Kate Wait What
Jade Earrings - Short
Borosilicate glass

Artist Statement

My work explores themes of memory, relationships, loss, grief, and longing. I grew up living in constant transience, attempting to avoid formal foster care placement. Coming into adulthood made me question my upbringing and it's effect on my adult persona.

My work utilizes glass to evoke the fragile nature of stability and the ghost-like quality of memory. I am interested in the dichotomy of having the desire for the stability that I lacked growing up, while simultaneously seeking out the continuation of the uncertainty that became so familiar. Trauma can affect the brain by leaving a haze over your past, leaving holes in what you remember. This process has empowered me to take back an element of control by processing my memories, and therefore, gaining a better understanding of myself. Through the repetitive process of making glass, my body is able to relax into a meditative state, allowing my mind to process grief and trauma. By finding peace in my past, I am able to achieve ataraxia and move forward.

Artist Bio

Kate Crankshaw was born in the Pinelands of New Jersey and currently resides in Philadelphia with her 2 small dogs, 2 cats, and pet pigeon. She is skilled in both flameworking and hot glass, making work utilizing both processes. Her work explores ideas of memory, longing, and relationships. She has previously held internships at Wheaton Arts & Cultural Center, as well as Vetro Vero Studios. Kate has received multiple awards & scholarships, including the Kimmel Scholarship for excellence in Craft and the Brian Effron Pilchuck Glass School Scholarship to attend a workshop at Pilchuck Glass School in Stanwood, WA. She has also received a gallery pick from Wexler Gallery for her piece "Home, Springtime" while featured in the Art Unleashed exhibition. In addition to her art practice, she designs and makes jewelry and home decor, as well as fabricating work in glass for both designers and artists. Kate holds a BFA in Craft + Material Studies, with a focus in glass, from the University of the Arts (2019) and an MFA in Craft/Material Studies with a focus in glass from Virginia Commonwealth University (2023).

Donated By The Artist

Kate Wait What
Lilac Chain Earrings
Borosilicate glass with gold link clasp

Artist Statement

My work explores themes of memory, relationships, loss, grief, and longing. I grew up living in constant transience, attempting to avoid formal foster care placement. Coming into adulthood made me question my upbringing and it's effect on my adult persona.

My work utilizes glass to evoke the fragile nature of stability and the ghost-like quality of memory. I am interested in the dichotomy of having the desire for the stability that I lacked growing up, while simultaneously seeking out the continuation of the uncertainty that became so familiar. Trauma can affect the brain by leaving a haze over your past, leaving holes in what you remember. This process has empowered me to take back an element of control by processing my memories, and therefore, gaining a better understanding of myself. Through the repetitive process of making glass, my body is able to relax into a meditative state, allowing my mind to process grief and trauma. By finding peace in my past, I am able to achieve ataraxia and move forward.

Artist Bio

Kate Crankshaw was born in the Pinelands of New Jersey and currently resides in Philadelphia with her 2 small dogs, 2 cats, and pet pigeon. She is skilled in both flameworking and hot glass, making work utilizing both processes. Her work explores ideas of memory, longing, and relationships. She has previously held internships at Wheaton Arts & Cultural Center, as well as Vetro Vero Studios. Kate has received multiple awards & scholarships, including the Kimmel Scholarship for excellence in Craft and the Brian Effron Pilchuck Glass School Scholarship to attend a workshop at Pilchuck Glass School in Stanwood, WA. She has also received a gallery pick from Wexler Gallery for her piece "Home, Springtime" while featured in the Art Unleashed exhibition. In addition to her art practice, she designs and makes jewelry and home decor, as well as fabricating work in glass for both designers and artists. Kate holds a BFA in Craft + Material Studies, with a focus in glass, from the University of the Arts (2019) and an MFA in Craft/Material Studies with a focus in glass from Virginia Commonwealth University (2023).

Donated By The Artist

Kate Wait What
Sun Shift Earrings
Borosilicate glass with gold link clasp

These earrings appear grey in artificial light and purple in sunlight!

Artist Statement

My work explores themes of memory, relationships, loss, grief, and longing. I grew up living in constant transience, attempting to avoid formal foster care placement. Coming into adulthood made me question my upbringing and it's effect on my adult persona.

My work utilizes glass to evoke the fragile nature of stability and the ghost-like quality of memory. I am interested in the dichotomy of having the desire for the stability that I lacked growing up, while simultaneously seeking out the continuation of the uncertainty that became so familiar. Trauma can affect the brain by leaving a haze over your past, leaving holes in what you remember. This process has empowered me to take back an element of control by processing my memories, and therefore, gaining a better understanding of myself. Through the repetitive process of making glass, my body is able to relax into a meditative state, allowing my mind to process grief and trauma. By finding peace in my past, I am able to achieve ataraxia and move forward.

Artist Bio

Kate Crankshaw was born in the Pinelands of New Jersey and currently resides in Philadelphia with her 2 small dogs, 2 cats, and pet pigeon. She is skilled in both flameworking and hot glass, making work utilizing both processes. Her work explores ideas of memory, longing, and relationships. She has previously held internships at Wheaton Arts & Cultural Center, as well as Vetro Vero Studios. Kate has received multiple awards & scholarships, including the Kimmel Scholarship for excellence in Craft and the Brian Effron Pilchuck Glass School Scholarship to attend a workshop at Pilchuck Glass School in Stanwood, WA. She has also received a gallery pick from Wexler Gallery for her piece "Home, Springtime" while featured in the Art Unleashed exhibition. In addition to her art practice, she designs and makes jewelry and home decor, as well as fabricating work in glass for both designers and artists. Kate holds a BFA in Craft + Material Studies, with a focus in glass, from the University of the Arts (2019) and an MFA in Craft/Material Studies with a focus in glass from Virginia Commonwealth University (2023).

Donated By The Artist

Enamellyse
Annie's Stars with Glass Enamel - Pink, 2025
Sterling silver, glass enamel

Artist Statement

Often inspired by her walks both in nature and in the city as well, Ellyse uses enamel's graphic qualities as an illustrative tool to emphasize shape and pattern in her production work. The more complex applications of champleve and plique a jour allow her to explore personal narratives in her one-of-a-kind pieces. Plique a jour, a kind of miniaturized "stained glass" effect in fine jewelry, is evocative of church windows as these pieces glow as they catch the light. Stained glass is most commonly associated with biblically religious fervor, but in Ellyse's work it is an applied worship of more mundane facets of life from a window of asparagus made one summer when the artist developed a near ritualistic obsession with the vegetable, the gentle comfort of a child's rainbow drawing as seen through home windows during "pandemic walks", to a patch of clovers that represent a quiet space on a hill stolen away from an otherwise bustling day.

Artist Bio

Ellyse translates illustrations into fine jewelry using traditional enameling techniques, especially focusing on champleve and plique a jour. After graduating from Tyler School of Art with a BFA in Metals/Jewelry/CAD she found work on Philadelphia's historical Jeweler's Row repairing gold jewelry with a focus in antique enamel restoration. Working on antique pieces exposed her to the vast possibilities of the medium, combining the playfulness of colorful drawing with the craft discipline she has learned from working within the fine jewelry industry.

Donated By The Artist

Enamellyse
Annie's Stars with Glass Enamel - Yellow, 2025
Sterling silver, glass enamel

Artist Statement

Often inspired by her walks both in nature and in the city as well, Ellyse uses enamel's graphic qualities as an illustrative tool to emphasize shape and pattern in her production work. The more complex applications of champleve and plique a jour allow her to explore personal narratives in her one-of-a-kind pieces. Plique a jour, a kind of miniaturized "stained glass" effect in fine jewelry, is evocative of church windows as these pieces glow as they catch the light. Stained glass is most commonly associated with biblically religious fervor, but in Ellyse's work it is an applied worship of more mundane facets of life from a window of asparagus made one summer when the artist developed a near ritualistic obsession with the vegetable, the gentle comfort of a child's rainbow drawing as seen through home windows during "pandemic walks", to a patch of clovers that represent a quiet space on a hill stolen away from an otherwise bustling day.

Artist Bio

Ellyse translates illustrations into fine jewelry using traditional enameling techniques, especially focusing on champleve and plique a jour. After graduating from Tyler School of Art with a BFA in Metals/Jewelry/CAD she found work on Philadelphia's historical Jeweler's Row repairing gold jewelry with a focus in antique enamel restoration. Working on antique pieces exposed her to the vast possibilities of the medium, combining the playfulness of colorful drawing with the craft discipline she has learned from working within the fine jewelry industry.

Donated By The Artist

Cimone Kind Berman aka Argent Mirror
Orbital Explosion, 2024
handmade mirror
24" diameter

About the work

My art is a fusion of time-honored craftsmanship and transformative alchemy. The exhibited works unite the old-school method of silvering mirrors with my own experimentation. Each mirror tells a unique story, blending history, craft, and artistic vision, inviting observers to glimpse both their own reflection and the enchanting metamorphosis of existence itself.

This series draws inspiration from nature, entwining the rhythms of ocean tides and lunar phases with my practice. By infusing the essence of alchemy into my work, I transmute clear glass into ethereal portals. These mirrors become vessels where copper, silver, and gold meld together, embodying the intrinsic beauty of the elements.

I repurpose vintage glass as often as possible. Infusing vitality into forgotten fragments, I honor their history and reimagine their purpose. In giving new life to discards, I advocate for sustainability and the beauty of honoring the past while embracing the potential of the future. Each mirror becomes a harmonious blend of heritage, artisanship, and reinvention. Within my creative process, I honor the connection between the Earth, moon, and the essence of art, drawing inspiration from the natural rhythms that guide my work

Bio
Cimone Kind Berman, the self-taught visionary behind Argent Mirror, merges artistry with sustainability, specializing in crafting custom antique mirrors and fine art from repurposed glass. With a creative journey spanning over six and a half years, Berman has perfected a signature patina method adaptable across diverse artistic expressions.

As an entrepreneur, wife, and mother to twin daughters, Berman champions the belief that determination and hard work pave the path to limitless possibilities. This ethos is reflected in her artistic endeavors and life pursuits.

Argent, meaning silver in French, began as a collaboration with parent glass and mirror company, Philadelphia native Gordon & Sons. Berman's art installations range in size from jewelry, to enormous walls of mirrors. After years in the industry, she has decorated the interiors of award-winning restaurants, luxe personal homes, and gallery-based art exhibitions.

With an unwavering commitment to sustainability, Berman's art not only embodies exquisite craftsmanship but also encapsulates a narrative of possibility, determination, and the beauty of repurposing materials to create timeless works of art.

You can see Cimone's work in the exhibition "hearth, frame, foundation" at Park Towne Place

Terri Saulin
All The Things You are (I), 2024
Porcelain, luster glazes.

4.5 x 3 x 3

Artist Statement

In the "Shaker" spirit, I imagine a tiny wasp-worker making imaginary homes for important collections of most special memories. Saulin's process begins with cartography. The drawings and sculptures created are a visual "counterpoint" The layered information, produces an imagined, time-lapse view of a world. Inspired by the landscape of her urban garden, drawings become maps that document plant life,
fleeting shadows, secreted places where mantis eggs were found, caterpillars ate, and dragonflies landed. They map the cold feeling felt in between the discs of her spine as she lay on her back on a freezing night watching a Perseid Meteor shower.

Intricate ceramic constructions are three-dimensional memory maps. They are invisible cities, liminal urban planning, and love letters to treasured and influential authors, artists, musicians, friends, and family members. A mise en place of ingredients float between surface decoration and building blocks. They are carrots, onions and celery and they are meditations on the thousands of loops her mother made while crocheting piles of blankets, wondering what thoughts may have passed under the weight of each accumulated stitch.

Artist Bio

Terri Saulin received her MFA from the University of the Arts and her BFA from Moore College of Art and Design. She is a long time member and press coordinator for Tiger Strikes Asteroid, Philadelphia and a Member/Supporter of The Clay Studio, CFEVA and In liquid Gallery, Philadelphia. She currently teaches a variety of Studio Art courses at The Agnes Irwin School, in Rosemont, PA. Terri is the owner of No. 5 Butchie Alley. No. 5 Butchie Alley is an outgrowth of Terri's studio. The space is secretly tucked away on a small easement in South Philly and opens into a garden of inspiration.

Donated By The Artist

Terri Saulin
All The Things You Are II, 2024
Porcelain, luster glazes.

