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Fair Market Value: $500
Dimensions: 24"x 2.25" x 5.5"
Low-fire terracotta with gold luster
"I am attached to terracotta and low-fired technologies as symbols of my heritage. I like to imagine a potter ancestor in Luxembourg or Wiltshire pouring slip on his earthenware platter, decorating it with the details of some local or family event, sprinkling on lead oxide, then firing it in the most simple manner. My ancestor and I are alike in our interest in enlivening the daily aspects of life: mundane routines and community celebrations. Like him, I hope the plates, platters, bowls and other service pieces I make enhance those routines and rituals and that they add a touch of grace to the domestic arena." - Gale Kendall
Dimensions: 9.5" x 8.25" x 5.5"
"Jeff Oestreich was trained in the austere simplicity of traditional Asian pottery while serving as apprentice to Bernard Leach in England in the 1960s.
Driven to achieve a personal style, he overlaid this foundation with a passion for Art Deco design and a ceaseless exploration of glaze and decoration techniques.
A highly regarded studio potter, Oestreich has exhibited in museums and galleries worldwide, his work can be found in the outstanding collections of the Victoria and Albert Museum, the Incheon World Ceramic Center, the Smithsonian's Renwick Gallery, and the Los Angeles County Museum of Art among others. Every year Oestreich and other artists open their studios for the annual pottery tour in the St. Croix Valley." - Craft In America
Dimensions: 8.5"x 8"
"Byron Temple is internationally recognized for his unpretentious ceramic works. He had been an apprentice of English potter Bernard Leach, and this clearly influenced his concept and philosophy of ceramics. He liked to define himself as a production potter. He used basic designs which he dominated to perfection. This permitted him to explore intensely the fundamental qualities of the form and its expression. He described his work as "sleek and slim" with "simple lines" and "marks left exposed," he considered this to be "a combination of Bauhaus and Japan." Temple influenced generations of potters with classes and workshops at schools ranging from Pennland and Haystack to the Pratt Institute and Philadelphia College of Art. He has worked all over the world, including Australia, New Zealand, Spain, and Japan.
Temple's production reached as many as 10,000 pieces a year. His pottery is unmistakably handcrafted, bearing the marks of the artists touch or the cutting wire where the pot has been removed from the wheel. He often tied lids to the bases of pots with a cord of silk or linen, giving them the quality of a ritual object." - Michener Art Museum
Dimensions: 3"x 6"
"Bennett Bean is a quintessential polymath best known as a ceramicist for his treatment of vessels post firing; but, he works in a range of media including stone, precious metals, wool and silk weaving, and painting."
Dimensions: 8.5" x 5"
"This series started out as fairly crude etchings on stoneware clay. As the years went by the carving became more complicated and refined, often teaching me the wisdom of the adage "less is more." The medallion bowl in this group is similar in design to the piece in the Smithsonian collection. These pieces were made circa 1980-90. These are thrown earthenware, etched and carved, stone burnished, and smoked in exotic hardwood sawdust." - Nancee Meeker
Nancee Meeker's extraordinary work is in many major museums and collections, including: The Smithsonian, Crocker Art Museum, Boston's Museum of Fine Arts, The Fuller Craft Museum, and public / private collections around the world.
Dimensions: 4.75" x 4.25'
"I am interested in pottery that make connections to the human figure. The figurative analogies used to describe pots throughout history all in some way invite touch. The pots that I respond to all speak of a clear, direct sense of the hand. The hand is celebrated in the work by its maker, whether it is that of a fifteenth century rural potter or a nineteenth century court artisan. And it becomes a necessary tool for the user in understanding the relationship of the object to its function, and subsequently, to how that object informs ones life.
Though most of my work only alludes to function, I use the pot context because of its immense possibilities for abstraction. The skin of the clay holds the invisible interior of the vessel. How I manipulate my forms "around" that air, constraining it, enclosing it, or letting it expand and swell, can allow analogy and metaphor to enter into the work."
Dimensions: 4.5" x 6"
Mary Roehm is known for paper-thin wheel-thrown or cast porcelain vessels.
