Photograph by Stephen Ferry

Image Title: Arhuaco new year celebration, 2004 Mamankana, Sierra Nevada de Santa Marta, Colombia

Paper Dimensions (H x W): 11.4" x 17.7"

Image Dimensions (H x W): 10.25" x 15.35"

Year Created: 2004

This is an artist proof from an edition of 6 + A/P. Three of the editions have been sold.

Image Description: Inidgenous Arhuaco people celebrate the new year in the village of Mamankana, at 4400 meters above sea level in the Sierra Nevada de Santa Marta. The Arhuaco people have defended their culture and territory since the arrival of the Spanish conquistadores in the 16th century. This image was taken as part of a National Geographic assignment published in 2004 as Keepers of the World, about the efforts of the native peoples of the Sierra Nevada de Santa Marta to protect their environment and culture.

Photographer's Bio: Since the late 1980s, Stephen Ferry has traveled to dozens of countries, covering social and political change, human rights, and the environment, on assignment for publications such as National Geographic, GEO, TIME and the New York Times. Stephen's first book, I Am Rich Potosí: The Mountain that Eats Men, documents the lives of the Quechua miners of Potosí, Bolivia. His second book Violentology: A Manual of the Colombian Conflict, focuses on Colombian history, armed conflict and human rights. Stephen led a group of photographers, journalists and historians who investigated the buried history of the War of Villarrica (1954-1957) in collaboration with Colombia's Truth Commission-the resulting book La Época: Reportages de una historia vetada was published in 2022. Stephen has won honors from the World Press Photo, Picture of the Year, and Best of Photojournalism; he has received grants from the Fund for Investigative Journalism, Open Society Foundations, the Magnum Foundation and many others. He is on the faculty of the International Center of Photography.

Photograph by Matt Eich

Image Title: Mother's Day at the Rivanna River, Charlottesville, Virginia. 2018.

Paper Dimensions (H x W): 11x17

Image Dimensions (H x W): 10x13.3

Medium: Archival Pigment Print, Medium Format Digital Capture, printed on Canson Platine Fibre Rag

Year Created: 2018

Image Description: From an ongoing series of recent family photographs, 2018 to present.

Photographer's Bio: Matt Eich is a photographic essayist working on long-form projects related to memory, family, community, and the American condition. He is the author of four monographs of photography and his work is widely exhibited and held in numerous public collections. Matt's projects have received support from an Aaron Siskind Fellowship, two Getty Images Grants, a VMFA Professional Fellowship and an Aperture/Google Creators Lab Photo Fund Grant. He was artist-in-residence at Light Work in 2013 and at a Robert Rauschenberg Residency in 2019. He an Assistant Professor at the George Washington University,

Photograph by Gaia Squarci

Image Title: Ninoska

Paper Dimensions (H x W): TBD

Image Dimensions (H x W): TBD

Year Created: 2021

Image Description: Ninoska hugs her daughter at home in Washington Heights, NYC. "The little one is now seeing realities that I used to be able to shield her from" she told me on the phone a year before we were able to meet. At the time she was locked at home with her abusive husband and her daughters in March 2020. During the first months of lockdown there was a sharp increase in calls to domestic violence hotlines in New York City. After suffering humiliation, control and psychological abuse, all of which got to their worst during the pandemic, Ninoska left her marriage of 15 years behind, for an uncertain future. She now works as a seamstress 6 days a week, 10 hours a day to make ends meet, but she is free. To know more about her story, visit https://readymag.com/u2498283796/3025196/5/ Password: Ninoska

50% of the earnings from the sale of this photograph will go directly to Ninoska, to help her and her daughters with the daily costs of living.

Photographer's Bio: Gaia Squarci (1988) is a photographer and videographer who divides her time between Milan and New York, where she teaches Digital Storytelling at ICP. Gaia is a contributor of Prospekt, an IWMF fellow and National Geographic grantee. Her work is focused on the relationship between human beings and the environment, disability, aging and family relationships. POYi awarded her cinematography and photography work respectively in 2014 and 2017. She was among the 30 under 30 Women Photographers selected by Photo Boite for 2018 and her installation Broken Screen was selected for the exhibition reGeneration3 at Musée de l'Elysée in Lausanne in 2015.