4.5 x 3 x 3

Artist Statement

In the "Shaker" spirit, I imagine a tiny wasp-worker making imaginary homes for important collections of most special memories. Saulin's process begins with cartography. The drawings and sculptures created are a visual "counterpoint" The layered information, produces an imagined, time-lapse view of a world. Inspired by the landscape of her urban garden, drawings become maps that document plant life,
fleeting shadows, secreted places where mantis eggs were found, caterpillars ate, and dragonflies landed. They map the cold feeling felt in between the discs of her spine as she lay on her back on a freezing night watching a Perseid Meteor shower.

Intricate ceramic constructions are three-dimensional memory maps. They are invisible cities, liminal urban planning, and love letters to treasured and influential authors, artists, musicians, friends, and family members. A mise en place of ingredients float between surface decoration and building blocks. They are carrots, onions and celery and they are meditations on the thousands of loops her mother made while crocheting piles of blankets, wondering what thoughts may have passed under the weight of each accumulated stitch.

Artist Bio

Terri Saulin received her MFA from the University of the Arts and her BFA from Moore College of Art and Design. She is a long time member and press coordinator for Tiger Strikes Asteroid, Philadelphia and a Member/Supporter of The Clay Studio, CFEVA and In liquid Gallery, Philadelphia. She currently teaches a variety of Studio Art courses at The Agnes Irwin School, in Rosemont, PA. Terri is the owner of No. 5 Butchie Alley. No. 5 Butchie Alley is an outgrowth of Terri's studio. The space is secretly tucked away on a small easement in South Philly and opens into a garden of inspiration.

Aerisbotanica
Datura Branch
Cast bronze

Artist Statement

Aerisbotanica designs and hand makes beautiful cast bronze vessels and botanicals for the luxury home accessories and gift market.

We use the lost wax process to create our work. This process, also known as investment casting, is an ancient and intricate method of sculptural and artistic metal casting. The technique involves creating a detailed wax model, which is then encased in a mold. The mold is heated to melt and remove the wax (lost wax), leaving a hollow space in the shape of the original form. Molten bronze is then poured into the hollow mold, filling the space left by the wax. Once the metal solidifies, the mold is broken, revealing the cast metal object. This process allows for exceptional detail and precision, making it an excellent method for producing intricate and finely crafted bronze botanicals and decorative vessels.

Artist Bio

Chris Collins, an accomplished sculptor, leads the creation of our work. He holds an MFA in sculpture, with a specialization in metal casting. He has over 20 years professional experience in all aspects of sculpture production, including holding leadership roles in major art foundries. He is also an educator, teaching this process at the university level, and in private workshops.

Jennifer Joseph, the lead designer, is an accomplished artist, with over 30 years' experience in various types of design, organization and creative entrepreneurship.

Life and creative partners since 2008, both Chris and Jennifer maintain artistic practices, and their work has been shown and collected nationally and internationally.

Donated By Woodmere Art Museum

Carrie R Crudd
0011 Red-Pink-Pot

Made from Aqua-Resin, a water-based, non-toxic, sculpting resin. Green-sustainable.
For decorative or functional use; heat and water-resistant. Please handle with care! This is a functional artwork. You may rinse gently with water, or dust lightly with a paintbrush. The piece is supported by an internal wire structure/skeleton.
12" x 14" x 13"

Donated By The Artist

Prajje Oscar
SHOES
Print on canvas chocks

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
YAYA - SCARF
Silk

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
DIDI - SCARF
Silk

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
COLLECTION HAT- MUSTARD
Wool felt - detective hat

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
COLLECTION HAT- BLUE
Wool felt - baseball collection hat

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
PRAJJE OSCAR SWEATER
Cotton bland - white

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
BORAN KNITTED SWEATER
55% cotton, 45% polyester

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
BOIS CAIMAN KNITTED SWEATER
55% cotton, 45% polyester

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
ZAKA
Denim patch vest

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
KOUZIN
Drop waist skirt (denim mini skirt)

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
DANBALA SUMMER DRESS
Short dress (green)

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Prajje Oscar
LEGEND GOWN
Silk & chiffon gown

Artist Statement

As a designer, I am profoundly responsible to those who wear my designs. My mission is to ensure they feel beautiful, empowered, and contemporary while offering them an aspirational and attainable luxury

Artist Bio

A graduate of the prestigious Massachusetts College of Art and Design in Boston, Prajje transformed his childhood dream into a reality, establishing his fashion house in 2003. Now based in Philadelphia, his brand encompasses a sophisticated atelier and a Couture Atelier in Haiti, reflecting his deep connection to heritage and craftsmanship.

Prajje's work is synonymous with artistry and innovation. As a two-time Project Runway alumnus, his visionary approach to design captivated millions, solidifying his reputation as a cultural storyteller. He serves as the Creative Director for Philly Fashion Week and the Haitian band ZILE, shaping their artistic direction and wardrobe with unparalleled flair

Marguerita Hagan
Charger 1, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
12.5" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow'- Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Charger 2, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
12.5" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Charger 3, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
12.5" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Med Plate 1, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
5" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Med Plate 3, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
5" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. Ã'Ã'¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Med Plate 4, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
5" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ÃÆ''Ã'Ã'¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Small Bowl, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ÃÆ'Æ''ÃÆ''Ã'Ã'¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Small Plate 1 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
3" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Small Plate 2, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
3" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

Marguerita Hagan
Small Plate 3, 2025
Custom Diatom with Luster (hand-built in red clay with white glaze)
Hand-made sturdy stoneware. Each unique, food, dishwasher, microwave and ovenproof safe.
3" diameter

Artist Statement
What does light talk about? I asked a plant that once. It said, 'I am not sure, but it makes me grow' - Thomas Aquinas, 1225 - 1274

Oak trees know. Their roots graft into one flesh so they may share mutual sustenance, benefiting the community as a whole. When one tree is in need, the healthy ones direct their energy in support. This goes brilliantly macro with fungi, the underpins of the terrestrial realm. Their fiber optic-like mycelium likening a high speed internet connects life in the subterranean. Micro-marine organisms connect in exquisite mutually beneficial systems or colonies in the ocean and provide over 50% of all oxygen for the planet. Rich diversity and reciprocal sharing fuel thriving communities and environments. This light-giving flow has enabled all life to thrive for eons.

Inherent potential realized moves everything, even light itself. ¨It certainly moves me. My work is a response to this light. The interdependent forms and projects grow in a continuous heliotropic adventure, energized with every opportunity and connection.

Artist Bio

Marguerita Hagan is a ceramic sculptor based in Philadelphia and an activist for the thriving of all life in mutually sustainable communities and environments. The concept of interdependence plays throughout her sculpture, teaching and community arts.

David Beker
Deconstructed Tansu

Artist Bio

David Beker is an architect, craftsperson and artist. He holds a Master of Fine Arts from Parsons School of Design in Design and Technology, a Master of Architecture from the University of Pennsylvania, and an undergraduate degree in architecture from the University of Maryland. He currently lives and works in Philadelphia, PA.

Drawing from his experience as an architect and digital artist, David Beker's three-dimensional projects exist in a space between functional furniture and architectural sculpture. These sculptures draw inspiration from the deep cultural meaning of recognizable objects. These elements are combined and arranged to create a new composition that challenges the understanding of the object's original meaning.

Donated By The Artist

Loominous Designs
Blue-green seed bead earrings

Donated By The Artist

Loominous Designs
Long Tila Earrings #3
Seed beads, gold fill ear hooks

Donated By The Artist

Loominous Designs
Long Tila Earrings #4
Seed beads, gold fill ear hooks

Donated By The Artist

Loominous Designs
Triangle seed bead earrings
Seed beads, gold fill hooks

Donated By The Artist

Carl Durkow
CLT 1 (Cloud Laminate Table)
MDF, formica, aluminum
12" x 12" x 28"

Artist Bio

Carl Durkow (b. 1995, NJ) is a Philadelphia based furniture and object designer whose process involves taking the scenic route, sidestepping the digital realm and embracing the control of the human hand. With a dedication to physical experimentation and refinement, Durkow is interested in utilizing mundane details of the constructed world to foster surprise and intrigue.

Inspired by the elegance of fine craft, surrealist painting, and historic furniture designs he seeks to create objects meant to be lived with and cared for. While function is never neglected in the process, it often comes second to novelty of form and decorative reference. Durkow's creative journey is centered around evocative design, prioritizing sensory and tactile pleasures for anyone who encounters his work.

Donated By The Artist

Carl Durkow
Egg Cup
MDF, Formica, Aluminum
2" x 3" x 4"

Artist Bio

Carl Durkow (b. 1995, NJ) is a Philadelphia based furniture and object designer whose process involves taking the scenic route, sidestepping the digital realm and embracing the control of the human hand. With a dedication to physical experimentation and refinement, Durkow is interested in utilizing mundane details of the constructed world to foster surprise and intrigue.

Inspired by the elegance of fine craft, surrealist painting, and historic furniture designs he seeks to create objects meant to be lived with and cared for. While function is never neglected in the process, it often comes second to novelty of form and decorative reference. Durkow's creative journey is centered around evocative design, prioritizing sensory and tactile pleasures for anyone who encounters his work.

Donated By The Artist

Carrie R Crudd
0007 Midnight Garden Mirror
Aquaresin, acrylic, mirror, wire
Material: Made from Aqua-Resin, a water-based, non-toxic, sculpting resin. Green-sustainable.
Use & Care: For decorative or functional use; heat and water-resistant. Please handle with care! This is a functional artwork. You may rinse gently with water, or dust lightly with a paintbrush. The piece is supported by an internal wire structure/skeleton.
Durability: Pots have shipped from Philadelphia to California and Switzerland successfully!
15" x 15" x 6"

Donated By The Artist

Aerisbotanica
Datura Branch
Cast bronze

Artist Statement

Aerisbotanica designs and hand makes beautiful cast bronze vessels and botanicals for the luxury home dÃÆ'Ã'©cor accessories and gift market.

We use the lost wax process to create our work. This process, also known as investment casting, is an ancient and intricate method of sculptural and artistic metal casting. The technique involves creating a detailed wax model, which is then encased in a mold. The mold is heated to melt and remove the wax (lost wax), leaving a hollow space in the shape of the original form. Molten bronze is then poured into the hollow mold, filling the space left by the wax. Once the metal solidifies, the mold is broken, revealing the cast metal object. This process allows for exceptional detail and precision, making it an excellent method for producing intricate and finely crafted bronze botanicals and decorative vessels.

Artist Bio

Chris Collins, an accomplished sculptor, leads the creation of our work. He holds an MFA in sculpture, with a specialization in metal casting. He has over 20 years professional experience in all aspects of sculpture production, including holding leadership roles in major art foundries. He is also an educator, teaching this process at the university level, and in private workshops.

Jennifer Joseph, the lead designer, is an accomplished artist, with over 30 years' experience in various types of design, organization and creative entrepreneurship.

Life and creative partners since 2008, both Chris and Jennifer maintain artistic practices, and their work has been shown and collected nationally and internationally.

Donated By Woodmere Art Museum

Aerisbotanica
Devils Claw
Cast bronze

Artist Statement

Aerisbotanica designs and hand makes beautiful cast bronze vessels and botanicals for the luxury home dÃÆ'Ã'©cor accessories and gift market.

We use the lost wax process to create our work. This process, also known as investment casting, is an ancient and intricate method of sculptural and artistic metal casting. The technique involves creating a detailed wax model, which is then encased in a mold. The mold is heated to melt and remove the wax (lost wax), leaving a hollow space in the shape of the original form. Molten bronze is then poured into the hollow mold, filling the space left by the wax. Once the metal solidifies, the mold is broken, revealing the cast metal object. This process allows for exceptional detail and precision, making it an excellent method for producing intricate and finely crafted bronze botanicals and decorative vessels.

Artist Bio

Chris Collins, an accomplished sculptor, leads the creation of our work. He holds an MFA in sculpture, with a specialization in metal casting. He has over 20 years professional experience in all aspects of sculpture production, including holding leadership roles in major art foundries. He is also an educator, teaching this process at the university level, and in private workshops.

Jennifer Joseph, the lead designer, is an accomplished artist, with over 30 years' experience in various types of design, organization and creative entrepreneurship.

Life and creative partners since 2008, both Chris and Jennifer maintain artistic practices, and their work has been shown and collected nationally and internationally.

