, a material tied to labor and endurance, the piece connects physical effort with cultural continuity. Soft LED backlighting shifts between warm and cool tones, evoking the changing Arctic light. A reflection on the enduring relationship between people, ice, and the knowledge that shapes their path.

This finely detailed scrimshaw, carved from walrus ivory, captures a quiet, powerful moment of life on the Arctic ice. The etching reflects the image of an Inupiaq woman fishing through the frozen surface with seals rising up, honoring generations who have relied on skill, patience, and deep knowledge of the land and sea. Each line carved into the ivory reflects both artistry and tradition, preserving a story of resilience, sustenance, and the enduring relationship between people and the Arctic environment.

This 16" x 20" acrylic-on-canvas piece-framed in painted maple and accented with silk, spruce root, acrylic medium, and trade beads-reflects the layered artistry of Sylvia Lange. Unangan and Tlingit, Raven Clan (Kwáashk'ikwáan Fort Hit), and known by her Lingít name Sinot, Sylvia was born and raised in Cordova and has been painting since 2012. Her work blends heritage, material, and story into a single vibrant canvas.