She explores the possibilities for manipulating her vessels, often twisting, tearing the edges, and creating less than round rims. The pieces are usually left unglazed so the effects of wood-firing can be most evident. Although she creates many domestic forms, she is most well known for her bowls, pouring, and conceptual sculptural vessels.
Dimensions: 7" x 1.5" x 2.25"
Bertil Vallien is by far the most internationally celebrated glass artist and designer in Sweden. He has received numerous awards and his work is well represented in leading museums around the world. He works in a mythical, dream-like world of symbolic imagery. He undertakes what he himself describes as a never-ending research quest, in close cooperation with his co-workers at Kosta glassworks, several of whom have worked with Vallien for decades. Bertil Vallien is known most of all as the master of sand moulding. His solid, deep-blue, four-meter-long ship has become part of modern glass history. His creations include Château, one of the best-selling ranges of handmade glasses over the years.
Dimensions: 19.25" x 6"
Dimensions: 14" x 11" x 2"
"The beauty and power of pot making is that it can elicit a range of intellectual and emotional responses. The medium is primal. Pots are abstract. Subtle nuances of form and surface and the interactivity of haptic experience offer endless means of expression. Pots are also intimate. In a post-digital society increasing divorced from human interaction, it seems pertinent to offer objects that elevate and sustain our core human needs."
Paul Kotula earned his MFA from the New York State College of Ceramics at Alfred University in 1989.Paul Kotula has exhibited his work internationally since 1991. Among his recent exhibitions are "Convergence: Pottery from Studio and Factory," Art Alliance, Philadelphia; "The 63rd Scripps College Ceramics Annual," Scripps College and "Hide and Reveal: 4th International Craft Biennale," Cheongiu City, Korea. Paul Kotula has also worked as a gallery director for Pewabic Pottery, Swidler Gallery, REVOLUTION (Detroit and New York) and paulktoulaprojects.
Dimensions: 4.25" x 1.25"
Dimensions: 7/8" x 1.25" each
Stanley Lechtzin founded Tyler's Jewelry and Metals program in 1962. He is also a founding member of the Society of North American Goldsmiths. In 2009, he was awarded the Lifetime Achievement Award from the Society of North American Goldsmiths. He was elected to the College of Fellows of the American Crafts Council in 1992 and was the recipient of Temple University's Great Teacher Award in 1989.
His work can be found in numerous permanent collections including the Cooper-Hewitt Museum, the Smithsonian Institution's National Museum of Design; the Detroit Institute of Arts; Goldsmiths' Hall in London; the Metropolitan Museum of Art's "Donna Schneier Collection"; The National Museum of American Art; and The Philadelphia Museum of Art, among many others.
Dimensions: 2.25" x 1.25" each
Dimensions: 4.5" x 4.75"
Morton "Dale" Chase, (1934-2007), grew up in Michigan until his family moved to the San Francisco area at age 11. He graduated from UC Medical School and became a vascular surgeon for 32 years before retiring. After acquiring a Holtzapffel lathe in 1972, he began creating wood bowls and boxes with engraved ornamental designs. As his skills continued to develop, he grew from traditional index ornamenting to the less common (at that time) rose engine work.
His work survives in the permanent collections of the Smithsonian, Los Angeles County Museum of Art, Honolulu Museum of Art, Yale University Museum of Art, Museum for Art in Wood, and several others, as well as in personal collections on all continents.
Dimensions: 3.5" x 10.25"
An opportunity of a lifetime! Roberto Lugo opens the doors to his current studio for a 10 person tour of his creative space.
Roberto Lugo is a Philadelphia-based artist, ceramicist, social activist, poet, and educator. Lugo utilizes classical pottery forms in conjunction with portraiture and surface design reminiscent of his North Philadelphia upbringing and Hip Hop culture to highlight themes of poverty, inequality, and racial injustice. Lugo's works reimagine traditional European and Asian ceramics, adding a 21st-century street sensibility. Their hand-painted surfaces feature classic decorative patterns and motifs combined with elements of urban life, graffiti and portraits of individuals who have been historically absent from traditional luxury vessels, individuals such as Sojourner Truth, Dr. Cornel West, and The Notorious BIG, as well as Lugo's family members and, very often, himself.