Donated By Woodmere Art Museum

Aerisbotanica
Sycamore Ball
Cast Bronze

Artist Statement

Aerisbotanica designs and hand makes beautiful cast bronze vessels and botanicals for the luxury home dÃÆ'Ã'©cor accessories and gift market.

We use the lost wax process to create our work. This process, also known as investment casting, is an ancient and intricate method of sculptural and artistic metal casting. The technique involves creating a detailed wax model, which is then encased in a mold. The mold is heated to melt and remove the wax (lost wax), leaving a hollow space in the shape of the original form. Molten bronze is then poured into the hollow mold, filling the space left by the wax. Once the metal solidifies, the mold is broken, revealing the cast metal object. This process allows for exceptional detail and precision, making it an excellent method for producing intricate and finely crafted bronze botanicals and decorative vessels.

Artist Bio

Chris Collins, an accomplished sculptor, leads the creation of our work. He holds an MFA in sculpture, with a specialization in metal casting. He has over 20 years professional experience in all aspects of sculpture production, including holding leadership roles in major art foundries. He is also an educator, teaching this process at the university level, and in private workshops.

Jennifer Joseph, the lead designer, is an accomplished artist, with over 30 years' experience in various types of design, organization and creative entrepreneurship.

Life and creative partners since 2008, both Chris and Jennifer maintain artistic practices, and their work has been shown and collected nationally and internationally.

Donated By Woodmere Art Gallery

Aerisbotanica
Artichoke Pod
Cast bronze

Artist Statement

Aerisbotanica designs and hand makes beautiful cast bronze vessels and botanicals for the luxury home dÃÆ'Ã'©cor accessories and gift market.

We use the lost wax process to create our work. This process, also known as investment casting, is an ancient and intricate method of sculptural and artistic metal casting. The technique involves creating a detailed wax model, which is then encased in a mold. The mold is heated to melt and remove the wax (lost wax), leaving a hollow space in the shape of the original form. Molten bronze is then poured into the hollow mold, filling the space left by the wax. Once the metal solidifies, the mold is broken, revealing the cast metal object. This process allows for exceptional detail and precision, making it an excellent method for producing intricate and finely crafted bronze botanicals and decorative vessels.

Artist Bio

Chris Collins, an accomplished sculptor, leads the creation of our work. He holds an MFA in sculpture, with a specialization in metal casting. He has over 20 years professional experience in all aspects of sculpture production, including holding leadership roles in major art foundries. He is also an educator, teaching this process at the university level, and in private workshops.

Jennifer Joseph, the lead designer, is an accomplished artist, with over 30 years' experience in various types of design, organization and creative entrepreneurship.

Life and creative partners since 2008, both Chris and Jennifer maintain artistic practices, and their work has been shown and collected nationally and internationally.

Donated By Woodmere Art Gallery

Aerisbotanica
Poppy Pod
Cast bronze

*ONE Cast Bronze Poppy Pod

Artist Statement

Aerisbotanica designs and hand makes beautiful cast bronze vessels and botanicals for the luxury home dÃÆ'Ã'©cor accessories and gift market.

We use the lost wax process to create our work. This process, also known as investment casting, is an ancient and intricate method of sculptural and artistic metal casting. The technique involves creating a detailed wax model, which is then encased in a mold. The mold is heated to melt and remove the wax (lost wax), leaving a hollow space in the shape of the original form. Molten bronze is then poured into the hollow mold, filling the space left by the wax. Once the metal solidifies, the mold is broken, revealing the cast metal object. This process allows for exceptional detail and precision, making it an excellent method for producing intricate and finely crafted bronze botanicals and decorative vessels.

Artist Bio

Chris Collins, an accomplished sculptor, leads the creation of our work. He holds an MFA in sculpture, with a specialization in metal casting. He has over 20 years professional experience in all aspects of sculpture production, including holding leadership roles in major art foundries. He is also an educator, teaching this process at the university level, and in private workshops.

Jennifer Joseph, the lead designer, is an accomplished artist, with over 30 years' experience in various types of design, organization and creative entrepreneurship.

Life and creative partners since 2008, both Chris and Jennifer maintain artistic practices, and their work has been shown and collected nationally and internationally.

Donated by Woodmere Art Gallery

Nate Willever
Pitcher, 2024
Wood ash and local feldspar glaze Reduction fired cone 8

Artist Bio

Nathan Willever was raised in Portsmouth, New Hampshire. He holds a Bachelor of Fine Arts in Ceramics from Maine College of Art.

His functional pottery made from local materials have been featured in numerous national exhibitions and publications such as Ceramics Monthly, Pottery Making Illustrated and Clay Times. In 2019 he was selected to be a Ceramics Monthly Emerging Artist.

His work has been shown nationally at galleries including Schaller Gallery, The Clay Studio, Akar Design, Jane Hartsook Gallery and The Ohio Craft Museum. He has taught workshops at institutions such as Ox-Bow School of Art, Touchstone Center for Craft, Truro Center for the Arts at Castle Hill and Haystack Mountain School of Crafts.

In 2018 he was selected by Haystack to be a guest artist at The Shigaraki Ceramic Culture Park in Shigaraki, Japan.
He was awarded The 2018 Sybille Zeldin Fellowship at The Clay Studio in Philadelphia Pennsylvania. In 2019 he was a Windgate Scholar at the Archie Bray Foundation for the Ceramic Arts.

Donated By The Artist

Nate Willever
Serving Bowl, 2024
Stoneware woodfired and reduction cooled cone 8

Artist Bio

Nathan Willever was raised in Portsmouth, New Hampshire. He holds a Bachelor of Fine Arts in Ceramics from Maine College of Art.

His functional pottery made from local materials have been featured in numerous national exhibitions and publications such as Ceramics Monthly, Pottery Making Illustrated and Clay Times. In 2019 he was selected to be a Ceramics Monthly Emerging Artist.

His work has been shown nationally at galleries including Schaller Gallery, The Clay Studio, Akar Design, Jane Hartsook Gallery and The Ohio Craft Museum. He has taught workshops at institutions such as Ox-Bow School of Art, Touchstone Center for Craft, Truro Center for the Arts at Castle Hill and Haystack Mountain School of Crafts.

In 2018 he was selected by Haystack to be a guest artist at The Shigaraki Ceramic Culture Park in Shigaraki, Japan.
He was awarded The 2018 Sybille Zeldin Fellowship at The Clay Studio in Philadelphia Pennsylvania. In 2019 he was a Windgate Scholar at the Archie Bray Foundation for the Ceramic Arts.

Donated By The Artist

Nate Willever
Square Box, 2024
Stoneware, white slip, clear hlaxe reduction fired cone 8

Artist Bio

Nathan Willever was raised in Portsmouth, New Hampshire. He holds a Bachelor of Fine Arts in Ceramics from Maine College of Art.

His functional pottery made from local materials have been featured in numerous national exhibitions and publications such as Ceramics Monthly, Pottery Making Illustrated and Clay Times. In 2019 he was selected to be a Ceramics Monthly Emerging Artist.

His work has been shown nationally at galleries including Schaller Gallery, The Clay Studio, Akar Design, Jane Hartsook Gallery and The Ohio Craft Museum. He has taught workshops at institutions such as Ox-Bow School of Art, Touchstone Center for Craft, Truro Center for the Arts at Castle Hill and Haystack Mountain School of Crafts.

In 2018 he was selected by Haystack to be a guest artist at The Shigaraki Ceramic Culture Park in Shigaraki, Japan.
He was awarded The 2018 Sybille Zeldin Fellowship at The Clay Studio in Philadelphia Pennsylvania. In 2019 he was a Windgate Scholar at the Archie Bray Foundation for the Ceramic Arts.

Donated By The Artist

Paz Sandoval
Black Raya Earrings
Hand fabricated. Rhodium plated sterling silve. Natural pink sapphires.
70 mm" x 2mm

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Bomba Signet Ring
Lost was casting. Rhodium plated sterling silver, 18k yellow gold.

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Caduceus Ring with Two Bezels
Lost was casting. Sterling silver, 18k yellow gold. Moon stone, blue spinel.

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Garras/Wood Earrings
Foraged American sycamore
Hand carved and charred wood and sterling silver
Tree coordinates: 39.95184ÃÆ''Ã'Ã'° N, 75.20819ÃÆ''Ã'Ã'°W
1 3/4" x 5/8" x 1 1/2"

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Lagrimas Earrings
Limited production. Hand fabricated oxidized sterling silver, 18k yellow gold, dendritic agates
2 5/8" x 1/2" x 1/2"

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Memento Mori Series - Triangulo Earrings
Lost wax casting. Hand fabricated. Oxidized sterling silver and rubbies.
1 1/4" x 7/8" x 1/4"

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Naturaleza Muerta Series - Black Bud Earrings
Lost wax casting. Granulation. Oxidized terling silver, 22 kand 18k gold.
1" x 7/16" x 7/16"

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Naturaleza Muerta Series - White and Gold Bud Earrings
Lost was casting. Sterling silver, 18k yellow gold.
1 1/8" x 1/2" x 1/2"

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Roca Earrings
One of a kind piece. Hand fabricated. Sterling silver, rock, amber.
1 3/4" x 5/8" x 5/8"

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Spinning Earrings
Hand fabricated. Oxidized sterling silver, 18k yellow gold, rubies.
1 1/8" x 5/8" x 3/8"

Artist Statement

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Wood Cuff Series - Dark
Foraged American sycamore
Hand carved and charred wood and sterling silver
Tree coordinates: 39.95184Ã'Ã'° N, 75.20819Ã'Ã'°W
3" x 4" x 2 1/2"

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Wood Cuff Series - Light
Foraged American sycamore
Hand carved and bleached wood and sterling silver
Tree coordinates: 39.95184Ã'Ã'° N, 75.20819Ã'Ã'°W
3" x 4 1/4" x 2"

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Wood Cuff Series - Rippled
Foraged American sycamore
Hand carved and charred wood and sterling silver
Tree coordinates: 39.95184Ã'Ã'° N, 75.20819Ã'Ã'°W
3" x 4" x 2 1/4"

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Wear to Wall
Fancy T - Size Medium, 2020
Limited edition, hand screen printed silk organza sleeve, cotton, spandex body

Artist Bio
Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
Fancy T - Size Small, 2020
Limited edition, hand screen printed silk organza sleeve, cotton, spandex body
PHOTO CREDIT: JAY MUHLIN

Artist Bio
Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
For Awhile, Here We Are Bow, 2022
1/1, One size fits all, synth satin and velvet

Artist Bio
Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
Hand And Glove Coat, 2023
1/1, Hand screen printed 100% heavy weight cotton
Size: M/L

Artist Bio
Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
I'm Set Free Coat, 2023
1/1, Cotton canvas, hand screen printed
Size: S/M
PHOTO CREDIT: AMELIA GISH

Artist Bio

Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
Moth to Light Coat, 2022

1/1, Deadstock fabric, canvas belt, hand screen printed
Size: S/M

PHOTO CREDIT: AMELIA GISH

Artist Bio

Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
Nocturne Coat, 2022
1/1, Hand screen printed
Size: S/M
PHOTO CREDIT: AMELIA GISH

Artist Bio

Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
Paper Towel Dress, 2019
1/1, Vintage Lace, Screen print, mesh, yarn
Size: XS/S
PHOTO CREDIT: AMELIA GISH

Artist Bio

Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
Standing Stick Figure Hanger, 2024
1/1
Approx: 72" x 17" x 20"

Artist Bio

Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
Pockets Skirt, 2024
1/1, Vintage Mashup
Size: S/M

Artist Bio

Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Wear to Wall
Pool House Dress, 2021
1/1, One Size Fits Most, Screen Mesh

Artist Bio

Shelby Donnelly is an interdisciplinary visual artist and educator.
Donnelly makes screen printed and sewn textiles, garments, and objects that are contextualized within videos and installations.

Donnelly founded Wear To Wall in 2019 with the intention of making her artwork wearable.

Wear To Wall is a unique apparel brand because each design is produced as an individual piece, making it more like artwork. The design process starts with the materials determining the size of a piece, which ultimately dictates the design itself. The garment is complete once all the designated materials get used. The limited edition pieces are made from patterns and assembled with a variety of fabrics, making each piece unique.

Art-to-wear pieces are not made from patterns and instead are "built' like sculptures and composed like "drawings." Wear to Wall designs are one-of-a-kind with materials and fabrics that are historical, serendipitously sourced, and created in a zero waste process from start to finish. These pieces are true originals-no other will ever exist.