Photograph by Gillian Laub

Image Title: Seniors arriving at the first integrated prom, Lyons, Georgia, 2010

Paper Dimensions (H x W): 8x10"

Image Dimensions (H x W): 6.5x9"

Year Created: 2010

Edition 20/100

Signed in ink on verso

Image Description: From the series Southern Rites, Vernon, Georgia, a decade-long project that documents the lives of teenagers in Montgomery County, Georgia. In 2009, Laub's photographs of segregated proms were published in The New York Times Magazine. The story brought national attention to the town and the following year the proms were finally integrated. Laub then photographed Montgomery County over the following decade-what began as an exploration of segregated high school rituals, evolved into a complex story about adolescence, race, the legacy of slavery, and the deeply rooted practice of segregation in the American South.

Photographer's Bio: Gillian Laub is a photographer and filmmaker based in New York. Her work exploring issues of racism in the American South became a feature length film, Southern Rites, that premiered on HBO. Her monograph Family Matters, explores how society's biggest questions are revealed in our most intimate relationships; an exhibition of Family Matters opened at the International Center of Photography in conjunction with its publication in 2021.

Photograph by Dan Nelken

Image Title: Dairy Competition Winner Otsego County Fair 2002

Paper Dimensions (H x W): 11"x14"

Image Dimensions (H x W): 10"x10"

Medium: C-Print on Fuji paper, vintage Chromogenic print.

Year Created: Printed in 2002

Signed on verso

AP 2/3

Image Description: This image was published as part of the photographer's book Till the Cows Come Home: County Fair Portraits. The first edition book titled "Till the Cows Come Home: County Fair Portraits" will be included with the print. This image is part of the collection at the Museum of Fine Arts Houston.

Photographer's Bio: Dan Nelken is a photographer, visual artist, educator, lecturer, and documentary storyteller whose portrait-based photographic projects provide a window into the world of communities outside the cultural mainstream.

His work has been exhibited and published internationally and is in both public and private collections, including the International Center of Photography, NYC; MAST Foundation, Bologna; The Center for Photography at Woodstock, Woodstock, NY; The Museum of Fine Arts, Houston; The Portland Art Museum, Portland, OR; and the Vontobel Art Collection, Zurich.

Photograph by Amy Touchette

Image Title: Personal Ties, No. 42

Paper Dimensions (H x W): 16x16

Image Dimensions (H x W): 15x15

Year Created: 2016

Edition 2 of 3

Signed on verso, top left

Image Description: from the series Personal Ties: Bed-Stuy, Brooklyn:

IN MEMORY OF "SCOOTER JOE" WILLINS

August 5, 1939-April 9, 2020

One summer evening in 2018, I saw Scooter Joe Willins (l) and Junior Farmer (r) outside Junior's auto shop and asked if I could photograph them. Little did I know who I was meeting. Junior's shop is legendary in Bed-Stuy, and Scooter Joe worked as a scooter cop in Bed-Stuy in the 1970s, issuing parking tickets and checking potholes with his partner. A black-and-white cop duo-very rare in those days-they ended up making 2,000 arrests and solving 38 murders instead, without ever using their weapons. I remember him explaining how important it is that police live in the neighborhood they work in. There is a built-in mutual respect between police and the community when that's the case. There is history. There is understanding. The police can actually make a difference. "

Scooter Joe and I talked for quite a while the day I made this photograph. It was one of those instances that reminded me that the best part of photography has nothing to do with a camera at all. The best part is what happens because you photograph.

Photographer's Bio: Amy Touchette is a photographer based in Bed-Stuy, Brooklyn, who specializes in street portraits. She was trained at the International Center of Photography, where she now teaches. Her photographs are exhibited and published internationally, most recently at the National Portrait Gallery in London, England, and in the book Women Street Photographers (2021). Touchette's second monograph, Personal Ties: Bed-Stuy, Brooklyn, garnered a Critical Mass 2021 Top 50. Last summer, photographs from the book were exhibited at Lincoln Center in Photoville's "The Brooklyn Connection" curated by Jamel Shabazz.

