Title: Niitsitapi (The People)

Artist: Craig T Marks

Tribal Affiliation: Pikuni (Blackfeet Nation)

Year Completed: 2022

Medium: graphite, Acrylic, Latex on canvas

Dimensions (HxWxD): 48" x 96" x 4"

Description/Inspiration:

Artist was challenged by a peer to "work larger." In an attempt to meet this challenge and still pay homage to the artist's roots in ledger art, the treaty 7 documents of 1877 were recreated on the canvas. Then the large male iinii (bull American plains bison) was added. Originally Ninastako (Chief Mountain) and its surrounding ranges were to be included but proved to be too much for the composition. Instead, Blackfoot pictograms depicting a mountain range were incorporated into the background. Traditionally these images would appear above the earth line at the bottom of the page but were added along with prominent star constellations behind the text of the document to give a different sense of depth.

Artist Bio:

Craig Marks is a Florida Suncoast fine artist and illustrator who resides in St. Petersburg with his wife and six children. A Pikuni descendant, the cultural influence of the Blackfeet culture is evident in his body of
work. He has developed strong relationships within the Blackfoot Confederacy and has gained recognition as a ledger artist. The titles of many of his works are in the Blackfoot language, in the hopes of inviting non-native viewers into conversations that dismantle stereotypes, and address inequities still existing in the 21st Century.

Artist Statement:

The Peace Love Art Indigenous Collective is a deeply personal experience, allowing me to show express my gratitude for those who have brought me to this point in my life. As an adopted child, I was blessed with a home and people who loved me and gave me everything. Like any adopted child, I had questions about who I was, and where I came from and left me with an emptiness I had accepted as one I would have to live with.

When I found my birth family, that began to change. Eventually it would be art that opened the doors to understanding my past and finding my ancestors. Each face I paint has a story to tell. Every being depicted on my canvas or rendered on paper has honored me with sharing their story with the world before it is forgotten. Every line on paper or stroke of my brush brings life and spirit to a surface that
was once lifeless.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Nitsiniksin (My Story) The G.O.A.T.

Artist: Craig T Marks

Tribal Affiliation: Pikuni (Blackfeet Nation)

Year Completed: 2022

Medium: Acrylic and spray paint on cast sculpture

Dimensions (HxWxD): 48" X 60" X 23"

Description/Inspiration:
Project GOAT (Global Offensive Against Trafficking) utilized specially designed goat sculptures to raise money and awareness to combat human trafficking. This goat was originally intended to be orange with Blackfeet pictograms depicting the remains of every child recovered from school properties to date. After a conversation with a close friend of the artist, the concept changed from a memorial to a victory statement-a winter count for not just the victims but the survivors. The pictograms in the blue area of the goat represent the survivors of the residential school era. These are the elders who kept the language and culture alive when governments and the church worked so hard to eradicate them. The pictograms in red, below the earth line represent those who did not come home. One flank of the goat depicts the members of the Dream Catcher Foundation Council. The Council are the quintessential example of colonization's failure to "kill the Indian and save the man." These are pro athletes, supermodels, actors, musicians, artists, and influencers. You can't help but see them. Undeniable proof that Indigenous people are still here and gaining momentum every day. The other flank tells the story of Native America through the artist's family. Panning down the side, you can see how within a generation of being removed from the reservation tradition gave way to the fashion of the time. The artist shows his grandmother Agnes Kellerher and Grandfather Jimmy Big Spring as they would have appeared in the 1930s. His grandmother Helen and uncle "Smokey" in the 1950s, and his mother in the 1960's. His uncle William "Jimmy" Kellerher, a Vietnam veteran, represents the native veterans. In 1978, Natives were again allowed to practice their culture openly. This can be observed in traditional attire appearing again with the artists extended family. His cousin Deborah Red Shirt, and adopted brother and sister, Jesse DesRosier and Tillie Torpey. Blackfoot Artist Terrance Guardipee Last Gun in his elk tooth necklace helped to inspire and teach Mr. Marks through the years. The story could not be complete without the support of the artists wife, who stands next to the Skyway bridge representing Florida, and the artists heart. To the right of the skyway is Chief Mountain and a Pikuni camp, representing Blackfeet Country and the spirit of the artist. Between these two is a bull bison-the artist himself walking in two worlds. Displayed on the goat are the north star and big dipper, along with the red hand representing Missing and Murdered Indigenous Women, Girls, and Two-spirit People. Even the eyes are slightly different, with a nod to Napi. The goat is a representation of the perseverance of Native America. It symbolizes colonial failure to erase Indigenous peoples. In every way this goat says to the world: "We are still here."

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Oh'kitopi (Horse Rider)

Artist: Craig T Marks

Tribal Affiliation: Pikuni (Blackfeet Nation)

Year Completed: 2022

Medium: graphite, Acrylic, Latex on canvas board, Framed

Dimensions (HxWxD): 48" x 36"

Description/Inspiration:

Portrait of Kainai actor, stuntman, and activist Eugene Brave Rock. Mr. Brave Rock and the artist have had a connection for several years and Eugene has been the subject of several works by Mr. Marks. For this event, the artist recreated an image of Brave Rock atop his horse. The viewer can decide whether the rider is approaching from a blazing sunrise out of a fog, or traversing a dusty, red stone canyon. Brave Rock titled this piece Oh'kitopi, The Blackfoot phrase for "rider." Additionally, this piece has been signed by the "Wonder Woman" and "Dark Winds" star (See Attached Video Below) as well as the artist.

Artist Bio:

Craig Marks is a Florida Suncoast fine artist and illustrator who resides in St. Petersburg with his wife and six children. A Pikuni descendant, the cultural influence of the Blackfeet culture is evident in his body of
work. He has developed strong relationships within the Blackfoot Confederacy and has gained recognition as a ledger artist. The titles of many of his works are in the Blackfoot language, in the hopes of inviting non-native viewers into conversations that dismantle stereotypes, and address inequities still existing in the 21st Century.

Artist Statement:

The Peace Love Art Indigenous Collective is a deeply personal experience, allowing me to show express my gratitude for those who have brought me to this point in my life. As an adopted child, I was blessed with a home and people who loved me and gave me everything. Like any adopted child, I had questions about who I was, and where I came from and left me with an emptiness I had accepted as one I would have to live with.

When I found my birth family, that began to change. Eventually it would be art that opened the doors to understanding my past and finding my ancestors. Each face I paint has a story to tell. Every being depicted on my canvas or rendered on paper has honored me with sharing their story with the world before it is forgotten. Every line on paper or stroke of my brush brings life and spirit to a surface that
was once lifeless.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Imitaapooka (Dog Child)

Artist: Craig T Marks

Tribal Affiliation: Pikuni (Blackfeet Nation)

Year Completed: 2021

Medium: Acrylic, on canvas

Dimensions (HxWxD): 16" x 40" x 1.5"

Description/Inspiration:

Portrait of Kainai (Blood Tribe) warrior Imitaapooka (Dog Child), one of the artists ancestors. An example of how art has connected the artist with his history and family, researching this painting showed images of a man named Dog Child in front of a lodge with a native woman presumed to be his wife. The man is adorned in Royal Canadian Mounted Police attire carrying a white gripped revolver and holding a samurai sword. This image states Dog Child going by the name "Winnipeg Jack," and describes a tracker for the RCMP who located horse and cattle thieves for the Canadian Government. Members of the artist's family report that Winnipeg Jack and Imitaapooka are in fact, not the same person. The mystery continues as to who "Winnipeg Jack" was, and how he came to be in possession of a samurai sword in Canada during the late 19th Century.

Artist Bio:

Craig Marks is a Florida Suncoast fine artist and illustrator who resides in St. Petersburg with his wife and six children. A Pikuni descendant, the cultural influence of the Blackfeet culture is evident in his body of
work. He has developed strong relationships within the Blackfoot Confederacy and has gained recognition as a ledger artist. The titles of many of his works are in the Blackfoot language, in the hopes of inviting non-native viewers into conversations that dismantle stereotypes, and address inequities still existing in the 21st Century.

Artist Statement:

The Peace Love Art Indigenous Collective is a deeply personal experience, allowing me to show express my gratitude for those who have brought me to this point in my life. As an adopted child, I was blessed with a home and people who loved me and gave me everything. Like any adopted child, I had questions about who I was, and where I came from and left me with an emptiness I had accepted as one I would have to live with.

When I found my birth family, that began to change. Eventually it would be art that opened the doors to understanding my past and finding my ancestors. Each face I paint has a story to tell. Every being depicted on my canvas or rendered on paper has honored me with sharing their story with the world before it is forgotten. Every line on paper or stroke of my brush brings life and spirit to a surface that
was once lifeless.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Iiniiyawa Nah'kapaiksikaiyiis (Where the Buffalo Roam II)

Artist: Craig T Marks

Tribal Affiliation: Pikuni (Blackfeet Nation)

Year Completed: 2021

Medium: Graphite, Colored Pencil, marker, acrylic, Unframed

Dimensions (HxWxD): Roughly 11 X 14"

Description/Inspiration:

Additional Information Mixed media image of iinii (American Bison) on historical document depicting Oklahoma and the Indian Territories, from the 1800's. Second in a series due to the tremendous response to the first piece.

Artist Bio:

Craig Marks is a Florida Suncoast fine artist and illustrator who resides in St. Petersburg with his wife and six children. A Pikuni descendant, the cultural influence of the Blackfeet culture is evident in his body of
work. He has developed strong relationships within the Blackfoot Confederacy and has gained recognition as a ledger artist. The titles of many of his works are in the Blackfoot language, in the hopes of inviting non-native viewers into conversations that dismantle stereotypes, and address inequities still existing in the 21st Century.

Artist Statement:

The Peace Love Art Indigenous Collective is a deeply personal experience, allowing me to show express my gratitude for those who have brought me to this point in my life. As an adopted child, I was blessed with a home and people who loved me and gave me everything. Like any adopted child, I had questions about who I was, and where I came from and left me with an emptiness I had accepted as one I would have to live with.

When I found my birth family, that began to change. Eventually it would be art that opened the doors to understanding my past and finding my ancestors. Each face I paint has a story to tell. Every being depicted on my canvas or rendered on paper has honored me with sharing their story with the world before it is forgotten. Every line on paper or stroke of my brush brings life and spirit to a surface that
was once lifeless.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: SIGNATURE SKY COAT

Artist: Kayla Lookinghorse

Tribal Affiliation: hunkpapa/Itazipco Lakota

Year Completed: 2022

Medium: Trade Cloth, Hand Beaded, (See Attached Video Below)

Dimensions (HxWxD):

Description/Inspiration:

As seen at New York Fashion Week! Make a statement in the Signature Sky Collection Coat by Kayla Lookinghorse Founder of K.lookinghorse. A Native Woman Owned and Operated Clothing and Accessory Brand making waves into 2023.

Vintage Dusty Blue Trade Cloth
Balenciaga Fuschia Pink Coat Liner
Cheyenne Pink Chantelle Fringe
Large Beaded Patch with Beaded accent pocket
Large Brass Buttons

My daughter Lakota Skye was born premature at 34 weeks and she was an En Caul Birth. On the morning of her birth I witnessed the most beautiful sunrise I've ever seen in North Dakota, my homelands. It was that particular sunrise that inspired the current Sky Collection. That February the circle of life came full circle in 4 days. Although I was over 1700 miles from our current home in New York, without my husband or other children, I had my ina' (mom) next to me. Our family had just lost Auntie Tracey Many wounds. Tracey was a master bead worker and her designs were unmatched. She was a second mother to me. I am here today, thankful for our time together and all the teachings she handed down to me including beadwork which is seen throughout my collection. The birth of Lakota Skye gave me so much strength to continue curating my dreams.I hope my story will encourage those faced with pain of losing a loved one and can also be inspired by their own strength. I am currently still breastfeeding Lakota and she continues to strengthen me in my journey. We have many upcoming shows including London, Paris and Nigeria for 2023! Keep a look out for us!

Artist Bio/Statement:

What separates Kayla Lookinghorse from other designers is her hunkpapa/Itazipco Lakota heritage and the way it is artfully woven into her designs. K. Lookinghorse is a contemporary brand that honors the designer's heritage with an aesthetic specific to her tiospaye' (family). Her signature symbols, three lines Horizontal pays homage to the past, present and future. As a mother, designer, artist, and tribal citizen, Kayla Lookinghorse has forged her own path by creating and recreating traditional garments with a contemporary edge. Intriguing, wearable art and statement jewelry pieces are the cornerstone of the K.lookinghorse's brand.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Directions

Artist: Robert Martinez

Tribal Affiliation: Northern Arapaho

Year Completed: 2020

Medium: Airbrushed Acrylic & Brushed Oil on Panel with Raised Accents, Unframed

Dimensions (HxWxD): 16 x 20 inches

Description/Inspiration:

"Directions" is in Robert Martinez's signature painting style using strong vibrant colors combating the black & white photos many people have in mind when thinking about indigenous people. He blends modern airbrush techniques and classical oil painting over raised geometric shapes that are inspired by Arapaho Beadwork and parfleche designs.

Artist Bio/Statement:

Robert Martinez was born in Wyoming on the Wind River Reservation in the small city of Riverton. He grew up a part of many different cultures as his lineage is Spanish, Mexican, Scotts Irish, French Canadian and Northern Arapaho. He graduated Riverton High School at 17 and through a scholarship, attended the Rocky Mountain College of Art & Design. He graduated with a Bachelor of Fine Arts specializing in Painting & Drawing and minoring in sculpture, in 3 years and at age 19, becoming the Youngest Native American to graduate from RMCAD at that time.

As he was brought up in the center of the reservation, his native heritage remains a constant inspiration and source of ideas for his work. Living in among the hard working people of the West and experiencing their issues also deeply influence his creations. The past and present often resonate strongly in Wyoming and those historical and contemporary chords echo throughout his work.

Much of Robert's current work uses the historical imagery, myth's and stories of the West & Arapaho Culture combined with modern themes to create images that have a statement on the issues of today. Using intense vibrant color and contrasting shades of light and dark, he paints and draws striking forms that are confronting and engages the viewer. His paintings and drawings have been shown across the Nation and have garnered noted acclaim. He's been given Wyoming highest award for the arts, the Wyoming Governors Art Award. His work is included in the permanent collections of the Brinton Museum, The Plains Indian Museum at the Cody Center of the West, and the Smithsonian National Museum of the American Indian.

A strong supporter of Education and of the Arts, Robert devotes time to helping and mentoring emerging artists on his reservation and through out the Nation. He gives back to the community by speaking about art topics, giving workshops, and demonstrates his style to schools, agencies and art groups.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Two Feathers

Artist: Robert Martinez

Tribal Affiliation: Northern Arapaho

Year Completed: 2020

Medium: Graphite & Acrylic on Vintage Map Image, Unframed

Dimensions (HxWxD): 11in x 14in x 3/4in

Description/Inspiration:

"Two Feathers" is in Robert Martinez's signature mixed media style using strong tones of drawn black graphite & painted white acrylic over a 1934 South Dakota Railroad Map. Carrying on from the Ledger Art tradition, Robert uses images of the indigenous people on the land they called home before colonization.

Artist Bio/Statement:

Robert Martinez was born in Wyoming on the Wind River Reservation in the small city of Riverton. He grew up a part of many different cultures as his lineage is Spanish, Mexican, Scotts Irish, French Canadian and Northern Arapaho. He graduated Riverton High School at 17 and through a scholarship, attended the Rocky Mountain College of Art & Design. He graduated with a Bachelor of Fine Arts specializing in Painting & Drawing and minoring in sculpture, in 3 years and at age 19, becoming the Youngest Native American to graduate from RMCAD at that time.

As he was brought up in the center of the reservation, his native heritage remains a constant inspiration and source of ideas for his work. Living in among the hard working people of the West and experiencing their issues also deeply influence his creations. The past and present often resonate strongly in Wyoming and those historical and contemporary chords echo throughout his work.

Much of Robert's current work uses the historical imagery, myth's and stories of the West & Arapaho Culture combined with modern themes to create images that have a statement on the issues of today. Using intense vibrant color and contrasting shades of light and dark, he paints and draws striking forms that are confronting and engages the viewer. His paintings and drawings have been shown across the Nation and have garnered noted acclaim. He's been given Wyoming highest award for the arts, the Wyoming Governors Art Award. His work is included in the permanent collections of the Brinton Museum, The Plains Indian Museum at the Cody Center of the West, and the Smithsonian National Museum of the American Indian.

A strong supporter of Education and of the Arts, Robert devotes time to helping and mentoring emerging artists on his reservation and through out the Nation. He gives back to the community by speaking about art topics, giving workshops, and demonstrates his style to schools, agencies and art groups.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Lovis Night Sky Butterfly

Artist: Siyowin - Lauren Siyowin Peters

Tribal Affiliation: Dakota Sioux

Year Completed: 2022

Medium: Water based spray painted and enamel silk screened on acid free archival paper, Unframed

Dimensions (HxWxD): 14in. x 17in.

Description/Inspiration:

Butterflies represent the cycle of life and the many phases that we face within our lifetimes. Birth, transformation, and death are inevitably all a part of the process. It can all feel so beautiful and confusing at moments but yet we must continue on growing, spreading our wings, and learning to float through any breeze or gust of wind. Through these art pieces I hope to not only capture the pure beauty and radiance of each unique butterfly but to also add my own personal touch of good energy, love, and uniqueness. These butterflies are all original pieces of artwork with every aspect that is handmade and hand done. From the burning of the screens, for the detail within the butterfly, to the various and intentional layers of colors added. They have the ability to make a statement and shine in any space.

Water based spray painted and silkscreened on acid free archival paper.

No number will be assigned as each piece is an original and the artist does not make editions unless noted.

Artist Bio/Statement:

Siyowin is an up and coming multi-media artist born and raised in Los Angeles, CA. She has taken much of her inspiration and color ways not only from the streets of the city but from her life purpose of sharing and spreading love through friendship, art, and color. Some of her most recent work focuses on the vibrant beauty of butterflies and defining the meaning of transformation, growth, and change. These butterflies are not only available for purchase online but can be seen throughout the various streets of Los Angeles as street art.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Lovis Sunshine Butterfly

Artist: Siyowin - Lauren Siyowin Peters

Tribal Affiliation: Dakota Sioux

Year Completed: 2022

Medium: Water based spray painted and enamel silk screened on acid free archival paper, Unframed

Dimensions (HxWxD): 14in. x 17in.

Description/Inspiration:

Butterflies represent the cycle of life and the many phases that we face within our lifetimes. Birth, transformation, and death are inevitably all a part of the process. It can all feel so beautiful and confusing at moments but yet we must continue on growing, spreading our wings, and learning to float through any breeze or gust of wind. Through these art pieces I hope to not only capture the pure beauty and radiance of each unique butterfly but to also add my own personal touch of good energy, love, and uniqueness. These butterflies are all original pieces of artwork with every aspect that is handmade and hand done. From the burning of the screens, for the detail within the butterfly, to the various and intentional layers of colors added. They have the ability to make a statement and shine in any space.

Water based spray painted and silkscreened on acid free archival paper.

No number will be assigned as each piece is an original and the artist does not make editions unless noted.

Artist Bio/Statement:

Siyowin is an up and coming multi-media artist born and raised in Los Angeles, CA. She has taken much of her inspiration and color ways not only from the streets of the city but from her life purpose of sharing and spreading love through friendship, art, and color. Some of her most recent work focuses on the vibrant beauty of butterflies and defining the meaning of transformation, growth, and change. These butterflies are not only available for purchase online but can be seen throughout the various streets of Los Angeles as street art.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: The Stone Coats

Artist: Jeremy Dennis

Tribal Affiliation: Shinnecock Indian Nation

Year Completed: 2014

Medium: Color Photograph, Unframed

Dimensions: 20 x 30 inches

Description/Inspiration:

Based on an Iroquois story called "The Stone Coat Woman," that describes giant stone figures who once occupied the forest
competing with human over game animals. One day a hunter's wife meets a Stone Coat Woman, and they both plot to defeat the cruel Stone Coat Men who occupy the woods. Victorious, the Stone Coat Woman gifts a piece of animal skin with various animal hairs. She says that pulling one hair will guarantee a successful hunt that day, and the gift lasted for many years after that. Unframed.

Artist Bio/Statement:

Jeremy Dennis (b. 1990) is a contemporary fine art photographer and a member of the Shinnecock Indian Nation. In his work, he explores indigenous identity, assimilation, and tradition.

My photography explores indigenous identity, cultural assimilation, and the ancestral traditional practices of my tribe, the Shinnecock Indian Nation.

Though science has solved many questions about natural phenomena, questions of identity are more abstract, the answers more nuanced. My work is a means of examining my identity and the identity of my community, specifically the unique experience of living on a sovereign Indian reservation and the problems we face.

Digital photography lets me create cinematic images. Nowhere have indigenous people been more poorly misrepresented than in American movies. My images question and disrupt the post-colonial narrative that dominates in film and media and results in damaging stereotypes, such as the "noble savage" depictions in Disney's Pocahontas.

As racial divisions and tensions reach a nationwide fever pitch, it's more important to me than ever to offer a complex and compelling representation of indigenous people. I like making use of the cinema's tools, the same ones directors have always turned against us (curiously familiar representations, clothing that makes a statement, pleasing lighting), to create conversations about uncomfortable aspects of post-colonialism.

Despite four hundred years of colonization, we remain anchored to our land by our ancient stories. The indigenous mythology that influences my photography grants me access to the minds of my ancestors, including the value they placed on our sacred lands. By outfitting and arranging models to depict those myths, I strive to continue my ancestors' tradition of storytelling and showcase the sanctity of our land, elevating its worth beyond a prize for the highest bidder.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Anpo Wicapi & Ayazuta

Artist: Angel Cadotte - AC Quilting

Tribal Affiliation: Standing Rock Sioux Tribe

Year Completed: 2022

Medium: Fiber Art, Hand Quilted

Dimensions (HxWxD):

Quilt - 30.5 x 29.5

Ayazuta - Ribbon Skirt - 20-26 waist, 14 inch length

Description/Inspiration:

A symbol of the morning star. Among the Great Plains people it was understood that if you saw the morning star the creator had given you another day of life.

It was also believed that the great spirit gave stars power to watch over mortals on earth and impart to them spiritual blessings.

Ribbon Skirts can have a meaning of strength and connection to the earth.

Artist Bio/Statement:

Angel Cadotte is a Bismarck-Mandan community member and artist. Angel started AC Quilting in November of 2021. Learning the skill of sewing from her grandmother as a teen, she wants to share this knowledge with others. Sewing brings people together as well as let's us share our creative expression with one another.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: The One That sits Above (1 of 1 from series of 10)

Artist: Jimmy Dean Horn Jr.

Tribal Affiliation: Chickasaw

Year Completed: 2022

Medium: Printmaking, non traditional Intaglio and Block Print mono prints, Unframed. (See Video Below)

Dimensions (HxWxD): 50 x 27"

Artist Bio/Statement:

I am Jimmy Dean Horn jr, a Chickasaw artist. I draw, paint, print and create in just about anyway I can. My recent series "The One That Sits Above" explores what it means to be a white passing Native American in a society built on entitlement, bent on destroying itself and everything with it. I grew up in a military family detached from the culture, the past decade I have been learning and unlearning as I explore a culture I was denied. Each of the pieces within this series (20 in total, 10 fullsize 27x50", 10 portrait 18x24") touches on a different part of that narrative.
My process is a nontraditional form of printmaking. My intaglio plates are etched on scrap plexiglas sourced from a local frame trashcan, my block prints are on lino, gym mats, and even traffic cones. I do this in hopes to keep my carbon foot print low while I explore off the beaten path. My pieces are all printed by hand, I do not use a press. Each piece is a one off print, I use printmaking a the medium to create art not as a tool for mass production of works. The elements used with the pieces are often times repeated in various pieces, but used in a way that changes the meaning of that element. ie, the flaming world can be just that in one piece, while the next it is a warbonnet. This is achieved by cropping, color, or placement.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: The One That sits Above Portrait (1 of 1 from series of 10)

Artist: Jimmy Dean Horn Jr.

Tribal Affiliation: Chickasaw

Year Completed: 2022

Medium: Printmaking, non traditional Intaglio and Block Print mono prints, Unframed. (See Video Below)

Dimensions (HxWxD): 18 x 24"

Artist Bio/Statement:

I am Jimmy Dean Horn jr, a Chickasaw artist. I draw, paint, print and create in just about anyway I can. My recent series "The One That Sits Above" explores what it means to be a white passing Native American in a society built on entitlement, bent on destroying itself and everything with it. I grew up in a military family detached from the culture, the past decade I have been learning and unlearning as I explore a culture I was denied. Each of the pieces within this series (20 in total, 10 fullsize 27x50", 10 portrait 18x24") touches on a different part of that narrative.
My process is a nontraditional form of printmaking. My intaglio plates are etched on scrap plexiglas sourced from a local frame trashcan, my block prints are on lino, gym mats, and even traffic cones. I do this in hopes to keep my carbon foot print low while I explore off the beaten path. My pieces are all printed by hand, I do not use a press. Each piece is a one off print, I use printmaking a the medium to create art not as a tool for mass production of works. The elements used with the pieces are often times repeated in various pieces, but used in a way that changes the meaning of that element. ie, the flaming world can be just that in one piece, while the next it is a warbonnet. This is achieved by cropping, color, or placement.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "Tonantzin" (Our Sacred Mother)

Artist: Art by Ayala

Year Completed: 2021

Medium: Acrylic on Canvas, with Black Light Effect

Dimensions (HxWxD):

H 48" x W 36" x D 1 1/2"

Description/Inspiration:

I love to explore and celebrate southern native representation. This painting is titled "Tonantzin" which translates to "Our scared mother" in the Náhuatl language. It's inspired by a combination of elements from Coatlicue Tonantzin and La Virgen De Guadalupe to shed a light and pay homage to an Indigenous Goddess and our ancestors through fine art.

Artist Bio/Statement:

I explore inclusive beauty through vibrant portraits to empower women. I draw inspiration from a combination of my Native ancestry and representation. I theorize my love for bold color is an innate connection to my Indigenous roots. My art is an observation of culture and popular iconography. I am fascinated that an image can capture the attention of the masses. It connects us regardless of race, ethnicity, age or socioeconomic status. Ayala is a visual artist and painter based in NYC and the Midwest. Classically trained in fine art, she holds a BFA from San Francisco's California College of Art. A Colombian- American of Indigenous ancestry, themes in her work embrace southern native representation and inclusive beauty to empower women. A neon palette and knife are tools of preference that create dynamic textures. A full-time ARTrepreneur, she has amassed a growing 65K following of her art journey across Instagram and TikTok as @artbyayala.

Please note:

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Title: LANDBACK

Artist: Joeseph Arnoux

Tribal Affiliation: Piikani (Blackfeet), Sp'q'n'i (Spokane)

Year Completed: 2020

Medium: Mural on Wood Panel, Aerosol spray paints, Acrylic paints

Dimensions: 16'w X 10' h

Description/Inspiration:

Created during the initial 'Paint For Peace' wood panel mural project in the summer of 2020 while BLM and Covid-19 occurred. A political, emotional, and direct themed portrayal with vivid saturation of hues and mixed mediums.

Artist Bio/Statement:

Joeseph Arnoux (Piikani/Sp'q'n'i) works diligently and steadily in Albuquerque, NM as a teaching artist, cyclist mentor, and muralist. Originally born in Spokane, WA and raised in Holland, MI, he moved to the South West in 2010. He currently attends Institute of American Indian Arts, where he studies Studio/Fine Arts and mentors with Native American Community Academy. His focus is in two- and three-dimensional works consisting of drawing, printing, painting, photography, small metals/jewelry, beading/weaving, etc.

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Title: CHUCK

Artist: Joeseph Arnoux

Tribal Affiliation: Piikani (Blackfeet), Sp'q'n'i (Spokane)

Year Completed: 2021

Medium: Panel, Mixed Media, Aerosol Spray Paints, Acrylic Paints

Dimensions: (4'wX3'hX2.25"d)

Description/Inspiration:

Chaotic landscape scene with movement depicted in colorful energy. Symbolism combined with various painting techniques, scattered across the canvas. Interwoven aerosol and acrylic paints with crisp cuts and wet/dry brush applications. Charlie Brown is haunted by the ominous rain cloud that hovers his crown. Unknowingly, bummed out by the circumstances and perspective, he is soaked with water is life... yet it will take years for this gift to dawn on him as something significant. French cleated, custom build panel with wooden frame.

Artist Bio/Statement:

Joeseph Arnoux (Piikani/Sp'q'n'i) works diligently and steadily in Albuquerque, NM as a teaching artist, cyclist mentor, and muralist. Originally born in Spokane, WA and raised in Holland, MI, he moved to the South West in 2010. He currently attends Institute of American Indian Arts, where he studies Studio/Fine Arts and mentors with Native American Community Academy. His focus is in two- and three-dimensional works consisting of drawing, printing, painting, photography, small metals/jewelry, beading/weaving, etc.

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Title: I YAM WHAT I YAM

Artist: Joeseph Arnoux

Tribal Affiliation: Piikani (Blackfeet), Sp'q'n'i (Spokane)

Year Completed: 2021

Medium: Stretched Canvas, Aerosol spray paints, Acrylic paints, Alcohol based markers, Sharpie markers

Dimensions: (24"w X 18"h X 1.5"d)

Description/Inspiration:

A dream like portrayal of Popeye the sailor man. Vivid colors splash across the stretched canvas in a flurry of abstract expression entangled with jagged lines using mixed mediums.

Artist Bio/Statement:

Joeseph Arnoux (Piikani/Sp'q'n'i) works diligently and steadily in Albuquerque, NM as a teaching artist, cyclist mentor, and muralist. Originally born in Spokane, WA and raised in Holland, MI, he moved to the South West in 2010. He currently attends Institute of American Indian Arts, where he studies Studio/Fine Arts and mentors with Native American Community Academy. His focus is in two- and three-dimensional works consisting of drawing, printing, painting, photography, small metals/jewelry, beading/weaving, etc.

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Title: FORGET US NOT

Artist: Sharon Waawaaskonenhens' Trudeau

Tribal Affiliation: Odawa (aka Ottawa)

Year Completed: 2019

Medium: Beads, deer hide, pine wood, baling wire, horse hair, silk thread, synthetic sinew, gemstones, hairpipe bone, muslin dolls, FORGET US NOT poem & certificate holder

Dimensions (HxWxD):

DOLLS: 16" x 24" x 7 3/8"

POEM/CERTICATE COVER: 8 1/2" X 11"

Description/Inspiration:

As a teenager, I hitchhiked across Canada alone. But for the grace of Creator, I could very well have been one of the missing or murdered. The FORGET US NOT Collection was inspired by the on-going tragedy of Missing and Murdered Women and how I escaped being counted amongst them. The poem was written first and inspired me to continue with the faceless dolls. The symbolism of the dolls is, though they are from three (3) different nations, they are holding hands representing sisters, who, despite their differences in customs, traditions, and geographical locations, stand together--united. Each 'sister' wears a forget-me-not flower either on her moccasins, belt, or necklace. The hands across their mouths symbolize no longer having a voice and the desperate need for us to be their voice-for us to forget them not-for all indigenous nations to stand together as one family to protect our SISTERS. The beadwork for the forget-me-not flowers was done entirely in my Signature modified Square stitch and is guaranteed from ever falling apart through normal wear and tear. Each bead, added one at a time, is individually sewn to each of the surrounding beads using only 100% silk thread. Using this stitch, each bead ends up with between 6 and 9 strands of thread through it. Durable and strong!

Artist Bio/Statement:

I've worked with such mediums as pencil, pen, charcoal, pastels and paints. Born for the Odawa Nation and originating from an ancestral home renowned world-wide for its beautiful beadwork and artistry, mid-way through life and working under my Odawa name of Waawaaskonenhens (Little Flower), I chose to put down my pencils and brushes to pick up a beading needle. Beading is my life's passion and picking up that needle is like opening the door into my own little world. Working in the strongest stitch possible and creating pieces that fuel the imagination bonds together intense pride in art and heritage. By modifying the strongest of all stitches, the traditional Square Stitch, to double its strength, using only 100% silk thread and natural beeswax, the result is a piece of work that will last for many generations. It is true that my first love and specialty is beading. The freedom to lay down the beading needle and pick up a file for smoothing and sizing bone and horn, or a glovers needle for sewing hide. The freedom to bring ancestral work into the future by way of contemporary designs while maintaining the quality of the traditional. With the exception of the synthetic sinew used for stringing or sewing, the traditionalist in me insists on using all natural materials while the creative individualist side of me feels the need to expand on the traditional ? the need to step outside the box ? the need to be "different". I hope I have succeeded! It is my prayer that the resulting works signify honor and respect to the ancestors in every piece.