Shelby Donnelly lives and works in Philadelphia, PA.

Donated By The Artist

Warren Muller
On Fire
Found objects light sculpture

Donated By The Artist

Warren Muller
Wash, Rinse, Repeat
Found objects light sculpture

Donated By The Artist

David Beker
Record Player Console, 2023
Walnut and danish oil
51" x 32" x 21"

Artist Bio

David Beker is an architect, craftsperson and artist. He holds a Master of Fine Arts from Parsons School of Design in Design and Technology, a Master of Architecture from the University of Pennsylvania, and an undergraduate degree in architecture from the University of Maryland. He currently lives and works in Philadelphia, PA.

Drawing from his experience as an architect and digital artist, David Beker's three-dimensional projects exist in a space between functional furniture and architectural sculpture. These sculptures draw inspiration from the deep cultural meaning of recognizable objects. These elements are combined and arranged to create a new composition that challenges the understanding of the object's original meaning.

Donated By The Artist

David Beker
Tower Lamp, 2023
Walnut, lighting and electrical parts, oil finish
53" x 14" x 12"

Artist Bio

David Beker is an architect, craftsperson and artist. He holds a Master of Fine Arts from Parsons School of Design in Design and Technology, a Master of Architecture from the University of Pennsylvania, and an undergraduate degree in architecture from the University of Maryland. He currently lives and works in Philadelphia, PA.

Drawing from his experience as an architect and digital artist, David Beker's three-dimensional projects exist in a space between functional furniture and architectural sculpture. These sculptures draw inspiration from the deep cultural meaning of recognizable objects. These elements are combined and arranged to create a new composition that challenges the understanding of the object's original meaning.

Donated By The Artist

David Beker
Very Tall Table, 2020
Poplar, plywood, finished in milk paint and lacquer
14.5" x 14.5" x 55"

Artist Bio

David Beker is an architect, craftsperson and artist. He holds a Master of Fine Arts from Parsons School of Design in Design and Technology, a Master of Architecture from the University of Pennsylvania, and an undergraduate degree in architecture from the University of Maryland. He currently lives and works in Philadelphia, PA.

Drawing from his experience as an architect and digital artist, David Beker's three-dimensional projects exist in a space between functional furniture and architectural sculpture. These sculptures draw inspiration from the deep cultural meaning of recognizable objects. These elements are combined and arranged to create a new composition that challenges the understanding of the object's original meaning.

Donated By The Artist

David Beker
Wunderkammer, 2021
Cabinet and stand: poplat, plywood and 3D printed elements.
Interior: walnut and acrylic
Cabinet: 18" x 9" x 23"
Stand: 19" x 12" x 29.5"

Artist Bio

David Beker is an architect, craftsperson and artist. He holds a Master of Fine Arts from Parsons School of Design in Design and Technology, a Master of Architecture from the University of Pennsylvania, and an undergraduate degree in architecture from the University of Maryland. He currently lives and works in Philadelphia, PA.

Drawing from his experience as an architect and digital artist, David Beker's three-dimensional projects exist in a space between functional furniture and architectural sculpture. These sculptures draw inspiration from the deep cultural meaning of recognizable objects. These elements are combined and arranged to create a new composition that challenges the understanding of the object's original meaning.

Donated By The Artist

David Beker
Tori Stool, 2018

Artist Bio

David Beker is an architect, craftsperson and artist. He holds a Master of Fine Arts from Parsons School of Design in Design and Technology, a Master of Architecture from the University of Pennsylvania, and an undergraduate degree in architecture from the University of Maryland. He currently lives and works in Philadelphia, PA.

Drawing from his experience as an architect and digital artist, David Beker's three-dimensional projects exist in a space between functional furniture and architectural sculpture. These sculptures draw inspiration from the deep cultural meaning of recognizable objects. These elements are combined and arranged to create a new composition that challenges the understanding of the object's original meaning.

Donated By The Artist

John Wind x Argent Mirror
Cosmos

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Frozen Landscape Necklace

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Frozen Landscape Ring

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Man in the Moon Earrings

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Man in the Moon Necklace

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Moon Vortex

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Reflektor Ring

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Winter Sky Ring

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Golden Arrowhead

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Moon Glow Bottle

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Sedona Vortex

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Verdant Paddles

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Verdant Vortex

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Violet Cosmos

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Life on Mars Earrings

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

John Wind x Argent Mirror
Violet Vortex Earrings

Artist Bio

John was born in Israel and moved to the United States when he was 2 years old. His father is a business professor and his mother was an artist, which neatly explains why he ended up where he did! After college at the University of Pennsylvaynia, John won a scholarship to study at the Slade School of Fine Art in London. He began making jewelry then, visiting Portobello Road and Brick Lane markets and finding fabulous vintage bits....then gluing them into big, funky brooches, and wearing them out at night! (It was the 80's after all...think Culture Club and the Thompson Twins) Before he knew it, he was showing at London Fashion week, selling to The Thompson Twins & being feature in British Vogue. By the time he graduated, the future was clear.

Donated By The Artist

Kara Hetz Jewelry
(Untitled) Necklace, 2025
Cast and fabricated polished sterling silver
Approx: 16 3/4" long

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Endless Onyx Necklace, 2025
Hand-knotted black onyx and black spinel with handmade sterling clasp
Approx: 38", variable

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Gold Chain Earrings
14k yellow gold
1 1/8" x 5/16"

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Gold Charm Necklace - Pirouette, 2022
Cast 14k yellow gold
16" 14k gold chain

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Gold Nugget Stud Earrings - Small
14k yellow gold
Approx: 1/4"

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Oxidized Tiny Hoops w/Pearls, 2024
Oxidized sterling silver, freshwater pearls
1/2" long

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Silver Anticlastic Bangle - Large
Sterling silver
2 1/2"

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Silver Anticlastic Bangle - Small
Sterling silver
2 1/2"

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Smoky Quartz Bracelet
Hand-knotted AA quality smoky quartz ovals, sterling silver handmade hook clasp
6 3/4" - 7 1/2" variable

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Kara Hetz Jewelry
Square Moon Necklace
Hand-knotted table cut moonstones
Approx: 21"

Artist Statement
As a designer, I am continually exploring uncommon ways to present common forms. I am intrigued by the sensuality of metal--how the static becomes fluid and the ways the material can be infinitely transformed. I'm inspired by the interplay of the physical and the emotional and how we relate to the objects we keep. I aspire to create functional, beautiful and wearable pieces, external reminders of the things that we carry.

Artist Bio
Kara Hetz is a jewelry artist working in her Philadelphia studio. She earned her BFA from West Virginia University and her MFA from the University of Illinois at Chicago, both in Studio Arts. Making jewelry and working with metal was a post-graduate passion and she received her metalsmithing training primarily at Lillstreet Art Center in Chicago.

Donated By The Artist

Amanda Kaiserman
AK: Chronos Needle Earrings (Black)
Antique brass watchpart with oxidized silver/black

Donated By The Artist

Amanda Kaiserman
AK: Gladiator Cuff
brass hardware

Donated By The Artist

Amanda Kaiserman
AK: Long Pearl Mini Pinter Earrings
Brass with silver dip Antique finish fresh water pearls

Donated By The Artist

Amanda Kaiserman
AK: Vero Earrings
Brass with gold dip

Donated By The Artist

Amanda Kaiserman
AK: Vero-Pinter Earrings
Brass with silver dip antique finish

Donated By The Artist

Amanda Kaiserman
AK: Chronos Needle Earrings
18th century brass watch parts silver dip oxidized

Donated By The Artist

Amanda Kaiserman
AK: Double Queen Earrings
Brass with gold dip and vintage majolica pearl

Donated By The Artist

Amanda Kaiserman
AK: Hewitt Bracelet (Leather Wrap)
Brass wrapped in leather cord

Donated By The Artist

Amanda Kaiserman
AK: Lenci Necklace - Black
Brass hardware with oxidized silver

Donated By The Artist

Amanda Kaiserman
AK: Pearl Proust Necklace
Brass hardware with gold dip antique gold filled pendant fresh water pearls

Donated By The Artist

Amanda Kaiserman
AK: Pinto Pearl Necklace
Brass hardware with silver dip oxidized finish fresh water pearls

Donated By The Artist

Amanda Kaiserman
AK: Platon Bracelet (b1)
Brass moulded in cooperative foundry in Burkina Faso

Donated By The Artist

Amanda Kaiserman
AK: Proust Patchwork Necklace
Brass hardware with gold dip Antique gold filled pendant fresh water pearls and photo

Donated By The Artist

Paz Sandoval
Blanco Orb vessel on pedestal, 2024
Foraged local wood charred and turned; spalted hackberry and black walnut
9.25" x 5.25" x 5.25"
Spalted hackberry/ 39.94646Ã'Ã'°N, 75.203334Ã'Ã'° W. Black oak/ 39.94850Ã'Ã'°N, 75.20465Ã'Ã'° W

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Blanco y Negro nesting vessels, 2023
Common hackberry wood turned green and charred
8.5" x 18" x 18"

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Blanco y Negro Vessel, 2024
American sycamore turned green and charred
39.95184Ã'° N, 75.20819Ã'°W

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Seed pods, 2021
American sycamore turned green, hand carved and charred
4.5" x 22" x 6.5"
39.94850Ã'°N 75.21007Ã'°W
39.94685Ã'° N, 75.21007Ã'° W

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
TRES, 2024
GROUP of 3 vases
#1 Foraged local sycamore turned green and charred
6" x 3.5" x 3.5"
39.95148Ã'°N, 75. 21557Ã'°W
#2 Hickory with oxide pigment
#3 Hickory charred and hand carved
40.01360Ã'° N, 75.25680Ã'°W

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

Paz Sandoval
Two vessels/Siluetas #6 and #7, 2023
American sycamore turned green and charred
39.95184Ã'° N, 75.20819Ã'°W

Artist Statement

A tree will tell you a story about life, growth and death

Essential to the air we breath, magnificent, strong, patient, and almost invisible to us, trees are silent witnesses to our life's events.
To turn a tree on a lathe is to reveal a story about growth, reproduction and death. I forage local trees after they have been taken down by arborists and storms. Each piece has the recorded coordinates of that tree's geographical location.
In 2019 driven by a strong desire to create from the materials that surround me, I embarked on a journey to explore the natural ecosystem of my city. I collected fallen logs and branches while I taught myself carving and wood turning. My work is exclusively made from species that are native to Philadelphia's rich and diverse urban canopy predominantly found in parks, cemeteries, vacant lots, and tree-lined streets.

To be adorned is to tell a story about one's identity

Jewelry is theatrical in nature and gives the individual the power to construct an idealized version of the self.
To be adorned is simultaneously a personal and public act of creating and expressing one's identity.
When we embellish our bodies, we are making a deliberate choice about how we present and perceive ourselves, and what we want to communicate to the world.

Artist Bio

Influenced by the punk counterculture movement of my youth I started making jewelry as a way of expressing my individualism and nonconformity. I make things in the tradition of the decorative arts and often borrow techniques from what is historically referred to as "women"s craft". My recent work in wood is an attempt to connect with the natural world of my urban surroundings.

In the late '80s I moved from Spain to the States to study at Tyler School of Art.

I am a full-time artist living and working in Philadelphia.

Donated By The Artist

CP Lighting
ExtraLimb Walking Stick
Brushed aluminum finish with leather wrapped handles

Artist Statement

Rustic modern designer Christopher Poehlmann introduces his new handcrafted ExtraLimb Walking Stick, a cane for all who appreciate good (and bespoke) design. Finally: a mobility aid that is as much an art and fashion statement as it is functional. The ExtraLimb walking sticks playfully remove any stigma attached to the idea of a cane and importantly expand the maker's renown in rustic modern design.

Designed with an ergonomic grip and a lightweight aluminum body referencing a wooden branch, the ExtraLimb Walking Stick extends designer Poehlmann's tongue in cheek play on traditional carved wood, which has gained internationally renown as his Rustic Modern newGROWTH series of light fixtures for his brand CP Lighting. Unlike the bespoke branches of chandeliers, Poehlmann's walking stick for the physically impaired brings the branch back to the ground.