Photograph by Rachel Papo

Image Title: Two 2nd Class Boys (Vlad and Vadim), St. Petersburg, Russia, 2007

Paper Dimensions (H x W): 12" x 16"

Image Dimensions (H x W): 10" x 14"

Year Created: 2007

Edition 4 of 50

Certificate of authenticity with signature

Image Description: Two 2nd Class Boys, Vlad and Vadim, during ballet class at the Vaganova Ballet Academy in St. Petersburg, Russia

Photographer's Bio: Rachel Papo is a Brooklyn-based award-winning photographer whose works have been exhibited and published worldwide. She has received two NYFA Fellowships and a Lucie Award and her work is in the collections of The Museum of Fine Arts, Houston, The Museum of Contemporary Photography in Chicago, and The Griffin Museum of Photography in Boston. She has published three monographs: Serial No. 3817131 (2008), Homeschooled (2016) and It's Been Pouring (2022).

Photograph by William Wegman

Image Title: Dreamer

Paper Dimensions (H x W): 11 x 14

Image Dimensions (H x W): 7x7

Year Created: 1999

Limited Edition Series 13/28

Signed on verso

Image Description: Sleeping Weimaraner atop a stuffed toy Snowman

Photographer's Bio: William Wegman was born in 1943 in Holyoke, Massachusetts. He received a B.F.A. in painting from the Massachusetts College of Art, Boston in 1965 and an M.F.A. in painting from the University of Illinois, Champagne-Urbana in 1967. From 1968 to 1970 he taught at the University of Wisconsin. In the fall of 1970 he moved to Southern California where he taught for one year at California State College, Long Beach. In 1971 He moved to Santa Monica. By the early 70s, Wegman's work was being exhibited in museums and galleries internationally. In addition to solo shows with Sonnabend Gallery in Paris and New York, Situation Gallery in London and Konrad Fisher Gallery in Dusseldorf, his work was included in such seminal exhibitions as "When Attitudes Become Form," and "Documenta V" and regularly featured in Interfunktionen, Artforum and Avalanche magazines.

It was while he was in Long Beach that Wegman got his dog, a Weimaraner who he named Man Ray, and began a long and fruitful collaboration. Man Ray, known in the art world and beyond for his endearing deadpan presence, became a central figure in Wegman's photographs and videotapes. When Man Ray died in 1982 he was named "Man of the Year" by the Village Voice. It was not until 1986 that Wegman got a new dog, Fay Ray, and another collaboration began marked by Wegman's extensive use of the Polaroid 20 x 24 camera. With the birth of Fay's litter in 1989, Wegman's cast of grew to include Fay's offspring - Battina, Crooky and Chundo - and later, their offspring: Battina's son Chip in 1995, Chip's son Bobbin in 1999 and Candy and Bobbin's daughter Penny in 2004.

Photograph by Adam Pape

Image Title: Untitled (Hector)

Paper Dimensions (H x W): 21x16

Image Dimensions (H x W): 17.5x12.25

Year Created: 2021

Signed on the back and label

Image Description: I met Hector in front of Borough Hall in NYC, skating with his friends in late summer 2020. I asked him to stand for a portrait and I framed him with a rose blossom out of focus across his chest that became a soft pink blur expanding from his heart.

This photograph is part of a body of work featured in the Spring 2021 issue of Aperture Magazine. Noting the rose bushes planted throughout New York City's plazas and parks I created a botanical map of the city, an alternative geography. I juxtapose the architecture, infrastructure, and citizens of New York with these decorative blooms and cliché symbols, a symbol both for beauty but also for its threatening thorny armor.