Enjoy a unique opportunity to spend a fabulous week at Villa Regnalla in Pietrasanta, Tuscany, Italy, which has been made exclusively available to The Skylight Foundation. Set among the gorgeous hills of Valdicastello, at the heart of Versilia, Pietrasanta (Tuscany), this beautiful Villa, a former 16th ancient oil-mill whose waterwheel has never stopped turning, includes 5 bedrooms and 5 baths and sleeps 10. Each suite includes a bedroom (some two), bathroom finished in Carrara marble, and a living room with fireplace.
Immerse yourself in history while enjoying modern comforts and amenities such as satellite TV, free WiFi and air conditioning and heating. The Villa's grounds include a gorgeous garden, tennis court, swimming-pool with 2 showers and relaxing gazebos. A Maid/Cleaner is available at additional cost. A chef can be provided at additional cost, as well as chauffeur-driven transport.
Located near the historical and artistic town of Pietrasanta and just a 5-minute bike ride from the gold beach of Marina di Pietrasanta and a 10-minute ride from the town center of Forte dei Marmi, Villa Regnalla is 30 minutes from the airport at Pisa and 45-minute car ride from Florence.
Win this remarkable vacation designation and your stay at Villa Regnalla will truly be a once-in-a-lifetime experience!
Airfare not included. Based on a date to be mutually agreed in 2024 only.
Two tickets to opening Gala on November 2, 2023 from 6-9pm, Philadelphia Museum of Art Contemporary Craft Show at the PA Convention Center, 12th & Arch Streets. The Philadelphia Museum of Art Craft Show is an annual juried exhibition and sale featuring work by 195 of the best artists working in contemporary craft and design. All work is for sale. The Show's sole beneficiary is the Philadelphia Museum of Art.
Dimensions: 8" x 6" x 1"
"I often think of my art as timeless relics and ritual home furnishings. My training and early work was in textiles and painting, a fusion of art and craft. My current body of work integrates my lifelong interest in patterns. Pieces are stitched on PVC screening that include symbolism, irony, satire and cultural context. They are layered illustrations of my soul that include the past, the present and perhaps the future."
Dimensions: 9" x 7.5" x 1.5"
Tour the jewelry/sculpture studio of artist John Wind and home of the Dina Wind Art Foundation. Housed in a historic firehouse stable, this South Philly gem was renovated by Eberlein Design & Cano Architects and recognized as a Grand Jury Winner in the Philadelphia Preservation Alliance's 2022 Preservation Achievement Awards. Enjoy a private visit for up to 6 guests. Complete the experience with a glass of wine served on the sculpture deck with Center City and South Philly views. //John Wind is a mixed media artist creating narrative portraits, assemblages and installations. He is also designer of John Wind Jewelry, known for 'Modern Vintage' fashion jewelry and gifts. His work is in the permanent collections of the Victoria & Albert Museum, London, the Musée des Arts Decoratifs, Paris, and the Philadelphia Museum of Art.His mother, Dina Wind (1938-2014) was a trailblazing artist and arts advocate whose bold, abstract sculptures challenged stereotypes and embraced sustainability. Inspired by her legacy, the Dina Wind Art Foundation empowers women artists, builds community, and supports arts education.
Dimensions: Cart size: 0.51" x 0.6" x 0.49"
3-D printed shopping cart with 2.5 black onyx cabochon wheels.
My Cartrageous Sterling silver jewelry and accessories series is an outgrowth of the shopping cart furniture series I began in 2008. I am experimenting with form and playfully with movement. I enjoy taking one shape and considering what else I can do with it. Intended to be playful and fun the jewelry, like the furniture, is developed with a deeper intention. Those who purchase work from the Cartrageous series can find joy of giving twice - 15% of proceeds are donated to a local soup kitchen with each purchase. Because I believe giving doesn't have to be limited to a holiday or special event.