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Title: Ma'iingan Mizhinawaa (Wolf Messenger)

Artist: Sharon Waawaaskonenhens' Trudeau

Tribal Affiliation: Odawa (aka Ottawa)

Year Completed: 2018

Medium: Glass beads, silk thread, deer hide, synthetic sinew

Dimensions (HxWxD):

Bag: 22 in. x 12 in. x 1 1/2 in. Strap: 45 in. x 1 3/8 in.

Description/Inspiration:

The wolf is a symbol of loyalty, strong family ties, excellent communication, education, understanding, and intelligence. The wolf is also known to some, including myself, as a messenger from Creator. During my travels over the years, wolves have shown themselves to me to warn of dangers ahead. It is both to show my gratitude and to honor, not only Creator but also His messenger that inspired the creation of this bag. The beadwork for the wolf was done entirely in my Signature modified Square stitch and is guaranteed from ever falling apart through normal wear and tear. Each bead, added one at a time, is individually sewn to each of the surrounding beads using only 100% silk thread. Using this stitch, each bead ends up with between 6 and 9 strands of thread through it. Durable and strong!

Artist Bio/Statement:

I've worked with such mediums as pencil, pen, charcoal, pastels and paints. Born for the Odawa Nation and originating from an ancestral home renowned world-wide for its beautiful beadwork and artistry, mid-way through life and working under my Odawa name of Waawaaskonenhens (Little Flower), I chose to put down my pencils and brushes to pick up a beading needle. Beading is my life's passion and picking up that needle is like opening the door into my own little world. Working in the strongest stitch possible and creating pieces that fuel the imagination bonds together intense pride in art and heritage. By modifying the strongest of all stitches, the traditional Square Stitch, to double its strength, using only 100% silk thread and natural beeswax, the result is a piece of work that will last for many generations. It is true that my first love and specialty is beading. The freedom to lay down the beading needle and pick up a file for smoothing and sizing bone and horn, or a glovers needle for sewing hide. The freedom to bring ancestral work into the future by way of contemporary designs while maintaining the quality of the traditional. With the exception of the synthetic sinew used for stringing or sewing, the traditionalist in me insists on using all natural materials while the creative individualist side of me feels the need to expand on the traditional ? the need to step outside the box ? the need to be "different". I hope I have succeeded! It is my prayer that the resulting works signify honor and respect to the ancestors in every piece.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "Morning Prayers" StarQuilt

Artist: Billy's StarQuilts247 - Billy Werk

Tribal Affiliation: A'aniih/Siletz

Year Completed: 2022

Medium: Hand Sewn/ Machine Quilted

Dimensions (HxWxD): 73w x 78h

Description/Inspiration:

This design is one of my favorites. I've named it "Morning Prayer". This is the first time I've made it with satin materials. I also used my buffalo/ buffalo skull quilting pattern.

Artist Bio:

Billy is a skilled seamstress with 20 years of experience specializing in StarQuilt making. Billy comes from a long line of skilled quilters who passed down their love for sewing. Billy is currently passing down these skills to their daughters and younger relatives. Billy's work has been showcased in Vogue and B.Yellowtail artist collective. "StarQuilts are a big part of our everyday life for my people so my business is doing starquilts all day everyday.

Artist Statement:

My name is Billy Werk "Eagle Feather Woman" I am a Gros-Ventre/Siletz native from Montana. I am a skilled StarQuilt sewist and quilter for many years. I come from a long line of StarQuilt makers (mother, Aunty, and grandmother) and I'm also passing it along to my daughters. Starquilts are a big part of our everyday life for my people so my business is doing starquilts all day everyday.

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Title: Winter Mornings

Artist: Brian Taaffe

Tribal Affiliation: Taos Pueblo

Year Completed: 2022

Medium: Oil on Wood Panel, Framed

Dimensions (HxWxD): 12in x 12in (19in x 19in with frame)

Artist Bio:

Brain Taaffe is a multi disciplined artist from Taos Pueblo. Growing up splitting his time between Taos and Santa Fe New Mexico. Much of that time was spent helping family on the reservation. Brian's first introduction into art was at the Santa Fe Indian School. Currently Brian attends the Institute of American Indian Art for painting and printmaking. He has been part of several different exhibitions in Hawaii and in Santa Fe, New Mexico. The latest exhibition was the Sovereign Santa Fe show at the La Fonda Hotel, guest curated by Tony Abeyta during 2022 Indian Market. Brian Plans on furthering his higher education pursuing a masters of Fine Art and continuing his painting endeavors with big hopes for the future.

Artist Statement:

Hello my name is Brian Taaffe, I come from the Red Willow People of Taos Pueblo. My art currently focuses on southwest aesthetics and adobe or earthen architecture found in northern New Mexico. My inspiration comes from my home of Taos Pueblo, specifically the people and the buildings that make up this very special place. In my latest paintings I've been working on breaking down images to simpler forms and colors to emulate that of adobe or earthen building materials (ie staw, mud, and clay) as well as playing with light and shadow to create a quiet serene feeling to my paintings

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Title: Taos Pueblo Winter

Artist: Brian Taaffe

Tribal Affiliation: Taos Pueblo

Year Completed: 2021

Medium: Oil on Wood Panel, Framed

Dimensions (HxWxD): 11in x 14in (18in x 21in with frame)

Artist Bio:

Brain Taaffe is a multi disciplined artist from Taos Pueblo. Growing up splitting his time between Taos and Santa Fe New Mexico. Much of that time was spent helping family on the reservation. Brian's first introduction into art was at the Santa Fe Indian School. Currently Brian attends the Institute of American Indian Art for painting and printmaking. He has been part of several different exhibitions in Hawaii and in Santa Fe, New Mexico. The latest exhibition was the Sovereign Santa Fe show at the La Fonda Hotel, guest curated by Tony Abeyta during 2022 Indian Market. Brian Plans on furthering his higher education pursuing a masters of Fine Art and continuing his painting endeavors with big hopes for the future.

Artist Statement:

Hello my name is Brian Taaffe, I come from the Red Willow People of Taos Pueblo. My art currently focuses on southwest aesthetics and adobe or earthen architecture found in northern New Mexico. My inspiration comes from my home of Taos Pueblo, specifically the people and the buildings that make up this very special place. In my latest paintings I've been working on breaking down images to simpler forms and colors to emulate that of adobe or earthen building materials (ie staw, mud, and clay) as well as playing with light and shadow to create a quiet serene feeling to my paintings

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Title: Where We Meet

Artist: Shelley Patrick

Tribal Affiliation: Muscogee (Creek)

Year Completed: 2022

Medium: Acrylic paint, Paperboard round, Latex paint, Oil paint pen.

Dimensions (HxWxD): 18" x 18" x 3/4"

Description/Inspiration:

Where We Meet, 2022, is a visual representation of the location at the center of a suncircle cross. This location in meaning is the place we exist within the universe and the land, in the light and in the dark, from the past and forward into the future.

Artist Bio/Statement:

Shelley Patrick, Mvskoke, is a visual artist whose work includes using Southeastern Indigenous designs that reflect her cultural heritage. She creates works in mixed media paintings and sculpture, fashion design, installation and mural art, and graphic design. Shelley has participated in numerous juried and gallery shows as well as several art markets in Oklahoma and New Mexico locations. She has a Bachelor of Art degree in Visual Communications from Northeastern State University in Tahlequah, OK and a Bachelor of Fine Art degree from the Institute of American Indians Arts (IAIA) in Santa Fe, NM. Shelley is the current President for the Southeastern Indian Artist's Association (SEIAA)

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Title: PAGOSA SPRINGS CLOAK

Artist: Lindsey Thornburg

Description/Inspiration:

Unnapped Pendleton blankets: 82% Wool, 18% Cotton. Wool Cashmere facings and Silk Rayon peachskin lining. (View Attached Video Below)

The cloaks come in 2 sizes. The STANDARD sizing is O/S. The O/S fits a body range from a size 2-12. Our sizing is based on length not value from the body. If you are shorter than 5'4 or 162 m we recommend ordering our P/S sizing.

P/S measurements 27" long (center back), 27" long sleeves.
O/S measurements 29" long (center back), 29" long sleeves.

For those under 5'4 we suggest ordering a size small and for those taller our standard one-size. Size small 27" long (center back), 27" long sleeves. One-size 29" long( center back), 29" long sleeves

Long ago, the Southern Utes of Colorado told of a plague that medicine men could not cure. A council gathered on the riverbank and built an enormous fire, danced and prayed for help, then fell into a deep sleep. When they woke, a spring of fragrant hot water had replaced the fire. They bathed and were healed by the springs, naming it "pah" (water) and "gosa" (boiling). In the center of this blanket design, blue hot springs rise through medallions of fire to bring peace and health.

Artist Bio:

Lindsey Thornburg was born in Great Falls, Montana. The only child of two young parents, she spent her childhood between Seattle and Montana before moving to the Aspen area for middle school and high school. She spent most of her youth traveling between family members and different schools. Throughout this period, she learned about adaptation and identity through fashion. Lindsey attended college in Santa Barbara and Design school in Los Angeles. She moved to NYC in 2003, with no interest in working for corporations, she set up shop and began selling her small dress collections on the streets of downtown. Growing up with western and Pacific Northwest roots, she was familiar with Pendleton from an early age. She envisioned modernizing their fabrications and born was her collaboration with the esteemed brand. The idea was of creative necessity. She wasn't able to find or afford any suitable winter jackets, she began wearing the blankets outside. This led to the idea that a high quality garment could be constructed from the beautiful fabrics. In 2011 Pendleton agreed to collaborate with Lindsey Thornburg. Given the legacy and the Native history Pendleton holds, Lindsey takes this collaboration very seriously and honors the privilege of working with America's finest woolen will company. Never viewing her creations as passing trends, she strives to make each garment an heirloom piece. The company has been self-funded and has grown its audience organically. All garments are considered, cut and constructed in NYC by Stacey Berry and Lindsey Thornburg.

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Title: Morning Star Song

Artist: John I Pepion

Tribal Affiliation: Blackfeet Nation

Year Completed: 2022

Medium: Ink, Color pencil, & Antique Ledger Paper. Unframed.

Dimensions (HxWxD): 7.75 x 12.25"

Artist Bio/Statement:

My name is John Isaiah Pepion, and I am a Plains Indian graphic artist from the Piikani Band of the Blackfoot Confederacy. I am based out of the Blackfeet reservation in north-central Montana, where the Rocky Mountains meet the plains. I am best known for my ledger art, which is an art tradition that developed in Plains tribes: as the buffalo hide, we traditionally used for painting became scarce, Plains people were forced to adapt by making artwork on ledger paper from accounting books. I come from a family of artists, and ledger art has been in my family for hundreds of years.

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Title: Nvfketv - nafkv (Drummer)

Artist: Johnnie Diacon

Tribal Affiliation: Mvskoke

Year Completed: 2022

Medium: Acrylic on Canvas

Dimensions (HxWxD): 24" x 20"

Description/Inspiration:

My 2022 painting, Nvfketv-nafkv (Drummer), is an acrylic piece done on a 24" x 20" stretched canvas. It depicts the drummers and singers during a nighttime ceremony. The drummers are lit by the glow of the ceremonial fire as they sing for the dancers. The drummers are positioned at the edge of the ceremonial square ground's dance area.

Artist Bio/Statement:

Johnnie Lee Diacon is an enrolled member of the Mvskoke (Creek) Nation of Oklahoma, the Raprakko Etvlwa (Thlopthlocco Tribal Town), and he is Ecovlke (Deer Clan). Johnnie was born in Okemah, Oklahoma to Margaret Harjochee (Creek) and Cecil Iron on January 8, 1963, and he now resides in Tulsa, Oklahoma. He is married to Nikki Stephens Diacon and is the father of five children; Mika, Chrissa (deceased), Melissa, Annabelle (deceased), and Emerson. He also has two grandchildren; Mai-Lin and Makoto.

Most of Johnnie's work is done on gessoed board or stretched canvas using either acrylics or oils. These works often depict some of the secular life ways of modern Native Americans and due to the artist's involvement with the American Indian Movement and recently with Idle No More and the No DAPL (Dakota Access Pipeline) movement, can often be political in nature. Both of his styles of painting often focus on his people the Mvskoke (Creek). In a quote from Patrick D. Lester's & The Biological Directory of Native American Painters & Johnnie is quoted as saying, & I feel comfortable with both flat and contemporary styles. In my contemporary works I usually have a traditional theme.& He has also been quoted as saying, & By the honest portrayal of my people, I hope to break some of the stereotypes that many people have when they think about Indians. In addition to painting and other two-dimensional forms, Johnnie has done beadwork and some three-dimensional assemblage works.

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Title: Indigenous Lives Matter

Artist: Autumn Whiteway (Night Singing Woman)

Tribal Affiliation: Saulteaux/Métis (Berens River First Nation, Métis Nation of Alberta)

Year Completed: 2020

Medium: Giclée canvas print, Photograph & Digital Art, Unframed

Dimensions (HxWxD): 22x18x2

Description/Inspiration:

This image was created as a visual representation of 2020, giving a nod to Rosie the Riveter. The year was tumultuous between the COVID-19 pandemic and the exposure of systemic racism. This bolstered the Black Lives Matters and Indigenous Lives Matter movements, which gained more momentum by joining forces. Notable incidents in Canada included the Wet'suwet'en conflict and #shutdowncanada protest, threats to the moderate livelihood of Mi'kmaq lobster fishermen, and 1492 Land Back Lane "occupation".

Artist Bio/Statement:
Autumn Whiteway (!Night Singing Woman") is a Saulteaux (Ojibway)/Métis archaeologist, artist, traditional craftworker, and curator based in Mohkinstsis (Calgary, Alberta). She explores Indigenous themes from a contemporary perspective through painting, digital art, and photography. Her painting and digital art is primarily focused on the heavily symbolic Woodland Style of Indigenous art, while her photographic practice is used as a form of activism to highlight Indigenous issues. Her curatorial work focuses on elevating the voices of Indigenous creatives through a series of Indigenous focused exhibitions. She has an M.A. in Anthropology from the University of Manitoba (2017), a B.Sc. in Archaeology, and a B.A. in Greek and Roman Studies (2011).

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Title: Red Earth

Artist: Susan Sandfly - Mequan Creations

Tribal Affiliation: Big Island Lake Cree Territory

Year Completed: 2022

Medium: Mix of cotton and crepe-chiffon

Dimensions (HxWxD): Size 9

Artist Bio/Statement:

Susan Sandfly has been designing and producing one of-a-kind creations in her home, at Big Island Lake Cree Nation. She started with ribbon skirts and shirts and then in 2016 she expanded to footwear. Susan's participation in dancing inspired her to create a unique style of footware that no one else had. Her footware collection has had sales from Ontario to BC and has crossed the border into North and South Dakota and Arizona, USA. Susan's collection of fashion also includes belts and Fedora hats. Mequan Creeation came to life and hit the stage in the fall of 2009, when Susan independently hosted a fashion show to open for a concert at Big Island Lake School. Since that opening, Susan has been invited to many fashion shows and continues to create beautiful work! This past month, Susan's "Red Earth" dress traveled overseas to showcase on the Paris fashion runways! Dreams do come true.

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Title: Runnin' with the Boys

Artist: Ariel Williams

Tribal Affiliation: Walpole Island First Nation

Year Completed: 2022

Medium: Acrylic on Canvas

Dimensions (HxWxD):

24 inches x 18 inches

Artist Bio/Statement:

Ariel Williams is a contemporary Indigenous artist from Walpole Island First Nation (Bkejwanong Territory), who graduated in 2019 from the Fine Art program at Fanshawe College in London, Ontario, Canada. Williams mainly works in acrylic paint exploring the concept of creating surreal illusive worlds and breaking away from the stereotypical idea of what indigenous art should look like. Her work usually consists of varying scale, vibrant or dark colours, lines, monoliths, and negative space. Taking inspiration from various artists, western art, and imagination. Williams, creates atmospheric paintings that draw in the viewer.

"With this body of work, I was continuing to explore the idea of creating a surreal western landscape from imagination, rather than using real life as a reference. It's a series of works I've been working on for about a year now. Only allowing myself to use a limited palette of bright, bold colours to create this imaginative atmospheric landscape that draws in the viewer. This painting is primarily about my take on Western American art. I've always had an interest in American cowboys and way they're depicted/capture within paintings. Through research and sketches, I decided to try create my own version of this art movement. Make it more about the colour, atmosphere and letting this outlandish world tell a story".

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Title: Would You Drink This?

Artist: Rain Scott

Tribal Affiliation: Pueblo of Acoma

Year Completed: 2022

Medium: Paper, pine pitch, carved gourd, acrylic paint

Dimensions (HxWxD): 18" x 14"

Description/Inspiration:

This sculpture, titled, "Would You Drink This?" is dedicated to our water protectors and land defenders across Turtle Island and Hawai'i nei. A huge thank you to Giiwedin from the Ojibwe Leech Lake Nation and all the water protectors who fought the Line 3 Pipeline for inspiring me to create this vessel. To show my appreciation of all water protectors, I will be donating all of the profits to the legal defense funds for water protectors across Turtle island and Hawaii and organizations working to spread awareness and transparency of the companies that fund oil drilling projects Continue to educate yourself and spread awareness of Native issues and donate wherever you can to the water protector's legal defense and organizations spreading awareness and fighting future projects that harm Mother Earth.

We are all one.

"When the last tree has been cut down,

the last fish caught,

the last river poisoned,

only then will we realize

one cannot eat money."

-Cree Native proverb

Artist Bio/Statement:

Rain Scott (B. 1998) is half Navajo and half Acoma. Growing up, he would watch his father, Navajo silversmith Raynard Scott, make countless jewelry pieces out of silver, turquoise, and other precious gemstones. His upbringing sparked a passion for art, taking a particular interest in painting and still life drawing. In 2011, he developed a new interest in Japanese origami art and traditional Acoma Pueblo ceramics. For the next couple years, he tried and failed to find a teacher to teach him the traditional art form of Acoma pottery. Instead of giving up on his aspirations, he called upon his talent for origami art and knowledge of traditional Acoma pottery designs and created a completely new style of Native American art. From 2013 to 2018, Rain experimented with his newfound artform. He began sculpting simple peacock and swan forms, ultimately winning a youth award in the 2014 Heard Museum student art show. In 2018, he sculpted his first contemporary origami vessel in the shape of a white corrugated Acoma pot with a rounded shoulder and a short neck and finished with a simple black rim. Thus, his artform was born. Since 2018, Rain Scott has combined the traditional Acoma Pueblo pottery designs with individually cut and folded origami modules into an artform that he calls, "contemporary Indigenous origami." The thick, sturdy walls and corrugated texture of his origami pottery makes every piece pleasing to the eye and gratifying to touch. With every art piece he makes, he pushes the boundaries further, incorporating new designs, shapes, colors, and components including parrot feathers, turquoise, and natural sinew. Rain Scott's creations have been awarded many awards at juried art shows in the Southwest including the 2020 Alan Houser Innovation Award, and most recently, took Best in Class for Open Standards at the 2022 Heard Museum Guild Indian Fair and Market.

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Title: Beaded Florals with Mink Fur Drops

Artist: Rebecca Doxtator

Tribal Affiliation: On?yota'á:ka' Oneida Nation

Year Completed: 2022

Medium: thread, delica seed beads, deer hide, 14k gold findings, mink fur, one needle beading technique

Dimensions (HxWxD): 13 cm x 6 cm

Description/Inspiration:

Flowers and floral designs are central to Ukwehuwé cultural designs. This is a contemporary take on a floral design. With gold, copper, pink and yellow tones, this piece is larger than most of Otsí:tsi'designs florals. It has gold findings and 14k gold hooks; backed with deer hide. Adorned with mink fur drops that are removable so the wearer can feature just the florals alone. Estimated value at $225.00.

Artist Bio/Statement:

Rebecca Doxtator (she/ they) is from the Oneida Nation of the Thames community and the artist behind Otsí:tsi'designs. Rebecca started beading in 2014 and her work has gone from being a casual hobby to an artistic passion. She creates beautiful and unique beadwork from earrings to bolo ties with on of-a-kind designs. Their work brings a mix of traditional Ukwehuwé beadwork style with a pop culture twist.

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Title: Connected

Artist: Stephen Saupitty

Tribal Affiliation: Comanche Nation

Year Completed: 2021

Medium: Giclee Print, Museum quality archival paper, Signed by Artist, Unframed

Dimensions (HxWxD): 13 in x 24 in

Description/Inspiration:

The original is on display on art walk at a local college that is on a 4 ft by 8 ft panel. I completed it in 2021 with spray paint and oil paint. "Connected " is a display of both Native American and American pride. That shows a young woman with roots in both worlds and has connections to both. The MMIW representation shows a growing problem for young native women and in American. I wanted to show that the problem is connected in both worlds. I wanted to bring to light that beauty and pain live together inside of young native women every where and there's power inside all them. That they have both worlds to help them both American and Tribal. This is a 1 of 2 giclee print the other is in my home and not for sale and no other prints are available. It's a hand torn giclee print on archival paper.

Artist Bio/Statement:

Stephen Saupitty, enrolled member of Comanche Tribe of Oklahoma. Lives in Temple, OK with wife of 11 years Angelica Saupitty with 6 beautiful children. Drawing most of my life with pencil, pen ,ink and painting really becoming a passion in the past few years. Mostly specializing in murals with spray paint, but oil on canvas is a new venture I'm trying out. I love to create and curate new artworks and when you can have a purpose or drive behind it and awaken a feeling with art it makes it that much better. I imagine the world would love to be more colorful and empowering and that's what I'm trying to convey into my works. Social issues really tug at my heart especially with the MMIW movement going and having daughters of my own I would like to help in the best way I could and that's to spark interest and or conversations about ongoing native issues. Thank you, dreamcatcher foundation, for the selection and thank you for checking out my art work.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "The Curve"

Artist: Stephen Saupitty

Tribal Affiliation: Comanche Nation

Year Completed: 2022

Medium: Graphite and ink, Hand drawn on mixed media acid free paper, Unframed

Dimensions (HxWxD): 14 in x 17 in

Description/Inspiration:

Back in 2020 just before Covid-19 hit the US my mom had a heart attack, she is fully recovered now. But as she was in recovery the hospitals were filling with people and and loved ones had to be in full PPE just to see loved ones. The picture shows holding hand of two people one with a hospital band in ICU the other in full PPE. This is what so many experienced saying good bye and not able to actually have contact with each other. The feeling of not able to physically touch and transfer the healing touch to each other. So many had to say good bye this way and I felt it was best conveyed in black and white.

Artist Bio/Statement:

Stephen Saupitty, enrolled member of Comanche Tribe of Oklahoma. Lives in Temple, OK with wife of 11 years Angelica Saupitty with 6 beautiful children. Drawing most of my life with pencil, pen ,ink and painting really becoming a passion in the past few years. Mostly specializing in murals with spray paint, but oil on canvas is a new venture I'm trying out. I love to create and curate new artworks and when you can have a purpose or drive behind it and awaken a feeling with art it makes it that much better. I imagine the world would love to be more colorful and empowering and that's what I'm trying to convey into my works. Social issues really tug at my heart especially with the MMIW movement going and having daughters of my own I would like to help in the best way I could and that's to spark interest and or conversations about ongoing native issues. Thank you, dreamcatcher foundation, for the selection and thank you for checking out my art work.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Warrior

Artist: Stephen Saupitty

Tribal Affiliation: Comanche Nation

Year Completed: 2022

Medium: Oil on stretched canvas

Dimensions (HxWxD): 22 in x 28 in

Description/Inspiration:

Showing that young women can be warriors and posses power that runs through their veins. Most Native American cultures have war bonnets that show they are strong smart and and willing to fight. In the painting I show a young woman willing and experienced to fight the growing MMIW problem. She adorns a war bonnet to show she has fought before and the faded red hands are battles she over come and looks ahead to the next. To fight not just for herself but others and show the ways to overcome anything. To face a challenge head on is a power that everyone has inside them and sometimes it just takes some one to show you the way. Beauty isn't a sign of weakness and there's no such thing as a weaker sex Women are strong Warriors and they possess power way beyond and society needs to see that.

Artist Bio/Statement:

Stephen Saupitty, enrolled member of Comanche Tribe of Oklahoma. Lives in Temple, OK with wife of 11 years Angelica Saupitty with 6 beautiful children. Drawing most of my life with pencil, pen ,ink and painting really becoming a passion in the past few years. Mostly specializing in murals with spray paint, but oil on canvas is a new venture I'm trying out. I love to create and curate new artworks and when you can have a purpose or drive behind it and awaken a feeling with art it makes it that much better. I imagine the world would love to be more colorful and empowering and that's what I'm trying to convey into my works. Social issues really tug at my heart especially with the MMIW movement going and having daughters of my own I would like to help in the best way I could and that's to spark interest and or conversations about ongoing native issues. Thank you, dreamcatcher foundation, for the selection and thank you for checking out my art work.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Indigenous Resistance

Artist: Cante Eagle Horse

Tribal Affiliation: Cheyenne River Sioux Tribe

Year Completed: 2022

Medium: Gouache on paper, Painting and Drawing, Unframed.

Dimensions (HxWxD): 12 x 15 x 1 inches

Artist Bio/Statement:

Cante Eagle Horse is a Denver based Artist, full-time Tattooer and new muralist with an interest in Plant Medicine and History. They're a member of the Cheyenne River Sioux Tribe in South Dakota and co-own a private tattoo studio, Two Thunders. Outside of tattooing,
they mainly focus on animals and plants, in relation to humans or depicting moments from history, and are inspired by their childhood
teachings along with climate action. Cante's work can be characterized by fine-line details, asymmetrical balance and patterns. They
incorporate elements of traditional tattoo flash and designs influenced by their culture onto gifted, found or recycled objects, using that
objects surface to map out designs to fit the surface. Cante is hoping to help viewers connect more with nature through their work.

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Title: Bluebird

Artist: Cante Eagle Horse

Tribal Affiliation: Cheyenne River Sioux Tribe

Year Completed: 2022

Medium: Gouache on paper, Painting and Drawing, Unframed

Dimensions (HxWxD): 10 1/4 x 5 3/4 x 1 inches

Artist Bio/Statement:

Cante Eagle Horse is a Denver based Artist, full-time Tattooer and new muralist with an interest in Plant Medicine and History. They're a member of the Cheyenne River Sioux Tribe in South Dakota and co-own a private tattoo studio, Two Thunders. Outside of tattooing,
they mainly focus on animals and plants, in relation to humans or depicting moments from history, and are inspired by their childhood
teachings along with climate action. Cante's work can be characterized by fine-line details, asymmetrical balance and patterns. They
incorporate elements of traditional tattoo flash and designs influenced by their culture onto gifted, found or recycled objects, using that
objects surface to map out designs to fit the surface. Cante is hoping to help viewers connect more with nature through their work.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Towards Our Past and Present

Artist: Celia Calabaza

Tribal Affiliation: Jicarilla Apache and Kewa Pueblo

Year Completed: 2022

Medium: Acrylic and Spray Paint on Canvas

Dimensions (HxWxD): 36" x 48"

Description/Inspiration:

Towards Our Past and Present, 36" x 48", Acrylic and spray paint on Canvas.

This is a limited-edition art piece; this is my first attempt at Acrylic Pouring and using stencils with spray paint. My inspiration for this art piece is based off graffiti artist Banksy. By incorporating the Jicarilla Apache culture with visual art, this encapsulates issues like personal-identity and language loss.

Artist Bio/Statement:

Celia Calabaza is an Indigenous artist from Dulce New Mexico located on the Jicarilla Apache reservation. She is half Jicarilla Apache and Kewa Pueblo. Currently attending the Institute of American Indian Arts, located in Santa Fe, New, Mexico. Where she will be receiving her Bachelor of Fine Arts and Associate in Indigenous Liberal Studies. Celia artwork primarily focuses on her ideologies. She incorporates pop-culture and traditional knowledge, to express the importance of history and traditions of her cultural background, revitalization of language, and kinship.

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Title: "Take me where your heart is"

Artist: Chelsie Begoody

Tribal Affiliation: Diné / Navajo Nation

Year Completed: 2022

Medium: Acrylic on Canvas

Dimensions (HxWxD): 24"H X 18"W

Description/Inspiration:
This art piece was inspired by my grandparents, who have been married for 62 years. I saw them as young honeymooners cruising on ol' pothole roads to the place where their heart lives- home. A place that is rugged, abundant, and simply beautiful all at once. Maybe with these two, all it took was a look at one another saying "skoden" to keep the adventure rolling.

Artist Bio/Statement:

Yá'át'ééh, I am Sleepy Rock, born for Honeycomb Rock, my maternal grandfather is the Salt clan, and paternal grandfather is the Waters Edge clan. I am a Diné Asdzaa/ Navajo woman, from Burnside, Arizona which is located on Dinétah. My name is Chelsie, I'm an emerging artist who has been creating acrylic art pieces for the past couple years. Like many Indigenous artists, my inspiration comes from all relatives in life, creating what comes to mind in hope is that it resonates with good and empowering feelings.

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Title: Lyric

Artist: Christine Toulouse

Tribal Affiliation: Sagamok Anishnawbek First Nation

Year Completed: 2022

Medium: Quillwork, Porcupine quills on birch bark, Framed

Dimensions (HxWxD): quilled birch bark is 4"x4"; walnut coloured frame is 12"x12"

Description/Inspiration:

Porcupine quills are hand harvested, sorted, cleaned and dyed (watermelon pink, aqua green and soft green). Birchbark is sourced from Sagahmok Anishnawbek region. Frame is walnut coloured. Eyes shut, gliding along the beat's breeze. Free to move, stretch toward melody. Lyric was created as a part of collection that honours movement and growth, as we follow the songs whispered to us on the wind, or beating in our hearts.

Artist Bio/Statement:

Christine Toulouse is an Anishinaabe artist from Sagamok Anishnawbek First Nation whose current primary focus is in the traditional realm of quillwork, a form of textile embellishment using dyed or natural-coloured quills from porcupines to weave into birch bark. Christine works to connect land and season to practice. She absorbs and passes down Indigenous memory and knowledge, tethers herself to ancestors and traditions, and invites past into present allowing for memory to become reality in her work.

Her practice involves learning cultural and traditional arts and practices from First Nations Elders and promoting the significance of quillwork as a process to learn, heal, grow, and share.

Christine's technique has been passed down from quill artists preceding her. She was taught the traditional craft of quillwork from her grandmother, Ida Assinewe (Toulouse) who is a quill box artist herself.

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Title: Sweet Scent (Mother Earth Series)

Artist: Danielle Swift

Tribal Affiliation: Métis Nation of British Columbia

Year Completed: 2019

Medium: Alpha Gypsum, Bronze, Dirt, Resin

Dimensions (HxWxD): 14"x 6.5"x 2.5" (approx.)

Shipping:

(extra for coverage: $2.50/$100)

Description/Inspiration:

This piece is an original 1/1, wall mounted with a screw.

The Mother Earth series is inspired by our deep connection to the land and through that to our ancestors and the Creator. Smell has the strongest link to emotion and memory. When I smell the earth, grass and plants I feel a real sense of wholeness.

Artist Bio/Statement:

Danielle Swift's work explores the human body and communicates the dichotomy of our natural environment and human constructs, creation and destruction, and the fragility and strength represented in both the delicate and resilient mix of materials (wood, dirt, beeswax, paper, jute, copper, bronze, plaster, concrete, resin, etc), which makes the observer feel the duality of an emotional and cerebral connection. Having established an affinity for concrete as her main medium, Swift's drawn to how the material can be innovatively manipulated in a way that works aesthetically and is uniquely individual.

Swift's sculptures have appeared in numerous local exhibits, most notably, ART Vancouver art fair; East Vancouver's HFA Contemporary gallery, Deconstruction and the Space Between; Granville Island's Becker Galleries; Vancouver's Windsor Gallery, and The ACT Art Gallery in Maple Ridge. Commissioned and collaborative work can be seen at Vancouver Children's Hospital, Science World Vancouver, Vancouver International Airport and Princeton University's Children's Library, NY.