Photographer's Bio: Adam Pape is a photographer based in New York City. He earned his MFA from Yale University. After moving to New York City in 2011 he began making pictures in Washington Heights and Inwood that became his first monograph, Dyckman Haze, subsequently featured in Le Monde Magazine, Photo District News, Dazed, Bookforum and other publications. The book was selected as a shortlist winner for the Paris Photo -Aperture Foundation PhotoBook Awards 2019. Pape is a Lecturer of Photography at SUNY/Purchase and works as an editorial photographer with commissions from The New Yorker Magazine, The New York Times, and Harper's Magazine.

Photograph by Denisse Ariana Pérez

Image Title: Men and Water

Paper Dimensions (H x W): 20x28

Image Dimensions (H x W): 16 x 24

Medium: Archival Inkjet Print

Year Created: 2019

Edition 2 of 10

Image Description: From my ongoing series "AGUA"

"I keep coming back to water scenes? I like to explore the interaction of people with water?. Becoming one with water is not about rushing but rather about flowing. And flowing is the closest thing to being."

This large ongoing body of work has taken me through different corners of the world on an aquatic pilgrimage, from the cold waters of Scandinavia to the pink rivers of Senegal. Disarming and dismantling traditional notions of masculinity, facades of masculinity, especially of brown and black men, is an important focus in my work. Through my images I aim to showcase brown and black men through a more sensible and sensitive lens, one that shows nuance, vulnerability, movement and which challenges the way they have typically been depicted throughout Western history.

Photographer's Bio: Denisse Ariana Pérez is a multidisciplinary commercial artist working as a photographer, director, and copywriter. Her work focuses on people, nature, gender, culture, and words, and focuses on the intersection of fantasy and reality, of art and social commentary. Denisse's works have been featured in publications such as The Guardian, the British Journal of Photography, El Pais, VICE, and others; her work has been exhibited at Fotografiska New York/Stockholm, Fotografia Europea, Photo London, and Photo Australia.

Photograph by Serkan Çolak

Image Title: Dogs and Roads

Paper Dimensions (H x W): TBD

Image Dimensions (H x W): 15x22 inches

Medium: Archival Inkjet Print

Year Created: 2015

Edition #2 of 5 +1AP

Image Description: At Lake Manyas, Balikesir, Turkey: I was on my way early in the morning to go to Lake Manyas.The ecological diversity in this lake is enormous. Dogs accompanied me for a very short moment of this journey. Since I took this photo in 2015, the diversity of life and water in the lake has unfortunately decreased.

Photographer's Bio: Serkan Çolak was born in Balikesir, Turkey, settled in Izmir in 2005 and has been working in documentary photography since then. His projects deal with topics such as the urbanization process and focus on issues around cultural diversity and human rights in Turkey. He is the co-founder of the MahzenPhotos collective and No 238, an independent cultural space and photography workshop.

Photograph by Ed Kashi

Image Title: Syria, 1992

Paper Dimensions (H x W): 18 x 24

Image Dimensions (H x W): 13.63 x 20

Medium: Archival Inkjet Print

Year Created: 1992

Image Description: Boy riding his bike along the Euphrates River in the town of Dawr Al Zar in Syria. This is part of a National Geographic project focused on the critical importance of water in the Middle East.

Photographer's Bio: Ed Kashi is an award-winning photojournalist who uses photography, filmmaking and social media to explore political and social issues. He has documented and photographed topics as diverse as the impact of oil in Nigeria, the Protestant community in Northern Ireland, the lives of Jewish settlers in the West Bank, climate change, the plight of Syrian refugees, the global epidemic of chronic kidney disease among agricultural workers and the impact of an aging society through his project "Aging in America." His images have been published and exhibited worldwide; he has worked on assignments with organizations and publications such as National Geographic, Open Society Foundations, The New Yorker, MSNBC, Fortune, Human Rights Watch, International Medical Corps, NBC.com, The New York Times, Oxfam and TIME.

