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ALL ITEMS
130
Places of Silence # 63
$500Asya Dodina and Slava Polishchuk
Places of Silence # 63, 2020
Mixed media and acrylic on paper
10.5 x 14.5"
Value: $500
Long Island, from the ongoing Places of Silence Project (2020-2021).
*This piece is included in the Opening Night Collection.
Artist Bio:
Born in Russia, Asya Dodina and Slava Polishchuk work in collaboration since 2003.
Recent solo exhibitions include: 365: Asya Dodina & Slava Polishchuk, MoRA (Museum of Russian Art), Jersey City, NJ: What Remains: Asya Dodina & Slava Polishchuk, The Brooklyn College president's house, Brooklyn, NY; The Narthex Gallery, St Peter's Church, NY; