by Keith Haring, numbered print.

by Keith Haring, numbered print.

by Lila Hirsch Brody

by Lila Hirsch Brody

by Teri Geever, Flat Pink Flamingo in front of abstracted depiction of water., 11"x15"

by Greg Ridge, signed and numbered print

by Olga Mendenhall, Starry Night in Pittsburgh is aimed to be an epitome of inclusion, support and love in our community. This painting was originally started at the May’s Pittsburgh Open Streets event as a live painting initiative by Olga Mendenhall (OlgaNova Studuo). It involved many people of Pittsburgh community adding a little piece of themselves to it. It was a whole communal experience guided by the artist. Kids especially loved Van Gogh inspired circles and wanted to take a dab at it. Olga finished it in her studio preserving all the authenticity and rawness that partakers brought into it., 37"x30"

by Chris LÃ3pez , Limited edition Giclee print on canvas, based on my original digital illustration, numbered and signed., 12"x12"

by Sam Thorp, CGI drawing, 22 x 18"

by Gary Jurysta, Abstract composition. , 15.25"x11.75"

by Sam Henry, Pen on Paper, 3.5"x6.5"

by Greg Hollowell, Acrylic on Canvas

by Greg Hollowell, Acrylic on Canvas

by Mark Wardell

by Bill Miller, Art made from salvaged linoleum floors., 12"x9"

by Unknown Artist, Brass Sculpture.

by Sandra L Moore, The work is thrown and burnished. The clay bodies are Standard 105 (white) and Starworks Ceramics, North Carolina Okeewemee Fine (pink). The pieces are fired for gold and the horsehair reduction. Heat cue's to wait for are an orangish/yellow glow, that encircles the outside edge of the piece like a halo. The kiln lid is raised and the first hairs are laid onto the piece. Because of the high heat these hair's deoxidize, creating white lines. As the piece cools down until the last hairs are placed, the lines are black due to the reduction of carbon. Each beloved horse that was groomed for the hair, have their own individual oils. The oils add a neutral color to the surface. Contrasting the meticulous building of the piece, then subjecting it to a fast, intense thermal shock event of the horsehair firing is freeing. The hair falling and reducing into the clay for a 2-minute period of time is exhilarating., 7"x5.5"x5.5"

by Jennifer Marcin, A pair of bears., 11"x14"x6"

by Ray Geary, Seven layers of clear, opaque, and translucent resin, marble base. Custom plastic box and packaging, hand painted edition certificate signed and numbered 2019., 8.5"x6.75"x1.5"

by Brian Ferrell, This ceramic vase was designed in CAD and 3D printed in plastic. Next, a 2 part plaster mold was created from the print so the piece could be slipcast in stoneware., 5"x3"x9"

by A.J. Collins, A.J. Collins uses an original palette of pigmented porcelain and satin glazes to make contemporary ceramic works that combine functional forms with conceptual art. His studio practice, JOWDY, makes vivid decor that enlivens interiors and homes.