Photograph by Robert Polidori

Image Title: Blind man, City of the Dead, Cairo, Egypt

Paper Dimensions (H x W): 8.5 x 11

Image Dimensions (H x W): 7 3/4 x9 5/8

Year Created: 1999

Photographer's Bio: Robert Polidori is one of the world's most acclaimed photographers of human habitats and environments. Creating meticulously detailed, large-format color film photographs, Polidori's images record a visual citation of both past history and the present times within the confines of a single frame.

Born in Montreal, Polidori moved to the United States as a child. Polidori began his career in avant-garde film, assisting Jonas Mekas at the Anthology Film Archives in New York, an experience that critically shaped his approach to photography. While living in Paris in the early 1980s, he began documenting the restoration of Versailles, and has continued over a 30 year period to photograph the ongoing changes.

Polidori's additional projects include Havana, Chernobyl, and the aftermath of the flooding post Hurricane Katrina in New Orleans. His current work deals with population and urban growth through photographing "dendritic" cities around the world, including Mumbai, Rio de Janeiro and Amman.

Since 2015, Robert Polidori and his family live and work in Ojai, California.

Photograph by Robert Polidori

Image Title: Kids in pick-up truck, Guanajuato Mexico

Paper Dimensions (H x W): 8.5 x 11

Image Dimensions (H x W): 7 3/4 x 9 ?

Year Created: 1994

Photographer's Bio: Robert Polidori is one of the world's most acclaimed photographers of human habitats and environments. Creating meticulously detailed, large-format color film photographs, Polidori's images record a visual citation of both past history and the present times within the confines of a single frame.

Born in Montreal, Polidori moved to the United States as a child. Polidori began his career in avant-garde film, assisting Jonas Mekas at the Anthology Film Archives in New York, an experience that critically shaped his approach to photography. While living in Paris in the early 1980s, he began documenting the restoration of Versailles, and has continued over a 30 year period to photograph the ongoing changes.

Polidori's additional projects include Havana, Chernobyl, and the aftermath of the flooding post Hurricane Katrina in New Orleans. His current work deals with population and urban growth through photographing "dendritic" cities around the world, including Mumbai, Rio de Janeiro and Amman.

Since 2015, Robert Polidori and his family live and work in Ojai, California.

ITEM #: 151

Photograph by Robert Polidori

Image Title: Druse guard, Mar Saba Greek Orthodox Monastery, Israeli Occupied Palestine

Paper Dimensions (H x W): 8.5 x 11

Image Dimensions (H x W): 6.75 x 9

Year Created: 1994

Photographer's Bio: Robert Polidori is one of the world's most acclaimed photographers of human habitats and environments. Creating meticulously detailed, large-format color film photographs, Polidori's images record a visual citation of both past history and the present times within the confines of a single frame.

Born in Montreal, Polidori moved to the United States as a child. Polidori began his career in avant-garde film, assisting Jonas Mekas at the Anthology Film Archives in New York, an experience that critically shaped his approach to photography. While living in Paris in the early 1980s, he began documenting the restoration of Versailles, and has continued over a 30 year period to photograph the ongoing changes.

Polidori's additional projects include Havana, Chernobyl, and the aftermath of the flooding post Hurricane Katrina in New Orleans. His current work deals with population and urban growth through photographing "dendritic" cities around the world, including Mumbai, Rio de Janeiro and Amman.

Since 2015, Robert Polidori and his family live and work in Ojai, California.

ITEM #: 149

Photograph by Joe Conzo

Image Title: The Children, Cuba 2013

Paper Dimensions (H x W): 13x19

Image Dimensions (H x W): 11.5x17

Year Created: 2013

Image Description: Part of the Seis del Sur Exhibition at NYC's King Juan Carlos of Spain Center in 2015

Photographer's Bio: Born and raised in the Bronx, Joe Conzo Jr. was deeply involved growing up in the cultural and political experiences of South Bronx community activism, and New York's Puerto Rican cultural music scene. These two vivid realities would have a profound effect on how he viewed his environment through the lens of a camera. His seminal work on hip hop culture was featured in Henry Chalfant's film From Mambo to Hip Hop: A South Bronx Tale, and he co-authored, with New York musicologist and curator Johan Kugelberg a book on hip hop culture, Born In The Bronx: A Visual Record of the Early Days of Hip Hop. The book received worldwide acclaim and the entire collection of images featured in the publication became part of a permanent archive housed at Cornell University. The Cornell Hip Hop Collection is in the process of digitizing all his work and will be the permanent home for all Conzo's photographic images.