The ExtraLimb Walking Stick grew out of his wife's need for stability and support after she progressed from knee scooter to crutches during recovery from an accident that smashed her heel and L1 vertebrae. Unwilling to settle for a Plain Jane cane from the pharmacy or a suitable stick found in the woods, she implored her industrial designer husband to help her take the next steps, to craft something super cool. The seeds for a cane, once marinating in Poehlmann's sketchbook for a number of years, rapidly grew into the ExtraLimb Walking Stick.

Poehlmann says: "When thinking about canes and walking sticks what comes to mind? Often it's stigma based words like cripple or disabled or old, rarely do you hear cool or beautiful or even interesting. The ExtraLimb walking sticks aim to remove that stigma through good ergonomic design and a bit of humor. The ExtraLimb should be seen as a design statement, a cool accessory, a bit of functional art to help you get through your day with character and style. Sure, you may need it for some extra balance but don't let that stop you from enhancing your mobility. ExtraLimb gives a nod to wooden walking sticks with a very contemporary take on that tradition."

Artist Bio

Christopher Poehlmann has been a full time artist/designer/maker since 1989 focused on the decorative arts and functional objects including tables, chairs, clocks, lamps, and now walking sticks.

Donated By The Artist

Diane Marimow
Dark Wave Lamp, 2024
Ceramic base with black silk shade
18" x 5"

Artist Statement

My latest work--totems, sculptures and wall reliefs-- are inspired by my specific memories, both emotional or physical. For instance, the ceramic marine mollusks are reminiscent of my trips to the beach. My newest totems reflect my interest in exploring the city's architecture, construction and traffic patterns.
My abstract clay sculpture and wallscapes also show how I've studied movement as the clay moves, twist and rolls- flowing in space.
These organic forms are made from slab-constructed and extruded coils of clay, which have been draped over molds. The molds are often made with recycled materials like styrofoam, plastic lids and tennis balls.
The glazed surfaces reflect the colors, textures and patterns found in nature and in man-made forms. These 3-D organic sculptures and wall reliefs represent my positive perspective on life. Viewers have an opportunity to derive their own personal interpretation - whether my art evokes images that are figurative, natural or non-objective.

Artist Bio
Diane Marimow is currently a ceramic artist in Philadelphia. Until the pandemic she was an educator at the Philadelphia Museum of Art for 13 years.

She received a graduate degree in Art from Tyler School of Art and taught art to children and young adults in public and independent schools on the East Coast for more than 30 years.

Diane has exhibited her ceramic sculptures and wall pieces in galleries in Pennsylvania, New Jersey, Florida and Arizona. Her sculptures reside in private collections throughout the U.S.- including one that was purchased by the Berman Institute of Bioethics at Johns Hopkins University.

Donated By The Artist

Emily Squires Levine
Med Bowl - Purple
Polymer Clay

Artist Statement

I have always been drawn to small vessels, particularly those with colorful, intricate designs: a ceramic bowl from Turkey, a mother-of-pearl box. Often used to hold treasures, the container always intrigues me more than its contents.

My passion is to create colorful vessels. Inspiration may derive from a traditional Japanese Imari porcelain, a print by Miro or recent travels to Cuba. In these pieces and places, I see colors and patterns, translating them into vessels of varied sizes and shapes. My interpretations are subtle but provide the basis for my designs, color palettes and use of positive and negative space.

Hand mixed colors of polymer are layered, creating patterns which run through the entire length of the "cane." Slices of contrasting colors, patterns, and complexity are juxtaposed around a form and cured in an oven. Each vessel reflects the shape of the form but remains unique in its presentation.

The results excite me; I am gratified to share them with others.

Donated By The Artist

Emily Squires Levine
Trees (3)
Polymer Clay

Artist Statement

I have always been drawn to small vessels, particularly those with colorful, intricate designs: a ceramic bowl from Turkey, a mother-of-pearl box. Often used to hold treasures, the container always intrigues me more than its contents.

My passion is to create colorful vessels. Inspiration may derive from a traditional Japanese Imari porcelain, a print by Miro or recent travels to Cuba. In these pieces and places, I see colors and patterns, translating them into vessels of varied sizes and shapes. My interpretations are subtle but provide the basis for my designs, color palettes and use of positive and negative space.

Hand mixed colors of polymer are layered, creating patterns which run through the entire length of the "cane." Slices of contrasting colors, patterns, and complexity are juxtaposed around a form and cured in an oven. Each vessel reflects the shape of the form but remains unique in its presentation.

The results excite me; I am gratified to share them with others.

Donated By The Artist

Emily Squires Levine
Vase - Into the Forest
Polymer Clay

Artist Statement

I have always been drawn to small vessels, particularly those with colorful, intricate designs: a ceramic bowl from Turkey, a mother-of-pearl box. Often used to hold treasures, the container always intrigues me more than its contents.

My passion is to create colorful vessels. Inspiration may derive from a traditional Japanese Imari porcelain, a print by Miro or recent travels to Cuba. In these pieces and places, I see colors and patterns, translating them into vessels of varied sizes and shapes. My interpretations are subtle but provide the basis for my designs, color palettes and use of positive and negative space.

Hand mixed colors of polymer are layered, creating patterns which run through the entire length of the "cane." Slices of contrasting colors, patterns, and complexity are juxtaposed around a form and cured in an oven. Each vessel reflects the shape of the form but remains unique in its presentation.

The results excite me; I am gratified to share them with others.

Donated By The Artist

Emily Squires Levine
Med Bowl - Blue
Polymer Clay

Artist Statement

I have always been drawn to small vessels, particularly those with colorful, intricate designs: a ceramic bowl from Turkey, a mother-of-pearl box. Often used to hold treasures, the container always intrigues me more than its contents.

My passion is to create colorful vessels. Inspiration may derive from a traditional Japanese Imari porcelain, a print by Miro or recent travels to Cuba. In these pieces and places, I see colors and patterns, translating them into vessels of varied sizes and shapes. My interpretations are subtle but provide the basis for my designs, color palettes and use of positive and negative space.

Hand mixed colors of polymer are layered, creating patterns which run through the entire length of the "cane." Slices of contrasting colors, patterns, and complexity are juxtaposed around a form and cured in an oven. Each vessel reflects the shape of the form but remains unique in its presentation.

The results excite me; I am gratified to share them with others.

Donated By The Artist

Emily Squires Levine
Med Bowl - Red
Polymer Clay

Artist Statement

I have always been drawn to small vessels, particularly those with colorful, intricate designs: a ceramic bowl from Turkey, a mother-of-pearl box. Often used to hold treasures, the container always intrigues me more than its contents.

My passion is to create colorful vessels. Inspiration may derive from a traditional Japanese Imari porcelain, a print by Miro or recent travels to Cuba. In these pieces and places, I see colors and patterns, translating them into vessels of varied sizes and shapes. My interpretations are subtle but provide the basis for my designs, color palettes and use of positive and negative space.

Hand mixed colors of polymer are layered, creating patterns which run through the entire length of the "cane." Slices of contrasting colors, patterns, and complexity are juxtaposed around a form and cured in an oven. Each vessel reflects the shape of the form but remains unique in its presentation.

The results excite me; I am gratified to share them with others.

Donated By The Artist

Emily Squires Levine
Med Bowl - Teal
Polymer Clay

Artist Statement

I have always been drawn to small vessels, particularly those with colorful, intricate designs: a ceramic bowl from Turkey, a mother-of-pearl box. Often used to hold treasures, the container always intrigues me more than its contents.

My passion is to create colorful vessels. Inspiration may derive from a traditional Japanese Imari porcelain, a print by Miro or recent travels to Cuba. In these pieces and places, I see colors and patterns, translating them into vessels of varied sizes and shapes. My interpretations are subtle but provide the basis for my designs, color palettes and use of positive and negative space.

Hand mixed colors of polymer are layered, creating patterns which run through the entire length of the "cane." Slices of contrasting colors, patterns, and complexity are juxtaposed around a form and cured in an oven. Each vessel reflects the shape of the form but remains unique in its presentation.

The results excite me; I am gratified to share them with others.

Donated By The Artist

Emily Squires Levine
Med Bowl - Yellow
Polymer Clay

Artist Statement

I have always been drawn to small vessels, particularly those with colorful, intricate designs: a ceramic bowl from Turkey, a mother-of-pearl box. Often used to hold treasures, the container always intrigues me more than its contents.

My passion is to create colorful vessels. Inspiration may derive from a traditional Japanese Imari porcelain, a print by Miro or recent travels to Cuba. In these pieces and places, I see colors and patterns, translating them into vessels of varied sizes and shapes. My interpretations are subtle but provide the basis for my designs, color palettes and use of positive and negative space.

Hand mixed colors of polymer are layered, creating patterns which run through the entire length of the "cane." Slices of contrasting colors, patterns, and complexity are juxtaposed around a form and cured in an oven. Each vessel reflects the shape of the form but remains unique in its presentation.

The results excite me; I am gratified to share them with others.

Donated By The Artist

SkateOrDesign
Deckstool - Recycled skateboard Stool, Designed Circa 2007
Woodworking / furniture design, recycled skateboards and skateboard truck/hardware

Artist Statement

Pioneers of skateboard recycling. Pushed by a passion for skateboarding, street art and modern design. Among the first to salvage busted skatedecks and turn them into high-quality furniture, art and home goods. We now have a wide ranging and innovative product portfolio that has been published worldwide. Product form and functionality is derived from the gentle curves of the molded maple plywood. The scraped and scarred artwork is examined and selected for use much like a woodworker selects lumber when building a piece of fine furniture. We use modern manufacturing techniques to create precision parts and skilled craftsman to combine and finish them with an artist's touch.

Donated By The Artist

SkateOrDesign
Recycled Skateboard Step Stool, 2015
Woodworking, recycled skateboards, hardwood plywood

Artist Statement

Pioneers of skateboard recycling. Pushed by a passion for skateboarding, street art and modern design. Among the first to salvage busted skatedecks and turn them into high-quality furniture, art and home goods. We now have a wide ranging and innovative product portfolio that has been published worldwide. Product form and functionality is derived from the gentle curves of the molded maple plywood. The scraped and scarred artwork is examined and selected for use much like a woodworker selects lumber when building a piece of fine furniture. We use modern manufacturing techniques to create precision parts and skilled craftsman to combine and finish them with an artist's touch.

Donated By The Artist

SkateOrDesign
Round Recycled Skateboard Clock, designed circa 2012
Woodworking, recycled skateboards, clock parts
10" diameter

Artist Statement

Pioneers of skateboard recycling. Pushed by a passion for skateboarding, street art and modern design. Among the first to salvage busted skatedecks and turn them into high-quality furniture, art and home goods. We now have a wide ranging and innovative product portfolio that has been published worldwide. Product form and functionality is derived from the gentle curves of the molded maple plywood. The scraped and scarred artwork is examined and selected for use much like a woodworker selects lumber when building a piece of fine furniture. We use modern manufacturing techniques to create precision parts and skilled craftsman to combine and finish them with an artist's touch.

Donated By The Artist

Kate Wait What
Black Dainty Chain Necklace
Borosilicate glass with gold link clasp
1mm diameter

Artist Statement

My work explores themes of memory, relationships, loss, grief, and longing. I grew up living in constant transience, attempting to avoid formal foster care placement. Coming into adulthood made me question my upbringing and it's effect on my adult persona.

My work utilizes glass to evoke the fragile nature of stability and the ghost-like quality of memory. I am interested in the dichotomy of having the desire for the stability that I lacked growing up, while simultaneously seeking out the continuation of the uncertainty that became so familiar. Trauma can affect the brain by leaving a haze over your past, leaving holes in what you remember. This process has empowered me to take back an element of control by processing my memories, and therefore, gaining a better understanding of myself. Through the repetitive process of making glass, my body is able to relax into a meditative state, allowing my mind to process grief and trauma. By finding peace in my past, I am able to achieve ataraxia and move forward.

Artist Bio

Kate Crankshaw was born in the Pinelands of New Jersey and currently resides in Philadelphia with her 2 small dogs, 2 cats, and pet pigeon. She is skilled in both flameworking and hot glass, making work utilizing both processes. Her work explores ideas of memory, longing, and relationships. She has previously held internships at Wheaton Arts & Cultural Center, as well as Vetro Vero Studios. Kate has received multiple awards & scholarships, including the Kimmel Scholarship for excellence in Craft and the Brian Effron Pilchuck Glass School Scholarship to attend a workshop at Pilchuck Glass School in Stanwood, WA. She has also received a gallery pick from Wexler Gallery for her piece "Home, Springtime" while featured in the Art Unleashed exhibition. In addition to her art practice, she designs and makes jewelry and home decor, as well as fabricating work in glass for both designers and artists. Kate holds a BFA in Craft + Material Studies, with a focus in glass, from the University of the Arts (2019) and an MFA in Craft/Material Studies with a focus in glass from Virginia Commonwealth University (2023).