Danielle Swift lives and works in Vancouver, BC; the unceded traditional territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

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Title: We Are Listening

Artist: Danielle Swift

Tribal Affiliation: Métis Nation of British Columbia

Year Completed: 2019

Medium: Alpha Gypsum, Bronze, Dirt, Resin

Dimensions (HxWxD): 14"x 6.5"x 1.5" (approx.)

Shipping:

(extra for coverage: $2.50/$100)

Description/Inspiration:

This piece is an original 1/1, wall mounted with a screw.

The Mother Earth series is inspired by our deep connection to the land and through that to our ancestors and the Creator. The wind, the water and the wildlife are all the voice of Mother Earth and taking the time to listen brings me peace.

Artist Bio/Statement:

Danielle Swift's work explores the human body and communicates the dichotomy of our natural environment and human constructs, creation and destruction, and the fragility and strength represented in both the delicate and resilient mix of materials (wood, dirt, beeswax, paper, jute, copper, bronze, plaster, concrete, resin, etc), which makes the observer feel the duality of an emotional and cerebral connection. Having established an affinity for concrete as her main medium, Swift's drawn to how the material can be innovatively manipulated in a way that works aesthetically and is uniquely individual.

Swift's sculptures have appeared in numerous local exhibits, most notably, ART Vancouver art fair; East Vancouver's HFA Contemporary gallery, Deconstruction and the Space Between; Granville Island's Becker Galleries; Vancouver's Windsor Gallery, and The ACT Art Gallery in Maple Ridge. Commissioned and collaborative work can be seen at Vancouver Children's Hospital, Science World Vancouver, Vancouver International Airport and Princeton University's Children's Library, NY.

Danielle Swift lives and works in Vancouver, BC; the unceded traditional territories of the Musqueam, Squamish, and Tsleil-Waututh Nations.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Classic Turquoise Pumps

Artist: Osage Fashion Designer, Dante Biss-Grayson, Sky-Eagle Collection

Tribal Affiliation: Osage

Year Completed: 2022

Material: Kid Leather

Medium: High Heels

Dimensions (HxWxD): 3.5" Heel (all US Sizes)

Description/Inspiration:

The Sky-Eagle Footwear line is unique. The design on the outer sole is a modern and contemporary interpretation from my tribes ribbon work. They are "New Native Fashion" and for the all to appreciate. Custom packaging and a dust bag included. No returns, exchanges will be considered.

Note: The heels are custom and will become scuffed with wear over time. Patent Pending.

Artist Bio/Statement:

I explore new directions in Native American Art and Fashion, and utilize classical methods to develop a new contemporary vision of Native Art & Fashion. I strive to create new artwork that continues to the tradition of Contemporary Native Art, and pushes the boundaries of varying mediums, such as painting, holographic sculpture, poetry, and Fashion Design. I paint, I sculpt, I write, I design, I try to find the best platform to express and convey a thought and emotion. As a veteran with PTSD, I had to find myself again as an artist when I came back from overseas. I spent over 12 years in war zones, and before I deployed, I had studied art at the Gerrit Rietveld Academy in Holland and IAIA, in Santa Fe, N.M. As the apprentice of Earl Biss, my adopted father, I was able to delve even further into classical art. Upon return to the States, I started my studio again with the hopes to express the trauma of war, and find a platform to continually express myself, externalize the trauma, and eventually, hopefully help others. As a Fashion Designer, I have always wanted to explore this platform. For me, clothes can empower a person to feel better about themselves. Fashion Design can be a symbol of empowerment, or it can be utilitarian in use, and it can bring awareness to vital issues in Indian Country. The Sky-Eagle Collection was born out of a need to be a New Warrior in the Modern World. As a Veteran I always wanted to give back to my community, and when my daughter was born I wanted to do even more. Aroud this time I found out about the Missing and Murdered Womens Crisis and I wanted to see what I could do to protect my daughter, and my Native People. I have created platforms that can bring awareness to issues, with the hopes to inspire action. As I progressed, I have looked for the root cause of these issues, and looking at the data for Native Communities, it is apparent that there is so much work to be done. Issues such as the lowest life expectancy, a lack of
access to resources such as education and healthcare, and generational trauma that is creating vulnerable communities, and the outcomes are evident. I want to do my part, and giving back is the key ethos of the Sky-Eagle Collection. For my daily work, my goal was to work for Native Communities. I earned my Masters Degree in Emergency Management and have been able to work with tribes on capability building and community resilience capabilities development.

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Title: Spirit of Eagle

Artist: Kait Matthews

Tribal Affiliation: Ojibway/Potawatomi - Proud Member of Chippewas of Rama,
Ontario, Canada

Year Completed: 2021

Medium: Digital Print on Canvas, Signed by Artist

Dimensions: 36 inches X 25 inches approx. 2 Inches deep

Description/Inspiration:

Limited Edition print, signed by artist, "Embrace the strength, wisdom and foresight of the eagle. The eagle flies highest in the skies. A messenger, connecting Spirit World to Mother Earth. In Ojibway culture the Eagle represents one of the seven teachings: Love."

Artist Bio/Statement:

Kait Matthews was bom In Toronto, Ontario, Canada and is of Ojibwa/Potawatomi heritage, and is a proud member of the Chippewas of Rama First Nations.

Kait graduated from the Laguna College of Art and Design, summa cum laude, and has been a professional artist and Illustrator for over 10 years.

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Title: Forest Keeper

Artist: Kait Matthews

Tribal Affiliation: Ojibway/Potawatomi - Proud Member of Chippewas of Rama, Ontario, Canada

Year Completed: 2022

Medium: Digital Print on Canvas, Signed by Artist

Dimensions: 18 x 24 inches. Approx. 2 inches deep

Description/Inspiration:

Limited Edition print, signed by artist. "What is the future of our precious planet, our water, our forests? We all need to be Forest Keepers. The trees share our breath. We share our breath with all living things. The trees provide life for all living things. They are the veins of Mother Earth. Protect our forests, and all that dwells within them."

Artist Bio/Statement:

Kait Matthews was bom In Toronto, Ontario, Canada and is of Ojibwa/Potawatomi heritage, and is a proud member of the Chippewas of Rama First Nations.

Kait graduated from the Laguna College of Art and Design, summa cum laude, and has been a professional artist and Illustrator for over 10 years.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "The Crusade #1"

Artist: Derek No-Sun Brown

Tribal Affiliation: Shoshone-Bannock & Anishinabe

Year Completed: 2022

Medium: India ink on wood, Watercolor color and ink painting technique with a loose handed drip style, Framed

Dimensions (HxWxD): 12"x36"x2"

Description/Inspiration:

"This ink painting "The Crusade #1" embodies the focus, determination, and fortitude of our indigenous people. We have continued to persevere and now prosper; we are a force to be respected. The title is a rebuttal and a way to tell our own history." No-Sun

This is an original painting painted with india ink on wood enclosed in a black frame ready to hang. Signed by the artist No-Sun.

Artist Bio/Statement:

Derek No-Sun Brown is an artist who is blessed to be carrying on ancestry from the Shoshone-Bannock, Klamath, and Anishinabe people. Born in 1986, He was raised with a strong traditional foundation and continues to maintain indigenous ways of prayer and philosophy that is evident through his art. No-Sun grew up on the Fort Hall Indian Reservation in Idaho and the Boise Forte Reservation in northern Minnesota. Traveling back and forth to his maternal and paternal homelands is how the young artist began to expand his mind and see things from an alternate perspective. No-Sun has been quoted as saying, "being exposed to different cultures at an early age made me appreciate and love all my people because we are connected to the same source, we all fight the same war and share the same struggle." The source is our ceremony and the struggle that is shared between all native people are issues of identity, poverty, degradation of indigenous culture, and land. The war is the ways in which native people fight against these issues, today we fight using education, legislation, music, art, and many other solutions. No-Sun says, "art for me was a way to combat the negative aspects of reservation life because a lot of things are out of your control at a young age, and art was something I could control, it eased my anxiety and gave me an outlet for my energy."

No-Sun has received his B.F.A in 2013 from the Institute of American Indian Arts in Santa Fe, New Mexico. No-sun has also expanded his love for art, apparel and entrepreneurship into a business called War Medicine that has been growing larger and increasing the quality each year with a new storefront opening in November, 2022 in Pocatello, Idaho his home town. Currently the artist known as No-Sun is making his way into the future with a positive outlook and desire to make change for a better world. He currently lives in the Southwest with his wife and three children and works from his private studio.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "Water Walkers"

Artist: Derek No-Sun Brown

Tribal Affiliation: Shoshone-Bannock & Anishinabe

Year Completed: 2022

Medium: India ink on wood, Watercolor color and ink painting technique with a loose handed drip style, Framed

Dimensions (HxWxD): 12"x36"x2"

Description/Inspiration:

"This ink painting is a reflection of our journey and the leaders who guided us to a better world. Water Walkers refers to the idea that you have to "prove it" in order to cease any doubt or disbelief." No-Sun

This is an original painting painted with india ink on wood enclosed in a black frame ready to hang. Signed by the artist No-Sun.

Artist Bio/Statement:

Derek No-Sun Brown is an artist who is blessed to be carrying on ancestry from the Shoshone-Bannock, Klamath, and Anishinabe people. Born in 1986, He was raised with a strong traditional foundation and continues to maintain indigenous ways of prayer and philosophy that is evident through his art. No-Sun grew up on the Fort Hall Indian Reservation in Idaho and the Boise Forte Reservation in northern Minnesota. Traveling back and forth to his maternal and paternal homelands is how the young artist began to expand his mind and see things from an alternate perspective. No-Sun has been quoted as saying, "being exposed to different cultures at an early age made me appreciate and love all my people because we are connected to the same source, we all fight the same war and share the same struggle." The source is our ceremony and the struggle that is shared between all native people are issues of identity, poverty, degradation of indigenous culture, and land. The war is the ways in which native people fight against these issues, today we fight using education, legislation, music, art, and many other solutions. No-Sun says, "art for me was a way to combat the negative aspects of reservation life because a lot of things are out of your control at a young age, and art was something I could control, it eased my anxiety and gave me an outlet for my energy."

No-Sun has received his B.F.A in 2013 from the Institute of American Indian Arts in Santa Fe, New Mexico. No-sun has also expanded his love for art, apparel and entrepreneurship into a business called War Medicine that has been growing larger and increasing the quality each year with a new storefront opening in November, 2022 in Pocatello, Idaho his home town. Currently the artist known as No-Sun is making his way into the future with a positive outlook and desire to make change for a better world. He currently lives in the Southwest with his wife and three children and works from his private studio.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "MMIW, STRENGTH IN UNITY" Jingle Dress Project

Artist: Eugene Tapahe, Tapahe Photography

Year Completed: 2021

Medium: This lithograph is printed on museum archival handmade watercolor paper. Limited edition of 10. Film negative processed and developed in darkroom, Unframed.

Dimensions (HxWxD): 24" x 36"

Description/Inspiration:

"MMIW, Strength in Unity," is one of many photographs from the "Art Heals: The Jingle Dress Project" series. This photograph was captured the Grand Teton National Park in Wyoming, native land of the Shoshone, Bannock, Gros Ventre, and Nez Perce people.

This project originated from a dream Eugene Tapahe had. It was to unite the beauty of the land and healing power of the jingle dress dance. In order to bring hope, unity, and healing during these uncertain times due to social differences and the COVID-19 pandemic.

The jingle dress dance originated during the Spanish influenza of 1918-19. It came as a dream to an Ojibwe father whose daughter was sick with the virus. His dream revealed the new dress and dance that had the power to heal. When the dresses were made, they were given to four women to perform the dance. When the little girl heard the sound of the jingles, she became stronger. By the end of the night she was dancing too.

Tapahe's desire is to take the healing power of the jingle dress to the land and document the spiritual places where our ancestors once walked. This past year of the pandemic he and his family have traveled across America, from the west to the east coast to capture a series of photographs to document, bless and reclaim the land of our ancestors.

Artist Bio/Statement:

Navajo designer & Photographer, Eugene specializes in capturing the beautiful landscape and people of the Southwest. He receives inspiration from his grandmother, family, and culture. During Eugene's first years of life, he and his grandmother lived off the land and practiced the traditional ways of their ancestors - the true balance and harmony of Mother Earth and man.

As Tapahe grew in his profession of the graphic arts and design world, he always heard that inner-voice telling him that someday he will share another unique gift with others.

Later, in his first career choice he became overwhelmed by the influences of the modern world. He made life-changing adjustments to recreate his own balance and harmony in his new environment. Tapahe recently expressed his reverence for his new pursuit in photography , "I have always loved photography, from the first time I picked up a camera. I knew I had a gift for telling stories through my images."

Tapahe has a deep desire to improve his work and displays an ethic that is admirable. He hopes you will appreciate his images and stories they tell as he continues his creative journey.

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Title: "Woman and the Magpie"

Artist: Mikayla Martin (Itsooaakii)

Tribal Affiliation: Blackfeet, Squamish, and Comanche

Year Completed: 2022

Medium: Watercolor pencil and acrylic paint pen on mix media paper, Unframed

Dimensions (HxWxD): 9x12 inch

Description/Inspiration:

This is a one-of-a-kind drawing of a Blackfeet woman sitting in her camp in traditional dress. This piece highlights the importance of the magpie in Blackfoot stories and culture. Evelyn Mikayla (Itsooaakii) would be happy to communicate directly with anyone interested in buying this one of one piece to discuss her artistic process and the meaning behind this drawing in greater depth.

Artist Bio/Statement:

My current practice as a visual artist works to both center and reclaim my own personal narrative regarding the processes of navigating mental health, cultural identity, and reclamation of space as an Indigenous woman. My body of work primarily consists of acrylic on canvas self-portraits and highlight the complexities of engaging in ancient cultural practices as a Blackfeet woman in 2022. Through my portrait paintings I reclaim a sense of autonomy and agency over my own representation and narrative as a young Blackfeet woman who grew up living out our traditional way of life. There is a unique responsibility and power specific to Blackfoot women that I work to showcase in my paintings. My work reminds Blackfoot women, girls, and Aa'woowaakii (Two-Spirit individuals) that we are more than this inflicted extraction and intergenerational trauma that we face. Prior to colonization and today, we continue to hold pivotal roles in our community that can only be fulfilled by our unique gifts and knowledge. We are still rich in resiliency and these cultural ways of being, we deserve to have space held for us where our voices can be centered, and our beauty can be celebrated. I work to achieve this through my artwork that visually reflects this experience.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: The Hands of a Master

Artist: Hayden Haynes

Tribal Affiliation: Seneca Nation of Indians, Kiowa, Muskoke

Year Completed: 2022

Medium: Moose Antler

Dimensions (HxWxD): 2"x1"x.75"

Description/Inspiration:

Inspired by watching master potter and friend Peter B. Jones demonstrate traditional pottery. I took some photos of him demonstrating at a festival and decided to create a piece that captured how hands work and create pottery. These antler rings are what i consider special occasion pieces. Although they can be worn everyday, it is recommended that they only be worn occasionally. This will help maintain the color of the piece. It is also recommended that the piece be stored in a box when not in use to avoid long exposure to light and sunlight.

Artist Bio/Statement:

I am a self-taught antler carver and a member of the Seneca Nation of Indians. I began carving in my mid-20's. I was inspired to begin carving after seeing some works by Stan Hill Sr., Wayne Skye and Norman Jimerson, but I developed my own unique style. Early on I realized that antler and bone carving was an art form that did not receive the same amount of acknowledgment as other traditional art forms. In fact, many to this day, still do not recognize the relevance of antler and bone carving within our culture, and therefore the material and art form are in many ways oppressed. So I set forth to not only hone my skills as an artist, but also to to bring to light, the importance of this often overlooked art. I have had no formal education in either arts or arts education. However, I spent/ spend a considerable amount of time researching techniques and tools my people used to work bone/antler. In 2016, I was invited to have my first solo show at the Seneca-Iroquois National Museum. All the while learning as much as I could about how the material relates to our culture. Collaboration is a focus of my work. In 2021, I teamed up with fellow Seneca, Jocelyn Jones who is a culture bearer and model. I photographed her in several locations related to the Thomas Indian School (TIS), which was a Native American residential boarding school that operated on our Cattaraugus Territory. The photos were eventually expanded into a full scale exhibit installation with other 2-d, & 3-d works by other artists. It is currently on loan to the Seneca-Iroquois National Museum. This is one example, however my collaborations take many forms. Most often I use what I do and any platform and opportunity I have to help uplift the voices of women and women artists. My life's work is also to help restore in small ways, the role of women in our culture and society. I believe my current work (carving, knowledge sharing, education/lectures, curatorial, collaborations) is really coming into a good place. I feel like all of my efforts in the revitalization of antler carving are making a difference. Even though the numbers of carvers (or those revitalizing utilitarian bone usage) I work with or talk with are small, they are more. And the opportunities to talk to institutions about the material and art form from a cultural perspective is increasing. My future work will be a continued exploration of material innovations, and as it is now, confrontation with social topics, uplifting our women, and using my work to help revitalize antler carving.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Ombre Red Strawberry Basket

Artist: Holly Pyke

Tribal Affiliation: Saint Regis Mohawk (Akwesusne)

Year Completed: 2022

Medium: Black Ash Splint and Sweetgrass Fancy Basket, North Eastern Basket Weaving

Dimensions (HxWxD): 7"x4.5"x4.5" 6"x4.5"x4.5" excluding lid pull

Description/Inspiration:

This is a strawberry basket that is made with strawberry curls and is dyed darker on the bottom. The top was left a lighter shade of red to resemble a ripening strawberry.

Artist Bio/Statement:

I am from Akwesusne and have lived here all my life. I've been making baskets for about seven years. I learned basket making from my mom. Her mom and grandmother also made baskets. I love the traditional style of fancy baskets but i am really interested in finding new techniques and creating new designs.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Untitled

Artist: Ikerson Hopper

Tribal Affiliation: Onondaga Nation

Year Completed: 2022

Medium: Quillwork / Painting

Dimensions (HxWxD): Mens Size 12

Artist Bio/Statement:
Ikerson Hopper is an Onondaga Nation based artist who specializes in traditional customized works in various mediums. His artistic expression includes graphic design, porcupine quillwork, beadwork, woodcarving, tattoo and apparel design.

Ikerson loves creating one of a kind pieces, very rarely replicating a piece, keeping nearly everything he designs a one of a kind. He hopes to give insight into the Onondaga culture through his many art forms. As an inherent extension of his work, Ikerson passes along a sense of pride to be Ongwehonweh for future seven generations.

He holds a bachelors degree in graphic design from the University of Adelphi, and has recently begun his career as a full-time artist after years of traveling and playing lacrosse.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Akhsótha Akò there ne Yetsi'tsyaráhkwa

Artist: "Three Sisters Design" - Karennotakies Barnes

Tribal Affiliation: Mohawk of Akwesasne

Year Completed: 2022

Medium: Beadwork, Leatherwork

Dimensions (HxWxD): 14" x 7.5"

Description/Inspiration:

I made this piece using materials passed down from my grandmother. Leather weaving to represent the leather work and basket making she used to do. The flowers to represent her beautiful flower garden. The Deer Antler was gifted to me, i wanted to incorporate it because she ran a "hats for hides". This decorative wall hanger will add beauty to any space. "Akhsótha Akò there ne Yetsi'tsyaráhkwa" is Mohawk meaning "My Grandmother's Flowerbasket".

Artist Bio/Statement:

I am the artist behind Three Sisters Designs. My Kanien'kéha name is Karennotakies, which means she is singing around. I am Mohawk turtle clan of Akwesasne. I like using the traditional Hadenosaunee style of raised beadwork. I incorporate natural materials such as leather and wampum as seen in my work. I learned the same way many artist have, at Totas table. My grandma Donna Benedict taught me how to bead, sew, and work with leather. I've be creating since I was 15, going on 13 years all together. I started my business after my grandmother passed away about 4 years ago. She was the driving force behind Three Sisters Designs. Through creating its help me grieve and heal living without her, and I can only strive to as good of an artist as she was. A lot of my inspiration comes from my family, I have a beautiful son and daughter. I also find a lot of inspiration while being a language student and learning more of our history. I love looking at beadwork from the 1800-1900's there so much beauty in our history and language. As I'm working on the piece for the Peace Love Art: Indigenous Collective I'm using techniques my grandmother taught me and techniques that I have learned myself and merging the two together. Im calling the piece "Tota's basket" Tota being the Mohawk term for grandparent. My grandma was also a basket maker so this piece is 100% inspired by her and the teachings she has taught me, in beadwork and life. I'm so excited to show everyone the final piece, and I hope to continue making beadwork that last generations. All my creations and future creations can be found on my Instagram profile "Three Sisters Design". Nía:wen/ thank you.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Red Satin Three Tier Skirt w/Purse

Artist: "KAThleen"s Design" - Kathleen Tom-Garcia

Tribal Affiliation: Navajo Nation

Year Completed: 2022

Medium: Red Satin, Fully Serged, Bias tape hemmed, 1-1/2" paper sack elastic waist

Dimensions (HxWxD): Length 37", Waist M-XL 32" expandable to 42"

Description/Inspiration:

Bridal Satin, Gokey satin fabric design print, Gold Rick-rack, Dual pockets.
Skirt only, accessories not included.

Artist Bio/Statement:

My name is Kathleen Tom-Garcia, I am an enrolled member of the DINE (Navajo) Nation. My Clan is "Bitterwater" born for "Redhouse" originally from Pinon. I currently reside in Chandler, AZ., for 25 years. During the Pandemic in 2021, Phoenix Indian Center Culture provided a class on "How to make a RED RIBBON" host by Agnes Woodward. I learned the history of the ribbon skirts, how to make a skirt, and the meaning of the "RED RIBBON" skirt. It's now over a year later, I've entered Fashion Shows, received recognition, and flourished into a small business that is becoming noticed among many Indigenous Artists. Many of the skirt are displayed on my Facebook page: "KAThleen"s Design".

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Two Tier Skirt w/Purse

Artist: "KAThleen"s Design" - Kathleen Tom-Garcia

Tribal Affiliation: Navajo Nation

Year Completed: 2022

Medium: Fully Serged, Bias tape hemmed, 1-1/2" paper sack elastic waist

Dimensions (HxWxD): Length 35", Waist M-XL 32" expandable to 52"

Description/Inspiration:

49 DZine Print, Berry Rickrack, dual pockets.
Skirt and Purse only, accessories not included.

Artist Bio/Statement:

My name is Kathleen Tom-Garcia, I am an enrolled member of the DINE (Navajo) Nation. My Clan is "Bitterwater" born for "Redhouse" originally from Pinon. I currently reside in Chandler, AZ., for 25 years. During the Pandemic in 2021, Phoenix Indian Center Culture provided a class on "How to make a RED RIBBON" host by Agnes Woodward. I learned the history of the ribbon skirts, how to make a skirt, and the meaning of the "RED RIBBON" skirt. It's now over a year later, I've entered Fashion Shows, received recognition, and flourished into a small business that is becoming noticed among many Indigenous Artists. Many of the skirt are displayed on my Facebook page: "KAThleen"s Design".

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Turquoise and Copper Ribbon Skirt

Artist: "KAThleen"s Design" - Kathleen Tom-Garcia

Tribal Affiliation: Navajo Nation

Year Completed: 2022

Medium: Fully Serged, Bias tape hemmed, 1-1/2" paper sack elastic waist

Dimensions (HxWxD): Length 36", Waist M-XL 32" expandable to 42"

Description/Inspiration:

Side Drop Fringes, Dual Pockets.
Skirt only, accessories not included.

Artist Bio/Statement:

My name is Kathleen Tom-Garcia, I am an enrolled member of the DINE (Navajo) Nation. My Clan is "Bitterwater" born for "Redhouse" originally from Pinon. I currently reside in Chandler, AZ., for 25 years. During the Pandemic in 2021, Phoenix Indian Center Culture provided a class on "How to make a RED RIBBON" host by Agnes Woodward. I learned the history of the ribbon skirts, how to make a skirt, and the meaning of the "RED RIBBON" skirt. It's now over a year later, I've entered Fashion Shows, received recognition, and flourished into a small business that is becoming noticed among many Indigenous Artists. Many of the skirt are displayed on my Facebook page: "KAThleen"s Design".

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Skull and Soul

Artist: Ken Fury

Year Completed: 2022

Medium: Genuine garnet, peridot, 10K solid yellow gold, and comes with a 14K solid gold chain. Hand carved in wax and cast.

Dimensions (HxWxD): Size: 29mm x 19mm

Description/Inspiration:

In this piece, the skull symbolizes finite human life on earth, with the eyes glowing with energy and awareness, and the stone in the mouth represents the soul, boundless and infinite.

Artist Bio/Statement:

Ken Fury (Kenneth Marez Jr.) works in multiple mediums, including painting, jewelry, music, dance, poetry, photography, and filmmaking. Fury lives in New York City and grew up in Pueblo, Colorado, and is of Nuevomexicano and Indigenous Genízaro descent from southern Colorado and New Mexico. His work explores the polarities of existence-creation and destruction-and the relationship between humans and nature. His art expands on multi-dimensional figurations, abstractions, and spaces derived from his dreams, subconscious, and life experiences. Love, mortality, transformation, eroticism, spirituality, and the ongoing effects of colonization permeate Fury's body of work.

Ken comments: "My art is part of one expanding environment that stimulates all the senses while also relying on intuition to create spontaneous works that attempt to pierce the core of emotion and spirit."

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Comet

Artist: Ken Fury

Year Completed: 2022

Medium: Sterling Silver and Labradorite, comes with a sterling silver chain. Hand carved in wax and cast.

Dimensions (HxWxD): 48 mm x 20 mm

Artist Bio/Statement:

Ken Fury (Kenneth Marez Jr.) works in multiple mediums, including painting, jewelry, music, dance, poetry, photography, and filmmaking. Fury lives in New York City and grew up in Pueblo, Colorado, and is of Nuevomexicano and Indigenous Genízaro descent from southern Colorado and New Mexico. His work explores the polarities of existence-creation and destruction-and the relationship between humans and nature. His art expands on multi-dimensional figurations, abstractions, and spaces derived from his dreams, subconscious, and life experiences. Love, mortality, transformation, eroticism, spirituality, and the ongoing effects of colonization permeate Fury's body of work.

Ken comments: "My art is part of one expanding environment that stimulates all the senses while also relying on intuition to create spontaneous works that attempt to pierce the core of emotion and spirit."

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Inherit

Artist: Ken Fury

Year Completed: 2022

Medium: Acrylic and spray paint on cowhide leather.

Dimensions (HxWxD): 19.5'' x 29'' inches.

Artist Bio/Statement:

Ken Fury (Kenneth Marez Jr.) works in multiple mediums, including painting, jewelry, music, dance, poetry, photography, and filmmaking. Fury lives in New York City and grew up in Pueblo, Colorado, and is of Nuevomexicano and Indigenous Genízaro descent from southern Colorado and New Mexico. His work explores the polarities of existence-creation and destruction-and the relationship between humans and nature. His art expands on multi-dimensional figurations, abstractions, and spaces derived from his dreams, subconscious, and life experiences. Love, mortality, transformation, eroticism, spirituality, and the ongoing effects of colonization permeate Fury's body of work.

Ken comments: "My art is part of one expanding environment that stimulates all the senses while also relying on intuition to create spontaneous works that attempt to pierce the core of emotion and spirit."

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Berry Trio

Artist: Talking Turtle Baskets - Kimberly White-Atkins

Tribal Affiliation: Akwsasne Mohawk

Year Completed: 2022

Medium: Blackash and sweetgrass basket

Dimensions (HxWxD): 5"h, 3"w

Description/Inspiration:

Consists of 3 berry baskets, red, blue, black.

Artist Bio/Statement:

My name is Kimberly White-Atkins. I am turtle clan and from the Akwesasne Mohawk Reservation. I am married to Clint-Atkins who is from the Six nation reservation. We have 8 children and 2 grandsons.

I started making baskets 12 years ago. My grandmother Nancy Thompson was a basket maker. I hope to be able to pass the tradition on to my children.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Pack Basket

Artist: Talking Turtle Baskets - Kimberly White-Atkins

Tribal Affiliation: Akwsasne Mohawk

Year Completed: 2022

Medium: Blackash basket

Dimensions (HxWxD): 16"h, 12"w, 36"d

Description/Inspiration:

Blackash packbasket, nylon straps can be added!

Artist Bio/Statement:

My name is Kimberly White-Atkins. I am turtle clan and from the Akwesasne Mohawk Reservation. I am married to Clint-Atkins who is from the Six nation reservation. We have 8 children and 2 grandsons.

I started making baskets 12 years ago. My grandmother Nancy Thompson was a basket maker. I hope to be able to pass the tradition on to my children.

Please note:

Buyers are responsible for shipping costs. Shipping Costs will be charged separately with an additional 3.63% effective transaction fee on both art purchase and shipping.

Title: Mommy, tota and me purses

Artist: Talking Turtle Baskets - Kimberly White-Atkins

Tribal Affiliation: Akwsasne Mohawk

Year Completed: 2022

Medium: Blackash and sweetgrass trio

Dimensions (HxWxD): Multi

Description/Inspiration:

2 adult purses and 1 child purse

Artist Bio/Statement:

My name is Kimberly White-Atkins. I am turtle clan and from the Akwesasne Mohawk Reservation. I am married to Clint-Atkins who is from the Six nation reservation. We have 8 children and 2 grandsons.

I started making baskets 12 years ago. My grandmother Nancy Thompson was a basket maker. I hope to be able to pass the tradition on to my children.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Large Northern lights - Keepsake Art Doll

Artist: Kristina Bannatyne

Tribal Affiliation: Anishinabe/Ojibway from Toronto/Wauzhushk Onigum Nation

Year Completed: 2022

Medium: 100% Cotton canvas, tulle, Swarovski crystals, Blend of cotton,wool
mohair, cashmere yarn.

Dimensions (HxWxD): 24x11x3

Description/Inspiration:

Inspired by the natural beauty of the Northern Lights, this Keepsake Art doll is carefully hand painted, sealed, embroidered with stars and embellished with Swarovski crystals. She will light up any room and will be treasured as a Keepsake for many years to come. Being able to create and design this One of a Kind Art doll brings me so much joy and is my creative output where I can bring out the little girl in me and have fun in the process.

Warning: ***Doll is intended for decor only. Contains small crystals and glitter***

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "Tekakawitha" Saint Kateri Tekakawitha - Lilly of the Mohawks

Artist: Laura Dieter

Tribal Affiliation: Cree/Saulteaux from Peepeekisis First Nation in Saskatchewan

Year Completed: 2022

Medium: Acrylic on Canvas, mixed media

Dimensions (HxWxD): 24inch x 34 inch

Description/Inspiration:

The meaning behind this painting is to bring awareness to sex trafficking and to our murdered and missing indigenous women. The painting was painted to look like the stained glass in the church and Tekakwitha as representative of all indigenous women as elevated to status of a saint, she represents all indigenous women in the sight of our Creator, High and lofty, Holy and beloved.

Artist Bio/Statement:

Born and raised on the Peepeekisis Cree Nation, Southern Saskatchewan in the Treaty Four area of southern Saskatchewan. I am Cree/ Saulteux and German blood. My family consisted of Treat four Chief signatories ( Chief Okanese) and leaders whom shaped and lead the way for our family on many levels. My parents were strong believers in education and business and taught us the value of hard work and determination. Both my parents were residential school survivors and I am a Dayschool survivor of the Peepeeksis Dayschool on our reserve. I endured many abuses and hardship growing up on the reserve. Poverty, isolation, addictions and violence consisted of my early years. My parents having been survivors, pulled themselves out of the cycle and became successful business and community leaders. This allowed our family to have a better quality of life.

My Mother was a social worker having been educated and worked with the provincial government. Her path I would follow. I wanted justice and watching her fight for families and social injustice had a profound impact on my path. My Father would become headman for our family on the reserve. It carried a role in the council on our reserve. He was one of many leaders in our family. My grandfather was chief for many years, as well as Uncles and Aunts would carry the title of Chief, Headman and leaders in leading Indigenous organizations even today.

Truth and Reconciliation is my passion as a result. To empower the voices of those still in the cycle and victims of the colonist system we had had to live in. To give a voice for the children. To reunite families and bring healing to communities. To work and heal side by side with our non-indigenous brothers and sisters on the path for reconciliation and Truth.