Photograph by Rena Effendi

Image Title: Family working on haystacks

Paper Dimensions (H x W): 25 x 25 inches

Image Dimensions (H x W): 23 x 23 inches

Medium: Archival Inkjet Print

Year Created: 2012

Edition 2 of 10

A certificate of authenticity provided with electronic signature, alternatively printed on a sticker and glued to print

Image Description: Borca family, from Breb, puts finishing touches on one of the 40 haystacks it makes each summer. Maramures, Romania. June 2012

Photographer's Bio: Rena Effendi is an award-winning documentary photographer and author of two monographs Pipe Dreams: A Chronicle of Lives along the Pipeline and Liquid Land. Her photography has been described as having a deep sense of empathy and a quiet celebration of the strength of the human spirit. She is the laureate of the Prince Claus Fund award and has been shortlisted for the prestigious Prix Pictet award in Photography and Sustainability. Effendi's work has been exhibited at the Victoria and Albert Museum, the Saatchi Gallery, Istanbul Modern, Venice Biennial and NYC MOMA. Rena Effendi is a frequent contributor to National Geographic magazine.

Photograph by Ken Light

Image Title: River Baptism, Moon Lake, Coahoma County, Mississippi, 1989

Paper Dimensions (H x W): 11 x 14

Image Dimensions (H x W): 8 1/2 x 8 1/2

Medium: Printed on Agfa Insignia paper and selenium toned

Year Created: 1989

Edition #91 of 104

Signed on verso and numbered.

Image Description: This image is included in the book Presence: The Photography Collection of Judy Glickman Lauder and is currently in the exhibition of the same name at the Portland Museum of Art in Maine.

Photographer's Bio: Ken Light has exhibited internationally in over 225 one-person and group shows, including one-person shows at the International Center for Photography, the Oakland Museum of California, the San Jose Museum of Modern Art, Visa pour L'image Perpignan (France), International Fotoage (Germany), Yerba Buena Center S.F. and Smith College. His work is part of collections at SFMOMA, the Houston Museum of Fine Arts, the International Center of Photography and the American Museum of Art at the Smithsonian, among many others. He is the Reva and David Logan Professor of Photojournalism and curator of the Center for Photography at the Graduate School of Journalism at the University of California Berkeley.

Photograph by Paul Cupido

Image Title: Mika

Paper Dimensions (H x W): 17.5 x 15.5

Image Dimensions (H x W): 10.25" x 7.75"

Medium: Handmade chine-collé print on Mitsumata Washi paper

Year Created: 2022

Edition 10 & 2 AP. Courtesy of Bildhalle

Photographer's Bio: Paul Cupido (1972) graduated with honors from the Fotoacademie Amsterdam in 2017. He has since published various artist books, among which Searching for Mu (2017), Continuum (2019), and 4 a.m. (2021) - each one in collaboration with graphic designer Akiko Wakabayashi. Cupido's work has been exhibited widely, at Paris Photo, Unseen, and Nordic Light Festival, among other venues. This year, Cupido has been the inaugural artist-in-resident for INSTANTS, a Château Palmer and Leica residency program that will result in an exhibition in the new Leica gallery in Paris (spring 2023) and a book.

Photograph by Eugene Richards

Image Title: Wading Pool, Dorchester, Massachusettes

Paper Dimensions (H x W): 13x19

Image Dimensions (H x W): 11.5 x17

Medium: Archival Inkjet Print

Year Created: 1976

Signed on bottom right

Photographer's Bio: Eugene Richards, photographer, writer, and filmmaker, studied photography with Minor White. His first book of photographs, Few Comforts or Surprises: The Arkansas Delta, was based on his experiences in the late 1960's working for VISTA in Arkansas. After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America. In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make.