Art swirls through my blood via a long linage of acclaimed and beloved familial painters. Frequently surrounded by artists and their work my childhood was saturated with color and form and conversations about its meaning. So, in a way, art is my first language. While in the magic of the desert earning a Bachelor's of Art and immersed in formal training I dove into the joys and the techniques of printing, ceramics, sculpture and painting, graduating from the University of Arizona in Tucson. Ready for my next chapter I found I longed for my home state the ocean, and it seemed like fate to find the perfect studio on Cape Ann, Massachusetts, and so established "Art by any Means" in 1999.
Dimensions: 31" x 12" x 12"
Corona is part of my first Migration series. I wanted to create something that spoke directly to the heart, so I chose red. The name refers to what I believe is the heart energy responsible for glow of the soul. Ironically, she was created only a few months before the onslaught of the Corona Epidemic // Camp's work has been shown in over 100 exhibitions, including the American Craft Museum, Smithsonian, International Sculpture Center, and University of Michigan. She won a 2020 Award of Excellence at the ACC, and in 2021 the Best of Show from the Peters Valley Craft Fair. Camp had a solo exhibition at Prizm in Miami during 2022 Art Basel. Her workshops include the Baltimore Museum of Art, Virginia Museum of Fine Arts, Longwood Gardens, and Smithsonian. Her dolls have appeared in Essence, Nouvel Objet, New York Times, FiberArts, National Geographic World, the Village Voice and Smithsonian.
Dimensions: 12" x 2"
I have worked with porcelain for over 50 years. Trained with Toshiko Takaezu. Former associate artist at The Clay Studio in Philadelphia.
Fair Market Value: $700
Dimensions: 5'5"x3" - Large Rug (10"x8") - coasters
River of Soul Collection is a tufted series commemorating the different paths we walk through out our lives. The variety of textures resemble the trials and tribulations of our path and how nature can bring us sense comfort and ease . These abstract sensory pieces are a sensation to have in your space. (1 large area rug and coasters / hot pot pads )
Eunoamia Art is Afro Caribbean multi disciplinary artist based in Philadelphia,Pa.
Dimensions: 3" x 14"x 18"
This is a 14 by 19 inch Raku Leaf created by first growing the leaf and then rolling the mature leaf into a large slab of clay..forming the clay then firing it twice, the second firing in a Raku Kiln to bring out the alchemical reactions of copper oxides from blues to greens to reds. After reaching temperature it is pulled hot from the Raku kiln and immersed in sawdust to blacken the clay and further create exciting effects on the piece. // My work in clay has evolved over the years from mostly functional and wheel-thrown forms with the vessel as the predominant form to an increasing involvement with sculptural pieces emphasizing the human form and elements of nature like leaves and shells etc. This evolution has occurred in conjunction with my work as an Art Therapist and Psychotherapist as well as my long love of the natural world.I create my work with a variety of clays and processes. I work with stoneware, porcelain, Raku, and earthenware clays, and fire in many types of kilns. I find that the process of, and reactions of, the fire and chemicals and clay are Alchemical, which offers me infinite possibilities. This is creatively exciting and keeps me fired up!!
Dimensions: n/a
Your credit card will be automatically charged at the conclusion of the auction.
Introduction to Tapestry Weaving workshop on Oct 22 (Sun), from 1-3pm! As a student, you will leave this hands on workshop with an understanding of beginning tapestry techniques, and the confidence to explore weaving further on their own. Topics discussed will include: how to warp a tapestry loom, plain weave, how to create fun patterns and different ideas to finish your weavings. No prior experience needed, all materials are included. 1901 S 9th St (Bok Building) Space 423, Philadelphia.
Dimensions: 13" x 13.5"
The Wildlife work is inspired by Nature's ingenious design constantly perfecting for each unique environment. Yet, as we stand at the edge of this ecological precipice, the environment is telling us in no uncertain terms it cannot survive without our mutual support. The convex ceramic plays on the idea of a shield, defined as a person or thing providing protection from harm. It also heralds the honor of and a sense of family like the countless species with which we share this planet. Like the focus of a lens, the shields reflect our powerful role and reciprocal responsibility.