The only way for a community to thrive, for true healing to start, is to walk side by side and accept our differences. To learn of our journeys and to reconcile past hurts by educating and celebrating our diversity. My passion is to bring hope and community together in breaking free of systems that are broken and take ownership in empowering the family to make decisions for themselves in the best interest of their children.

The Seven Grandfather teachings teach us this. They are the principle of character that the Anishinaabe people taught to live by: Love respect, Bravery, Truth, Honesty, Humility and Wisdom. As a fellow Indigenous women, I stand by my Brothers and Sisters in acknowledgement of the land I am privileged to live and work on. The Unceded Algonquin Territory.

Meegwiich,

Laura Dieter (Dominique)

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Simply Elegant- Beaded Purse

Artist: Leith Mahkewa

Tribal Affiliation: Oneida Nation of the
Thames

Year Completed: 2022

Medium: Beadwork

Dimensions (HxWxD): (HxWxD): 10"(Base of purse to top of handle) X 9" x ¼"

Description/Inspiration:

My work tends to be very utilitarian in nature. I strive to create pieces that exemplify and honour the long standing tradition of Iroquois beadwork. I am very particular and pay close attention to my finishing detail. I am industriousness a trait that I believe inherited from my maternal grandmother. I have been fortunate to learn the Kanien'keha raised beadwork style and my work tends to follow suit, mainly floral in design. The majority of my beadwork revolves around the many different colours that can be found from nature, however some of my more recent has focused on the monochromatic colour palette. This beaded purse entitled "Simply Elegant" encompasses the elements mentioned above. The ivory coloured florals are accented by earthy browns and hints 24kt gold beads. The handle is sturdy as is the tanned and smoked deer hide that gives this piece it's durability. The cotton calico gives that added contrast that is needed to complete this piece.

Artist Bio:

Leith Mahkewa is a member of the Oneida First Nation of the Thames. She currently lives in the Kanien'kahá:ka (Mohawk) community of Kahnawake with her husband and four children. She has been elevating her artistry for the past 18 years. She tends to create pieces mainly in the Iroquois raised beadwork style and is moving towards incorporating more Hopi/Tewa imagery into her creatiosn to honour her father and his family. In the past 9 years she has been awarded ribbons at both: the Heard Museum Guild Indian Fair and Market (2013, 2014, 2020), the SWAIA Santa Fe Indian Market (2014, 2019, 2020 & 2022) and the Ganondagan Hodinosoh:ni'Art Show 2020. She has exhibited at the Kanien'kehá:ka Onkwawén:na Raotitióhkwa Language & Cultural Center (Kahnawake, QC) and the Woodland Cultural Center (Brantford, ON). Her work is part of the collections of the Hood Museum (Hanover NH) and the Nerman Museum of Contemporary Art (Overland Park, KS). Leith believes that bead work transcends the generations. The patterns and styles created by our ancestors continue to thrive at the hands of current artists who are committed to maintaining the authenticity and appreciation of this art form.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: LADY IN RED

Artist: Lorinda John

Tribal Affiliation: SENECA

Year Completed: 2022

Medium: CEDAR, SINEW, CRYSTALS, AND ASSORTED BEADS, NATURALLY HAND TWISTING AND WEBBED

Dimensions (HxWxD): (HxWxD): 15''X12''

Description/Inspiration:

THIS TREASURE WAS CREATED FOR THOSE WOMEN, MOMS, SISTERS, AUNTIES, AND LOVED ONES NEVER CAME HOME. THIS CEDAR DREAMCATCHER IS LACED WITH RED SINEW AND THE SINEW IS DECORATED WITH SELENITE. THE SELENITE HELPS BRING A BALANCE TO THE DREAMCATCHER. SELENITE IS A CRYSTAL THAT IS SAID TO HELP BRING A CALMNESS AND TRANQUILITY TO ONES AREA.

Artist Bio:

LORINDA IS BORN AND RAISED ON THE CATTARGUS TERRITORY WHERE SHE RESIDES WITH HER TWO DAUGHTERS AND PARENTS. LORINDA STAYS AT THE SAME RESIDENT SHE GREW UP AS A CHILD AND NOW GETS TO RAISE HER DAUGHTER THERE AS WELL. LORINDA IS A FULL TIME CULINARY STUDENT AND ENJOYS CREATING WHETHER IT IS WITH FOOD OR CEDAR. CEDAR IS THE MEDIUM LORINDA UTILIZES FOR HER UNIQUE HAND TWISTED DREAMCATCHERS.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: CALMNESS

Artist: Lorinda John

Tribal Affiliation: SENECA

Year Completed: 2021

Medium: CEDAR, SINEW, CRYSTALS, AND ASSORTED BEADS, HAND HARVESTED TWISTED AND WEBBED

Dimensions (HxWxD): (HxWxD): 3'X2'

Description/Inspiration:

THIS DREAMCATCHER WAS MADE WITH THE INTENT TO BRING A SENSE OF CALMNESS TO ONES AREA. THE WEBBING IN THE DREAMCATCHER IS PURPLE AND IS LACED WITH AMETHYST AND AN ASSORTMENT OF BEADS. AMETHYST IS A CRYSTAL THAT IS KNOWN TO BE A NATURAL TRANQUILIZER.

Artist Bio:

LORINDA IS BORN AND RAISED ON THE CATTARGUS TERRITORY WHERE SHE RESIDES WITH HER TWO DAUGHTERS AND PARENTS. LORINDA STAYS AT THE SAME RESIDENT SHE GREW UP AS A CHILD AND NOW GETS TO RAISE HER DAUGHTER THERE AS WELL. LORINDA IS A FULL TIME CULINARY STUDENT AND ENJOYS CREATING WHETHER IT IS WITH FOOD OR CEDAR. CEDAR IS THE MEDIUM LORINDA UTILIZES FOR HER UNIQUE HAND TWISTED DREAMCATCHERS.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: THE BILLS MAKE ME SHOUT

Artist: Lorinda John

Tribal Affiliation: SENECA

Year Completed: 2022

Medium: CEDAR, SINEW, CRYSTALS, AND ASSORTED BEADS, HAND TWISTING AND WEBBED

Dimensions (HxWxD): (HxWxD): 7"X4"

Description/Inspiration:

THIS TREASURE SYMBOLISMS THE ARTIST'S LOVE FOR THE BUFFALO BILLS. BUT THIS TREASURE HAS DOUBLE MEANING AS IT IS LACED WITH LAPIS LAZULI. LAPIS LAZULI IS KNOWN TO ASSIST WITH YOUR THROAT CHAKRA AND HOW WE TALK. HAVING LAPIS NEAR CAN ASSIST IN POSITIVE SELF TALK AND SPEAKING KINDNESS TO OTHERS.

Artist Bio:

LORINDA IS BORN AND RAISED ON THE CATTARGUS TERRITORY WHERE SHE RESIDES WITH HER TWO DAUGHTERS AND PARENTS. LORINDA STAYS AT THE SAME RESIDENT SHE GREW UP AS A CHILD AND NOW GETS TO RAISE HER DAUGHTER THERE AS WELL. LORINDA IS A FULL TIME CULINARY STUDENT AND ENJOYS CREATING WHETHER IT IS WITH FOOD OR CEDAR. CEDAR IS THE MEDIUM LORINDA UTILIZES FOR HER UNIQUE HAND TWISTED DREAMCATCHERS.

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Title: YOUR'RE MY SUNSHINE

Artist: Lorinda John

Tribal Affiliation: SENECA

Year Completed: 2022

Medium: CEDAR, SINEW, CRYSTALS, AND ASSORTED BEADS, HAND TWISTING AND WEBBED

Dimensions (HxWxD): (HxWxD): 4"X3"

Description/Inspiration:

THIS TREASURE WAS CREATED WITH BRINGING A SENSE OF WISDOM TO ONES AREA. THE NAME IS INSPIRED FROM LORINDA'S LOVE TO SING THE SONG "YOUR'RE MY SUNSHINE" TO HER DAUGHTERS. YELLOW JADE IS USED TO DECORATE THIS DREAMCATCHER AND IS A CRYSTAL USED TO BRING WISDOM TO ONE'S AREA. THE MORE WISOM WE HAVE THE BRIGHTER OUR
SUN SHINES.

Artist Bio:

LORINDA IS BORN AND RAISED ON THE CATTARGUS TERRITORY WHERE SHE RESIDES WITH HER TWO DAUGHTERS AND PARENTS. LORINDA STAYS AT THE SAME RESIDENT SHE GREW UP AS A CHILD AND NOW GETS TO RAISE HER DAUGHTER THERE AS WELL. LORINDA IS A FULL TIME CULINARY STUDENT AND ENJOYS CREATING WHETHER IT IS WITH FOOD OR CEDAR. CEDAR IS THE MEDIUM LORINDA UTILIZES FOR HER UNIQUE HAND TWISTED DREAMCATCHERS.

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Title: Ancestors

Artist: Soni Lopez-Chavez

Year Completed: 2022

Medium: Acrlylic embellished Art Print, Signed by Artist, Unframed

Dimensions (HxWxD): (HxWxD): 12" x 12"

Description/Inspiration:

I surrender myself with the earth. I become one with my true nature. Ancestors within me, I celebrate and honor you for eternity. Acrylic embellished art print.

Artist Bio:

Soni Lopez-Chavez was born in Cuitzeo de Abasolo in the state of Guanajuato, Mexico. A first generation immigrant, she immigrated to the United States with her family as a child, ultimately settling in the border region of San Diego, California. Professionally, Soni worked as an acrylic painter and a muralist while also working as a devoted preschool teacher. Outside of the classroom, she dedicated most of her time curating group art shows in San Diego's vibrant local art scene. Pulling from her own Chichimeca heritage and lived experience as a first-generation immigrant, Soni's art covers a wide variety of different topics and causes. All revolving around the key theme of empowering marginalized communities and raising awareness for people of color. Her art is manifested with the intention of bringing awareness to the issues and communities around her that she believes need more support and representation. Soni's art commonly grapples with issues such Indigenous sovereignty and the uplifting indigenous communities, immigration rights, family separation, the struggles of street vendors, the Black Lives Matter movement, mental health awareness, and LGBTQ+ issues among others. Soni's work is an accumulation of all her life experiences. A representation of her Indigenous ancestry, her life lived back and forth between two nations. As well as the desire not only to bring awareness to issues through their art, but use her platform to counter negative, preconceived stereotypes, and to empower historically marginalized communities.

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Title: Nizhoni Brown

Artist: Lynn Traylor

Tribal Affiliation: Dine {Navaio}

Year Completed: 2022

Medium: Beadwork/Fashion Accessories, flat & peyote stitch

Dimensions (HxWxD): (HxWxD): 6x14x14

Description/Inspiration:

Hues of brown bring this cream fedora to life. Accented with fresh water pearls. This hat is a statement piece sure to elevate any wardrobe!

Artist Bio:

Lynn Traylor is the artist and creator of Auntie Creations- "Creatine Generational Art for All". Lynn Traylor is Diné. She is Hastlishnii born for Tááchiinii. her Cheiis' are Tlaaschií and her Nali is Tlaaschii. She is originally from Black House Mesa. New Mexico and resides in the Phoenix area.

An indigenous artist who specializes in wearable art beadwork, Lynn learned to bead at a young age through her father. He taught her how to loom and peyote stitch. Over time, she began to flat bead and uses beading as a creative outlet to escape the everyday stresses of working in criminal prosecution for domestic violence cases.

Each piece Lynn creates is done with hozhó thoughts and good intentions. "Creating Generational Art for All" encourages wearable art for ALL people to wear and purchase. After each piece is created it is blessed with cedar and ready to wear.

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Title: With the Motion

Artist: Mallery Quetawki

Tribal Affiliation: Zuni Pueblo

Year Completed: 2022

Medium: Spray paint and acrylic on wood panel

Dimensions (HxWxD): 16 in. x 20 in. x 1 in.

Description/Inspiration:

Dragonlies are the messengers of luck, wisdom and healing. Living in an ever-changing and fast moving world the Dragonfly reminds us to stay humble and practice self-care.

Artist Bio:

Mallery Quetawki is from the rural Pueblo of Zuni in western New Mexico. She is the mother of two and shares residence in both Albuquerque and Zuni Pueblo. She received her B.S. in Biology with a minor in Art studio in the summer of 2009 from UNM-ABQ. She is currently the Artist-in-Residence with the Community Environmental Health Program at the University of New Mexico College of Pharmacy. Mallery has used art to translate scientific ideas, health impacts and research on uranium mines that are currently undergoing study in several Indigenous communities. Her work has been featured on National Institutes of Health websites and published in peer-reviewed journals on environmental health and academic medicine. Her painting entitled, "Our Microflora" is on permanent display at the Massachusetts Institute of Technology Department of Biological Engineering. Mallery has a large-scale mural titled, "Morning Prayer", on permanent display at the Indian Pueblo Cultural Center which depicts the history of the Zuni People from Creation to modern times. Her oil painting symbolizing the ties between the Grand Canyon and Zuni culture is part of a traveling collaboration called the Zuni Map Art Project. The collaborative set of art has been displayed at the American Museum of Natural History in New York City, NY and other museums and galleries in the US. Other noted works include a 12-piece pastel and ink set entitled "What Makes a Zuni?" on permanent display at the Zuni IHS in Blackrock, NM and a mural painted at the Ho'n A:wan Park in Zuni Pueblo September 2018. Mallery's recent work was part of an interactive Google Doodle that kicked off Native American Heritage Month on November 1, 2021.

Quetawki, Mallery. "Indigenous Ways of Knowing and Art as Scientific Translation for Native American Communities Affected by Abandoned Uranium Mines." Sustain. Spring/Summer
2019, 40: pp. 33-37.
Quetawki, Mallery. "Artist's Statement: DNA." Academic Medicine. January 2020, 95(1), 69.

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Title: Directions

Artist: Mallery Quetawki

Tribal Affiliation: Zuni Pueblo

Year Completed: 2022

Medium: Spray paint and acrylic on wood panel

Dimensions (HxWxD): 20 in. diameter and 1 inch deep

Description/Inspiration:

This painting uses Zuni Pueblo symbolism to create a futuristic machine-like system where gears and circuits create a movement. This represents all Natives working at the intersections of STEM and Art (STEAM). Native American's have been gaining seats at the table in the areas of Science, Technology and Medicine and this painting is to honor that movement in sacred directions.

Artist Bio:

Mallery Quetawki is from the rural Pueblo of Zuni in western New Mexico. She is the mother of two and shares residence in both Albuquerque and Zuni Pueblo. She received her B.S. in Biology with a minor in Art studio in the summer of 2009 from UNM-ABQ. She is currently the Artist-in-Residence with the Community Environmental Health Program at the University of New Mexico College of Pharmacy. Mallery has used art to translate scientific ideas, health impacts and research on uranium mines that are currently undergoing study in several Indigenous communities. Her work has been featured on National Institutes of Health websites and published in peer-reviewed journals on environmental health and academic medicine. Her painting entitled, "Our Microflora" is on permanent display at the Massachusetts Institute of Technology Department of Biological Engineering. Mallery has a large-scale mural titled, "Morning Prayer", on permanent display at the Indian Pueblo Cultural Center which depicts the history of the Zuni People from Creation to modern times. Her oil painting symbolizing the ties between the Grand Canyon and Zuni culture is part of a traveling collaboration called the Zuni Map Art Project. The collaborative set of art has been displayed at the American Museum of Natural History in New York City, NY and other museums and galleries in the US. Other noted works include a 12-piece pastel and ink set entitled "What Makes a Zuni?" on permanent display at the Zuni IHS in Blackrock, NM and a mural painted at the Ho'n A:wan Park in Zuni Pueblo September 2018. Mallery's recent work was part of an interactive Google Doodle that kicked off Native American Heritage Month on November 1, 2021.

Quetawki, Mallery. "Indigenous Ways of Knowing and Art as Scientific Translation for Native American Communities Affected by Abandoned Uranium Mines." Sustain. Spring/Summer
2019, 40: pp. 33-37.
Quetawki, Mallery. "Artist's Statement: DNA." Academic Medicine. January 2020, 95(1), 69.

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Title: "Woodland Floral-
Sherbert"

Artist: Bryson Meyers

Tribal Affiliation: Chippewa and Cree

Year Completed: 2021

Medium: Printmaking, Chin Collé, Unframed

Chine-collé or chine collé is a printmaking technique in which the image is transferred onto a surface that is bonded onto a heavier support in the printing process. One purpose is to allow the printmaker to print on a much more delicate surface, such as Japanese paper or linen, that pulls finer details off the plate.

Dimensions (HxWxD): 22 x 30

Artist Bio/Statement:

Bryson Meyers comes from a small reservation in northcentral Montana. He moved in with his grandfather and began learning his ways of pow wow and ceremonial life living with his grandfather taught him the ways, language and symbols of the Cree. Bryson focused on his education and became more independent. He developed a strong focus on pow wow and learning the knowledge of tribes further to the north. He is expanding his knowledge of digital art and printmaking and learning more of what he can do with his art. Bryson finished his Bachelor of Fine Arts degree in graphic design the IAIA (Institute of American Indian Art).

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Title: "Untitled"

Artist: Bryson Meyers

Tribal Affiliation: Chippewa and Cree

Year Completed: 2021

Medium: Printmaking, Chin Collé, Unframed

Chine-collé or chine collé is a printmaking technique in which the image is transferred onto a surface that is bonded onto a heavier support in the printing process. One purpose is to allow the printmaker to print on a much more delicate surface, such as Japanese paper or linen, that pulls finer details off the plate.

Dimensions (HxWxD): 22 x 30

Artist Bio/Statement:

Bryson Meyers comes from a small reservation in northcentral Montana. He moved in with his grandfather and began learning his ways of pow wow and ceremonial life living with his grandfather taught him the ways, language and symbols of the Cree. Bryson focused on his education and became more independent. He developed a strong focus on pow wow and learning the knowledge of tribes further to the north. He is expanding his knowledge of digital art and printmaking and learning more of what he can do with his art. Bryson finished his Bachelor of Fine Arts degree in graphic design the IAIA (Institute of American Indian Art).

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Title: Indigenous Mando

Artist: Mike Toya

Tribal Affiliation: Pueblo of Jamez, N.M.

Year Completed: 2022

Medium: Acrylic on Canvas

Dimensions (HxWxD): 3ft x 3 ft x 1.5 inch

Description/Inspiration:

Pop culture is worldwide, what better way to combine it with Indigenous strength and spirit!

Artist Bio/Statement:

Michael Toya is of Jemez Pueblo descent and at a young age, it was certain that he was to become an artist! Being exposed to traditional artwork , through familial ties, prompted Michael to stay focused in pursuing his dream in becoming an artist.

Michael is a self taught artist creating works in various mediums. Michael infuses his cultural interpreted designs of spiritual symbolism into every single piece. Michael has also dabbled into creating pop-culture art highlighting some of his favorite iconic figures with Indigenous flair. With a pleasant sight, Michael's works also offers motivational strength and purpose giving the viewer energy. -One customer recently said "the spirit of who Michael is and what he expresses, is evident in his art!"

Michael was awarded second place, in best of painting, at the annual Autry Indian Market in Los Angeles, CA and received honorable mention at the SWAIA Indian Market the previous year. Michael's intention is to seek new heights in his path of creating and educating everyone about what his art represents. "Mother Earth and Father Sky are very sacred to my people. I ask them for guidance and I thank them for who I am-an artist story teller. Respect and embrace Mother Earth and Father Sky, so that you may live with strength, peace, and harmony!"

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Title: Mando All Tradish

Artist: Mike Toya

Tribal Affiliation: Pueblo of Jamez, N.M.

Year Completed: 2022

Medium: Acrylic on Canvas

Dimensions (HxWxD): 3ft x 3 ft x 1.5 inch

Description/Inspiration:

There's a lot of traditional symbolism and meaning that goes into each and everyone of my paintings. Let's educate the world about the differences and similarities our cultures have to offer.

Artist Bio/Statement:

Michael Toya is of Jemez Pueblo descent and at a young age, it was certain that he was to become an artist! Being exposed to traditional artwork , through familial ties, prompted Michael to stay focused in pursuing his dream in becoming an artist.

Michael is a self taught artist creating works in various mediums. Michael infuses his cultural interpreted designs of spiritual symbolism into every single piece. Michael has also dabbled into creating pop-culture art highlighting some of his favorite iconic figures with Indigenous flair. With a pleasant sight, Michael's works also offers motivational strength and purpose giving the viewer energy. -One customer recently said "the spirit of who Michael is and what he expresses, is evident in his art!"

Michael was awarded second place, in best of painting, at the annual Autry Indian Market in Los Angeles, CA and received honorable mention at the SWAIA Indian Market the previous year. Michael's intention is to seek new heights in his path of creating and educating everyone about what his art represents. "Mother Earth and Father Sky are very sacred to my people. I ask them for guidance and I thank them for who I am-an artist story teller. Respect and embrace Mother Earth and Father Sky, so that you may live with strength, peace, and harmony!"

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Title: Pueblo Buffalo Dance

Artist: Mike Toya

Tribal Affiliation: Pueblo of Jamez, N.M.

Year Completed: 2022

Medium: Acrylic on Canvas

Dimensions (HxWxD): 3ft x 4 ft x 1.5 inch

Description/Inspiration:

Buffalo Dances honor the winter months, we pray for snowfall so that we may have plenty of water for the upcoming spring planting season.

Artist Bio/Statement:

Michael Toya is of Jemez Pueblo descent and at a young age, it was certain that he was to become an artist! Being exposed to traditional artwork , through familial ties, prompted Michael to stay focused in pursuing his dream in becoming an artist.

Michael is a self taught artist creating works in various mediums. Michael infuses his cultural interpreted designs of spiritual symbolism into every single piece. Michael has also dabbled into creating pop-culture art highlighting some of his favorite iconic figures with Indigenous flair. With a pleasant sight, Michael's works also offers motivational strength and purpose giving the viewer energy. -One customer recently said "the spirit of who Michael is and what he expresses, is evident in his art!"

Michael was awarded second place, in best of painting, at the annual Autry Indian Market in Los Angeles, CA and received honorable mention at the SWAIA Indian Market the previous year. Michael's intention is to seek new heights in his path of creating and educating everyone about what his art represents. "Mother Earth and Father Sky are very sacred to my people. I ask them for guidance and I thank them for who I am-an artist story teller. Respect and embrace Mother Earth and Father Sky, so that you may live with strength, peace, and harmony!"

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Title: "One for the Valley"

Artist: Anthony Deiter

Tribal Affiliation: Plains Cree/Saulteaux.

Year Completed: 2022

Medium: Acrylic/mixed media on canvas

Dimensions (HxWxD): 24 x 32 inches

Artist Bio/Statement:

Anthony Deiter - Plains Cree/Saulteaux is a contemporary storyteller, employing CG, computer technologies and paintings to communicate the story of North America's Aboriginal people through references to his own history. He is currently an Assistant Professor of Cinematic Arts, Gaming and Virtual environments at the Institute of American Indian Arts in Santa Fe, New Mexico.

His work has been shown Internationally and in numerous galleries and museums throughout Canada and the US, including the Venice Biennale (Imago Mundi collaborative) Venice Italy, The Grand Palais in Paris, France, the National Museum of the American Indian (New York City), Pou Kapua, New Zealand, Mendel Art Gallery (Saskatoon, Canada), 2 Rivers Gallery (Minneapolis), Museum of the Red River (Idabel, Oklahoma), Institute of American Indian Arts Museum (Santa Fe).

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Title: Indigenous Troopers

Artist: Mike Toya

Tribal Affiliation: Pueblo of Jamez, N.M.

Year Completed: 2022

Medium: Acrylic on Skateboard Deck

Dimensions (HxWxD): 8.5inches x 32 inches x 0.5 inch

Description/Inspiration:

Troopers blessed with Indigenous spirit.

Artist Bio/Statement:

Michael Toya is of Jemez Pueblo descent and at a young age, it was certain that he was to become an artist! Being exposed to traditional artwork , through familial ties, prompted Michael to stay focused in pursuing his dream in becoming an artist.

Michael is a self taught artist creating works in various mediums. Michael infuses his cultural interpreted designs of spiritual symbolism into every single piece. Michael has also dabbled into creating pop-culture art highlighting some of his favorite iconic figures with Indigenous flair. With a pleasant sight, Michael's works also offers motivational strength and purpose giving the viewer energy. -One customer recently said "the spirit of who Michael is and what he expresses, is evident in his art!"

Michael was awarded second place, in best of painting, at the annual Autry Indian Market in Los Angeles, CA and received honorable mention at the SWAIA Indian Market the previous year. Michael's intention is to seek new heights in his path of creating and educating everyone about what his art represents. "Mother Earth and Father Sky are very sacred to my people. I ask them for guidance and I thank them for who I am-an artist story teller. Respect and embrace Mother Earth and Father Sky, so that you may live with strength, peace, and harmony!"

Please note:

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Title: Dokna (Awaken)

Artist: Monica Rickert-Bolter

Tribal Affiliation: Prairie Band Potawatomi Nation

Year Completed: 2022

Medium: Pastels, Acrylic, and Photoshop, Custom print on metal sheeting with frame

Dimensions (HxWxD): 18" x 24" x 3/4"

Description/Inspiration:

As someone who endured domestic violence, I want to encourage others to share their stories of survival and recovery. The reflected figures call each other as the background reveals the impact and inner turmoil of these experiences. The red handprints are seemingly scattered and vary in transparency, yet their marks remain but do not define the figures. Through the cacophony of doubt and self-reflection, there is healing and strength if only they awaken.

Limited edition custom print created specifically for Peace Love Art auction.

Artist Bio/Statement:

Monica Rickert-Bolter is a Chicago-based visual artist and journalist of Potawatomi, Black, and German descent. Her artwork consists of traditional mediums, such as charcoals and pastels, graphic design, and digital coloring to create expressive characters and tell their diverse stories. After receiving her undergrad in Media Arts and Animation, Monica became more involved with Native nonprofits, where she combined her love of art and education to develop programs and resources for children. She worked with Chicago Public Schools to create a new interdisciplinary Latino and Latin American Studies curriculum incorporating Indigenous history and contributions. Passionate about storytelling through art and writing, she advocates for cultural representation in any project she undertakes and serves as a consultant for various institutions and organizations, like The Field Museum and the Terra Foundation for American
Art. Monica writes under the pen name "Whitepigeon," her family name, for online publications related to Native issues, creatives in the entertainment industry, and Indigenous-owned businesses. In 2020, she completed two children's books as an illustrator and layout designer, Journey of the Freckled Indian by Alyssa London and J.W. The Deaf Drummer by Myles Hunt. The following year, Monica co-founded the Center for Native Futures, a nonprofit for Natives in the arts, with a fellow artist group to nurture, elevate, and advocate for Indigenous Futurists. Monica has multiple installations in the "Native Truths" permanent exhibition at the Field Museum and is part of the "Ancestors Know Who We Are" online exhibition at the National Museum of the American Indian.

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Title: Mshike Kowabtan (Turtle Guardian)

Artist: Monica Rickert-Bolter

Tribal Affiliation: Prairie Band Potawatomi Nation

Year Completed: 2022

Medium: Pastels, Acrylic, and Photoshop, Custom print on metal sheeting with frame

Dimensions (HxWxD): 32" x 20" x 3/4"

Description/Inspiration:

This work encompasses multiple Indigenous perspectives while still having distinct and recognizable characteristics that culminate into a relatable and innovative turtle design. The translucent circular designs mimic rotating gears while incorporating sustainable imagery with intangible themes that coincide with sovereignty. The piece combines hand-drawn dry pastels on black paper with digital graphics and vectorized circular patterns that acknowledge Native peoples from around Turtle Island (North America Continent), Native Hawaiians, and Samoans. The title derives from the Potawatomi language, while the vibrant background pays homage to Anishinaabe sun and moon patterns.

Limited edition custom print.

Artist Bio/Statement:

Monica Rickert-Bolter is a Chicago-based visual artist and journalist of Potawatomi, Black, and German descent. Her artwork consists of traditional mediums, such as charcoals and pastels, graphic design, and digital coloring to create expressive characters and tell their diverse stories. After receiving her undergrad in Media Arts and Animation, Monica became more involved with Native nonprofits, where she combined her love of art and education to develop programs and resources for children. She worked with Chicago Public Schools to create a new interdisciplinary Latino and Latin American Studies curriculum incorporating Indigenous history and contributions. Passionate about storytelling through art and writing, she advocates for cultural representation in any project she undertakes and serves as a consultant for various institutions and organizations, like The Field Museum and the Terra Foundation for American Art. Monica writes under the pen name "Whitepigeon," her family name, for online publications related to Native issues, creatives in the entertainment industry, and Indigenous-owned businesses. In 2020, she completed two children's books as an illustrator and layout designer, Journey of the Freckled Indian by Alyssa London and J.W. The Deaf Drummer by Myles Hunt. The following year, Monica co-founded the Center for Native Futures, a nonprofit for Natives in the arts, with a fellow artist group to nurture, elevate, and advocate for Indigenous Futurists. Monica has multiple installations in the "Native Truths" permanent exhibition at the Field Museum and is part of the "Ancestors Know Who We Are" online exhibition at the National Museum of the American Indian.

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Title: Chasing Me In The Dark

Artist: Tani Gordon

Tribal Affiliation: Rosebud Sioux Tribe (Sicangu Lakota)

Year Completed: 2022

Medium: Pen & Acrylic Ink on paper, Unframed

Dimensions (HxWxD): 11x14 original matted to a 16x20 frame

Description/Inspiration:

Chasing Me In The Dark is a pen & ink piece that I made during a lost period in my life. It's like chasing my light in my own darkness, trying to find the light inside myself. That's why she's wearing sunglasses, because the light is incredibly light, which she found.

Artist Bio:

Tani Gordon is a visual freelance artist from the Sicangu Lakota Nation of the Rosebud reservation in South Dakota. She received her BA in Art from the Great Plains Art Institute/Sinte Gleska University. She currently sells her work online and local markets or shows.

Artist Statement:

My work mainly consists of pen and ink illustrations, paintings, photography and jewelry making. My inspirations come from nature, femininity, music, film, Lakota philosophy and other great artists. Art communicates beyond words and borders. It's a way of reflecting back to each other the amazing light and love we have for each other.

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Title: (Moth)er

Artist: Tani Gordon

Tribal Affiliation: Rosebud Sioux Tribe (Sicangu Lakota)

Year Completed: 2022

Medium: Pen & Acrylic Ink on paper, Unframed

Dimensions (HxWxD): 11x14 original matted to a 16x20 frame

Description/Inspiration:

(Moth)er is about how moths are attracted to bright lights, even though they're often seen in the dark and at night. The Woman in the drawing depicted is a motherboard of brightness for healing and warmth.

Artist Bio:

Tani Gordon is a visual freelance artist from the Sicangu Lakota Nation of the Rosebud reservation in South Dakota. She received her BA in Art from the Great Plains Art Institute/Sinte Gleska University. She currently sells her work online and local markets or shows.

Artist Statement:

My work mainly consists of pen and ink illustrations, paintings, photography and jewelry making. My inspirations come from nature, femininity, music, film, Lakota philosophy and other great artists. Art communicates beyond words and borders. It's a way of reflecting back to each other the amazing light and love we have for each other.

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Title: Ashley Callingbull X Hillberg & Berk Shining Rock Sparkle Ball™ Long Pendant Necklace & Stud Earrings (SET)

Year Completed: 2022

Dimensions (HxWxD): Convertible Chain: Adjustable between 8.75", 10.75", 18.75" hanging

Description/Inspiration:

Out of the blue. This necklace features an adjustable gold chain that can be worn 4 different ways. A 14mm Sparkle Ball™ filled with crystals creates a serene ombre blue. Designed in collaboration with Ashley Callingbull.

Sky-inspired. These Sparkle Ball™ Stud Earrings feature sterling silver caps and an array of hand placed crystals that create a serene ombre blue. Designed in collaboration with Ashley Callingbull.

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Title: giizhik-matak

Artist: Sharon Rigby

Tribal Affiliation: Akwesasne First Nation

Year Completed: 2022

Medium: Painting and drawing

Dimensions (HxWxD): 13 X 19 X 12

Description/Inspiration:

This is a cedar lined box. My inspiration for this box is reminiscent of dancers that I saw this summer at the Six Nations and Rama Powwows. It would be a wonderful box to hold precious items. This would be great to hold regalia in the presence of cedar medicine. I really enjoyed painting this box, the smell of the cedar made me feel like my ancestors were with me. I painted this while I thought good things and I've smudged it.