Richards has published seventeen books. For Below The Line: Living Poor in America, Richards received an Infinity Award from the International Center of Photography. Cocaine True, Cocaine Blue, an extensive reportorial on hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. He received the International Center of Photography's Infinity Award for Best Photographic Book for Americans We and Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, as Best Book of the year in 2005. Richards's most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta.

Photograph by Gregory Halpern

Image Title: Untitled, from ZZYZX

Paper Dimensions (H x W): 18x22

Image Dimensions (H x W): 16x20

Year Created: 2016

Edition 1/5

Image Description: This picture was made while I was working on ZZYZX, a project inspired by the city of Los Angeles. This work was supported by a Fellowship from the John Simon Guggenheim Foundation.

Photographer's Bio: Gregory Halpern has published seven books of photographs, including ZZYZX (2016), Omaha Sketchbook (2019) and most recently Let the Sun Beheaded Be (2020). He was also co-editor of The Photographer's Playbook: Over 250 Assignments and Ideas (2014). He holds an MFA from California College of the Arts. He is the recipient of a Guggenheim Fellowship and is an Associate Member of Magnum Photos. His work is in many collections around the world, including the Museum of Modern Art. He teaches photography at the Rochester Institute of Technology.

Photograph by Franco Pagetti

Image Title: Buzcashi, the Afghan national sport

Paper Dimensions (H x W): 16 x 20

Image Dimensions (H x W): 13.75 x 20.75

Year Created: 2009

Edition 2 of 9 + artist proof

Signed on certificate of authenticity

Image Description: Kabul Afghanistan, December 11, 2009. The steppes' people were skilled riders who could grab a goat or calf from the ground while riding a horse at full gallop. The goal of a player is to grab the carcass and then get it clear of the other players and pitch it across a goal line or into a target circle or vat. The ancient game of Buzkashi has been played in northern Afghanistan since the days of Ghengis Khan, the Mongol warrior whose army swept across Asia in the 13th century.

Photographer's Bio: The Italian photographer Franco Pagetti is a member of the Agency VII. The primary focus of his work has been conflict zones, something that has allowed him to observe people and communities under the most extreme situations. He has witnessed the incredible heroism as well as abhorrent brutality inherent to war. Pagetti has covered conflicts in Afghanistan, Kosovo, East Timor, Kashmir, Palestine, Sierra Leone, Somalia and Southern Sudan. In addition to TIME magazine, Pagetti has worked on assignments for Newsweek, The New York Times, The New Yorker, Stern magazine, Sunday Times magazine and VOGUE America.

Photograph by Jade Doskow

Image Title: Volunteer Trees, Winter

Year: 2021

Paper Dimensions (H x W): 16x21

Image Dimensions (H x W): 14x18.68

Edition: AP 1

Signed on sticker that can be attached to the print.

Image Description: This photograph is from the photographer's long-term archive of the radical transformations at Freshkills Park in NYC. In operation from 1948-2001, Freshkills Landfill in Staten Island became the largest household garbage dump globally, receiving 150 million tons of New York City's solid waste during that time. Staten Islanders and others fought to have the site closed for years, and in 2001 Fresh Kills was finally closed. In the early 2000s the idea of transforming landfills to wilderness parks entered the civic conversation, and thus began a radical transformation. Today, Fresh Kills is the largest landfill-to-park transformation on the planet.

Doskow is the Photographer-in-Residence at Freshkills.

Photographer's Bio: New York-based architectural and landscape photographer holds an MFA from the School of Visual Arts and is best-known for her work Freshkills, Lost Utopias and Red Hook. She was the subject of the 2021 documentary Jade Doskow: Photographer of Lost Utopias; the film has screened internationally at film festivals and at cultural institutions. Doskow's photographs have been featured in The New York Times, Aperture, Photograph, Architect, Wired, Smithsonian Magazine, and other publications. She is on the faculty of the International Center of Photography and the CCNY/ College of Staten Island and is the Photographer-in-Residence of Freshkills Park, NYC.