Dimensions: 14"
Bead-Woven Chain Link Necklace: Elegant bead-woven, interlocking chain links in rainbow colors symbolize the strength of people joining together to create unity and peace.
Dimensions: 13.25" x 8" x 8.5"
From Easter Island- Rapanui: Incised for Chanting OutThe ancient Easter Island glyphs carved on tablets share a mystical language. As rareas the few remaining dozen incised wood planks, Rongorongo is one of a fewindependent languages in human history and is yet to be deciphered.
The unique system of characters are incised in shallow horizontal channels. The text is read from the bottom row, left to right. Each line is reversed so one must turn the tablet 180o to chant to the next line. Although the literal translation is unknown, the spirited nature of the "chants" infuse the sculptures. Inheriting the ancestral Rongorongo mobility, many of the sculptures invertfreely into various poses as they step from 2 to 3 dimension.
The mysterious carved organic tablets liken time capsules capturing a once diverse andabundant exchange between man and nature on this remote Pacific island. Thethriving Rapanui culture and its lush landscape fell to deforestation and devastationleaving a profound message and crucial restoration at work today.
The color of the pit-fired ceramic Rongorongos is 100% painted by the fumes and flameof their primitive outdoor firing, unpredictable and unique.
The Penny Sphere Necklace is a pendant hollow fabricated out of solid US copper pennies minted prior to 1982. The hollow penny sphere hangs at 36" length on an oxidized brass chain with no clasp
Dimensions: 11.5" x 13.5" x2"
Hand and machine-sewn kinetic textile collage inspired by the canyonlands of the Western United States.
Dimensions: Expansive
Spend a day of making and talking with Jack in his studio on the farm in South Jersey. Could be technical, conceptual, abstract or metaphysical. Discover the meaning of meaning through making. Enjoy a fabulous farm lunch by Helen and conversations with goats.
Dimensions: 2 7/8 x 2 7/8 x 1"
Inspired by the work of Georgia O'Keeffe, this pin alludes to flowers, shells, and landscape. It can be worn as both a brooch and a pendant.
InLiquid Benefit VIP
Fair Market Value: $250
A voucher for two tickets to InLiquid's Benefit VIP Reception in March 2023.
The kick off to the 25th Season, the InLiquid Benefit is a celebration of contemporary art, design, and craft with The InLiquid Silent Auction and Benefit. This much-anticipated two-week event is an annual showcase for exceptional contemporary art.
InLiquid's Benefit Auction directly supports the Philadelphia region's artists. Your contributions and auction purchases support over 40 free, public art exhibitions throughout the city each year, and foster the careers of over 350 local artists annually.
InLiquid is a 501(c)(3) non-profit organization serving as a resource for the region's artists and audiences.
Dimensions: 3 3/8" x 2 3/4"
Box by master woodturner Jakob Weissflog.
Dimensions: "3" x 2 1/2" x 2 1/2"
The winner of this trip will travel to Namibia for an unforgettable 5 days /4 nights for 4 people in two suites/tents, on safari in the exclusive Ongava Game Reserve (www.ongava.com) located next to Etosha National Park in Namibia. The winning bidder will have the choice of staying at Ongava Tented Camp or at Ongava Lodge.
A combination of both properties is also possible. Both tented and lodge accommodations include the "creature" comforts of private baths, luxury suites, and cooling units - all with fabulous views looking out at the reserve and waterholes.
Meals are served either in the main dining room under thatch with a view, or on the dining deck under the stars. Namibia has become a most sought-after safari destination. Activities include game drives in open jeeps, guided hikes and walks giving you the unique opportunity to see resident elephants, cheetahs, lions, and the unique resident white and black rhinos as well as to visit the Ongava Research Center (http://www.orc.com.na/) which is sponsored in part by the Philadelphia Zoo. Ongava has been listed on the Conde Nast Traveler Gold Reserve List. Bid now for this luxury trip and create memories that will last forever.
Special Note:
A voucher good for any 2-3 hour class at the Philadelphia Guild of Handweavers. More than just weaving - classes include a wide range of fiber arts including felting, embroidery, knitting, crochet and dyeing.