Artist Bio/Statement:

Sharon Rigby (she, her) is an emerging Haudensaunee artist from Akwesasne First Nations who works in different mediums such as murals, beadwork, wood and traditional dress. She is a self taught artist, raised in Mississauga, Ontario. Sharon has a love of all things handmade and local markets.

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Title: Kokom Scrunchies World (SET)

Artist: Mya Beaudry - Kokom Scrunchies

Tribal Affiliation: Kitigan Zibi

Year Completed: 2022

Medium: Scrunchies - Made from Kokom Scarves

*Birch Bark Basket is NOT included*

Artist Bio/Statement:

The creator behind Kokom Scrunchies. Mya Beaudry is a talented 11 year old Algonquin from Kitigan Zibi Anishinabeg First Nation. Since starting Kokom Scrunchies in the fall of 2019, Mya has always ensured that all Kokom Scrunchies are handmade with love in Canada.

Mya named each of the original Kokom Scrunchies after Indigenous role models in her life. She hopes to also inspire others in her journey. What started off as an idea, has taken Mya on path of bringing Kokom Scrunchies to everyone, young and old.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Shoulder Bag of Many Colors and Pieces

Artist: Gladys Rowan

Tribal Affiliation: Nlaka'pamux (Thompson) and Secwepemc (Shuswap)

Year Completed: 2022

Medium: Smoked traditional tan hide that is sourced from our local communities, Various beadwork and embroidery floss stitch designs/patterns.

Dimensions (HxWxD):

13.75" x 14.00" x 2.5"; Strap Length: 24"; Fringe: 6"-8"

Description/Inspiration:

Inspired by both personal familial experiences as a youth and songs that not only describe these experiences but draw out the feelings that were felt during these times. Specifically, growing up in a mixed heritage family, the struggles that we faced as a family and individually, including, poverty, exposure to familial alcohol related issues, witnessing and experiencing mental and emotional abuse at times, witnessing the aftermath of extended family members being physically abused, subject to, racism and discrimination, being an intergenerational survivor of residential school. Along with the positive experiences that morphed from our environment, compassion, a work ethic, a survivor mentality, helping the less fortunate, forgiveness, an appreciation and respect for all that we receive and experience in life, whether good, bad, or, indifferent. Love for the land, the waters, the animals, and, each other. Cultures rich in teaching, values and beliefs, and traditions. The patchwork symbolizes the many pieces, narratives and experiences, the putting together, sewing up, along with, the taking apart, undoing, all together, creating, reflecting the many chapters written and being written in our lives. The flower is the beauty that continues to grow, shine through, provide light in our journey. The use of embroidery floss to highlight, outline, or not, the use of beads to add texture and dimension, colors, melding, intermingling, like a kaleidoscope, used to reflect our ever changing feelings as it relates to our experiences. The bag can become heavy at times or lighter as we journey, based on our lived experiences, we may have the choice or not, to make them lighter, life is just that, altogether, it is how we carry them. The fringe lends itself to freedom of movement, the ability to move beyond where we are in our lives or remain, the choice is ours not always, thou. This special art wearable piece is a tribute to a song by Dolly Parton called "The Coat of Many Colors" and the retro, vintage flair of Janice Joplin.

Artist Bio/Statement:

Gladys Rowan is both Thompson (Nlaka'pamux) from the Boston Bar First Nation (Tuckkwiowhum) - Grandfather's side and Shuswap (Secwepemc) from the Canim Lake Band (Tsq'escen) - Grandmother's side. She was raised in Little Fort, BC and currently resides in 100 Mile House, BC. Gladys has been an artist for 40 plus years. She beads, uses bone, semi- precious stones, buttons, fur sinew, pelts, feathers, floss, fabrics, ribbons, and many other accessories when creating her custom art wearables and ornamentals. All of her beaded and various custom designed leatherworks are made from smoked, traditional tan hides that Gladys sources from the local communities of the Cariboo area or the Northern part of BC. For Gladys, creating her custom art wearables and ornamentals is a passion!

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

As many of you know, I am involved with Dream Catcher Foundation as a member of its Dream Catcher Council, along with other amazing Indigenous leaders including Gene Brave Rock, Ashley Callingbull, Sarain Fox, and others. The Foundation recently launched an online charity auction called #PeaceLoveArt, which showcases 200+ works of art by over 100 First Nations and Native American artists. Since my own art is acting, I thought a great way to participate in the auction is to include this original Disney Peter Pan & Wendy Poster, representing the live action movie coming out next year where I play the role of Tiger Lily! I've signed and personalized it and it's not available anywhere else!

Title: Olive Branch Moccasins, Ladies Size 8

Artist: Natalie Ortiz

Tribal Affiliation: Anishinabe of Wauzhushk Onigum

Year Completed: 2022

Medium: Textile, leather work and beadwork

Dimensions (HxWxD): 3' x 3.5' x 10' - Size 8 Womens

Description/Inspiration:

As a child I lived in Peru with my family. My home was in the district of San Isidro, Lima, Peru. Behind my home was a beautiful park named Parque de Olivares. In English that translates to Olive Tree Park. I used to go there daily with my sister and play and climb the olives trees that covered the whole park. It is one of my first and most memorable memories. I think because of how beautiful it is, and how much fun I had playing there, it's stuck in my head like it was just yesterday to this day. These moccasins have beaded olive tree branches, and the vamp is a deep green to represent the luscious greenery of the park.

Artist Bio/Statement:

Hello everyone, my name is Natalie, and I am a Toronto based artist. I focus my art on making handmade jewelry (Traditional and non- traditional), moccasins, dream catchers and other leather work. My work comes from inspiration I find in my heart, culture and experiences. I am of Indigenous Canadian (Ojibwe) and Peruvian background. A lot of my work will show or have meaning connected to my backgrounds. I learned how to bead, and hand make moccasins through traditional teachings. Those teachings I carry with me and continue to practice through my art. The jewelry and moccasins I make, are all made to be worn by anyone who appreciates them.

Anyone looking to support Indigenous art and respect the tradition's Indigenous people have been practicing for centuries are appreciated. If you love what you see, follow my social media for moccasins and leather work designs at @natymocs.

Thank you,
Natalie

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Beadsoup Reflection

Artist: Salisha Old Bull

Tribal Affiliation: Salish/Crow

Year Completed: 2022

Medium: Czech seed beads, nylon thread, brain-tanned smoked deer hide, crystal beads, sinew,
stabilizer, cotton material

Dimensions (HxWxD): 7" x 4" x 1"

Description/Inspiration:

Beadsoup means different things to different tribes throughout Indian Country. To me it is a reflection of the resourcefulness that beadworkers exhibited within their craftsmanship. This case is a reflection of the past belief to utilize all of the beads and value them because one does not know when they will be able to afford or obtain beads. Floral work is incorporated into this concept to reflect the dominance of floral patterns within Salish and Crow tribal designs. It has a contemporary twist by emanating a functional phone case.

Artist Bio/Statement:

Salisha Old Bull was born in Eastern Montana and raised on the Flathead Indian Reservation in Western Montana. Her mother is Salish and father is Crow so she has a well rounded bundle of Indigenous teachings from the Montana area. She is married to Shandin Pete and has 5 children. She was an aspiring artist as a child but chose to follow a different career path. She kept art in the background of her life and expressed most of her creativity through beadwork. She was taught to bead by her maternal grandmother, Rachel Arlee Bowers when she was a very young child and considers her earliest memories of beading at about her second grade in elementary school. In addition, painting, photography, digital art, and drawing are other favorite mediums. She gains inspiration from traditional ecological knowledge from both Salish and Crow tribes and uses this imagery within her artwork. These aspects of cultural knowledge are the attributes that empower Indigenous people.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Keeping A good Mind

Artist: Samantha Jacobs

Tribal Affiliation: Seneca

Year Completed: 2022

Medium: Glass beads on Wool, Haudenosaunee Raised Beadwork & bead embroidery

Dimensions (HxWxD): 13.5 x 12 x 6"

Description/Inspiration:

I thought about all the issues that are effecting our People and how hard it is to keep a good mind, staying strong and Sgë:nö' (Peace/Wellbeing in Seneca). I thought I could put all that in beadwork and on a hat. #EveryChildMatter, #MyBodyMyChoice, #LandBack, #MMIW are all issues that may be personal, hot button and tragic, but they affect everyone in a different manner and depth. Some are more affected than others, but we all carry pieces of these issues around with us. I wanted those visible but surrounded by the beauty of the floral beadwork, a visual representation of our culture and heritage. A foundation for grounding us as we maneuver forward through the pain and healing of these issues. Often times I add pollinators to my work, this hat being no exception. As a gardener, I see the value and role the pollinators play in growing our food. Having that connection to the land is just as important in keeping our mind and body strong so we can be healthy humans. All these things swirling on the surface, pinging us from the outside, we need to remember to keep a good mind, stay peaceful, centered, well... Sgë:nö', which is why under the brim, just above the eyes, I beaded for the wearer to see, in white (for peace), Sgë:nö'. So whoever wears the hat can keep that peace going forward wherever their path shall lead.

Artist Bio:

Samantha Jacobs is a Seneca artist of the Turtle clan from the Cattaraugus Territory. As a child, she learned beadwork from her mother Mary Jacobs. Samantha is known for her beaded moccasins and also does quillwork, moose & caribou hair tufting. She is a member of the Native Roots Artists Guild. Samantha works on her home territory where she shares her knowledge as a community educator.

Artist Statement:

Samantha Jacobs is a full-time artist working in diverse arts including beadwork, tufting, traditional clothing & jewelry. She works on her pieces because she finds it relaxing and enjoys the process of creating. Whether she is working with beads or making a mess with corn husk or moose hair, her art is free form and each piece is organic in its growth. Samantha makes art as a way to reflect the world around her in a self expressive visually appealing way. No matter what the subject of a piece deals with, whether it's a random flower or a leaf that caught her eye, or a particularly interesting story she heard along her travels; the completed work is always about telling a story. Often times that story is personal, but is one that Samantha wants to keep, remember and share with others through her work.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Bear Woman Poster Print

Artist: Freddy Throne

Tribal Affiliation: Spokane Tribe, Spokane Washington

Year Completed: 2022

Medium: Digital art print on gloss paper, Signed by Artist, Unframed

Dimensions (HxWxD): 24"x36"

Description/Inspiration:

This art was created digitally and inspired by native women combined with the idea of indigenous futurism and water protectors. Bright colors make this art piece a one of a kind limited print. Signed by artist. *Frame not included.

Artist Bio/Statement:

Freddy Throne is a member of the Spokane tribe from Spokane, Washington. From digital design, Murals and art installation Freddy has been breaking out in the art scene of the Pacific Northwest. An Airforce veteran, this artist submerges himself in colors of Florescent and bright hues of acrylic, spray paint and print. Works of art is inspired of graffiti, pop art, abstract and Saturday morning cartoons.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Land Back

Artist: Freddy Throne

Tribal Affiliation: Spokane Tribe, Spokane Washington

Year Completed: 2022

Medium: Digital art print on gloss paper, Signed by Artist, Unframed

Dimensions (HxWxD): 24"x36"

Description/Inspiration:

This art was created digitally and inspired by the movement of Land Back I would imagine what the future holds for our people to reclaim our ancestral land .Bright colors make this art piece a one of a kind limited print. Signed by artist. *Frame not included.

Artist Bio/Statement:

Freddy Throne is a member of the Spokane tribe from Spokane, Washington. From digital design, Murals and art installation Freddy has been breaking out in the art scene of the Pacific Northwest. An Airforce veteran, this artist submerges himself in colors of Florescent and bright hues of acrylic, spray paint and print. Works of art is inspired of graffiti, pop art, abstract and Saturday morning cartoons.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Untitled

Artist: Alicia Marie - Alicia Hitchings

Tribal Affiliation: Passamaquoddy tribe in Indian township Maine

Year Completed: 2022

Medium: Beadwork, Braiding, Quills

Dimensions (HxWxD): 2.5 inches long

Description/Inspiration:

Quills surrounded by 24K gold plated true cuts, black painted true cuts and sweetgrass. Edged in gold plated true cuts. Hooks are gold plated. Backed in deer hide.

Artist Bio/Statement:

My name is Alicia Hitchings and I'm an enrolled member of the Passamaquoddy tribe in Indian township Maine. I self taught beading and using quills in my necklaces and bracelets while in high school. In the 90's there wasn't much I could do with my art, so I stopped in college. After a traumatic event in my life a few years ago, I picked back up my beads and quills as a form of healing. I added in sweetgrass, not only is it amazing medicine, but as a connection to my grandmother since she braided for the basket makers back in the day. I love thinking of her and feeling her next to me every time I make tiny braids and I add them as a finishing touch to all my earrings. I reside in WV with 6 kids with beading as my main "job" and children's photography on the side.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Untitled

Artist: Alicia Marie - Alicia Hitchings

Tribal Affiliation: Passamaquoddy tribe in Indian township Maine

Year Completed: 2022

Medium: Beadwork, Tutfting

Dimensions (HxWxD): 1 inch diameter

Description/Inspiration:

Caribou tufts surrounded by natural aquamarine and sweetgrass. Edged in sterling silver plated true cuts and swarovski crystals. Hooks are sterling silver. Backed in deer hide.

Artist Bio/Statement:

My name is Alicia Hitchings and I'm an enrolled member of the Passamaquoddy tribe in Indian township Maine. I self taught beading and using quills in my necklaces and bracelets while in high school. In the 90's there wasn't much I could do with my art, so I stopped in college. After a traumatic event in my life a few years ago, I picked back up my beads and quills as a form of healing. I added in sweetgrass, not only is it amazing medicine, but as a connection to my grandmother since she braided for the basket makers back in the day. I love thinking of her and feeling her next to me every time I make tiny braids and I add them as a finishing touch to all my earrings. I reside in WV with 6 kids with beading as my main "job" and children's photography on the side.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: America's Great Again

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2017

Medium: Copic, Micron, Sharpies, Framed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 28x22

Description/Inspiration:

This was not a threat, simply a response to his tweets, his remarks against protesting football players, the insults you proudly state in the presence of our Code Talkers, the disrespect you have against women, and the list goes on and on. We are a proud people and as he continued his Imperial actions, we the Rebels were at war with him till the end of his term (and continues). Viewers may relate this to Kathy Griffin, however if its found it to be okay for him to act the way he acted/acts, and does what he does, then I find it to be okay to draw the way I draw. It may be expressed as being "too far" I find it to be just right for some individuals who have been angered/harmed by his actions. But please, hate me, hate my drawing and express it, or love me, and love my drawing and support me, and yourself. I consider this to be one of my best art creations because it's beyond my usual size, it's my first horse I ever drew (which was near our camp at Standing Rock), and it spoke to me.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Spokane Masked Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by my Father David Browneagle Sr of the Spokane Tribe. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, its our only connection to the culture. My masked dancers started off with a self-motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Blackfoot Masked Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by fellow and participating artist Mikayla Martin (Itsooaakii). Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, its our only connection to the culture. My masked dancers started off with a self-motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics, and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Masked Buffalo Maiden Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by Agoyo Povi from the Santa Clara Pueblo. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, it's our only connection to the culture. My masked dancers started off with a self motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:
Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Masked Zuni Olla Maiden Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by Corliss Edaakie-Bobelu. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, it's our only connection to the culture. My masked dancers started off with a self- motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics, and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Masked Hula Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by Hula Dancer from the Polynesian Cultural Center. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, its our only connection to the culture. My masked dancers started off with a self-motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics, and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Masked Tonga Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by Maafu Latu-Vaki, a Tonga Performer from the Polynesian Cultural Center. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, its our only connection to the culture. My masked dancers started off with a self-motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics, and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Masked Shell Shaker Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by Faithlyn Seawright, from the Chickasaw Nation. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, its our only connection to the culture. My masked dancers started off with a self-motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Masked Yupik Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by Golga Oscar, from the Yupik Tribe. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, its our only connection to the culture. My masked dancers started off with a self-motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics, and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Masked Zuni Butterfly Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by Dennis Dewa, from the Zuni Pueblo. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, its our only connection to the culture. My masked dancers started off with a self-motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics, and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Masked Eagle Dancer

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2022

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 12x9

Description/Inspiration:

Inspired by the Southern Pueblo Tribes. Each of my Masked Dancers has a different background, but has the same value, culture. When the pandemic first began, ceremonies, cultural events, were being cancelled worldwide. For some of us, that is out lively hood, for some of us, its our only connection to the culture. My masked dancers started off with a self-motivation to continue grass dancing. Later it grew to 25 Masked Dancers to help motivate other cultures, and other nationalities to adapt to current and future pandemics, and preserving their culture at the same time.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Healing Echoes Print

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2020

Medium: Copic, Micron, Sharpies, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 30.5X22.5

Description/Inspiration:

When I warhoop, I enjoy the echo, and the silence that follows. In a way I feel like the ancestors who once walked this land, enjoy the callings we let out at the top of our lungs. When it silences a crowded place, it's letting the people know, that Indigenous People are still here. With this piece, I hope to inspire indigenous people to let out the LiLi, the Warhoop, and the F?umu from time to time, not caring where they are, who they are with. It isn't just a cry, it's a healing warhoop that let's out emotions, such as anger, love, and celebration.

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: But She Always Braided My Hair Print

Artist: Chad "Little Coyote" Yellowjohn

Tribal Affiliation: Shoshone Bannock/Spokaneancestral

Year Completed: 2021

Medium: Copic, Micron, Unframed

After drafting an idea, and picking my subjects, I outline lightly with a pencil of the creation, and outline with a Micron Pen. After the Micron Pen outline has been dried, I erase the pencil outline. I start coloring the base color, then begin the shadowing with a darker tone, to light tone, the process must be quickly done to get the smooth fade. The finishing process are final details on facial features, the hair strands, and any small details that would give viewers the time to appreciate.

Dimensions (HxWxD): 18x48

Description/Inspiration:

Being an Indigenous being, we see trains of braiding on the regular at ceremonies, and at pow-wows. The young boy in the front plays with a Lego Bionicle Toy representing a warrior he hopes to be one day. Seeing that there's only one boy in this creation, boys and men should be taught and reminded of the care the women give to man and need to be protectors regardless. We have many women, who carry on many traits, lessons, that are carried on from our ancestors. When a sister, niece, auntie, mother, grandmother disappears, their lessons can't be carried on, which is another form of colonization. Stay safe, and more importantly, keep them safe!

Artist Bio/Statement:

Chad "Little Coyote" Yellowjohn comes from Shoshone Bannock/Spokaneancestral line. Chad was raised in Ione, Washington and at a young age was mute. Over the years, his imagination began to extensively blossom on paper, thus gaining a heavy interest in free hand illustration.

After graduating High School, Yellowjohn went straight to the Institute of American Indian Arts in Santa Fe, New Mexico to advance in his talents on becoming a professional illustrator, taking media classes and building relationships with other like minded Indigenous artists.

After having dropped out, he decided after two years to reenroll. Coming back to the school was the greatest choice he made. Yellowjohn earned his Associates in Cinematic Arts, along with a Minor in Studio Arts. Yellowjohn has plans and goals to travel and show the world his art, tell his story, and spread inspiration and awareness of the issues Indigenous people face today. He has the motive for children to feel included in the world, which is why he creates for all Indigenous People, especially for the Indigenous Children.

Currently he is motivated to discover the means to promote optimistic activism or "protecting" through his creative talents and collaborations with organizations, musical artists, and just awesome individual's. Chad "Little Coyote" Yellowjohn has the admiration to spread happiness through art, and hopes to give YOU laughter with his skill, and he thanks you for taking the time reading his biography! and he hopes to give YOU laughter with his gift.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Native Knight

Artist: Josh Tallas

Tribal Affiliation: Diné

Year Completed: 2022

Medium: Acrylic on Canvas

Dimensions (HxWxD): 35inx24inx1.25in

Description/Inspiration:

I played chess in middle school and i wanted to paint a chess piece that i like using a-lot when playing.

Artist Bio/Statement:

As a growing artist I find myself experimenting with a wide range of mixed media. In my work you can find abstract paintings, still life, digital illustration and 3D modeling. I love to experiment with the skills and techniques that I learned during my time in college. My ideas and inspiration come from childhood memories to everyday things I witness from my perspective. I strive to innovate and experiment with the best of my knowledge to create or stumble upon
something incredible that will bring my community together.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Feather of Honor

Artist: Josh Tallas

Tribal Affiliation: Diné

Year Completed: 2022

Medium: Acrylic and molding paste, Unframed

Dimensions (HxWxD): 12inx12inx0.5in

Artist Bio/Statement:

As a growing artist I find myself experimenting with a wide range of mixed media. In my work you can find abstract paintings, still life, digital illustration and 3D modeling. I love to experiment with the skills and techniques that I learned during my time in college. My ideas and inspiration come from childhood memories to everyday things I witness from my perspective. I strive to innovate and experiment with the best of my knowledge to create or stumble upon
something incredible that will bring my community together.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Black & White Floral Beaded earrings

Artist: Teal Fawn Designs - Maria Livingston

Tribal Affiliation: Bigstone Cree First Nation

Year Completed: 2022

Medium: Size 11 - 15 seed beads (black ,pearl white, gold, clear), thread, felt, fingernail post
hooks

Dimensions (HxWxD): 0.5" x 2" x 2"

Description/Inspiration:

This pair of earrings is inspired by Maria / Teal Fawn Designs love for nature and the beauty within it. The color palette is neutral so these earrings can be worn with many outfits.

Artist Bio/Statement:

Maria Livingston is a member of the Bigstone Cree First Nation in Northern AB, Canada. She is a mother of two children with a passion for sharing her culture through visual arts, specifically through beadwork. Maria's work is influenced largely by nature and pop culture.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Black beaded Porcupine Quill Teardrop earrings

Artist: Teal Fawn Designs - Maria Livingston

Tribal Affiliation: Bigstone Cree First Nation

Year Completed: 2022

Medium: Size 10-11 seed beads (black, grey), dyed porcupine quills, sterling silver earring hooks, felt, rhinestone banding, thread

Dimensions (HxWxD): 0.25" x 1.5" x 3"

Description/Inspiration:

Beautiful handmade earrings with a simple all black color palette. Extra detail of porcupine quills that are dyed black. A simple and beautiful go-to pair of earrings.

Artist Bio/Statement:

Maria Livingston is a member of the Bigstone Cree First Nation in Northern AB, Canada. She is a mother of two children with a passion for sharing her culture through visual arts, specifically through beadwork. Maria's work is influenced largely by nature and pop culture.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Beaded Pink Flowers

Artist: Teal Fawn Designs - Maria Livingston

Tribal Affiliation: Bigstone Cree First Nation

Year Completed: 2022

Medium: Seed beads, thread, felt, black velvet, Framed

Dimensions (HxWxD): 8.75" x 8.75" x 1.125"

Description/Inspiration:

A beautiful mini bouquet of flowers. My inspiration was a simple and timeless little bouquet of flowers that could be given as a gift to a loved one.

Artist Bio/Statement:

Maria Livingston is a member of the Bigstone Cree First Nation in Northern AB, Canada. She is a mother of two children with a passion for sharing her culture through visual arts, specifically through beadwork. Maria's work is influenced largely by nature and pop culture.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Delegation Of Ancestors

Artist: Travis Mammedaty

Tribal Affiliation: Kiowa

Year Completed: 2022

Medium: Acrylic on Canvas

Dimensions (HxWxD): 36x24

Description/Inspiration:

The piece pays homage to the ancestors of the past they are coming together to watch over the people when called upon.

Artist Bio/Statement:

Travis Mammedaty is a Kiowa Artist from Oklahoma, His medium of choice is acrylic, however, he works in charcoal as well. Mammedaty draws inspiration from his culture and background. Aside from painting Mammedaty is an accomplished singer and also teaches his tribal language.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Turtle Medallion Set & Turtle and Wolf Painting

Artist: Brooklyn Rudolph- Nicholas

Tribal Affiliation: Pimicikamak Cree Nation

Year Completed: 2022

Medium: Hand painting, acrylic paint, faux leather, resin, various types of beads (crackle quartz,
shell aqua luster round, glass beads, metal beads, dyed quartz blue, dyed crackle agate
blue).

Painting: Acrylic paint on stretched canvas. Hand painted, finished with a protective clear coating.

Dimensions (HxWxD):

Medallion is approximately 5.5 inches x 4.5 inches. Earrings are
approximately 1.5 inches.

16x 12 inches on stretched
canvas.

Description/Inspiration:

Inspired by the teachings of Truth, and Humility.

Artist Bio/Statement:

Brooklyn is an Ininew (Cree) woman and member of the Pimicikamak Cree Nation. She is 24 years old and grew up off reserve in Treaty 1 Territory, in the North End of Winnipeg, MB. She is an advocate for Indigenous rights and cares deeply for Indigenous Communities. She is a professional Indigenous Artist and centre's her art projects on ways to create positive change within the community. She loves to give, and most of her Indigenous artworks are gifted around the community to nonprofit organizations (Shelters, Mental Health Organizations, Women's Centres, etc.).

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Moccasin Earrings

Artist: Renata Meconse

Tribal Affiliation: Pinaymootang First Nation

Year Completed: 2022

Medium: Polymer Clay and acrylic paint, hand made and hand
painted

Dimensions (HxWxD): 1.5-2 inches X .5 inch X .25 inch

Artist Bio/Statement:

Renata Meconse is an Anishinaabe artist living in Treaty Territory No.1 - Winnipeg, Manitoba. She is a proud mother of three children and her community is Pinaymootang First Nation in Treaty No. 2.

Throughout her life, Renata has loved the arts in its many forms including visual, theatre and music. As part of her education in Creative Communications at Red River College.

You can find more of Renata's work on Facebook and Instagram under "Art by Renata Meconse.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Pink Floral

Artist: Renata Meconse

Tribal Affiliation: Pinaymootang First Nation

Year Completed: 2022

Medium: Acrylic on Canvas, Hand Painted

Dimensions (HxWxD): 20 X 10 X 1

Artist Bio/Statement:

Renata Meconse is an Anishinaabe artist living in Treaty Territory No.1 - Winnipeg, Manitoba. She is a proud mother of three children and her community is Pinaymootang First Nation in Treaty No. 2.

Throughout her life, Renata has loved the arts in its many forms including visual, theatre and music. As part of her education in Creative Communications at Red River College.

You can find more of Renata's work on Facebook and Instagram under "Art by Renata Meconse.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Orange Floral

Artist: Renata Meconse

Tribal Affiliation: Pinaymootang First Nation

Year Completed: 2022

Medium: Acrylic on Canvas, Hand Painted

Dimensions (HxWxD): 20 X 10 X 1

Artist Bio/Statement:

Renata Meconse is an Anishinaabe artist living in Treaty Territory No.1 - Winnipeg, Manitoba. She is a proud mother of three children and her community is Pinaymootang First Nation in Treaty No. 2.

Throughout her life, Renata has loved the arts in its many forms including visual, theatre and music. As part of her education in Creative Communications at Red River College.

You can find more of Renata's work on Facebook and Instagram under "Art by Renata Meconse.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Strength, Love, Joy

Artist: Matthew Bahe

Tribal Affiliation: Diné (Navajo) ceramic artist

Year Completed: 2022

Medium: clay, wheel thrown pot, hand carved, and sand blasted

Dimensions (HxWxD): 11"H x 11"W

Description/Inspiration:

I created a Native American wedding vase with carved surface illustrating a water bird in front vase and Shiprock in the back with an arrowhead. These symbols and imagery have spiritual and symbolic meaning to the Diné people. The water bird is a spiritual medicine animal to the Diné people, Shiprock is where I was born and a landmark representing where I am from. The arrowhead representing strength and used as a spiritual medicine instrument. The vase is a positive object to bring the owner joy, love, strength, and prosperity.

Artist Bio/Statement:

My name is Matthew Bahe I am Diné (Navajo) artist, and I resign in Farmington New Mexico. I was born and raised on the Navajo Nation Reservation in New Mexico. I am a potter/craftsman that obtained my Bachelor of Fine Arts from Jacksonville University in Florida and my Associates in Liberal Arts from San Juan College in Farmington. I work at San Juan College as a part time employee where I teach and work on studio maintenance. I have also been given the opportunity to work with and assist alongside nationwide potters in my experience in Sierra Nevada College as a lab technician during the summers. I create one of kind ceramic pots that are decorative and or functional. Each piece is uniquely crafted and design with an inspiration in mind, along with use of a combination of imagery, colors, shapes, and size to personalize each piece.

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Title: Ancestree/Bear Clan

Artist: Jamie R John

Tribal Affiliation: Grand Traverse Band of Ottawa and Chippewa Indians

Year Completed: 2022

Medium: Watercolor on paper, Unframed

Dimensions (HxWxD): 8.5in by 11in

Artist Bio/Statement:

Jamie John is a two-spirit Anishinaabe and Korean-American multi-disciplinary artist and writer living and working on their ancestral homeland of so-called Michigan. They are a dually enrolled tribal citizen of the Grand Traverse Band of Ottawa and Chippewa Indians and the United States of America. With very little connection to their Korean heritage and being raised alongside their adopted Mexican/Nahuatl family, much of early life was full of cultural richness and contrasts. Art has been used as a tool to carve out a space for Jamie and others like them despite the impact of colonialism, intergenerational traumas, and gender violence. The viewing
of Jamie's work begins with the understanding that we do not live in a post-colonial society and the Indian Wars never ended. Everyday acts of settler colonial violence such as displacement, police brutality, and land desecration, provide a window to the injustices of our ancestors. Intertwining personal narrative along with historical memory and cultural loss allows the work to speak to what it means to be Indigenous, what it means to honor our histories, and what our history can tell us about our future. Jamie's cultural and familial background gives a profound sense of kinship and belonging as well as what it means to connect to the land, to ceremony, language, and to others. The responsibilities they have to their community, kin, and culture is a mindset that extends throughout their body of work. Using multiple mediums and the incorporation of traditional craftworks gives a way to visualize the complexities offered by looking at ideas such as reconciliation for Indigenous communities and what living in the colonial present means. With works tackling topics of imperialism, colonial genocide, and historical loss, Jamie attempts to pull the thread of resistance to these atrocities through cultural connection and emphasizing collective survival.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Urban Land Is Sacred Land

Artist: Jamie R John

Tribal Affiliation: Grand Traverse Band of Ottawa and Chippewa Indians

Year Completed: 2022

Medium: Watercolor on paper, Ink, Unframed

Dimensions (HxWxD): 8.5in by 11in

Artist Bio/Statement:

Jamie John is a two-spirit Anishinaabe and Korean-American multi-disciplinary artist and writer living and working on their ancestral homeland of so-called Michigan. They are a dually enrolled tribal citizen of the Grand Traverse Band of Ottawa and Chippewa Indians and the United States of America. With very little connection to their Korean heritage and being raised alongside their adopted Mexican/Nahuatl family, much of early life was full of cultural richness and contrasts. Art has been used as a tool to carve out a space for Jamie and others like them despite the impact of colonialism, intergenerational traumas, and gender violence. The viewing ofJamie's work begins with the understanding that we do not live in a post-colonial society and the Indian Wars never ended. Everyday acts of settler colonial violence such as displacement, police brutality, and land desecration, provide a window to the injustices of our ancestors. Intertwining personal narrative along with historical memory and cultural loss allows the work to speak to what it means to be Indigenous, what it means to honor our histories, and what our history can tell us about our future. Jamie's cultural and familial background gives a profound sense of kinship and belonging as well as what it means to connect to the land, to ceremony, language, and to others. The responsibilities they have to their community, kin, and culture is a mindset that extends throughout their body of work. Using multiple mediums and the incorporation of traditional craftworks gives a way to visualize the complexities offered by looking at ideas such as reconciliation for Indigenous communities and what living in the colonial present means. With works tackling topics of imperialism, colonial genocide, and historical loss, Jamie attempts to pull the thread of resistance to these atrocities through cultural connection and emphasizing collective survival.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Where Bears Roam

Artist: Jamie R John

Tribal Affiliation: Grand Traverse Band of Ottawa and Chippewa Indians

Year Completed: 2021

Medium: Watercolor on paper, Unframed

Dimensions (HxWxD): 8.5in by 11in

Artist Bio/Statement:

Jamie John is a two-spirit Anishinaabe and Korean-American multi-disciplinary artist and writer living and working on their ancestral homeland of so-called Michigan. They are a dually enrolled tribal citizen of the Grand Traverse Band of Ottawa and Chippewa Indians and the United States of America. With very little connection to their Korean heritage and being raised alongside their adopted Mexican/Nahuatl family, much of early life was full of cultural richness and contrasts. Art has been used as a tool to carve out a space for Jamie and others like them despite the impact of colonialism, intergenerational traumas, and gender violence. The viewing ofJamie's work begins with the understanding that we do not live in a post-colonial society and the Indian Wars never ended. Everyday acts of settler colonial violence such as displacement, police brutality, and land desecration, provide a window to the injustices of our ancestors. Intertwining personal narrative along with historical memory and cultural loss allows the work to speak to what it means to be Indigenous, what it means to honor our histories, and what our history can tell us about our future. Jamie's cultural and familial background gives a profound sense of kinship and belonging as well as what it means to connect to the land, to ceremony, language, and to others. The responsibilities they have to their community, kin, and culture is a mindset that extends throughout their body of work. Using multiple mediums and the incorporation of traditional craftworks gives a way to visualize the complexities offered by looking at ideas such as reconciliation for Indigenous communities and what living in the colonial present means. With works tackling topics of imperialism, colonial genocide, and historical loss, Jamie attempts to pull the thread of resistance to these atrocities through cultural connection and emphasizing collective survival.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Apiscâpakwanîs Baby Moccasins (6-12 months) unlined

Artist: Osâwask Creeations - Julia Fiddler

Tribal Affiliation: Nehiyaw-Métis, Citizen of Métis Nation of Alberta (MNA)

Year Completed: October 2022

Medium: Split tanned moose hide, rabbit fur, #10/0 seed beads, artificial sinew, suede laces

Dimensions (HxWxD): 2.5"x 2"x 4.3"

Description/Inspiration:

Apiscâpakwanîs means "little flower" in Cree.