Donated By The Artist

Kate Wait What
Carnelian Chain Earrings
14k gold-filled ear hooks, borosilicate glass

Artist Statement

My work explores themes of memory, relationships, loss, grief, and longing. I grew up living in constant transience, attempting to avoid formal foster care placement. Coming into adulthood made me question my upbringing and it's effect on my adult persona.

My work utilizes glass to evoke the fragile nature of stability and the ghost-like quality of memory. I am interested in the dichotomy of having the desire for the stability that I lacked growing up, while simultaneously seeking out the continuation of the uncertainty that became so familiar. Trauma can affect the brain by leaving a haze over your past, leaving holes in what you remember. This process has empowered me to take back an element of control by processing my memories, and therefore, gaining a better understanding of myself. Through the repetitive process of making glass, my body is able to relax into a meditative state, allowing my mind to process grief and trauma. By finding peace in my past, I am able to achieve ataraxia and move forward.

Artist Bio

Kate Crankshaw was born in the Pinelands of New Jersey and currently resides in Philadelphia with her 2 small dogs, 2 cats, and pet pigeon. She is skilled in both flameworking and hot glass, making work utilizing both processes. Her work explores ideas of memory, longing, and relationships. She has previously held internships at Wheaton Arts & Cultural Center, as well as Vetro Vero Studios. Kate has received multiple awards & scholarships, including the Kimmel Scholarship for excellence in Craft and the Brian Effron Pilchuck Glass School Scholarship to attend a workshop at Pilchuck Glass School in Stanwood, WA. She has also received a gallery pick from Wexler Gallery for her piece "Home, Springtime" while featured in the Art Unleashed exhibition. In addition to her art practice, she designs and makes jewelry and home decor, as well as fabricating work in glass for both designers and artists. Kate holds a BFA in Craft + Material Studies, with a focus in glass, from the University of the Arts (2019) and an MFA in Craft/Material Studies with a focus in glass from Virginia Commonwealth University (2023).

Donated By The Artist

Kate Wait What
Clear & Gray Dainty Necklace
Borosilicate glass with gold link clasp
1mm diameter

Artist Statement

My work explores themes of memory, relationships, loss, grief, and longing. I grew up living in constant transience, attempting to avoid formal foster care placement. Coming into adulthood made me question my upbringing and it's effect on my adult persona.

My work utilizes glass to evoke the fragile nature of stability and the ghost-like quality of memory. I am interested in the dichotomy of having the desire for the stability that I lacked growing up, while simultaneously seeking out the continuation of the uncertainty that became so familiar. Trauma can affect the brain by leaving a haze over your past, leaving holes in what you remember. This process has empowered me to take back an element of control by processing my memories, and therefore, gaining a better understanding of myself. Through the repetitive process of making glass, my body is able to relax into a meditative state, allowing my mind to process grief and trauma. By finding peace in my past, I am able to achieve ataraxia and move forward.

Artist Bio

Kate Crankshaw was born in the Pinelands of New Jersey and currently resides in Philadelphia with her 2 small dogs, 2 cats, and pet pigeon. She is skilled in both flameworking and hot glass, making work utilizing both processes. Her work explores ideas of memory, longing, and relationships. She has previously held internships at Wheaton Arts & Cultural Center, as well as Vetro Vero Studios. Kate has received multiple awards & scholarships, including the Kimmel Scholarship for excellence in Craft and the Brian Effron Pilchuck Glass School Scholarship to attend a workshop at Pilchuck Glass School in Stanwood, WA. She has also received a gallery pick from Wexler Gallery for her piece "Home, Springtime" while featured in the Art Unleashed exhibition. In addition to her art practice, she designs and makes jewelry and home decor, as well as fabricating work in glass for both designers and artists. Kate holds a BFA in Craft + Material Studies, with a focus in glass, from the University of the Arts (2019) and an MFA in Craft/Material Studies with a focus in glass from Virginia Commonwealth University (2023).

Donated By The Artist

Kate Wait What
Jade Dainty Chain Necklace
Borosilicate glass with gold link clasp
1mm diameter

Artist Statement

My work explores themes of memory, relationships, loss, grief, and longing. I grew up living in constant transience, attempting to avoid formal foster care placement. Coming into adulthood made me question my upbringing and it's effect on my adult persona.

My work utilizes glass to evoke the fragile nature of stability and the ghost-like quality of memory. I am interested in the dichotomy of having the desire for the stability that I lacked growing up, while simultaneously seeking out the continuation of the uncertainty that became so familiar. Trauma can affect the brain by leaving a haze over your past, leaving holes in what you remember. This process has empowered me to take back an element of control by processing my memories, and therefore, gaining a better understanding of myself. Through the repetitive process of making glass, my body is able to relax into a meditative state, allowing my mind to process grief and trauma. By finding peace in my past, I am able to achieve ataraxia and move forward.

Artist Bio

Kate Crankshaw was born in the Pinelands of New Jersey and currently resides in Philadelphia with her 2 small dogs, 2 cats, and pet pigeon. She is skilled in both flameworking and hot glass, making work utilizing both processes. Her work explores ideas of memory, longing, and relationships. She has previously held internships at Wheaton Arts & Cultural Center, as well as Vetro Vero Studios. Kate has received multiple awards & scholarships, including the Kimmel Scholarship for excellence in Craft and the Brian Effron Pilchuck Glass School Scholarship to attend a workshop at Pilchuck Glass School in Stanwood, WA. She has also received a gallery pick from Wexler Gallery for her piece "Home, Springtime" while featured in the Art Unleashed exhibition. In addition to her art practice, she designs and makes jewelry and home decor, as well as fabricating work in glass for both designers and artists. Kate holds a BFA in Craft + Material Studies, with a focus in glass, from the University of the Arts (2019) and an MFA in Craft/Material Studies with a focus in glass from Virginia Commonwealth University (2023).

Donated By The Artist

Kate Wait What
Sweet Pear Chain Earrings
Gold filled ear hooks, borosilicate glass

Artist Statement

My work explores themes of memory, relationships, loss, grief, and longing. I grew up living in constant transience, attempting to avoid formal foster care placement. Coming into adulthood made me question my upbringing and it's effect on my adult persona.

My work utilizes glass to evoke the fragile nature of stability and the ghost-like quality of memory. I am interested in the dichotomy of having the desire for the stability that I lacked growing up, while simultaneously seeking out the continuation of the uncertainty that became so familiar. Trauma can affect the brain by leaving a haze over your past, leaving holes in what you remember. This process has empowered me to take back an element of control by processing my memories, and therefore, gaining a better understanding of myself. Through the repetitive process of making glass, my body is able to relax into a meditative state, allowing my mind to process grief and trauma. By finding peace in my past, I am able to achieve ataraxia and move forward.

Artist Bio

Kate Crankshaw was born in the Pinelands of New Jersey and currently resides in Philadelphia with her 2 small dogs, 2 cats, and pet pigeon. She is skilled in both flameworking and hot glass, making work utilizing both processes. Her work explores ideas of memory, longing, and relationships. She has previously held internships at Wheaton Arts & Cultural Center, as well as Vetro Vero Studios. Kate has received multiple awards & scholarships, including the Kimmel Scholarship for excellence in Craft and the Brian Effron Pilchuck Glass School Scholarship to attend a workshop at Pilchuck Glass School in Stanwood, WA. She has also received a gallery pick from Wexler Gallery for her piece "Home, Springtime" while featured in the Art Unleashed exhibition. In addition to her art practice, she designs and makes jewelry and home decor, as well as fabricating work in glass for both designers and artists. Kate holds a BFA in Craft + Material Studies, with a focus in glass, from the University of the Arts (2019) and an MFA in Craft/Material Studies with a focus in glass from Virginia Commonwealth University (2023).

Donated By The Artist

Loominous Designs
Blue Ombre double wrap seed bead bracelet
Seed beads, magnet

Donated By The Artist

Loominous Designs
Blue-green necklace
Seed beads

Donated By The Artist

Lisa Vershbow
Bell-shaped Bolo Pendant, 2024
SIlver Pendant and chain, onyx bead (no clasp)
Approx. 17" long

Artist Bio

Passionate about design, and also wearability, Philadelphia based metalsmith-jewelry designer, Lisa Vershbow, moved to Philadelphia five years ago from Washington DC. For over 30 years she was a resident artist at The Torpedo Factory Art Center in Alexandria, Virginia and on the metals faculty in The Art League Community Art School. Lisa was one of the founding members of the Washington Guild of Goldsmilths and served as its president,1994-96. She also spent time living abroad with her diplomat partner where she maintained a studio. Most notable were her years in Russia (2001-2005) and South Korea (2005-2008) where she exhibited widely and taught master classes. Lisa received the 2005 "Avis Bolen Award" from the American Foreign Service Association for public diplomacy in the arts while in Russia. She is a graduate of Connecticut college in Art and Art History.

Donated By The Artist

Lisa Vershbow
Bolo Necklace with Gold Leaf Bead, 2024
Silver Oblong Shape and chain. Lamp-worked glass bead (no clasp)

Artist Bio

Passionate about design, and also wearability, Philadelphia based metalsmith-jewelry designer, Lisa Vershbow, moved to Philadelphia five years ago from Washington DC. For over 30 years she was a resident artist at The Torpedo Factory Art Center in Alexandria, Virginia and on the metals faculty in The Art League Community Art School. Lisa was one of the founding members of the Washington Guild of Goldsmilths and served as its president,1994-96. She also spent time living abroad with her diplomat partner where she maintained a studio. Most notable were her years in Russia (2001-2005) and South Korea (2005-2008) where she exhibited widely and taught master classes. Lisa received the 2005 "Avis Bolen Award" from the American Foreign Service Association for public diplomacy in the arts while in Russia. She is a graduate of Connecticut college in Art and Art History.

Donated By The Artist

Lisa Vershbow
Small Necklace with Half Circle, 2024
Silver element with amber-colored lamp-worked glass bead
18" silver chain

Artist Bio

Passionate about design, and also wearability, Philadelphia based metalsmith-jewelry designer, Lisa Vershbow, moved to Philadelphia five years ago from Washington DC. For over 30 years she was a resident artist at The Torpedo Factory Art Center in Alexandria, Virginia and on the metals faculty in The Art League Community Art School. Lisa was one of the founding members of the Washington Guild of Goldsmilths and served as its president,1994-96. She also spent time living abroad with her diplomat partner where she maintained a studio. Most notable were her years in Russia (2001-2005) and South Korea (2005-2008) where she exhibited widely and taught master classes. Lisa received the 2005 "Avis Bolen Award" from the American Foreign Service Association for public diplomacy in the arts while in Russia. She is a graduate of Connecticut college in Art and Art History.

Donated By The Artist

Lisa Vershbow
Wrap Bangle with One Point, 2017
Silver
Sized to slip on to a medium-sized hand

Artist Bio

Passionate about design, and also wearability, Philadelphia based metalsmith-jewelry designer, Lisa Vershbow, moved to Philadelphia five years ago from Washington DC. For over 30 years she was a resident artist at The Torpedo Factory Art Center in Alexandria, Virginia and on the metals faculty in The Art League Community Art School. Lisa was one of the founding members of the Washington Guild of Goldsmilths and served as its president,1994-96. She also spent time living abroad with her diplomat partner where she maintained a studio. Most notable were her years in Russia (2001-2005) and South Korea (2005-2008) where she exhibited widely and taught master classes. Lisa received the 2005 "Avis Bolen Award" from the American Foreign Service Association for public diplomacy in the arts while in Russia. She is a graduate of Connecticut college in Art and Art History.