The Philadelphia Guild of Handweavers (PGHW) was founded in 1952 when a group of weavers in the Philadelphia area began to meet to foster their craft. Through education and the exchange of ideas, they hoped to inspire others to greater proficiency as weavers. Over the years PGHW has become a center for a wide range of fiber arts including weaving, spinning, felting, basketry, chair caning, embroidery, knitting & crocheting, paper art, dyeing, quilting, sewing, surface design and more.
Classes take place at the Guild house in Manayunk: 3705 Main StreetPhiladelphia PA 19127
Dimensions: 17"
Sculptural necklace created with a mix of soft gray-tone oval discs matched with small glass beads, large gray beads and mesh rounds arranged to highlight rhythmic contrast. Coated silver wire weaves back and forth to complete a show-stopping one-of-a-kind statement piece with an easy and comfortable magnetic clasp. // I'm a one man-band and enjoy the creative process from concept to execution. I work with found, recycled and unexpected material to create a collection of necklaces, earrings and pins to be enjoyed by self-assured women comfortable with attention, open to adventure and who find joy in discovering new ways to present themselves. Because each piece is individually made, no two look the same, and are necessarily made in limited editions. Making custom work is a special treat from creating a necklace highlighting a sport or game such as puzzles, dominos, golf, or mahjongg, to creating mismatched earrings from an unconventional object as simple as a favorite sea shell to a cherished keepsake.
A Chef's Dinner for 4 at Fork Restaurant in Old City. Served family style, with beverage pairings included. Tax and gratuity are not included.
Fork Restaurant's mission is to create exceptional food and service, while supporting local purveyors and ethical sourcing.
Dimensions: 7.25"x10.5"x2.5"
Laura Wilensky, an artist who became part of the "Golden Age of New Paltz" is known for her unique art. Wilensky is known for her "spoon ladies" that were exhibited at Fairtree Gallery on Madison Avenue. The largest gallery in NYC has exclusively exhibited her art. Wilensky has caught the eyes of many from her unique 'spoon ladies' to her sculptures of animal creatures that may have been the original 'Arthur' before the kids show.
Dimensions: 2.5"x 2.5"x 10", 2.5"x2.5" x6"
Two handmade planes, smoothing and block, in the Krenovian tradition.
Chris admits that she is an obsessive collector, and has been all her life. "I create objects from materials that capture my eye, and that can be recycled materials or found objects. I make functional and sculptural and jewelry objects out of these materials that I collect. I try to take things that have had a past life and then give them a new life."
Date Night for 2
Fair Market Value: $100
Go ahead, get a little dirty on Friday night! Couples and singles are welcome to join us at The Clay Studio for an evening of romance and throwing on the potters' wheel. Our skilled instructors guide you through the basics of wheel throwing and options for decorating the pieces that you make. The Clay Studio will glaze, fire and package your work for pickup. Beer, wine, light snacks, clay and tools are included. Wear or bring clothes to change into that you don't mind getting dirty.
Dimensions: 13.25" x .75"
Cobalt Blue Crackled Porcelain/Fiberglass Platter. As a ceramicist, my goal is to capture the unique fusion of fiber glass textile and porcelain slip. The forms, vessel or flat are remarkable thin, strong and light weight. Each is individually formed and fired. This work explores surface texture by multiple layering of fabric infused with porcelain. The raw edges suggest both fragility and informality.
Situated in an elevated position, nestled into the hillside overlooking the typical Spanish village of Bedar, is Casa Fuentecica. This fabulous villa is within walking distance to the white hilltop village, which includes a handful of local bars and restaurants, plus a few shops, bakery and pharmacy. Alternatively, the larger popular resort of Mojacar with its long sandy stretch of beach can be reached within a 20 minute drive, offering a vast array of restaurants, beach bars and shops, as well as the fishing port of Garrucha.
Furnished comfortably, all bedrooms include the benefit of air-conditioning. Doors lead out from the mezzanine lounge out onto the terrace which provides an inviting setting for alfresco dining and an opportunity to enjoy the beautiful mountain and sea views down towards the coastline of Mojacar in the distance. Should you require the services of a cook during your stay, this can be arranged on a time plus materials basis.