Artist Bio/Statement:

Osâwask Creeations

Taansii! My name is Julia Fiddler. I'm a Cree-Métis artist from Treaty 7, and a citizen of MNA in Canada. My family originates from Treaty 6, Métis region WR2 in Batoche. I'm a passionate beader, dental assistant and cat mom.
I am a self-taught beader , and enjoy creating one-of-a-kind pieces that bring joy and healing to those who wear them. I like to combine traditional materials and teachings with modern materials and designs, to create gorgeous statement pieces to make you feel elevated and traditional. With hours spent on each piece, each bead patiently and purposefully placed, I sew every stitch with careful consideration and weave good intentions into my designs, just for you. I hope you enjoy ? kinanâskomitin

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Title: Lavender Rabbit Fur Shoulder Dusters

Artist: Osâwask Creeations - Julia Fiddler

Tribal Affiliation: Nehiyaw-Métis, Citizen of Métis Nation of Alberta (MNA)

Year Completed: March 2022

Medium: #11/0 & #10/0 seed beads, hand sewn non-detatchable rabbit fur pompoms, gold
plated kidney wires

Dimensions (HxWxD): 5" Long

Artist Bio/Statement:

Osâwask Creeations

Taansii! My name is Julia Fiddler. I'm a Cree-Métis artist from Treaty 7, and a citizen of MNA in Canada. My family originates from Treaty 6, Métis region WR2 in Batoche. I'm a passionate beader, dental assistant and cat mom.
I am a self-taught beader , and enjoy creating one-of-a-kind pieces that bring joy and healing to those who wear them. I like to combine traditional materials and teachings with modern materials and designs, to create gorgeous statement pieces to make you feel elevated and traditional. With hours spent on each piece, each bead patiently and purposefully placed, I sew every stitch with careful consideration and weave good intentions into my designs, just for you. I hope you enjoy ? kinanâskomitin

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Hand Painted Tree & Mountain Earrings

Artist: Kayla Beth Sasakamoose - Beth Rose Designs

Tribal Affiliation: Ahtahkakoop First Nation, Plains Cree, Treaty 6

Year Completed: 2021

Medium: Water colour and acrylic paint on wood centres size 11 delica beads, including 24kt Gold Beads.

Dimensions (HxWxD): 2 inches in Diameter

Description/Inspiration:

Lightweight pink, purple and blue Beaded Earrings with Hand Painted centres. Mountains symbolize courage, strength, peace and both life's hardships and achievements as well as the battle in between. (valleys and peaks) Trees symbolize resilience, roots, a refuge, and growth. Lightweight pink, purple and blue Beaded Earrings with Hand Painted centres. Mountains symbolize courage, strength, peace and both life's hardships and achievements as well as the battle in between. (valleys and peaks) Trees symbolize resilience, roots, a refuge, and growth.

Artist Bio/Statement:

My name is Kayla Beth Sasakamoose. I am a 22 year old Indigenous Artist/Artisan from Ahtahkakoop First Nation, Saskatchewan.

I use beads. water colour and acrylic paints to create a variety of Beaded and Hand Painted lightweight jewelry, paintings, and gift items.

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Title: Beaded Orange Floral Earrings

Artist: Kayla Beth Sasakamoose - Beth Rose Designs

Tribal Affiliation: Ahtahkakoop First Nation, Plains Cree, Treaty 6

Year Completed: 2022

Medium: Size 11 beads, including 24kt Gold Delica, Charlotte cut, and seed beads. Horse Hair, Gems, deer hide and 18kt Gold earring posts.

Dimensions (HxWxD): Beaded Earrings - 2.1 inches across and 2.3 inches length wise. Horse Hair is 21 inches long. (23 in. x 2.1 in.)

Description/Inspiration:

Floral designs and heading techniques are passed down by my great grandmother. The teardrop gems represent the grief and trauma that our grandparents and loved ones endured at the hands of the residential school system. Orange represents those who have survived and the ones who never made it home. The Fire Color's represent the fire ignited by standing together to honour and support the generations affected by the unforgettable acts of genocide.

Artist Bio/Statement:

My name is Kayla Beth Sasakamoose. I am a 22 year old Indigenous Artist/Artisan from Ahtahkakoop First Nation, Saskatchewan.

I use beads. water colour and acrylic paints to create a variety of Beaded and Hand Painted lightweight jewelry, paintings, and gift items.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Unisex Hairpipe and Bone Turtle necklace on Brown Leather Cord

Artist: J&J's Jewelry Boutique - Jennifer Levasseur

Tribal Affiliation: Sandy Bay Ojibway First Nation, Canada

Year Completed:

Medium: Bone Hairpipe, Bone Pendant, Rondelle beads, Leather Cord

Dimensions (HxWxD): 37.5cm x 3cm x 0.4cm

Description/Inspiration:

In many Tribes, the turtle has symbolizm associated to Mother Earth. The turtle also represents Wisdom, Protection, Health, and Safety. Hairpipe has been used for many centuries by Indigenous peoples. Traditionally, they were used in Chokers, Bracelets, Necklaces and Breastplates. I have created this piece to signify the connection between Western and Indigenous Cultures and how we can connect as one.

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Title: Turtles with Glass Beads and White Mother of Pearl Shell Earrings

Artist: J&J's Jewelry Boutique - Jennifer Levasseur

Tribal Affiliation: Sandy Bay Ojibway First Nation, Canada

Year Completed: 2022

Medium: Alloy Turtles, Stone, Glass Beads, Mother of Pearl, Nickel free hooks

Dimensions (HxWxD): 7cm x 1 cm x 0.5cm

Description/Inspiration:

Mother of Pearl has been used for many of its properties and powers. Mother of Pearl can help with clarity and intuition while soothing those dealing with fear. Together, the turtles and shell have a representation of healing, protection and perseverance.

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Title: 1x-2x Below the knee Orange Ribbon Skirt

Artist: J&J's Jewelry Boutique - Jennifer Levasseur

Tribal Affiliation: Sandy Bay Ojibway First Nation, Canada

Year Completed: 2022

Medium: Cotton, Satin Ribbon, Elastic

Dimensions (HxWxD): 24.5" Length x 38" Width x 45"-58" Waist

Description/Inspiration:

Pin-up style inspired Swift Pastel Orange below the knee Skirt. "The hummingbird symbols signify Peace, Love, and Happiness." Together, this skirt is a representation of September 30th which is the day for Truth and Reconciliation in Canada. This skirt was done for Every Child Matters and Orange Shirt Day.

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Title: L-XL Tipi, Bison, Horse Ledger Floor Length Skirt

Artist: J&J's Jewelry Boutique - Jennifer Levasseur

Tribal Affiliation: Sandy Bay Ojibway First Nation, Canada

Year Completed: 2022

Medium: Cotton, Elastic

Dimensions (HxWxD): 40.5" Length x 25.5' Width x 43" - 48" Waist

Description/Inspiration:

This amazing Prairie Bison Hunt print features art from Metis Artist Victoria Scattergood. The artist has been inspired by historical ledger drawings using historical ledger prints from the late 1800s in her art. This fabric shows the connection between the land, horses and bison.

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Title: Woman's Rose Gold Rondelle and Hairpipe Bracelet

Artist: J&J's Jewelry Boutique - Jennifer Levasseur

Tribal Affiliation: Sandy Bay Ojibway First Nation, Canada

Year Completed: 2022

Medium: Ivory Bone Hairpipe, Rose gold Rondelle Beads, Clasp , Leather Cord

Dimensions (HxWxD): 40.5" Length x 25.5' Width x 43" - 48" Waist

Description/Inspiration:

Hairpipe has been used in many Indigenous pieces. Whether it is clothing or Jewelry, Hairpipe is still quite actively seen. More commonly; you'll see Hairpipe in Powwow Regalia. This bracelet is a representation of Western and Indigenous Cultures working together. Each Gold Rondelle bead is studded in faux crystal rhinestones.

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Title: Stolen Heart

Artist: Stella Nall

Tribal Affiliation: Apsáalooke (Crow)

Year Completed: 2022

Medium: Acrylic and beadwork on paper

Dimensions (HxWxD): 8 3/4 x 23 1/2 inches

Description/Inspiration:

This piece is about the feeling of heartbreak.

Artist Bio:

Stella Nall is a multimedia artist and poet from Bozeman, and a First Descendant of the Apsáalooke Tribe. She graduated from the University of Montana in 2020 with a BFA in Printmaking, a BA in Psychology and a minor in Art History and Criticism. She now lives and works in Missoula, where she is represented by Radius Gallery. Her work lives in murals across Montana, as well as in numerous public and private collections, including The Montana Museum of Art and Culture, the Smithsonian National Museum of the American Indian, and The Institute of American Indian Arts Museum of Contemporary Native Arts.

Artist Statement:

As an artist I am driven by three primary forces: to process my experiences, to connect with others, and to advocate for change. I love to use vibrant colors to illustrate whimsical, sweet, imaginary creatures which tell a story. Some of the imagery that I use is drawn from tradition, and some I developed to speak to my own experiences. I utilize imagined creatures to discuss a wide variety of topics including love, grief, joy and identity.

I am Apsáalooke, and as a child my mother first exposed me to art through her beadwork. The stitches, palettes and patterns she used, as well as those of our tribe, still influence my work today. Media is an important aspect of my work. I combine beadwork with other two dimensional forms of art making such as printmaking, painting, and illustration with the intention of challenging existing stereotypes and expectations viewers may hold about what Indigenous art should look like.

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Title: Bisonpillar

Artist: Stella Nall

Tribal Affiliation: Apsáalooke (Crow)

Year Completed: 2020

Medium: Giclée Print from Digital Illustration

Dimensions (HxWxD): 11 x 15 inches

Artist Bio:

Stella Nall is a multimedia artist and poet from Bozeman, and a First Descendant of the Apsáalooke Tribe. She graduated from the University of Montana in 2020 with a BFA in Printmaking, a BA in Psychology and a minor in Art History and Criticism. She now lives and works in Missoula, where she is represented by Radius Gallery. Her work lives in murals across Montana, as well as in numerous public and private collections, including The Montana Museum of Art and Culture, the Smithsonian National Museum of the American Indian, and The Institute of American Indian Arts Museum of Contemporary Native Arts.

Artist Statement:

As an artist I am driven by three primary forces: to process my experiences, to connect with others, and to advocate for change. I love to use vibrant colors to illustrate whimsical, sweet, imaginary creatures which tell a story. Some of the imagery that I use is drawn from tradition, and some I developed to speak to my own experiences. I utilize imagined creatures to discuss a wide variety of topics including love, grief, joy and identity.

I am Apsáalooke, and as a child my mother first exposed me to art through her beadwork. The stitches, palettes and patterns she used, as well as those of our tribe, still influence my work today. Media is an important aspect of my work. I combine beadwork with other two dimensional forms of art making such as printmaking, painting, and illustration with the intention of challenging existing stereotypes and expectations viewers may hold about what Indigenous art should look like.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Sunshine Dreams

Artist: Jenneffer Marie Albert

Tribal Affiliation: Woodlands Cree/Metis

Year Completed: 2022

Medium: Willow, Leather, Crystals & Feathers

Dimensions: 11" x 31"

Description/Inspiration:

This dreamcatcher is one of the last willow hoops of the 2022 season as all my willow hoops are harvested and twisted into shape by me and the season is almost over now so now more harvesting till next year. For this dreamcatcher I used flower agate for peace and harmony, fire crackle agate for protection and its yellow color symbolizes the sun and how it rises each day.

Artist Bio/Statement:

I am a 37 year old mother of a 7 year old son. I am Woodlands Cree/Metis. I am the Daughter of a 60's scoop baby, my uncle never made it home. I started weaving dreamcatchers when i was only 7 years old and then unfortunately lost my path. 4 years ago i felt the pull to start weaving again and i haven't looked back. I am happiest when i am weaving. Helping others to heal, heals me.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Woodland Bee

Artist: Amber L. DuBoise-Shepherd

Tribal Affiliation: Enrolled with the Navajo Nation, Tribally Affiliated with Sac & Fox and Prairie Band Potawatomi

Year Completed: 2022

Medium: Oil Paints on Panel Board

Dimensions (HxWxD): 8" x 8" x 1"

Description/Inspiration:

Created in 2022 this bee was created from a reference photo I took of it in my flower garden. My flower garden is special to me as it was my way of coping with COVID-19 and it provided me a way to grow and nourish living beings from the flowers, bees, hummingbirds, and other small creatures. The flower garden is right outside our bedroom window, and I always take a peek each morning to check on the garden. I love seeing pollinators out in my garden just like this bee. The designs I use are based on traditional woodland designs of the great lake tribes. This painting is a small reminder that we are all connected to each other from plants, insects, animals, and human beings.

Artist Bio/Statement:

Amber L. DuBoise-Shepherd depicts contemporary Native American narratives based on her family heritage of Navajo, Sac & Fox, and Prairie Band Potawatomi. Her Navajo clans are Red House & Near Water People Clan, and her Sac & Fox clan is Wolf. Her mixed media pieces and oil paintings reference an illustrative quality. She has an Associates of Art from Seminole State College and completed her Bachelors of Fine Arts in Spring 2016 at Oklahoma State University. She was accepted into Momentum March 2017, March 2019, and March 2020 in Oklahoma that was sponsored by the Oklahoma Visual Arts Coalition. She won Best of Show in 2016, 1 st Place in 2017, and 1 st , 2 nd , and Judges Choice Award in 2018, and Best of Show in 2019 in her categories for the Cushing, OK Native American Heritage Festival Juried Art Show and Native Fest Juried Art Show. At the end of 2020 she won Grand Prize and Runner up for IMAGEN Art Competition: "Native Traditions is Medicine: Resilience and Native Lifeways during COVID-19". DuBoise-Shepherd was also one of two selected for the first ever Red Earth's Emerging Artist Award in 2018 by the Red Earth board for her body of work. She has exhibited Southern Plains Indian Museum in Anadarko, OK consisted of her most recent body of work in her exhibition Tradition Through Modern Eyes 2018. She had a solo exhibition at the Jacobson Native Art Center from April-May 2019. In 2020 she exhibited at the TAC Gallery in Tulsa, OK for her exhibition Living on the Native Oklahoma Reservation, as well as being accepted into the Oklahoma Visual Arts Coalition Exhibition Concept/Survey at the Ahha Gallery in Tulsa, OK. DuBoise- Shepherd exhibited work at the Ahha Gallery in July 2020 for the Re/Convening exhibition in Tulsa, OK, Azhwakwa: Contemporary Anishinaabe Art exhibition at the Jacobson Native Art Center in Norman, OK in August 2020, and Speak: Speak While You Can exhibition at Living Arts in Tulsa, OK.

She has increasingly been showing at different markets to sell and show her work to the public and was accepted in the Santa Fe Indian Market August of 2018 and 2019, which is the biggest Native American arts market in the world, in Santa Fe, New Mexico. She attended the Artesian Native Art Market in Sulphur, OK, and The Cherokee Art Market in Catoossa, OK for the first time in 2019. She is married and currently lives in her hometown of Shawnee, OK with her husband Josh Shepherd.

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Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Pow Wow Princess

Artist: Beadz by Dre (Andrea Johns)

Tribal Affiliation: Mohawk Nation (Six Nations) (Canada)

Year Completed: 2022

Medium: Beadwork, K9 glass crystals, vintage hand-painted cabochons, leather, fingernail posts

Dimensions (HxWxD): 4" x 1.5"

Description/Inspiration:

Two-tier beaded earrings made with vintage deadstock glass cabochon, K9 crystals, opal rhinestone banding and imitation pearls, backed with leather and fingernail posts.

Artist Bio/Statement:

I started beading in 2019, but I've always admired and loved beadwork. I'm Kanien'kéha:ka (Mohawk) and in Haudenosaunee culture, beads are central to our identity. Our wampum belts are intricately beaded mnemonic devices that hold records of our histories and our treaties and agreements with other nations.

Wampum is made from whelk and quahog shells and is extremely difficult to work with - creating these beads by hand takes an unbelievable amount of skill, time and patience. Much like beadwork. Wampum was and is still considered a luxury. Beadwork is a reflection of the prosperity, ingenuity and resilience of Indigenous art and culture.

I recently completed an 80-piece collection for the Indigenous Fashion Arts Festival marketplace, and my beadwork was purchased by the Textile Museum of Canada for their giftshop. I continue to release new pieces and collections throughout the year.

I use vintage cabochons, high-quality crystals and a variety of stone, wood, bone, feather, quills and other natural materials to create unique and innovative pieces.

Andrea Johns
Beadz by Dre

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Straight Outta Compton

Artist: Beadz by Dre (Andrea Johns)

Tribal Affiliation: Mohawk Nation (Six Nations) (Canada)

Year Completed: 2021

Medium: Beadwork

Dimensions (HxWxD): 4.5" x 3.5" with 29" hairpipe bone necklace.

Description/Inspiration:

Fully beaded Eazy-E medallion made with 11/0 Miyuki delica beads, 2-cut Charlotte seed beads and size 15 seed beads Finished with hairpipe bone and silver-plated beads.

Artist Bio/Statement:

I started beading in 2019, but I've always admired and loved beadwork. I'm Kanien'kéha:ka (Mohawk) and in Haudenosaunee culture, beads are central to our identity. Our wampum belts are intricately beaded mnemonic devices that hold records of our histories and our treaties and agreements with other nations.

Wampum is made from whelk and quahog shells and is extremely difficult to work with - creating these beads by hand takes an unbelievable amount of skill, time and patience. Much like beadwork. Wampum was and is still considered a luxury. Beadwork is a reflection of the prosperity, ingenuity and resilience of Indigenous art and culture.

I recently completed an 80-piece collection for the Indigenous Fashion Arts Festival marketplace, and my beadwork was purchased by the Textile Museum of Canada for their giftshop. I continue to release new pieces and collections throughout the year.

I use vintage cabochons, high-quality crystals and a variety of stone, wood, bone, feather, quills and other natural materials to create unique and innovative pieces.

Andrea Johns
Beadz by Dre

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Rainbow Fringe

Artist: Beadz by Dre (Andrea Johns)

Tribal Affiliation: Mohawk Nation (Six Nations) (Canada)

Year Completed: 2021

Medium: Beadwork and rainbow rhinestone banding

Dimensions (HxWxD): 7.5" x 1.25"

Description/Inspiration:

Made with seed beads, ss6 sparkly rhinestone banding and finished with 925-silver plated kidney hooks.

Artist Bio/Statement:

I started beading in 2019, but I've always admired and loved beadwork. I'm Kanien'kéha:ka (Mohawk) and in Haudenosaunee culture, beads are central to our identity. Our wampum belts are intricately beaded mnemonic devices that hold records of our histories and our treaties and agreements with other nations.

Wampum is made from whelk and quahog shells and is extremely difficult to work with - creating these beads by hand takes an unbelievable amount of skill, time and patience. Much like beadwork. Wampum was and is still considered a luxury. Beadwork is a reflection of the prosperity, ingenuity and resilience of Indigenous art and culture.

I recently completed an 80-piece collection for the Indigenous Fashion Arts Festival marketplace, and my beadwork was purchased by the Textile Museum of Canada for their giftshop. I continue to release new pieces and collections throughout the year.

I use vintage cabochons, high-quality crystals and a variety of stone, wood, bone, feather, quills and other natural materials to create unique and innovative pieces.

Andrea Johns
Beadz by Dre

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Full Moon Fever

Artist: Beadz by Dre (Andrea Johns)

Tribal Affiliation: Mohawk Nation (Six Nations) (Canada)

Year Completed: 2022

Medium: Beadwork and rainbow rhinestone banding

Dimensions (HxWxD): 4.5" x 1.25"

Description/Inspiration:

Made with Miyuki delica beads and silver bugles, finished with 925-silver plated kidney hooks.

Artist Bio/Statement:

I started beading in 2019, but I've always admired and loved beadwork. I'm Kanien'kéha:ka (Mohawk) and in Haudenosaunee culture, beads are central to our identity. Our wampum belts are intricately beaded mnemonic devices that hold records of our histories and our treaties and agreements with other nations.

Wampum is made from whelk and quahog shells and is extremely difficult to work with - creating these beads by hand takes an unbelievable amount of skill, time and patience. Much like beadwork. Wampum was and is still considered a luxury. Beadwork is a reflection of the prosperity, ingenuity and resilience of Indigenous art and culture.

I recently completed an 80-piece collection for the Indigenous Fashion Arts Festival marketplace, and my beadwork was purchased by the Textile Museum of Canada for their giftshop. I continue to release new pieces and collections throughout the year.

I use vintage cabochons, high-quality crystals and a variety of stone, wood, bone, feather, quills and other natural materials to create unique and innovative pieces.

Andrea Johns
Beadz by Dre

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Neon Hummingbird

Artist: Beadz by Dre (Andrea Johns)

Tribal Affiliation: Mohawk Nation (Six Nations) (Canada)

Year Completed: 2022

Medium: Beadwork

Dimensions (HxWxD): 2" with 18" silver-plated chain

Description/Inspiration:

Made with neon seed beads and iridescent mirrored hummingbird centre, finished with
silver-plated chain.

Artist Bio/Statement:

I started beading in 2019, but I've always admired and loved beadwork. I'm Kanien'kéha:ka (Mohawk) and in Haudenosaunee culture, beads are central to our identity. Our wampum belts are intricately beaded mnemonic devices that hold records of our histories and our treaties and agreements with other nations.

Wampum is made from whelk and quahog shells and is extremely difficult to work with - creating these beads by hand takes an unbelievable amount of skill, time and patience. Much like beadwork. Wampum was and is still considered a luxury. Beadwork is a reflection of the prosperity, ingenuity and resilience of Indigenous art and culture.

I recently completed an 80-piece collection for the Indigenous Fashion Arts Festival marketplace, and my beadwork was purchased by the Textile Museum of Canada for their giftshop. I continue to release new pieces and collections throughout the year.

I use vintage cabochons, high-quality crystals and a variety of stone, wood, bone, feather, quills and other natural materials to create unique and innovative pieces.

Andrea Johns
Beadz by Dre

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Thunderbird Cuff Bracelet

Artist: Zhawenim Designs - Ashley Rose Machendagoos

Tribal Affiliation: Ojibway from Whitesand F.N.

Year Completed: 2022

Medium: Beadwork, Loom

Dimensions (HxWxD): 6.25' x 2.5' (Bracelet Lays Flat)

Artist Bio/Statement:

Ashley-Rose Machendagoos - Artist, Designer, Facilitator

I am an Ojibway Artist from Whitesand First Nation. I grew up in Thunderbay, Ontario where i lived on Fort William First Nation for most of my childhood.

I am a self-taught Beadloom Designer. I specialize in both traditional and contemporary styles while continually pursuing new teachings on traditional indigenous techniques.

I resided in Ottawa, Ontario for 17 years and recently relocated to Wahnapitae, ON.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS" (SET)

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 20x30

Artist Statement/ Description:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS"

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 16x20

Shipping:

U.S. Shipping: Buyers Discretion
Canada Shipping: Buyers Discretion

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Artist Statement:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS"

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 20x30 or 16x20

Shipping:

U.S. Shipping: Buyers Discretion
Canada Shipping: Buyers Discretion

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Artist Statement:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS"

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 20x30 or 16x20

Shipping:

U.S. Shipping: Buyers Discretion
Canada Shipping: Buyers Discretion

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Artist Statement:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS"

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 30x20 or 20x16

Shipping:

U.S. Shipping: Buyers Discretion
Canada Shipping: Buyers Discretion

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Artist Statement:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS"

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 20x30 or 16x20

Shipping:

U.S. Shipping: Buyers Discretion
Canada Shipping: Buyers Discretion

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Artist Statement:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS"

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 20x30 or 16x20

Shipping:

U.S. Shipping: Buyers Discretion
Canada Shipping: Buyers Discretion

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Artist Statement:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS"

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 20x30 or 16x20

Shipping:

U.S. Shipping: Buyers Discretion
Canada Shipping: Buyers Discretion

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Artist Statement:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: "THE SILENT DISTRESS"

Artist: Augustine Lopez

Tribal Affiliation: Pascua Yaqui Tribe of Arizona

Year Completed: 2022

Medium: Photography, Unframed

Dimensions (HxWxD): 20x30 or 16x20

Shipping:

U.S. Shipping: Buyers Discretion
Canada Shipping: Buyers Discretion

Artist Bio:

My name is Augustine Lopez I am a member of the Pascua Yaqui Tribe in Tucson, Az. I born and raised here in Tucson a small pueblo called Old Pascua Village and later I moved to New Pascua when I was 12 years old as a Foster child. I grew in the foster care system but all along I wanted to be better for myself and Family and be a role for my people. as an Adult I joined the United States Army as a reservist and during that time I was a Police Dispatcher, Police Dispatch Supervisor and became a Police Officer for the Tohono O'odham Nation and The Pascua Yaqui Nation. In 2004 I decided to leave Police work and I joined the Army as an Active Duty Soldier and was deployed to Iraq in 2004-2005 and 2007-2008 as a Sgt. in Gun Trucks conducting Convoy Security. in 2010 I was Retired Medically, and I decide to go back to school 2016. Now am a Senior at The University of Arizona and in the past two years I have been working on Indigenous issues such The Missing and Murdered Indigenous Epidemic and also with Combat P.T.S.D and Border issues. My goal is to complete my BFA degree in Studio Arts and American Indian Studies. I would love to be an advocate for all Nations and my People as an Artist it is my intention to continue my work on a National level and maybe at a Global level. I feel that I can make a difference in my People and Nation.

Artist Statement:

"The Silent Epidemic"

The Silent Epidemic is Photographic/ Research work based on the growing epidemic that is affecting our Indigenous Nations around The United States, Canada, Mexico and around the World. According to the Urban Indian Health Institute (UIHI.Org) in 2016 there has been a total of 5,712 cases of Missing and Murdered Indigenous Women and girls that have been reported. Due to the Urban Indian Health Institute's limited resources and poor data collection by numerous cities and the cases identified in this report are likely an undercount of MMIWG in Urban areas. My work is based on Awareness and a visual look into this epidemic but also questioning the Government on why these issues are not being reported in the media and why data is so limited. I have also incorporated work on the Boarding School Epidemic that has just been exposed in our Nation of the mistreatments in our Boarding School history Since it is Connected to MMIWR and the generational trauma that has been plaguing our Native Nations for Centuries this is the work I have created.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Vietnam Veteran Medallion

Artist: Candice Hixenbaugh

Tribal Affiliation: Apache, & Papago

Year Completed: 2022

Medium: 11/0seed beads, bone hairpipe, fire polished beads, natural horse hair. Backed with
deer hide, and crow beads. Two needle technique.

Dimensions (HxWxD): 5"

Description/Inspiration:

To honor Vietnam Veterans.

Artist Bio/Statement:

Born in 1978 in California. And lived in a lot of places in the US. Since my father was in the army. I've been drawing since I could hold a pencil up. I'm Apache and papago both of new Mexico. Growing up my great grandmother never allowed us to claim our heritage. Later in life I realized that boarding schools were taking kids until 1996. We knew about our background though through both of my grandmothers. I danced at Powwows since I was 14 and had my coming out ceremony in 2019. I danced until my back injury affected my balance and recently diagnosed with Lupus. I've been doing more artwork and beadwork as my medicine. It helps me feel more productive.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Grandmother's Love

Artist: Candice Hixenbaugh

Tribal Affiliation: Apache, & Papago

Year Completed: 2021

Medium: Acrylic paints on stretched canvas

Dimensions (HxWxD): 12" x 14"

Description/Inspiration:

Piece inspired by both of my grandmothers love, teachings and their prayers. Grandmother is comforting those children lost in the boarding boarding
schools.

Artist Bio/Statement:

Born in 1978 in California. And lived in a lot of places in the US. Since my father was in the army. I've been drawing since I could hold a pencil up. I'm Apache and papago both of new Mexico. Growing up my great grandmother never allowed us to claim our heritage. Later in life I realized that boarding schools were taking kids until 1996. We knew about our background though through both of my grandmothers. I danced at Powwows since I was 14 and had my coming out ceremony in 2019. I danced until my back injury affected my balance and recently diagnosed with Lupus. I've been doing more artwork and beadwork as my medicine. It helps me feel more productive.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Mink Hairties

Artist: Candice Hixenbaugh

Tribal Affiliation: Apache, & Papago

Year Completed: 2022

Medium: Second hand mini pelts, refurbished medallions, deer hide, bone hairpipe, cones, fire polished beads, & natural horse hair. Regalia making.

Dimensions (HxWxD): medallions 3", complete piece with pelts 24"

Description/Inspiration:

Reused pelts to reduce waste. Refurbished the medallions from a unknown artist, because they needed to be shown care. And added the hairpipe to add my touch to the piece and to keep it traditional with a modern twist.

Artist Bio/Statement:

Born in 1978 in California. And lived in a lot of places in the US. Since my father was in the army. I've been drawing since I could hold a pencil up. I'm Apache and papago both of new Mexico. Growing up my great grandmother never allowed us to claim our heritage. Later in life I realized that boarding schools were taking kids until 1996. We knew about our background though through both of my grandmothers. I danced at Powwows since I was 14 and had my coming out ceremony in 2019. I danced until my back injury affected my balance and recently diagnosed with Lupus. I've been doing more artwork and beadwork as my medicine. It helps me feel more productive.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Moose Circle Medicine

Artist: Carmin Bear-Blomberg

Tribal Affiliation: Peter Ballantyne Cree First Nation

Year Completed: 2022

Medium: Flat Stitch, Moose Hyde and Beads

Dimensions (HxWxD): 2.5-3inches Height X 2inches Wide X 0.5 MM Depth

Artist Bio/Statement:

Tansi, Carmin Bear-Blomberg, nisîthikâson, Peter Ballantyne Maskwa Néhiyaw Nation, Pelican Narrows Saskatchewan, ochi nitha.

I am the daughter of Q w ikilag (meaning high standing in the Bighouse, given to her from James Charles King on behalf of Sarah Ester Johnson, Nelson), Therise Leroux, Johnson, Blomberg and Clifford Blomberg. I am the granddaughter of Irene Blomberg, Marie Bear and Arthur Blomberg. I am Woodland Bear Néhiyaw (Cree) and Norwegian Sweden Jewish from my father and French and Scottish from my spirit mother. I am a first generation residential school survivor.

I also walk with teachings gifted from my Kwikwasut'inuxw Haxwa'mis brother, ?i?alqumlilas (meaning Welcoming face, given to him by James Charles King aka Jimmy King) Glen Johnson from Gilford Island.

As a young womxn working on my Masters in Indigenous Specialization, I work with and walk alongside youth, elders, knowledge holders, and individuals in community witnessing their reconnection to culture through art/design and ceremonial practices. Creating designs from dreams, visions, ceremony, blood memory, my grandmothers, and spirit.

