by Paul Mullins, This artwork has been selected by Madeline Gent to be featured in the PERSAD Art for Change Auction., 9"x12"

by Paul Mullins, This artwork has been selected by Madeline Gent to be featured in the PERSAD Art for Change Auction., 9"x12"

by Paul Mullins, This artwork has been selected by Madeline Gent to be featured in the PERSAD Art for Change Auction., 9"x12"

by Paul Mullins, This artwork has been selected by Madeline Gent to be featured in the PERSAD Art for Change Auction., 9"x12"

by Andy Julo, As an artist, This cyanotype is known as a photogram as it is one of a kind. First introduced in 1842, the cyanotype process is among the earliest photographic techniques to be developed in the modern era. The cyanotype was used well into the 20th century within the fields of engineering and construction to reproduce architectural drawings more commonly referred to as blueprints. Created using a mixture of ammonium iron citrate and potassium ferricyanide, the cyanotypes’ image appears after the light sensitive paper (or other substrate) is exposed to ultraviolet light and developed in water. The image records a ribbon â€" a decorative embellishment I am positing as something queer. Ribbons â€~complete’ gifts. They’re intended to shine, honor, and celebrate; a material that begins as something unfinished but through trial and effort, symbolizes both success and surprise. So much of queer experience is bound up with the enterprise of coming together and coming apart., 33"x22"

by Zachariah Szabo, This artwork has been selected by Madeline Gent to be featured in the PERSAD Art for Change Auction., 13"x19"

by Allan Rosenfield, “Entity� is part of a series of double-sided, reversible installation paintings I have been working on for many years. In this work, the yellow areas were painted first in a regular series of ruled horizontal areas. The blues and metallics on the other side are the result of a series of fluid pours and washes. Linear areas on the reverse react with the blue in different ways, according to which areas are yellow and which are raw canvas. A balance of vertical and horizontal on the two sides is achieved. “Entity,� like my other work in this series, can be arranged in many different configurations. I have provided a stand for this presentation, but usually these works are suspended from the ceiling with loops of monofilament on either end of their support rods. This artwork has been selected by Madeline Gent to be featured in the PERSAD Art for Change Auction., 48"x48"

by Derek Reese, Framed, mixed media collage by artist Derek Reese., 17.5"x22"

by Jessica Alpern Brown, Mounted to the wall this circular piece emits light through veil imagery. The color cord can be draped or formed into shapes along the wall., 11"x11"x4"

by Ben Schonberger, In 2015, I conducted a series of interviews with a retired Detroit police officer in their home just outside of Detroit, MI. The officer granted me permission to photograph their collections of objects and images they made and saved during their time on the police force. I extracted items such as personal photographs, found and confiscated images, paraphernalia, homemade weapons, newspaper clippings, tools, awards, signage, and garments. These images reflect an effort to augment and make sense of a deeply personal and fragmented archive of complicated histories. This artwork has been selected by Madeline Gent to be featured in the PERSAD Art for Change Auction., 13"x19"

by Joaquin, Forest on fire at sunset., 20"x24"

by Laurie Trok, These works begin as crumpled paper balls, and the action of crumpling is used as a template for cutting. Laurie is currently somewhere around 200 and plans to create 1,000 before completing the project., 11"x14"

by Jason Boone, Exploding outward or coming together. Same, same., 20" diameter.