Donated By The Artist

Lisa Vershbow
Elliptical Necklace with Rock Pattern, 2023
Photo-printed aluminum, anodized aluminum, steel wire, onyx beads and Swarovski man-made pearls (no clasp)
The image of rocks, printed on aluminum, was made by Gregory Vershbow, son of the artist and professional artist and photographer
46"

Artist Bio

Passionate about design, and also wearability, Philadelphia based metalsmith-jewelry designer, Lisa Vershbow, moved to Philadelphia five years ago from Washington DC. For over 30 years she was a resident artist at The Torpedo Factory Art Center in Alexandria, Virginia and on the metals faculty in The Art League Community Art School. Lisa was one of the founding members of the Washington Guild of Goldsmilths and served as its president,1994-96. She also spent time living abroad with her diplomat partner where she maintained a studio. Most notable were her years in Russia (2001-2005) and South Korea (2005-2008) where she exhibited widely and taught master classes. Lisa received the 2005 "Avis Bolen Award" from the American Foreign Service Association for public diplomacy in the arts while in Russia. She is a graduate of Connecticut college in Art and Art History.

Donated By The Artist

Lisa Vershbow
Red and Black Oval Loop Earrings, 2024
Red acrylic rod, steel wire, 10mm black only beads, sIlver posts and backs embedded in the red acrylic
2" long (top to bottom)

Artist Bio

Passionate about design, and also wearability, Philadelphia based metalsmith-jewelry designer, Lisa Vershbow, moved to Philadelphia five years ago from Washington DC. For over 30 years she was a resident artist at The Torpedo Factory Art Center in Alexandria, Virginia and on the metals faculty in The Art League Community Art School. Lisa was one of the founding members of the Washington Guild of Goldsmilths and served as its president,1994-96. She also spent time living abroad with her diplomat partner where she maintained a studio. Most notable were her years in Russia (2001-2005) and South Korea (2005-2008) where she exhibited widely and taught master classes. Lisa received the 2005 "Avis Bolen Award" from the American Foreign Service Association for public diplomacy in the arts while in Russia. She is a graduate of Connecticut college in Art and Art History.

Donated By The Artist

Tshatshke Jewelry Studio
Baby Pin Earrings
Sterling silver

Artist Bio

Maddy Hirsch's Jewelry is focused on the intersection between art and ecology, where human forms meet the natural world, the web of relationships that connect us to our environment and how we participate in that space. Her work is holistic, steeped in sustainable practices, community based and is imbued by the spirit of a DIY ethos. Maddy's experience as a fine custom jeweler is informed by her years of work on jewelers row in Philadelphia, working alongside designers and lifelong industry professionals. All designs, fabrication, wax carving and stone setting is done by Maddy at her storefront and workshop Tshatshke, located in the Port Richmond section of Philadelphia at 3176 Richmond Street.

Donated By The Artist

Opus V Jewelry
Milena Ear Cuff, 2025
Sterling silver

Artist Statement

The name Opus V is inspired by the Latin word opus, meaning a grand work of art, and the Roman numeral five, symbolizing the five designs that anchor the core collection. Opus V blends timeless artistry with bold innovation, celebrating craftsmanship and the significance of every piece in the collection.

Artist Bio

Meg, the artist behind Opus V, earned her BFA in Jewelry and Metalsmithing from the University of the Arts in 2015 and continued her training in an apprenticeship with Sharon Church. Sharon's mentorship instilled in Meg the philosophy of creating "art for the body," where jewelry becomes a vessel for personal expression. For Meg, jewelry is more than adornment; it's a tactile dialogue between maker and wearer. Her work emerges from a desire to connect-to create pieces that resonate on an emotional level and tell a story uniquely tied to the individual. Each piece of Opus V jewelry is designed to be cherished for generations, celebrating the beauty of craftsmanship, and the intimacy of human connection.

Donated By The Artist

Opus V Jewelry
Opie Ring, 2025
Sterling silver
Size 7.5 (Can be resized after purchase)

Artist Statement

The name Opus V is inspired by the Latin word opus, meaning a grand work of art, and the Roman numeral five, symbolizing the five designs that anchor the core collection. Opus V blends timeless artistry with bold innovation, celebrating craftsmanship and the significance of every piece in the collection.

Artist Bio

Meg, the artist behind Opus V, earned her BFA in Jewelry and Metalsmithing from the University of the Arts in 2015 and continued her training in an apprenticeship with Sharon Church. Sharon's mentorship instilled in Meg the philosophy of creating "art for the body," where jewelry becomes a vessel for personal expression. For Meg, jewelry is more than adornment; it's a tactile dialogue between maker and wearer. Her work emerges from a desire to connect-to create pieces that resonate on an emotional level and tell a story uniquely tied to the individual. Each piece of Opus V jewelry is designed to be cherished for generations, celebrating the beauty of craftsmanship, and the intimacy of human connection.

Donated By The Artist

Opus V Jewelry
Levi Necklace, 2025
Sterling silver
18" chain

Artist Statement

The name Opus V is inspired by the Latin word opus, meaning a grand work of art, and the Roman numeral five, symbolizing the five designs that anchor the core collection. Opus V blends timeless artistry with bold innovation, celebrating craftsmanship and the significance of every piece in the collection.

Artist Bio

Meg, the artist behind Opus V, earned her BFA in Jewelry and Metalsmithing from the University of the Arts in 2015 and continued her training in an apprenticeship with Sharon Church. Sharon's mentorship instilled in Meg the philosophy of creating "art for the body," where jewelry becomes a vessel for personal expression. For Meg, jewelry is more than adornment; it's a tactile dialogue between maker and wearer. Her work emerges from a desire to connect-to create pieces that resonate on an emotional level and tell a story uniquely tied to the individual. Each piece of Opus V jewelry is designed to be cherished for generations, celebrating the beauty of craftsmanship, and the intimacy of human connection.

Donated By The Artist

SMELLYnyc
BODY ODOR 01: Eau Du Parfum - Incense
Promoting Sensuality + Sacredness;
Primary Fragrance: FRANKINCENSE

Artist Statement
Immerse yourself in the sacred sophistication of Frankincense, our eau de parfum that celebrates the timeless allure of this ancient treasure. Known as "liquid gold," frankincense unveils its warm, resinous heart, layered with whispers of citrus, smoky woods, and a touch of balsamic sweetness. This captivating fragrance evokes a sense of reverence and mystery, perfect for moments of introspection or bold self-expression. With every wear; Frankincense envelops you in a rich, meditative aroma that lingers like a whispered prayer-graceful, powerful, unforgettable.

Donated By The Artist

SMELLYnyc
BODY ODOR 02: Eau Du Parfum - Leather
Promoting Confidence + Timelessness
Primary Fragrance: LEATHER

Artist Statement

Step into a world of bold sophistication with Leather, our eau de parfum that captures the essence of refined strength and timeless luxury. Rich, deep, and captivating, this fragrance opens with the smoky intensity of fine leather, balanced by hints of warm spices, amber, and subtle florals. As it evolves, the scent takes on a rugged elegance, evoking the allure of a well-worn leather jacket or a handcrafted leather briefcase-strong yet smooth, classic yet daring. Leather is an unforgettable statement, leaving a trail of sensuality and power wherever you go.

Donated By The Artist

SMELLYnyc
Feet Candle
Promoting Balance + Stability
Primary Fragrance: ELEMI

Artist Statement

Functionally:
The FEET serve as the foundation of the human body, bearing weight and providing stability for movement. They house numerous nerve endings and reflex points that connect to various organs and systems throughout the body, making them crucial to overall health and well-being.

Spiritually:
The feet are deeply intertwined with spiritual healing practices across cultures. In reflexology, it's believed that applying pressure to specific points on the feet can stimulate energy flow and promote healing in corresponding areas of the body. Additionally, walking barefoot on the earth, know as grounding or earthing, is thought to facilitate a connection with nature and promote spiritual balance and vitality.

Honoring and caring for the feet fosters a sense of holistic well-being aligning the body, mind, and spirit.

Donated By The Artist

SMELLYnyc
Fuck This Shit Room Spray
Promoting Ambiance + Refreshment
Primary Fragrance: OUD

Artist Statement

Transform your space with this shit

Seriously- transform your space with the timeless elegance of Oud, a fragrance cherished for its deep, woody richness and mystical allure. This intoxicating room spray blends the smoky warmth of oud with subtle hints of amber and spice, creating an atmosphere of sophistication and tranquility. Just one spritz fills the room with an enduring aroma that lingers, grounding your mind and captivating everyone who enters.

Donated By The Artist

Sarah Tremain
Lotusborn Mini Dress - 3X
Knit mod mini dress: digitally printed jersey knit. A-line knit dress with pockets.

Artist Statement

A sustainable fashion brand, Sarah Tremain features clothing adorned with prints of founder Sarah Culbertson's mother, Tremain Smith's, artwork, and is dedicated to supporting healing services for survivors of sexual trauma.

Rooted in intergenerational trauma and healing, Sarah Tremain reimagines pain into purpose. Each design uses Tremain Smith's encaustic paintings as its foundation, transforming them into prints that become functional, beautiful garments. These creations honor the legacy of their shared relationship, blending artistry with resilience to inspire connection and individuality.

This deeply personal vision shapes everything Sarah Tremain does, guiding the brand to foster community, champion sustainability, and support healing. By reworking and upcycling materials, we create intentional garments that celebrate stories and empower individuals. Each piece becomes a testament to courage, offering a platform for creative expression and transformation.

Artist Bio
Sarah Culbertson is the visionary behind Sarah Tremain, a sustainable fashion brand that merges artistry, individuality, and social impact. With over a decade of experience in the fashion industry and a Bachelor of Fine Arts in Fashion Design from Columbia College Chicago, Sarah has built her brand on the principles of creativity, environmental responsibility, and empowerment.
Inspired by her mother, Tremain Smith-a prominent encaustic artist-Sarah incorporates her mother's artwork into her designs, transforming these pieces into unique prints for sustainable garments and accessories. Her collections celebrate the transformative power of clothing as self-expression and healing, reflecting her passion for blending art and fashion in a meaningful way.
Drawing on her experiences, Sarah infuses cultural and emotional influences into her designs, creating one-of-a-kind pieces that resonate with a global audience. Beyond design, Sarah is committed to fostering inclusivity, community, and healing through sustainable practices, including repurposing and upcycling garments, reducing waste, and offering accessible services such as mending and alterations.

Donated By The Artist

Sarah Tremain
Lotusborn Mini Dress - XL
Knit mod mini dress: digitally printed jersey knit. A-line knit dress with pockets.

Artist Statement

A sustainable fashion brand, Sarah Tremain features clothing adorned with prints of founder Sarah Culbertson's mother, Tremain Smith's, artwork, and is dedicated to supporting healing services for survivors of sexual trauma.

Rooted in intergenerational trauma and healing, Sarah Tremain reimagines pain into purpose. Each design uses Tremain Smith's encaustic paintings as its foundation, transforming them into prints that become functional, beautiful garments. These creations honor the legacy of their shared relationship, blending artistry with resilience to inspire connection and individuality.

This deeply personal vision shapes everything Sarah Tremain does, guiding the brand to foster community, champion sustainability, and support healing. By reworking and upcycling materials, we create intentional garments that celebrate stories and empower individuals. Each piece becomes a testament to courage, offering a platform for creative expression and transformation.

Artist Bio
Sarah Culbertson is the visionary behind Sarah Tremain, a sustainable fashion brand that merges artistry, individuality, and social impact. With over a decade of experience in the fashion industry and a Bachelor of Fine Arts in Fashion Design from Columbia College Chicago, Sarah has built her brand on the principles of creativity, environmental responsibility, and empowerment.
Inspired by her mother, Tremain Smith-a prominent encaustic artist-Sarah incorporates her mother's artwork into her designs, transforming these pieces into unique prints for sustainable garments and accessories. Her collections celebrate the transformative power of clothing as self-expression and healing, reflecting her passion for blending art and fashion in a meaningful way.
Drawing on her experiences, Sarah infuses cultural and emotional influences into her designs, creating one-of-a-kind pieces that resonate with a global audience. Beyond design, Sarah is committed to fostering inclusivity, community, and healing through sustainable practices, including repurposing and upcycling garments, reducing waste, and offering accessible services such as mending and alterations.

Donated By The Artist

Sarah Tremain
Radiant Silk Wrap - Creation
2yd chiffon scarves
Digitally printed silk chiffon
72" x 54"

Artist Statement

A sustainable fashion brand, Sarah Tremain features clothing adorned with prints of founder Sarah Culbertson's mother, Tremain Smith's, artwork, and is dedicated to supporting healing services for survivors of sexual trauma.