Each creation is made with love and healing medicine gifted from dreams, visions, ceremony, blood memory, my grandmothers, and spirit. One bead, brush stroke, and stitch at a time I weave together designs messages from my gifted teachings. Each design comes with a message and story of where the materials came from.

Kahkithaw niwahkômâkanak, (All my relations in Cree),

Carmin Bear-Blomberg Maskwa (Bear) Nêhiyaw (Cree), Peter Ballantyne Cree First Nation with Norwegian Sweden Jewish and French Descent.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Deer Circle Medicine

Artist: Carmin Bear-Blomberg

Tribal Affiliation: Peter Ballantyne Cree First Nation

Year Completed: 2022

Medium: Flat Stitch, Moose Hyde and Beads

Dimensions (HxWxD): 1.5inches Height X 1.25inches Wide X 0.5MM Depth

Artist Bio/Statement:

Tansi, Carmin Bear-Blomberg, nisîthikâson, Peter Ballantyne Maskwa Néhiyaw Nation, Pelican Narrows Saskatchewan, ochi nitha.

I am the daughter of Q w ikilag (meaning high standing in the Bighouse, given to her from James Charles King on behalf of Sarah Ester Johnson, Nelson), Therise Leroux, Johnson, Blomberg and Clifford Blomberg. I am the granddaughter of Irene Blomberg, Marie Bear and Arthur Blomberg. I am Woodland Bear Néhiyaw (Cree) and Norwegian Sweden Jewish from my father and French and Scottish from my spirit mother. I am a first generation residential school survivor.

I also walk with teachings gifted from my Kwikwasut'inuxw Haxwa'mis brother, ?i?alqumlilas (meaning Welcoming face, given to him by James Charles King aka Jimmy King) Glen Johnson from Gilford Island.

As a young womxn working on my Masters in Indigenous Specialization, I work with and walk alongside youth, elders, knowledge holders, and individuals in community witnessing their reconnection to culture through art/design and ceremonial practices. Creating designs from dreams, visions, ceremony, blood memory, my grandmothers, and spirit.

Each creation is made with love and healing medicine gifted from dreams, visions, ceremony, blood memory, my grandmothers, and spirit. One bead, brush stroke, and stitch at a time I weave together designs messages from my gifted teachings. Each design comes with a message and story of where the materials came from.

Kahkithaw niwahkômâkanak, (All my relations in Cree),

Carmin Bear-Blomberg Maskwa (Bear) Nêhiyaw (Cree), Peter Ballantyne Cree First Nation with Norwegian Sweden Jewish and French Descent.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Moose Heart Medicine

Artist: Carmin Bear-Blomberg

Tribal Affiliation: Peter Ballantyne Cree First Nation

Year Completed: 2022

Medium: Flat Stitch, Moose Hyde and Beads

Dimensions (HxWxD): 1.5-2inches Height X 1.25inches Wide X 0.5MM Depth

Artist Bio/Statement:

Tansi, Carmin Bear-Blomberg, nisîthikâson, Peter Ballantyne Maskwa Néhiyaw Nation, Pelican Narrows Saskatchewan, ochi nitha.

I am the daughter of Q w ikilag (meaning high standing in the Bighouse, given to her from James Charles King on behalf of Sarah Ester Johnson, Nelson), Therise Leroux, Johnson, Blomberg and Clifford Blomberg. I am the granddaughter of Irene Blomberg, Marie Bear and Arthur Blomberg. I am Woodland Bear Néhiyaw (Cree) and Norwegian Sweden Jewish from my father and French and Scottish from my spirit mother. I am a first generation residential school survivor.

I also walk with teachings gifted from my Kwikwasut'inuxw Haxwa'mis brother, ?i?alqumlilas (meaning Welcoming face, given to him by James Charles King aka Jimmy King) Glen Johnson from Gilford Island.

As a young womxn working on my Masters in Indigenous Specialization, I work with and walk alongside youth, elders, knowledge holders, and individuals in community witnessing their reconnection to culture through art/design and ceremonial practices. Creating designs from dreams, visions, ceremony, blood memory, my grandmothers, and spirit.

Each creation is made with love and healing medicine gifted from dreams, visions, ceremony, blood memory, my grandmothers, and spirit. One bead, brush stroke, and stitch at a time I weave together designs messages from my gifted teachings. Each design comes with a message and story of where the materials came from.

Kahkithaw niwahkômâkanak, (All my relations in Cree),

Carmin Bear-Blomberg Maskwa (Bear) Nêhiyaw (Cree), Peter Ballantyne Cree First Nation with Norwegian Sweden Jewish and French Descent.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Interconnection

Artist: Carmin Bear-Blomberg

Tribal Affiliation: Peter Ballantyne Cree First Nation

Year Completed: 2021

Medium: Watercolour, Acrylic, and Pencil Sketch, Unframed

Dimensions (HxWxD): 9X11inches

Description/Inspiration:

"This painting is a visual representation of my reconnection to culture. Titled Interconnection, this spirit painting symbolizes the interconnection between all beings? the roots connected to spirit, fire, ancestors, land, community, and my Woodland Cree culture. Finding my way? all elements are important in understanding who I am, where I come from and where I'm going? my journey."

Artist Bio/Statement:

Tansi, Carmin Bear-Blomberg, nisîthikâson, Peter Ballantyne Maskwa Néhiyaw Nation, Pelican Narrows Saskatchewan, ochi nitha.

I am the daughter of Q w ikilag (meaning high standing in the Bighouse, given to her from James Charles King on behalf of Sarah Ester Johnson, Nelson), Therise Leroux, Johnson, Blomberg and Clifford Blomberg. I am the granddaughter of Irene Blomberg, Marie Bear and Arthur Blomberg. I am Woodland Bear Néhiyaw (Cree) and Norwegian Sweden Jewish from my father and French and Scottish from my spirit mother. I am a first generation residential school survivor.

I also walk with teachings gifted from my Kwikwasut'inuxw Haxwa'mis brother, ?i?alqumlilas (meaning Welcoming face, given to him by James Charles King aka Jimmy King) Glen Johnson from Gilford Island.

As a young womxn working on my Masters in Indigenous Specialization, I work with and walk alongside youth, elders, knowledge holders, and individuals in community witnessing their reconnection to culture through art/design and ceremonial practices. Creating designs from dreams, visions, ceremony, blood memory, my grandmothers, and spirit.

Each creation is made with love and healing medicine gifted from dreams, visions, ceremony, blood memory, my grandmothers, and spirit. One bead, brush stroke, and stitch at a time I weave together designs messages from my gifted teachings. Each design comes with a message and story of where the materials came from.

Kahkithaw niwahkômâkanak, (All my relations in Cree),

Carmin Bear-Blomberg Maskwa (Bear) Nêhiyaw (Cree), Peter Ballantyne Cree First Nation with Norwegian Sweden Jewish and French Descent.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Okimaw Piyesew

Artist: Colleen Gray

Tribal Affiliation: Mi'kmaq/Acadian/Irish

Year Completed: 2017

Medium: Watercolour on synthetic paper (unframed)

Dimensions (HxWxD): 9x12"

Description/Inspiration:

Story: The Thunderbird opens his eyes to look upon the Earth. Lighting flashes, seeking the Earth as She seeks him in the sky. Their union brings life to parched and broken soil and the greening of the ground begins again.

My Elder is Cree and a good teacher. He comes from the Thunderchild Reserve in Saskatchewan and taught me a little bit what he's learned growing up around Thunderbirds. When the sound of thunder can be heard, this is the great Thunderbeings moving their wings. When they open their eyes, the lightning escapes from them and lights up the skies, charges the air and ignites growth on our Mother the Earth. We are taught to hold their power in high regard, never to be careless with Thunder medicine (or any medicine). One day I didn't heed that lesson and scolded the Thunderbirds for something I'd just heard on the radio that involved a thunderstorm and the death of a family. Immediately as my final word rolled off my lips there was a great crack about 100 feet away from me and lightning hit the ground on a ½ constructed bridge nearby. I was blinded. Stones exploded everywhere. The hairs on my body stood up and my skin was tingling. I was instantly and sufficiently humbled. After emptying the entire contents of my tobacco pouch on the ground along with an abundance of prayer and a food offering from my lunch kit, I got in my car and drove home.

Artist Bio/Statement:

Colleen Gray is an Indigenous artist of Mi'kmaq, Acadian and Irish descent living in Smiths Falls, Ontario. Colleen grew up along the Petawawa River in Ontario, Canada.
In 2019 she was awarded the Governor General of Canada's Sovereign Medal for Volunteering for her efforts with Art for Aid (www.artforaid.ca), a grassroots initiative that sees remote Indigenous schools receiving donated art supply shipments. Colleen sells her original art to generate a personal income, but creates beautiful art products that she sells to help fuel the demanding shipping and operations budget of her project.

Colleen's art medium of choice is ground mineral watercolour paint on synthetic paper. The remarkable use of earth-based minerals in the paint give dynamic and fluid emotion to her work. The paintings often contain subtle yet visible "spirits" embedded in the nooks and crannies of the painting that give each viewer a unique perspective when looking at her work. Colleen's work is influenced by her understanding of Indigenous culture gained through working with her Cree Elder (Thunderchild Reserve, Saskatchewan) and community over the past 20 years with her focus highlighting the spiritual mystery of the Indigenous belief system. Each painting comes with a story that helps to convey her understanding and acquired knowledge and it is an integral part of the work.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Black Snake Prophecy

Artist: Colleen Gray

Tribal Affiliation: Mi'kmaq/Acadian/Irish

Year Completed: 2016

Medium: Ground mineral watercolour paint on synthetic paper (unframed)

Dimensions (HxWxD): 9x12"

Description/Inspiration:

This piece was inspired by the battle for clean drinking water that took place at Standing Rock, North Dakota in a stand that began on December 1, 2016. The fight for the right to clean water continues to happen all over the world today. Water truly is life. In this work, I didn't need to create the story - it was already being written by Water Protectors south of us who were standing up for the right to enjoy what Mother Earth and the Star Nation has freely provided for us in abundance. I am proud to be alive at a time when the world is waking up to the wisdom of walking in beauty on this benevolent and beautiful planet. The alarm is certainly sounding and I hope more people wake up quickly.

Artist Bio/Statement:

Colleen Gray is an Indigenous artist of Mi'kmaq, Acadian and Irish descent living in Smiths Falls, Ontario. Colleen grew up along the Petawawa River in Ontario, Canada. In 2019 she was awarded the Governor General of Canada's Sovereign Medal for Volunteering for her efforts with Art for Aid (www.artforaid.ca), a grassroots initiative that sees remote Indigenous schools receiving donated art supply shipments. Colleen sells her original art to generate a personal income, but creates beautiful art products that she sells to help fuel the demanding shipping and operations budget of her project.

Colleen's art medium of choice is ground mineral watercolour paint on synthetic paper. The remarkable use of earth-based minerals in the paint give dynamic and fluid emotion to her work. The paintings often contain subtle yet visible "spirits" embedded in the nooks and crannies of the painting that give each viewer a unique perspective when looking at her work. Colleen's work is influenced by her understanding of Indigenous culture gained through working with her Cree Elder (Thunderchild Reserve, Saskatchewan) and community over the past 20 years with her focus highlighting the spiritual mystery of the Indigenous belief system. Each painting comes with a story that helps to convey her understanding and acquired knowledge and it is an integral part of the work.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Blood Red Moon

Artist: Colleen Gray

Tribal Affiliation: Mi'kmaq/Acadian/Irish

Year Completed: 2022

Medium: Ink on synthetic paper, Unframed

Dimensions (HxWxD): 25.5 x 4"

Description/Inspiration:

Story: When our Mother the Earth was newly born, the stars crashed into her body, lifting a piece of her to the sky where it became the moon. When Grandmother Moon shines her light on the mountains, they sing together of a time when they too were newly born.

Artist Bio/Statement:

Colleen Gray is an Indigenous artist of Mi'kmaq, Acadian and Irish descent living in Smiths Falls, Ontario. Colleen grew up along the Petawawa River in Ontario, Canada. In 2019 she was awarded the Governor General of Canada's Sovereign Medal for Volunteering for her efforts with Art for Aid (www.artforaid.ca), a grassroots initiative that sees remote Indigenous schools receiving donated art supply shipments. Colleen sells her original art to generate a personal income, but creates beautiful art products that she sells to help fuel the demanding shipping and operations budget of her project.

Colleen's art medium of choice is ground mineral watercolour paint on synthetic paper. The remarkable use of earth-based minerals in the paint give dynamic and fluid emotion to her work. The paintings often contain subtle yet visible "spirits" embedded in the nooks and crannies of the painting that give each viewer a unique perspective when looking at her work. Colleen's work is influenced by her understanding of Indigenous culture gained through working with her Cree Elder (Thunderchild Reserve, Saskatchewan) and community over the past 20 years with her focus highlighting the spiritual mystery of the Indigenous belief system. Each painting comes with a story that helps to convey her understanding and acquired knowledge and it is an integral part of the work.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Tawa

Artist: Colleen Gray

Tribal Affiliation: Mi'kmaq/Acadian/Irish

Year Completed: 2020

Medium: Watercolour on Arches 140lb Cold Pressed Paper, Framed

Dimensions (HxWxD): 18x14" in frame. Original work is 7x10

Description/Inspiration:

In Cree this means come in, you are welcome here; we have room for you. When the cold days came to the Canadian Shield, home was everything. To welcome people to your home was to honor the very spirit of community and the act of kindness. - This work is framed with conservation non-glare glass and linen matting in a solid wood. Framed in 2021

Artist Bio/Statement:

Colleen Gray is an Indigenous artist of Mi'kmaq, Acadian and Irish descent living in Smiths Falls, Ontario. Colleen grew up along the Petawawa River in Ontario, Canada. In 2019 she was awarded the Governor General of Canada's Sovereign Medal for Volunteering for her efforts with Art for Aid (www.artforaid.ca), a grassroots initiative that sees remote Indigenous schools receiving donated art supply shipments. Colleen sells her original art to generate a personal income, but creates beautiful art products that she sells to help fuel the demanding shipping and operations budget of her project.

Colleen's art medium of choice is ground mineral watercolour paint on synthetic paper. The remarkable use of earth-based minerals in the paint give dynamic and fluid emotion to her work. The paintings often contain subtle yet visible "spirits" embedded in the nooks and crannies of the painting that give each viewer a unique perspective when looking at her work. Colleen's work is influenced by her understanding of Indigenous culture gained through working with her Cree Elder (Thunderchild Reserve, Saskatchewan) and community over the past 20 years with her focus highlighting the spiritual mystery of the Indigenous belief system. Each painting comes with a story that helps to convey her understanding and acquired knowledge and it is an integral part of the work.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: MMIWG2S

Artist: Danielle Swift

Tribal Affiliation: Métis Nation of British Columbia

Year Completed: 2022

Medium: Bead Weaving, Sterling Silver and Glass Beads

Dimensions (HxWxD): 2.3"x 1.5"x 1/16" (approx)

Description/Inspiration:

I make these earrings in honour of the Missing and Murdered Indigenous Women, Girls and 2 Spirited. I do not sell these pieces, they are gifts meant to keep this issue in our collective minds in hopes that strides can be made to keep our women, girls and 2 spirited people safe.

Artist Bio/Statement:

Danielle Swift's work explores the human body and communicates the dichotomy of our natural environment and human constructs, creation and destruction, and the fragility and strength represented in both the delicate and resilient mix of materials (wood, dirt, beeswax, paper, jute, copper, bronze, plaster, concrete, resin, etc), which makes the observer feel the duality of an emotional and cerebral connection. Having established an affinity for concrete as her main medium, Swift's drawn to how the material can be innovatively manipulated in a way that works aesthetically and is uniquely individual.

Swift's sculptures have appeared in numerous local exhibits, most notably, ART Vancouver art fair; East Vancouver's HFA Contemporary gallery, Deconstruction and the Space Between; Granville Island's Becker Galleries; Vancouver's Windsor Gallery, and The ACT Art Gallery in Maple Ridge. Commissioned and collaborative work can be seen at Vancouver Children's Hospital, Science World Vancouver, Vancouver International Airport and Princeton University's Children's Library, NY.

Danielle Swift lives and works in Vancouver, BC; the unceded traditional territories of the xwm??kw?y??m (Musqueam), S?wxw? ú7mesh (Squamish), and s?lilw?ta? (Tsleil-Waututh)
Nations.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: AI Gen Concept 2

Artist: Osage Fashion Designer, Dante Biss-Grayson, Sky-Eagle Collection

Tribal Affiliation: Osage

Medium: AI Digital Design on Canvas, Hand signed by artist

Dimensions (HxWxD): 16 x 24

Description/Inspiration:

What is AI generated art?
This is one way that artificial intelligence can output a selection of images based on words and phrases one feeds it. The program gathers possible outputs from its dataset references that it learned from - typically pulled from the internet - to provide possible images. (LA Times)

Artist Bio/Statement:

I explore new directions in Native American Art and Fashion, and utilize classical methods to develop a new contemporary vision of Native Art & Fashion. I strive to create new artwork that continues to the tradition of Contemporary Native Art, and pushes the boundaries of varying mediums, such as painting, holographic sculpture, poetry, and Fashion Design. I paint, I sculpt, I write, I design, I try to find the best platform to express and convey a thought and emotion. As a veteran with PTSD, I had to find myself again as an artist when I came back from overseas. I spent over 12 years in war zones, and before I deployed, I had studied art at the Gerrit Rietveld Academy in Holland and IAIA, in Santa Fe, N.M. As the apprentice of Earl Biss, my adopted father, I was able to delve even further into classical art. Upon return to the States, I started my studio again with the hopes to express the trauma of war, and find a platform to continually express myself, externalize the trauma, and eventually, hopefully help others. As a Fashion Designer, I have always wanted to explore this platform. For me, clothes can empower a person to feel better about themselves. Fashion Design can be a symbol of empowerment, or it can be utilitarian in use, and it can bring awareness to vital issues in Indian Country. The Sky-Eagle Collection was born out of a need to be a New Warrior in the Modern World. As a Veteran I always wanted to give back to my community, and when my daughter was born I wanted to do even more. Aroud this time I found out about the Missing and Murdered Womens Crisis and I wanted to see what I could do to protect my daughter, and my Native People. I have created platforms that can bring awareness to issues, with the hopes to inspire action. As I progressed, I have looked for the root cause of these issues, and looking at the data for Native Communities, it is apparent that there is so much work to be done. Issues such as the lowest life expectancy, a lack of
access to resources such as education and healthcare, and generational trauma that is creating vulnerable communities, and the outcomes are evident. I want to do my part, and giving back is the key ethos of the Sky-Eagle Collection. For my daily work, my goal was to work for Native Communities. I earned my Masters Degree in Emergency Management and have been able to work with tribes on capability building and community resilience capabilities development.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: AI Gen Concept 1

Artist: Osage Fashion Designer, Dante Biss-Grayson, Sky-Eagle Collection

Tribal Affiliation: Osage

Medium: AI Digital Design on Canvas, Hand signed by artist.

Dimensions (HxWxD): 15 x 19

Description/Inspiration:

What is AI generated art?
This is one way that artificial intelligence can output a selection of images based on words and phrases one feeds it. The program gathers possible outputs from its dataset references that it learned from - typically pulled from the internet - to provide possible images. (LA Times)

Artist Bio/Statement:

I explore new directions in Native American Art and Fashion, and utilize classical methods to develop a new contemporary vision of Native Art & Fashion. I strive to create new artwork that continues to the tradition of Contemporary Native Art, and pushes the boundaries of varying mediums, such as painting, holographic sculpture, poetry, and Fashion Design. I paint, I sculpt, I write, I design, I try to find the best platform to express and convey a thought and emotion. As a veteran with PTSD, I had to find myself again as an artist when I came back from overseas. I spent over 12 years in war zones, and before I deployed, I had studied art at the Gerrit Rietveld Academy in Holland and IAIA, in Santa Fe, N.M. As the apprentice of Earl Biss, my adopted father, I was able to delve even further into classical art. Upon return to the States, I started my studio again with the hopes to express the trauma of war, and find a platform to continually express myself, externalize the trauma, and eventually, hopefully help others. As a Fashion Designer, I have always wanted to explore this platform. For me, clothes can empower a person to feel better about themselves. Fashion Design can be a symbol of empowerment, or it can be utilitarian in use, and it can bring awareness to vital issues in Indian Country. The Sky-Eagle Collection was born out of a need to be a New Warrior in the Modern World. As a Veteran I always wanted to give back to my community, and when my daughter was born I wanted to do even more. Aroud this time I found out about the Missing and Murdered Womens Crisis and I wanted to see what I could do to protect my daughter, and my Native People. I have created platforms that can bring awareness to issues, with the hopes to inspire action. As I progressed, I have looked for the root cause of these issues, and looking at the data for Native Communities, it is apparent that there is so much work to be done. Issues such as the lowest life expectancy, a lack of
access to resources such as education and healthcare, and generational trauma that is creating vulnerable communities, and the outcomes are evident. I want to do my part, and giving back is the key ethos of the Sky-Eagle Collection. For my daily work, my goal was to work for Native Communities. I earned my Masters Degree in Emergency Management and have been able to work with tribes on capability building and community resilience capabilities development.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Ai Gen Angels on the Edge of the World

Artist: Osage Fashion Designer, Dante Biss-Grayson, Sky-Eagle Collection

Tribal Affiliation: Osage

Medium: AI Digital Design on Canvas, Hand signed by artist.

Dimensions (HxWxD): 16 x 24 approx.

Description/Inspiration:

What is AI generated art?
This is one way that artificial intelligence can output a selection of images based on words and phrases one feeds it. The program gathers possible outputs from its dataset references that it learned from - typically pulled from the internet - to provide possible images. (LA Times)

Artist Bio/Statement:

I explore new directions in Native American Art and Fashion, and utilize classical methods to develop a new contemporary vision of Native Art & Fashion. I strive to create new artwork that continues to the tradition of Contemporary Native Art, and pushes the boundaries of varying mediums, such as painting, holographic sculpture, poetry, and Fashion Design. I paint, I sculpt, I write, I design, I try to find the best platform to express and convey a thought and emotion. As a veteran with PTSD, I had to find myself again as an artist when I came back from overseas. I spent over 12 years in war zones, and before I deployed, I had studied art at the Gerrit Rietveld Academy in Holland and IAIA, in Santa Fe, N.M. As the apprentice of Earl Biss, my adopted father, I was able to delve even further into classical art. Upon return to the States, I started my studio again with the hopes to express the trauma of war, and find a platform to continually express myself, externalize the trauma, and eventually, hopefully help others. As a Fashion Designer, I have always wanted to explore this platform. For me, clothes can empower a person to feel better about themselves. Fashion Design can be a symbol of empowerment, or it can be utilitarian in use, and it can bring awareness to vital issues in Indian Country. The Sky-Eagle Collection was born out of a need to be a New Warrior in the Modern World. As a Veteran I always wanted to give back to my community, and when my daughter was born I wanted to do even more. Aroud this time I found out about the Missing and Murdered Womens Crisis and I wanted to see what I could do to protect my daughter, and my Native People. I have created platforms that can bring awareness to issues, with the hopes to inspire action. As I progressed, I have looked for the root cause of these issues, and looking at the data for Native Communities, it is apparent that there is so much work to be done. Issues such as the lowest life expectancy, a lack of
access to resources such as education and healthcare, and generational trauma that is creating vulnerable communities, and the outcomes are evident. I want to do my part, and giving back is the key ethos of the Sky-Eagle Collection. For my daily work, my goal was to work for Native Communities. I earned my Masters Degree in Emergency Management and have been able to work with tribes on capability building and community resilience capabilities development.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Ai Gen Aspen Bark Dress Concept

Artist: Osage Fashion Designer, Dante Biss-Grayson, Sky-Eagle Collection

Tribal Affiliation: Osage

Medium: AI Digital Design on Canvas, Hand Signed by artist.

Dimensions (HxWxD): 16 x 24 approx.

Description/Inspiration:

What is AI generated art?
This is one way that artificial intelligence can output a selection of images based on words and phrases one feeds it. The program gathers possible outputs from its dataset references that it learned from - typically pulled from the internet - to provide possible images. (LA Times)

Artist Bio/Statement:

I explore new directions in Native American Art and Fashion, and utilize classical methods to develop a new contemporary vision of Native Art & Fashion. I strive to create new artwork that continues to the tradition of Contemporary Native Art, and pushes the boundaries of varying mediums, such as painting, holographic sculpture, poetry, and Fashion Design. I paint, I sculpt, I write, I design, I try to find the best platform to express and convey a thought and emotion. As a veteran with PTSD, I had to find myself again as an artist when I came back from overseas. I spent over 12 years in war zones, and before I deployed, I had studied art at the Gerrit Rietveld Academy in Holland and IAIA, in Santa Fe, N.M. As the apprentice of Earl Biss, my adopted father, I was able to delve even further into classical art. Upon return to the States, I started my studio again with the hopes to express the trauma of war, and find a platform to continually express myself, externalize the trauma, and eventually, hopefully help others. As a Fashion Designer, I have always wanted to explore this platform. For me, clothes can empower a person to feel better about themselves. Fashion Design can be a symbol of empowerment, or it can be utilitarian in use, and it can bring awareness to vital issues in Indian Country. The Sky-Eagle Collection was born out of a need to be a New Warrior in the Modern World. As a Veteran I always wanted to give back to my community, and when my daughter was born I wanted to do even more. Aroud this time I found out about the Missing and Murdered Womens Crisis and I wanted to see what I could do to protect my daughter, and my Native People. I have created platforms that can bring awareness to issues, with the hopes to inspire action. As I progressed, I have looked for the root cause of these issues, and looking at the data for Native Communities, it is apparent that there is so much work to be done. Issues such as the lowest life expectancy, a lack of
access to resources such as education and healthcare, and generational trauma that is creating vulnerable communities, and the outcomes are evident. I want to do my part, and giving back is the key ethos of the Sky-Eagle Collection. For my daily work, my goal was to work for Native Communities. I earned my Masters Degree in Emergency Management and have been able to work with tribes on capability building and community resilience capabilities development.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Leather Dreamcatcher with Mirror

Artist: T & T Dreamcatchers - Jona Sparvier & Jarvais Redwood

Tribal Affiliation: Jona Sioux/Assiniboine from Whitebear FN & Jarvais Cree/Saulteaux from Cowessess FN

Year Completed: 2021

Medium: Leather, Glass mirror, metal, sheer ribbon, feathers

Dimensions (HxWxD): 44" x 11" x 2"

Description/Inspiration:

The black rose mirror was made in 2021 with genuine black lace deerskin leather and also has attached to web a hexagonal 5" mirror. It also has a grey /black glass heart on the bottom center hanger with black glass beads and spacers. We used a metal 10" ring with a single web design.

Artist Bio/Statement:

T & T Dreamcatcher had begun selling publicly in Oct 2016. What had started as a hobby had quickly turned into a passion. Jona would make dreamcatchers from kits found in craft stores and would gift them to friends and family. That had then grown, and we started selling more, getting recognition for the unique, modern twist given to each piece and the play of bright colors. The once single venture has become a family run business in which we have been able to not only expand but also establish two other indigenous owned businesses and encourage our next generation to use their own creativity to enter the entrepreneurship path. With the love and encouragement of T & T customers and supports we are able to continue and appreciate the opportunities given where we can contribute to giving back to our community.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: All White 3d Light Up Tipi

Artist: T & T Dreamcatchers - Jona Sparvier & Jarvais Redwood

Tribal Affiliation: Jona Sioux/Assiniboine from Whitebear FN & Jarvais Cree/Saulteaux from Cowessess FN

Year Completed: 2022

Medium: Metal rings, satin double face, sheer and butterfly ribbon, stainless steel links, glass drop suncatcher, hand woven satin flowers with glass and CZ diamond shape flower centers, pony beads and feathers.

Dimensions (HxWxD): 40" x 4" x 4.5"

Description/Inspiration:

A lot of the time friends or family will message me with ideas they want me to try creating. This one was made in the inspiration of marriage and making a home. It is our signature 3d tipi design. It has attached fairy lights for extra effect that make it a beautiful site for any room. There are two 6' metal rings for structure a 5" single web and 3" single web placed with a semi made tipi in the center of the webs with lights and CZ for sparkle effects.

Artist Bio/Statement:

T & T Dreamcatcher had begun selling publicly in Oct 2016. What had started as a hobby had quickly turned into a passion. Jona would make dreamcatchers from kits found in craft stores and would gift them to friends and family. That had then grown, and we started selling more, getting recognition for the unique, modern twist given to each piece and the play of bright colors. The once single venture has become a family run business in which we have been able to not only expand but also establish two other indigenous owned businesses and encourage our next generation to use their own creativity to enter the entrepreneurship path. With the love and encouragement of T & T customers and supports we are able to continue and appreciate the opportunities given where we can contribute to giving back to our community.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Multicolored Triple 3d Dreamcatcher

Artist: T & T Dreamcatchers - Jona Sparvier & Jarvais Redwood

Tribal Affiliation: Jona Sioux/Assiniboine from Whitebear FN & Jarvais Cree/Saulteaux from Cowessess FN

Year Completed: 2021

Medium: Metal rings, satin ribbon, stainless steel ball chain, quartz ball in claw, rustic feather with quartz variety hangers.

Dimensions (HxWxD): 57" x 8" x 8"

Description/Inspiration:

This design was done with three 8" rings attached for 3d effect. The 12 point single web is made by webbing it so the base of web touches each of the 12 points of the ring to create one single web in a unique design. We love creating intricate webs and stepping outside the box or normalcy to create something new and different.

Artist Bio/Statement:

T & T Dreamcatcher had begun selling publicly in Oct 2016. What had started as a hobby had quickly turned into a passion. Jona would make dreamcatchers from kits found in craft stores and would gift them to friends and family. That had then grown, and we started selling more, getting recognition for the unique, modern twist given to each piece and the play of bright colors. The once single venture has become a family run business in which we have been able to not only expand but also establish two other indigenous owned businesses and encourage our next generation to use their own creativity to enter the entrepreneurship path. With the love and encouragement of T & T customers and supports we are able to continue and appreciate the opportunities given where we can contribute to giving back to our community.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Disco Dreamcatchers

Artist: T & T Dreamcatchers - Jona Sparvier & Jarvais Redwood

Tribal Affiliation: Jona Sioux/Assiniboine from Whitebear FN & Jarvais Cree/Saulteaux from Cowessess FN

Year Completed: 2021

Medium: Metal rings, mirrored disco ball, rhinestones, satin and sheer ribbon, flowers, glass beads.

Dimensions (HxWxD): 43" x 11" x 8"

Description/Inspiration:

This creation was especially fun, sometimes we get given objects or find fun items that we love to incorporate in our work. It has two 10" metal rings partially webbed. This one also has an attached disco ball that is able to spin to show the fun and disco effects with the colored attached battery operated fairly lights making any room fun. Definitely a memorable piece.

Artist Bio/Statement:

T & T Dreamcatcher had begun selling publicly in Oct 2016. What had started as a hobby had quickly turned into a passion. Jona would make dreamcatchers from kits found in craft stores and would gift them to friends and family. That had then grown, and we started selling more, getting recognition for the unique, modern twist given to each piece and the play of bright colors. The once single venture has become a family run business in which we have been able to not only expand but also establish two other indigenous owned businesses and encourage our next generation to use their own creativity to enter the entrepreneurship path. With the love and encouragement of T & T customers and supports we are able to continue and appreciate the opportunities given where we can contribute to giving back to our community.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Every Child Matters Hoops

Artist: Âba Tapen - Dorienne Robin Proulx

Tribal Affiliation: Ojibwe-Metis (Region 3 Office)

Year Completed: 2022

Medium: Brick Stitch Beading, Stainless Steel Hoops and Seed Beads

Dimensions (HxWxD): 2X2 Inches

Description/Inspiration:

These hoops are a tribute to nimishoomis (My grandfather) a survivor of the residential school system, and my father, who has fought to give me a good life, despite intergenerational trauma.
Under Regular Sale Circumstances 5% of ECM designs done by Sweetgrass & Sage are donated to The Orange
Shirt Society, However, this specific project's usual donated proceeds will go to The Dreamcatcher Foundation.