Andalucia is home to many typical white villages nesting quietly in the countryside
Bedar - An authentic Spanish village, in existence since the time of the Moors and nestling into the lower slopes of the Filabres mountains, in Andalucia, approximately 15 kms inland from the coastal resorts of Mojacar Playa and Garrucha. As you drive towards this picturesque mountain village, Bedar becomes a focal point sitting astride a pretty hillside setting in a quiet and calm atmosphere and still retaining many of the original cottages which line the narrow streets and little alleyways. All every-day needs are catered for including a Post Office, Chemist, Surgery and a supermarket. Start your day with a walk to the Bakery to buy freshly baked bread or croissants. And don't forget your camera - you will be inspired by shots of beautiful bougainvillea or pink & white almond blossom in January. There are three good restaurants/bars offering a variety of cuisine so no need to go far to enjoy the ambience of this lovely village, but at the same time providing an ideal base from which to explore this little known area of Spain.
Travel costs to and from the villa not included.
We cannot guarantee high season weeks (June, July, August). More likely out of season weeks will be available but we will try and meet the winning bidder's preferred week or get as close to it as possible.
Due to the popularity of the destination we may on occasion have to defer the week to the following year.
Winning bidders to contact: [email protected] to arrange booking.
Dimensions: 3.75" x 1.5"
In the late 90's Dale Chase ventured into using his rose engines to metal guilloche work. They were applied to the lids, sides and occasionally to the bottoms of the boxes. The preferred metals he used were Silver, Gold, and even Gunmetal. In addition to regular round patterns, he incorporated the use of Eccentric, Oval & Rectilinear chucks, and even over lying of various patterns to create further Guilloche art on his boxes. His work survives in the permanent collections of the Smithsonian, Los Angeles County Museum of Art, Honolulu Museum of Art, Yale University Museum of Art, Museum for Art in Wood.
Dimensions: Adjustable 18" long. Felt rounds are 1.25"
Your other jewelry will be jealous. Big hand-beaded felt rounds and overscale handmade silver chain. A bold necklace, yet very lightweight.
Dimensions: 17" x 18"
Isaiah Zagar is an award-winning mosaic mural artist whose work can be found on more than 200 public walls throughout the city of Philadelphia and around the world. Born in Philadelphia and raised in Brooklyn, Zagar received his B.F.A. in Painting & Graphics at the Pratt Institute of Art in New York City. When he was 19 years old, Zagar discovered the art environment of Clarence Schmidt in Woodstock, New York. This shaped his ideas of what art could be and started a lifelong interest in art environments and their creators.
Isaiah Zagar's artwork is heavily influenced by his travels and the personal connections he has made with international folk and visionary artists. Isaiah and his wife Julia completed three years of Peace Corps service in Peru in the mid-1960s, working with folk artists in the Puno region near Lake Titicaca. Soon after, they settled in Philadelphia and began their life's work of creating public art and fostering creativity in all its varied forms.
YOWIE is an invisible service boutique hotel, cafe and retail shop located on Philadelphia's iconic South Street, a stone's throw from Independence Mall and many other eclectic neighborhoods. We offer a thoughtfully-curated guest experience merging work from heritage and emerging designers.
Dimensions: 13" round
John Glick is known for functional, thrown, stoneware vessels with painterly surfaces. His early work reflected his Cranbrook teacher, Maija Grotell, and is characterized by simple, undecorated stoneware dinner services and functional vessels.Glick founded Plum Tree Pottery in 1964. There he produced a range of functional vessels with sophisticated painterly decoration. The surface is drawn on and painted with slips and glazes, frequently with flower and vine motifs, sometimes built up to form relief or textured underglaze surfaces, always creating the illusion of depth.
Glick is considered one of the most important functional potters of his time, not only for his body of work but also as an influential teacher and mentor. Glick introduced, to American studio potters, innovative studio practices that have been widely adopted. He worked with studio assistants, initially having them throw the desired forms or assemble the slabs of hand-built forms to his specifications. Glick concentrated on all aspects of the decoration and finishing.
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