Rooted in intergenerational trauma and healing, Sarah Tremain reimagines pain into purpose. Each design uses Tremain Smith's encaustic paintings as its foundation, transforming them into prints that become functional, beautiful garments. These creations honor the legacy of their shared relationship, blending artistry with resilience to inspire connection and individuality.

This deeply personal vision shapes everything Sarah Tremain does, guiding the brand to foster community, champion sustainability, and support healing. By reworking and upcycling materials, we create intentional garments that celebrate stories and empower individuals. Each piece becomes a testament to courage, offering a platform for creative expression and transformation.

Artist Bio
Sarah Culbertson is the visionary behind Sarah Tremain, a sustainable fashion brand that merges artistry, individuality, and social impact. With over a decade of experience in the fashion industry and a Bachelor of Fine Arts in Fashion Design from Columbia College Chicago, Sarah has built her brand on the principles of creativity, environmental responsibility, and empowerment.
Inspired by her mother, Tremain Smith-a prominent encaustic artist-Sarah incorporates her mother's artwork into her designs, transforming these pieces into unique prints for sustainable garments and accessories. Her collections celebrate the transformative power of clothing as self-expression and healing, reflecting her passion for blending art and fashion in a meaningful way.
Drawing on her experiences, Sarah infuses cultural and emotional influences into her designs, creating one-of-a-kind pieces that resonate with a global audience. Beyond design, Sarah is committed to fostering inclusivity, community, and healing through sustainable practices, including repurposing and upcycling garments, reducing waste, and offering accessible services such as mending and alterations.

Donated By The Artist

Sarah Tremain
Radiant Silk Wrap - Ecrying Rainbow
2yd chiffon scarves
Digitally printed silk chiffon
72" x 54"

Artist Statement

A sustainable fashion brand, Sarah Tremain features clothing adorned with prints of founder Sarah Culbertson's mother, Tremain Smith's, artwork, and is dedicated to supporting healing services for survivors of sexual trauma.

Rooted in intergenerational trauma and healing, Sarah Tremain reimagines pain into purpose. Each design uses Tremain Smith's encaustic paintings as its foundation, transforming them into prints that become functional, beautiful garments. These creations honor the legacy of their shared relationship, blending artistry with resilience to inspire connection and individuality.

This deeply personal vision shapes everything Sarah Tremain does, guiding the brand to foster community, champion sustainability, and support healing. By reworking and upcycling materials, we create intentional garments that celebrate stories and empower individuals. Each piece becomes a testament to courage, offering a platform for creative expression and transformation.

Artist Bio
Sarah Culbertson is the visionary behind Sarah Tremain, a sustainable fashion brand that merges artistry, individuality, and social impact. With over a decade of experience in the fashion industry and a Bachelor of Fine Arts in Fashion Design from Columbia College Chicago, Sarah has built her brand on the principles of creativity, environmental responsibility, and empowerment.
Inspired by her mother, Tremain Smith-a prominent encaustic artist-Sarah incorporates her mother's artwork into her designs, transforming these pieces into unique prints for sustainable garments and accessories. Her collections celebrate the transformative power of clothing as self-expression and healing, reflecting her passion for blending art and fashion in a meaningful way.
Drawing on her experiences, Sarah infuses cultural and emotional influences into her designs, creating one-of-a-kind pieces that resonate with a global audience. Beyond design, Sarah is committed to fostering inclusivity, community, and healing through sustainable practices, including repurposing and upcycling garments, reducing waste, and offering accessible services such as mending and alterations.

Donated By The Artist

Sarah Tremain
Radiant Silk Wrap - Lotus Born
2yd chiffon scarves
Digitally printed silk chiffon
72" x 54"

Artist Statement

A sustainable fashion brand, Sarah Tremain features clothing adorned with prints of founder Sarah Culbertson's mother, Tremain Smith's, artwork, and is dedicated to supporting healing services for survivors of sexual trauma.

Rooted in intergenerational trauma and healing, Sarah Tremain reimagines pain into purpose. Each design uses Tremain Smith's encaustic paintings as its foundation, transforming them into prints that become functional, beautiful garments. These creations honor the legacy of their shared relationship, blending artistry with resilience to inspire connection and individuality.

This deeply personal vision shapes everything Sarah Tremain does, guiding the brand to foster community, champion sustainability, and support healing. By reworking and upcycling materials, we create intentional garments that celebrate stories and empower individuals. Each piece becomes a testament to courage, offering a platform for creative expression and transformation.

Artist Bio
Sarah Culbertson is the visionary behind Sarah Tremain, a sustainable fashion brand that merges artistry, individuality, and social impact. With over a decade of experience in the fashion industry and a Bachelor of Fine Arts in Fashion Design from Columbia College Chicago, Sarah has built her brand on the principles of creativity, environmental responsibility, and empowerment.
Inspired by her mother, Tremain Smith-a prominent encaustic artist-Sarah incorporates her mother's artwork into her designs, transforming these pieces into unique prints for sustainable garments and accessories. Her collections celebrate the transformative power of clothing as self-expression and healing, reflecting her passion for blending art and fashion in a meaningful way.
Drawing on her experiences, Sarah infuses cultural and emotional influences into her designs, creating one-of-a-kind pieces that resonate with a global audience. Beyond design, Sarah is committed to fostering inclusivity, community, and healing through sustainable practices, including repurposing and upcycling garments, reducing waste, and offering accessible services such as mending and alterations.

Donated By The Artist

Sarah Tremain
Radiant Silk Wrap - Rainbow Infinity
2yd chiffon scarves
Digitally printed silk chiffon
72" x 54"

Artist Statement

A sustainable fashion brand, Sarah Tremain features clothing adorned with prints of founder Sarah Culbertson's mother, Tremain Smith's, artwork, and is dedicated to supporting healing services for survivors of sexual trauma.

Rooted in intergenerational trauma and healing, Sarah Tremain reimagines pain into purpose. Each design uses Tremain Smith's encaustic paintings as its foundation, transforming them into prints that become functional, beautiful garments. These creations honor the legacy of their shared relationship, blending artistry with resilience to inspire connection and individuality.

This deeply personal vision shapes everything Sarah Tremain does, guiding the brand to foster community, champion sustainability, and support healing. By reworking and upcycling materials, we create intentional garments that celebrate stories and empower individuals. Each piece becomes a testament to courage, offering a platform for creative expression and transformation.

Artist Bio
Sarah Culbertson is the visionary behind Sarah Tremain, a sustainable fashion brand that merges artistry, individuality, and social impact. With over a decade of experience in the fashion industry and a Bachelor of Fine Arts in Fashion Design from Columbia College Chicago, Sarah has built her brand on the principles of creativity, environmental responsibility, and empowerment.
Inspired by her mother, Tremain Smith-a prominent encaustic artist-Sarah incorporates her mother's artwork into her designs, transforming these pieces into unique prints for sustainable garments and accessories. Her collections celebrate the transformative power of clothing as self-expression and healing, reflecting her passion for blending art and fashion in a meaningful way.
Drawing on her experiences, Sarah infuses cultural and emotional influences into her designs, creating one-of-a-kind pieces that resonate with a global audience. Beyond design, Sarah is committed to fostering inclusivity, community, and healing through sustainable practices, including repurposing and upcycling garments, reducing waste, and offering accessible services such as mending and alterations.

Donated By The Artist

Sarah Tremain
Radiant Silk Wrap - What is Emerging
2yd chiffon scarves
Digitally printed silk chiffon
72" x 54"

Artist Statement

A sustainable fashion brand, Sarah Tremain features clothing adorned with prints of founder Sarah Culbertson's mother, Tremain Smith's, artwork, and is dedicated to supporting healing services for survivors of sexual trauma.

Rooted in intergenerational trauma and healing, Sarah Tremain reimagines pain into purpose. Each design uses Tremain Smith's encaustic paintings as its foundation, transforming them into prints that become functional, beautiful garments. These creations honor the legacy of their shared relationship, blending artistry with resilience to inspire connection and individuality.

This deeply personal vision shapes everything Sarah Tremain does, guiding the brand to foster community, champion sustainability, and support healing. By reworking and upcycling materials, we create intentional garments that celebrate stories and empower individuals. Each piece becomes a testament to courage, offering a platform for creative expression and transformation.

Artist Bio
Sarah Culbertson is the visionary behind Sarah Tremain, a sustainable fashion brand that merges artistry, individuality, and social impact. With over a decade of experience in the fashion industry and a Bachelor of Fine Arts in Fashion Design from Columbia College Chicago, Sarah has built her brand on the principles of creativity, environmental responsibility, and empowerment.
Inspired by her mother, Tremain Smith-a prominent encaustic artist-Sarah incorporates her mother's artwork into her designs, transforming these pieces into unique prints for sustainable garments and accessories. Her collections celebrate the transformative power of clothing as self-expression and healing, reflecting her passion for blending art and fashion in a meaningful way.
Drawing on her experiences, Sarah infuses cultural and emotional influences into her designs, creating one-of-a-kind pieces that resonate with a global audience. Beyond design, Sarah is committed to fostering inclusivity, community, and healing through sustainable practices, including repurposing and upcycling garments, reducing waste, and offering accessible services such as mending and alterations.

Donated By The Artist

Terri Saulin
Castle of Crossed Destinies, 2024
Porcelain, luster glaze
3.5" x 3" x 3"

Artist Statement

In the "Shaker" spirit, I imagine a tiny wasp-worker making imaginary homes for important collections of most special memories. Saulin's process begins with cartography. The drawings and sculptures created are a visual "counterpoint" The layered information, produces an imagined, time-lapse view of a world. Inspired by the landscape of her urban garden, drawings become maps that document plant life,
fleeting shadows, secreted places where mantis eggs were found, caterpillars ate, and dragonflies landed. They map the cold feeling felt in between the discs of her spine as she lay on her back on a freezing night watching a Perseid Meteor shower.

Intricate ceramic constructions are three-dimensional memory maps. They are invisible cities, liminal urban planning, and love letters to treasured and influential authors, artists, musicians, friends, and family members. A mise en place of ingredients float between surface decoration and building blocks. They are carrots, onions and celery and they are meditations on the thousands of loops her mother made while crocheting piles of blankets, wondering what thoughts may have passed under the weight of each accumulated stitch.

Artist Bio

Terri Saulin received her MFA from the University of the Arts and her BFA from Moore College of Art and Design. She is a long time member and press coordinator for Tiger Strikes Asteroid, Philadelphia and a Member/Supporter of The Clay Studio, CFEVA and In liquid Gallery, Philadelphia. She currently teaches a variety of Studio Art courses at The Agnes Irwin School, in Rosemont, PA. Terri is the owner of No. 5 Butchie Alley. No. 5 Butchie Alley is an outgrowth of Terri's studio. The space is secretly tucked away on a small easement in South Philly and opens into a garden of inspiration.

Donated By The Artist

Terri Saulin
I love you more than I did when you were mine, 2024
Porcelain, luster glaze
3.5" x 3" x 3"

Artist Statement

In the "Shaker" spirit, I imagine a tiny wasp-worker making imaginary homes for important collections of most special memories. Saulin's process begins with cartography. The drawings and sculptures created are a visual "counterpoint" The layered information, produces an imagined, time-lapse view of a world. Inspired by the landscape of her urban garden, drawings become maps that document plant life,
fleeting shadows, secreted places where mantis eggs were found, caterpillars ate, and dragonflies landed. They map the cold feeling felt in between the discs of her spine as she lay on her back on a freezing night watching a Perseid Meteor shower.

Intricate ceramic constructions are three-dimensional memory maps. They are invisible cities, liminal urban planning, and love letters to treasured and influential authors, artists, musicians, friends, and family members. A mise en place of ingredients float between surface decoration and building blocks. They are carrots, onions and celery and they are meditations on the thousands of loops her mother made while crocheting piles of blankets, wondering what thoughts may have passed under the weight of each accumulated stitch.

Artist Bio

Terri Saulin received her MFA from the University of the Arts and her BFA from Moore College of Art and Design. She is a long time member and press coordinator for Tiger Strikes Asteroid, Philadelphia and a Member/Supporter of The Clay Studio, CFEVA and In liquid Gallery, Philadelphia. She currently teaches a variety of Studio Art courses at The Agnes Irwin School, in Rosemont, PA. Terri is the owner of No. 5 Butchie Alley. No. 5 Butchie Alley is an outgrowth of Terri's studio. The space is secretly tucked away on a small easement in South Philly and opens into a garden of inspiration.

Donated By The Artist