Artist Bio/Statement:

Sweetgrass & Sage was born with the initiative to bring community together. Through the
consistently growing approach we have been teaching low-cost beading workshops, focusing
on accessible prices, attending community events, and donating proceeds on select projects since 2020. As the founder of Sweetgrass & Sage, I actively strive to find to new ways to support my community and aspire to fight to build a strong urban indigenous presence within Mohkinstisis.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Makwa

Artist: Âba Tapen - Dorienne Robin Proulx

Tribal Affiliation: Ojibwe-Metis (Region 3 Office)

Year Completed: 2022

Medium: Solid 925 Silver, Assembled by hand

Dimensions (HxWxD): 18 Inch Chain

Description/Inspiration:

This set was inspired by my sister in ceremony, Makwa, which means bear in our language. She is a role model, and a traditional tattoo revitalization artist.

Artist Bio/Statement:

Sweetgrass & Sage was born with the initiative to bring community together. Through the
consistently growing approach we have been teaching low-cost beading workshops, focusing
on accessible prices, attending community events, and donating proceeds on select projects since 2020. As the founder of Sweetgrass & Sage, I actively strive to find to new ways to support my community and aspire to fight to build a strong urban indigenous presence within Mohkinstisis.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Mawinzwaan (A picked berry)

Artist: Âba Tapen - Dorienne Robin Proulx

Tribal Affiliation: Ojibwe-Metis (Region 3 Office)

Year Completed: 2022

Medium: Weave style beading, Assorted Beads

Dimensions (HxWxD): 20 Inches - Typically sits along the nape of the neck and collarbones.

Description/Inspiration:

This collarbone style necklace features colors that remind me of picking berries and the beauty of the harvest season.

Artist Bio/Statement:

Sweetgrass & Sage was born with the initiative to bring community together. Through the consistently growing approach we have been teaching low-cost beading workshops, focusing
on accessible prices, attending community events, and donating proceeds on select projects since 2020. As the founder of Sweetgrass & Sage, I actively strive to find to new ways to support my community and aspire to fight to build a strong urban indigenous presence within Mohkinstisis.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Zaagi'idiwin (Mutual Love)

Artist: Âba Tapen - Dorienne Robin Proulx

Tribal Affiliation: Ojibwe-Metis (Region 3 Office)

Year Completed: 2022

Medium: Peyote Stitch, brick stitch and dangle techniques, Seed Beads - 925 earring hooks.

Dimensions (HxWxD): 20 Inch necklace + 1 inch earrings

Description/Inspiration:

This set contrasts dark & light, it represents growth and how we must learn to love ourselves and others in a balanced way.

Artist Bio/Statement:

Sweetgrass & Sage was born with the initiative to bring community together. Through the consistently growing approach we have been teaching low-cost beading workshops, focusing
on accessible prices, attending community events, and donating proceeds on select projects since 2020. As the founder of Sweetgrass & Sage, I actively strive to find to new ways to support my community and aspire to fight to build a strong urban indigenous presence within Mohkinstisis.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Healing

Artist: Erin Marie Horsefall

Tribal Affiliation: Pasqua First Nation Reservation, Treaty #4

Year Completed: 2022

Medium: Beadwork, quills & leather

Dimensions (HxWxD): 18.5 cm x 4 cm.

Description/Inspiration:

The arrow made from quills is pointing down. To signify, where it's pointing to.

The ground. The Earth. Our mother. The sacred circles that represent the four directions, and signify healing.

With our mother, we will heal. Be strong, and rise together.

Artist Bio/Statement:

My online collection and recent works are all available on Instagram.

All recent, except the custom work I like to keep private- unless I have the customers'
permission to share.

I have been beading for over 31 years.
My grandmother and mother have taught me many techniques.
I am a mother to three, and a grandmother to one.
I lost my oldest daughter to a heroin overdose.
Beading helps me heal.
I am Cree-Saulteaux (Anishinaabe), from Treaty 4, Saskatchewan, Canada.
I am most happy when I am creating things.
I am always thinking of new things to make.
I also recently started to share an afternoon on twitch tv.
I am a gamer and a streamer.
But I am only now moving on to sharing an afternoon of beadwork and coffee with CatCatofDoom,
https://www.twitch.tv/catcatofdoom

And while I'm still a small streamer, I hope to share my craft with many people. Every Thursday afternoon, 1-3 p.m. CST.
It is great and I love sharing and helping others with their craft.

Thank you very much for this opportunity,
Erin Marie Horsefall

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Woodland Berry Hoodie

Artist: Creative Graphics by Eva - Eva Oldman

Tribal Affiliation: Little Traverse Bay Bands of Odawa and Northern Arapaho

Year Completed: 2022

Medium: Graphic Design

Dimensions (HxWxD): Adult Size Men S, M, L, XL, 2X, 3X, 4X or Women S, M, L, XL (Buyer's Preference)

Description/Inspiration:

This Woodland Berry exclusive design represents our connection to Mother Earth and the power of healing. The Anishinaabe Ode'imin (heart berry) is a sacred medicine that carries many teachings and is often shared with others in feasts and ceremonies reminding us to always look in our hearts to find peace and love. This hoodie is made with polyester material.

Artist Bio/Statement:

Contemporary design with a purpose...

My name is Eva Oldman and I am an Indigenous Graphic Designer. I am from Harbor Springs, Michigan. I am a tribal citizen of the Little Traverse Bay Bands of Odawa Indians and also Northern Arapaho. I have a degree in Graphic Design and Web Design. I have been graphic designing for over 15 years.

The contemporary art I create is influenced by the fact that there was a period in time where my people were not allowed to be who they were as Native Americans. Through that dark history of my people I design with a purpose to empower my people and to tell the story of their resilience. My contemporary art tells the world that we are Indigenous, we are strong, we are resilient, and we are still here. I would like to take this time to say Miigwech / Ahou to my ancestors who stuggled so that I can be here today.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Woodland Berry Women's Bomber Jacket

Artist: Creative Graphics by Eva - Eva Oldman

Tribal Affiliation: Little Traverse Bay Bands of Odawa and Northern Arapaho

Year Completed: 2022

Medium: Graphic Design

Dimensions (HxWxD): Adult Size Women S, M, L, XL (Buyer's Preference)

Description/Inspiration:

This Woodland Berry exclusive design represents our connection to Mother Earth and the power of healing. The Anishinaabe Ode'imin (heart berry) is a sacred medicine that carries many teachings and is often shared with others in feasts and ceremonies reminding us to always look in our hearts to find peace and love. This hoodie is made with polyester material.

Artist Bio/Statement:

Contemporary design with a purpose...

My name is Eva Oldman and I am an Indigenous Graphic Designer. I am from Harbor Springs, Michigan. I am a tribal citizen of the Little Traverse Bay Bands of Odawa Indians and also Northern Arapaho. I have a degree in Graphic Design and Web Design. I have been graphic designing for over 15 years.

The contemporary art I create is influenced by the fact that there was a period in time where my people were not allowed to be who they were as Native Americans. Through that dark history of my people I design with a purpose to empower my people and to tell the story of their resilience. My contemporary art tells the world that we are Indigenous, we are strong, we are resilient, and we are still here. I would like to take this time to say Miigwech / Ahou to my ancestors who stuggled so that I can be here today.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Woodland Berry Canvas Art Print

Artist: Creative Graphics by Eva - Eva Oldman

Tribal Affiliation: Little Traverse Bay Bands of Odawa and Northern Arapaho

Year Completed: 2022

Medium: Graphic Design, Canvas

Dimensions (HxWxD): 16" x 16"

Description/Inspiration:

This Woodland Berry exclusive design represents our connection to Mother Earth and the power of healing. The Anishinaabe Ode'imin (heart berry) is a sacred medicine that carries many teachings and is often shared with others in feasts and ceremonies reminding us to always look in our hearts to find peace and love.

Artist Bio/Statement:

Contemporary design with a purpose...

My name is Eva Oldman and I am an Indigenous Graphic Designer. I am from Harbor Springs, Michigan. I am a tribal citizen of the Little Traverse Bay Bands of Odawa Indians and also Northern Arapaho. I have a degree in Graphic Design and Web Design. I have been graphic designing for over 15 years.

The contemporary art I create is influenced by the fact that there was a period in time where my people were not allowed to be who they were as Native Americans. Through that dark history of my people I design with a purpose to empower my people and to tell the story of their resilience. My contemporary art tells the world that we are Indigenous, we are strong, we are resilient, and we are still here. I would like to take this time to say Miigwech / Ahou to my ancestors who stuggled so that I can be here today.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Woodland Berry 15oz. Ceramic Mug

Artist: Creative Graphics by Eva - Eva Oldman

Tribal Affiliation: Little Traverse Bay Bands of Odawa and Northern Arapaho

Year Completed: 2022

Medium: Graphic Design, Ceramic

Dimensions (HxWxD): 15oz. Ceramic

Description/Inspiration:

This Woodland Berry exclusive design represents our connection to Mother Earth and the power of healing. The Anishinaabe Ode'imin (heart berry) is a sacred medicine that carries many teachings and is often shared with others in feasts and ceremonies reminding us to always look in our hearts to find peace and love.

Artist Bio/Statement:

Contemporary design with a purpose...

My name is Eva Oldman and I am an Indigenous Graphic Designer. I am from Harbor Springs, Michigan. I am a tribal citizen of the Little Traverse Bay Bands of Odawa Indians and also Northern Arapaho. I have a degree in Graphic Design and Web Design. I have been graphic designing for over 15 years.

The contemporary art I create is influenced by the fact that there was a period in time where my people were not allowed to be who they were as Native Americans. Through that dark history of my people I design with a purpose to empower my people and to tell the story of their resilience. My contemporary art tells the world that we are Indigenous, we are strong, we are resilient, and we are still here. I would like to take this time to say Miigwech / Ahou to my ancestors who stuggled so that I can be here today.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Crescent Falls

Artist: Gordon Wesley

Tribal Affiliation: Stoney Nakoda
Nation

Year Completed: 2021

Medium: oil on canvas

Dimensions (HxWxD): 12x16 inches

Description/Inspiration:

While painting the Crescent falls landscape,I thought about (water is life)and therefore added the feather as a blessing and offering to the water's plus a gray jay gently gliding silently across the Crescent falls.

Artist Bio/Statement:

Gordon Wesley- is passionate about bringing the life of the wild into a still picture, where he can always have them as memories from his wildlife experiences. He is a proud Nakoda Stoney from the Bighorn Reserve, where he was inspired to create life on canvas. Living in a quiet reserve in the mountains, Gordon can easily maintain the focus and concentrate on the essence of bringing the wildlife of the Rockies to the canvas. As a child, Gordon loved to be outdoors and watching the animals that inhabit his local geography. He was always curious about them and enjoyed their natural beauty. Gordon passion for nature comes from the desire to capture the spirit of the wild in art. Gordon has participated in numerous exhibits, shows and art sales such as the Tamarack Art Show & Sale, the World Indigenous People Conference on Education, Dale Auger & Friends' First Nation Art & Sale Events, Preserving our Treaties, Consent & Silent Auction, Canada Day Celebration, Art Walk, Calgary Exhibit Stampede, Western Art Gallery, The Heritage Gala Celebration Aboriginal Heritage, Ducks Unlimited Canada, Fundraising Event, Western Indian Art Show, "Essence of the Wild" Sun & Moon Visionaries, Aboriginal Day in Jasper, AB, Moon Stone Gallery, and Pickin Party (Cochrane) and many more. Gordon has been featured in Colouring It Forward's 2018, 2019 and 2021 Indigenous Art Calendars. He collaborated on a large interior mural commissioned for the lobby of the City of Calgary Library. One of his recent achievements has been to see his artwork featured by Alberta Parks on the Kananaskis Conservation Pass.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Ethereal Odyssey

Artist: Hattie Lee

Tribal Affiliation: Cherokee Nation

Year Completed: 2019

Medium: painting gouache on paper, Unframed

Dimensions (HxWxD): 5x7 in painting on 9x12 paper

Description/Inspiration:

This piece references line-work from Cherokee pottery, as well as stitching. The composition contains abstracted imagery of footprints and a feeling of movement and mystery. Generations move on, containing stories lived by our ancestors whether we know those stories or not.

Artist Bio/Statement:

As a member of the Cherokee Nation, my process is a personal expression of the Native American Diaspora. Indigenous peoples were inventive with resources as they were removed from native homelands to new environments. Resourcefulness is instilled in my mind
not only from my native ancestry, but also from a rural Kansas upbringing. I myself am a collage of cultures. I react by collaging materials from my ancestors, contemporary community, and personal life experiences. My studio is a flux of mediums and objects in constant conversation: a gouache painting is printed on fabric, which is collaged, then informs a piece of wearable art, or inspires the composition of a new gouache painting. Nothing is off-limits to being repurposed and reimagined.
My research of traditional arts brings imagery abstracted from moccasin beading patterns into my paintings. Some works utilize actual beading and sewing. Graphic design, fine art, and craft are all woven together in my studio, at times literally. Cultivating the joy that arises from cultural differences gives hope for future tribes, countries, and personal communities.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Vibrant Way

Artist: Hattie Lee

Tribal Affiliation: Cherokee Nation

Year Completed: 2021

Medium: painting gouache on paper, Unframed

Dimensions (HxWxD): 5x7

Description/Inspiration:

This painting references sewing, beading, and stitch-work. I am creating hybrid and abstracted compositions based on Cherokee imagery and art forms, while also being influenced by my life in other communities and my mixed heritages. Fiber and material histories have always been important in my family and to me, therefore even in my painting, stitches and fiber-like patterns emerge.

Artist Bio/Statement:

As a member of the Cherokee Nation, my process is a personal expression of the Native American Diaspora. Indigenous peoples were inventive with resources as they were removed from native homelands to new environments. Resourcefulness is instilled in my mind not only from my native ancestry, but also from a rural Kansas upbringing. I myself am a collage of cultures. I react by collaging materials from my ancestors, contemporary community, and personal life experiences. My studio is a flux of mediums and objects in constant conversation: a gouache painting is printed on fabric, which is collaged, then informs a piece of wearable art, or inspires the composition of a new gouache painting. Nothing is off-limits to being repurposed and reimagined.
My research of traditional arts brings imagery abstracted from moccasin beading patterns into my paintings. Some works utilize actual beading and sewing. Graphic design, fine art, and craft are all woven together in my studio, at times literally. Cultivating the joy that arises from cultural differences gives hope for future tribes, countries, and personal communities.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Almost Ready

Artist: Isabella Roman

Tribal Affiliation: Alabama-Coushatta tribe of Texas

Year Completed: 2022

Medium: Paint, Unframed

Dimensions (HxWxD): 12x12

Description/Inspiration:

Being native in the city is hard. Having to be in an institution where the majority of the school is white, it's easy to feel like i don't belong and harder to feel like i am valid. But when i put on the smallest accessory such as my beaded earrings, i feel confident and proud to show off who i am in the smallest way. That is why i named this piece "almost ready" because with out my beaded possessions, i am not ready to conquer the day. Materials - Acrylic paint, mod podge for the finish, and colored pencil for the signature.

Artist Bio/Statement:

My name is Isabella Roman, and i am an Alabama Coushatta/Mexican Native American. I make my work based off what goes on in my day to day life and what inspires me. For me, my Mexican and Native American heritage motivates me to make my work connect to me, along with others, hoping to make people feel the feelings i feel while connecting to a art work that makes them feel accepted and loved.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Spirit Painting

Artist: Two White Feather - Issac Petonoquot

Tribal Affiliation: Saugeen First Nation - Anishinaabe

Year Completed: 2022

Medium: Paint on Canvas

Dimensions (HxWxD): Circle 10' x 8'

Description/Inspiration:

Painting shown in application picture is not yet complete. The painting will take shape with the bidder in mind so it is unique to them. Upon purchase, the Spirit Guides of Two White Feather and the bidder are called in to share their insight around the messaging and symbols to include on the Medicine Wheel coloured background that has been done using a drill technique.

Artist Bio/Statement:

The Creator's Shelf is a partnership effort of Issac Two White Feather from Saugeen First Nation and Settler Ally Lori Gentle Eagle from Niagara Falls. Crafting helps us to open our hearts, calm our minds, move our bodies and connect us to spirit. It began as just another healthy distraction that supported Two White Feather's efforts to manage symptoms of mental health and addictive behaviours resulting from colonial oppression and multi-generational trauma. Much like his Father, Issac has a particular interest in working with his hands and building with wood. Lori fondly remembers times in her childhood spent with her Grandmother, making dolls with dried apples or embroidering table cloths with blessings left behind by those who gathered together during holiday meals each year. From her work as a Counsellor / Advocate and Soul Worker / Circle Facilitator, she knows the healing value of creative expression. On The Creator's Shelf, you will find items infused with spirit from Indigenous and Wise Woman (Goddess) traditions. We respectfully seek a lot of our supplies from the natural world and let Mother Earth be our guide. We then come together to breathe life into the creation and to share the meaning or teachings that accompany it, either on paper or in one of our Crafting With A Conscience Workshops. Custom work will always be considered as we believe, 'one of a kind is the best find'! We love to showcase other artists who use their medium in healing ways. And we believe in giving back to community. We contribute what we can of the craft sales to support the build efforts of A Womb With a View; our peer support, land based healing space that will offer crisis intervention, programming, respite for First Nations youth and/or their caregivers while they are on the Red Road to recovery.

"Making art is like giving a gift; evidence of your spirit and that you are here." -- Patty Mitchell

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Wenabozho's Gift

Artist: Two White Feather - Issac Petonoquot

Tribal Affiliation: Saugeen First Nation - Anishinaabe

Year Completed: 2022

Medium: Birch Bark

Dimensions (HxWxD): 7' x 3' x 3'

Description/Inspiration:

Basket comes complete with the 4 sacred medicines of Sage, Cedar, Sweetgrass and Tobacco (Sema) to bring cleansing,
protection, kindness and gratitude. The bark (Wiigwaasabak) that was used was respectfully stripped from a Birch Tree on Saugeen First Nation and shaped with love. A felt heart berry (Ode'imin) is attached to remind the bidder of the importance of balancing the mind, body, spirit and emotions with Mother Nature's gifts that are gathered throughout life and put in a bundle to carry and access when needed.

Artist Bio/Statement:

The Creator's Shelf is a partnership effort of Issac Two White Feather from Saugeen First Nation and Settler Ally Lori Gentle Eagle from Niagara Falls. Crafting helps us to open our hearts, calm our minds, move our bodies and connect us to spirit. It began as just another healthy distraction that supported Two White Feather's efforts to manage symptoms of mental health and addictive behaviours resulting from colonial oppression and multi-generational trauma. Much like his Father, Issac has a particular interest in working with his hands and building with wood. Lori fondly remembers times in her childhood spent with her Grandmother, making dolls with dried apples or embroidering table cloths with blessings left behind by those who gathered together during holiday meals each year. From her work as a Counsellor / Advocate and Soul Worker / Circle Facilitator, she knows the healing value of creative expression. On The Creator's Shelf, you will find items infused with spirit from Indigenous and Wise Woman (Goddess) traditions. We respectfully seek a lot of our supplies from the natural world and let Mother Earth be our guide. We then come together to breathe life into the creation and to share the meaning or teachings that accompany it, either on paper or in one of our Crafting With A Conscience Workshops. Custom work will always be considered as we believe, 'one of a kind is the best find'! We love to showcase other artists who use their medium in healing ways. And we believe in giving back to community. We contribute what we can of the craft sales to support the build efforts of A Womb With a View; our peer support, land based healing space that will offer crisis intervention, programming, respite for First Nations youth and/or their caregivers while they are on the Red Road to recovery.

"Making art is like giving a gift; evidence of your spirit and that you are here." -- Patty Mitchell

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Celebrating Bwaasiniimidin

Artist: Two White Feather - Issac Petonoquot

Tribal Affiliation: Saugeen First Nation - Anishinaabe

Year Completed: 2021

Medium: Cedar Branches and Yarn

Dimensions (HxWxD): 12' x 9.5' x 2.5'

Description/Inspiration:

One of many Dancers from the Stick Family Line. It is said that Grass Dancers would go out early in the morning and dance on the grass, creating a flattened area for the community Pow Wow to be held later in the day. The yarn worn by Grass Dancers is said to represent grass swaying in the wind.

Artist Bio/Statement:

The Creator's Shelf is a partnership effort of Issac Two White Feather from Saugeen First Nation and Settler Ally Lori Gentle Eagle from Niagara Falls. Crafting helps us to open our hearts, calm our minds, move our bodies and connect us to spirit. It began as just another healthy distraction that supported Two White Feather's efforts to manage symptoms of mental health and addictive behaviours resulting from colonial oppression and multi-generational trauma. Much like his Father, Issac has a particular interest in working with his hands and building with wood. Lori fondly remembers times in her childhood spent with her Grandmother, making dolls with dried apples or embroidering table cloths with blessings left behind by those who gathered together during holiday meals each year. From her work as a Counsellor / Advocate and Soul Worker / Circle Facilitator, she knows the healing value of creative expression. On The Creator's Shelf, you will find items infused with spirit from Indigenous and Wise Woman (Goddess) traditions. We respectfully seek a lot of our supplies from the natural world and let Mother Earth be our guide. We then come together to breathe life into the creation and to share the meaning or teachings that accompany it, either on paper or in one of our Crafting With A Conscience Workshops. Custom work will always be considered as we believe, 'one of a kind is the best find'! We love to showcase other artists who use their medium in healing ways. And we believe in giving back to community. We contribute what we can of the craft sales to support the build efforts of A Womb With a View; our peer support, land based healing space that will offer crisis intervention, programming, respite for First Nations youth and/or their caregivers while they are on the Red Road to recovery.

"Making art is like giving a gift; evidence of your spirit and that you are here." -- Patty Mitchell

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Bush Wolf Bag

Artist: Two White Feather - Issac Petonoquot

Tribal Affiliation: Saugeen First Nation - Anishinaabe

Year Completed: 2022

Medium: Leather and Animal Pelt

Dimensions (HxWxD): 12' x 10' x1'

Shipping:

U.S. Shipping: $26 USD

Canada Shipping: $20 USD

Description/Inspiration:

Wear a symbol of loyalty, family and friendship as you carry what is important to you.

Artist Bio/Statement:

The Creator's Shelf is a partnership effort of Issac Two White Feather from Saugeen First Nation and Settler Ally Lori Gentle Eagle from Niagara Falls. Crafting helps us to open our hearts, calm our minds, move our bodies and connect us to spirit. It began as just another healthy distraction that supported Two White Feather's efforts to manage symptoms of mental health and addictive behaviours resulting from colonial oppression and multi-generational trauma. Much like his Father, Issac has a particular interest in working with his hands and building with wood. Lori fondly remembers times in her childhood spent with her Grandmother, making dolls with dried apples or embroidering table cloths with blessings left behind by those who gathered together during holiday meals each year. From her work as a Counsellor / Advocate and Soul Worker / Circle Facilitator, she knows the healing value of creative expression. On The Creator's Shelf, you will find items infused with spirit from Indigenous and Wise Woman (Goddess) traditions. We respectfully seek a lot of our supplies from the natural world and let Mother Earth be our guide. We then come together to breathe life into the creation and to share the meaning or teachings that accompany it, either on paper or in one of our Crafting With A Conscience Workshops. Custom work will always be considered as we believe, 'one of a kind is the best find'! We love to showcase other artists who use their medium in healing ways. And we believein giving back to community. We contribute what we can of the craft sales to support the build efforts of A Womb With a View; our peer support, land based healing space that will offer crisis intervention, programming, respite for First Nations youth and/or their caregivers while they are on the Red Road to recovery.

"Making art is like giving a gift; evidence of your spirit and that you are here." -- Patty Mitchell

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Kaleidoscope

Artist: Jamie Ford

Tribal Affiliation: Lac du Flambeau Band of Lake Superior Chippewa Indians.

Year Completed: 2022

Medium: Ribbon skirt with quadruple ribbon drops. Premium cotton & double faced satin ribbon.

Dimensions (HxWxD): Teens/Adult Size L-2X Waist. 36 Inch Length.

Description/Inspiration:

When I first saw the material for this skirt I instantly thought of a kaleidoscope. The beauty of the inside of the kaleidoscope is always there waiting for movement and light. And when that happens all the beauty of the ever changing color schemes come to life as they do their own dance. One day, when this skirt makes it's way to it's owner, it will dance it's first dance. And it will be beautiful.

Artist Bio/Statement:

Boozhoo. Hi. My name is Jamie Ford. I am Ojibwe and my doodem is makwa. I am bear clan. I am an enrolled member of my tribe and reside on the reservation where I am from which is Waaswaaganing, Lac du Flambeau Wisconsin. My people are rich in traditional ways of hunting, gathering, and taking care of one another. The art that I am submitting is wearable in the form of a ribbon skirt. We wear our ribbon skirts for various reasons. But we all have one reason in common and that is the pride that we feel when we wear them. We are still here, beautiful and strong as ever.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Memories of My Past

Artist: Jearica Fountain

Tribal Affiliation: Member of the Karuk tribe as well as Nisenan , Miwok , and Pit River

Year Completed: 2022

Medium: Digital art / Painting (print) Signed by Artist, Unframed

Dimensions (HxWxD): 24 x 20

Description/Inspiration:

I incorporated blue for its association with feelings of sadness, feeling alone, and forlorn. When seeing it, it helps invoke those feelings of uncertainty that many children felt at residential schools. I used a light blue in association with young ages of those victims of this. I used orange for its representation of the impacts of residential schools still felt today. It is an interpretive piece meant to invoke feelings.

Artist Bio/Statement:

I am an Indigenous land protector, and activist for climate action and human rights, utilizing my art to fight the impacts of colonialism. My deep connection to the lands of Turtle Island, ancestors, and Indigenous way of life guides me in everything I do, including my art. My art focuses on 'Indigenizing' and decolonizing, with the goal to break down colonialism. Art in this way brings everyday people into a moment of experience, understanding that experience is a virtue. Looking at my work puts you inside a moment to experience the happiness, the sadness, the history, the heartbreak, the trauma, and the everyday lived occurrences shared in our Indigenous experience. All of my pieces are inspired by the Indigenous way of life even with abstract pieces because pull from my perspective as an Indigenous woman to create these pieces.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Tátach (Mama / Mommy in Karok)

Artist: Jearica Fountain

Tribal Affiliation: Member of the Karuk tribe as well as Nisenan , Miwok , and Pit River

Year Completed: 2022

Medium: Digital art / Painting (print) Signed by Artist, Unframed

Dimensions (HxWxD): 16 x 24

Description/Inspiration:

I used the visual language of lines, form, and colors to create a composition which may exist with a degree of interpretation. Its origins relays the message of the strength of a woman, mom, auntie, and grandma in Indigenous communities across Turtle Island. Each Native woman's journey is a revealing story of strength, courage, and wisdom. For generations, our grandmothers, mothers, sisters, and daughters have played a major role in maintaining our culture, protecting our families, fighting for our people, all while caring for their families and community. The lines form a strong Indigenous woman carrying out her duties of life while carrying her baby on her back. All that Indigenous women endure and do day to day, they still find the strength to take care of others.

Artist Bio/Statement:

I am an Indigenous land protector, and activist for climate action and human rights, utilizing my art to fight the impacts of colonialism. My deep connection to the lands of Turtle Island, ancestors, and Indigenous way of life guides me in everything I do, including my art. My art focuses on 'Indigenizing' and decolonizing, with the goal to break down colonialism. Art in this way brings everyday people into a moment of experience, understanding that experience is a virtue. Looking at my work puts you inside a moment to experience the happiness, the sadness, the history, the heartbreak, the trauma, and the everyday lived occurrences shared in our Indigenous experience. All of my pieces are inspired by the Indigenous way of life even with abstract pieces because pull from my perspective as an Indigenous woman to create these pieces.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: How I Feel

Artist: Jearica Fountain

Tribal Affiliation: Member of the Karuk tribe as well as Nisenan , Miwok , and Pit River

Year Completed: 2022

Medium: Digital art / Painting (print) Signed by Artist, Unframed

Dimensions (HxWxD): 24 x 16

Description/Inspiration:

I used the visual language of lines, form, and colors to create a composition which may exist with a degree of interpretation. I created this as a reflection of how I see feeling emotions and feelings. It is meant to be an abstract piece for each person's emotions to interpret.

Artist Bio/Statement:

I am an Indigenous land protector, and activist for climate action and human rights, utilizing my art to fight the impacts of colonialism. My deep connection to the lands of Turtle Island, ancestors, and Indigenous way of life guides me in everything I do, including my art. My art focuses on 'Indigenizing' and decolonizing, with the goal to break down colonialism. Art in this way brings everyday people into a moment of experience, understanding that experience is a virtue. Looking at my work puts you inside a moment to experience the happiness, the sadness, the history, the heartbreak, the trauma, and the everyday lived occurrences shared in our Indigenous experience. All of my pieces are inspired by the Indigenous way of life even with abstract pieces because pull from my perspective as an Indigenous woman to create these pieces.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: My Voice

Artist: Jearica Fountain

Tribal Affiliation: Member of the Karuk tribe as well as Nisenan , Miwok , and Pit River

Year Completed: 2022

Medium: Digital art / Painting (print) Signed by Artist, Unframed

Dimensions (HxWxD): 24 x 20

Description/Inspiration:

Being Indigenous we are born into being activists for the land, the environment, and our peoples. We inherit that duty of speaking up for human and land rights. This piece is titled, My voice, because its an abstract personal interpretation of how it feels to share my voice on these subjects, as an Indigenous person and Indigenous woman.

Artist Bio/Statement:

I am an Indigenous land protector, and activist for climate action and human rights, utilizing my art to fight the impacts of colonialism. My deep connection to the lands of Turtle Island, ancestors, and Indigenous way of life guides me in everything I do, including my art. My art focuses on 'Indigenizing' and decolonizing, with the goal to break down colonialism. Art in this way brings everyday people into a moment of experience, understanding that experience is a virtue. Looking at my work puts you inside a moment to experience the happiness, the sadness, the history, the heartbreak, the trauma, and the everyday lived occurrences shared in our Indigenous experience. All of my pieces are inspired by the Indigenous way of life even with abstract pieces because pull from my perspective as an Indigenous woman to create these pieces.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Untitled

Artist: Jearica Fountain

Tribal Affiliation: Member of the Karuk tribe as well as Nisenan , Miwok , and Pit River

Year Completed: 2022

Medium: Digital art / Painting (print) Signed by Artist, Unframed

Dimensions (HxWxD): 24 x 18

Description/Inspiration:

I used the visual language of lines, form, and colors to create a composition which may exist with a degree of interpretation. I created this as a reflection of my journey of life.

Artist Bio/Statement:

I am an Indigenous land protector, and activist for climate action and human rights, utilizing my art to fight the impacts of colonialism. My deep connection to the lands of Turtle Island, ancestors, and Indigenous way of life guides me in everything I do, including my art. My art focuses on 'Indigenizing' and decolonizing, with the goal to break down colonialism. Art in this way brings everyday people into a moment of experience, understanding that experience is a virtue. Looking at my work puts you inside a moment to experience the happiness, the sadness, the history, the heartbreak, the trauma, and the everyday lived occurrences shared in our Indigenous experience. All of my pieces are inspired by the Indigenous way of life even with abstract pieces because pull from my perspective as an Indigenous woman to create these pieces.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Boujee Native

Artist: Kathryn Wabnum

Tribal Affiliation: Cherokee

Year Completed: 2022

Medium: Hat

Dimensions (HxWxD): 5"x8"x9"

Description/Inspiration:

The brand for this hat is Nu Trendz and the design inspiration was drawn from the hat itself. This was made with size 11 Japanese seed beads and size 13 permanent gold seed beads. The intricate designs and addition of the gold beads make this hat stylish and "extra". This made me think of the catchy song "Boujee Natives" by the Snotty Nose Rez Kids. This is a one size 100% cotton hat with adjustable snaps in the back.

Artist Bio/Statement:

I am a mother of two and i live in Tahlequah, Oklahoma. I moved to Oklahoma from Kansas to be closer to my heritage and teach my children our culture. In reconnecting with my traditions, i have taken up beading as a hobby. I have really enjoyed creating beautiful pieces that have been gifted to family and friends or purchased and enjoyed by my supporters. I put my love and good intentions into every piece i create and hope to share the happiness with those who receive my artwork.

Please note:

Shipping within the U.S. & Canada is included in the purchase price. Sales tax and an additional 4% + $2.00 per item will be applied to the entire transaction to cover taxes, credit card processing, and other fees.

Title: Blue Diamond

Artist: Kathryn Wabnum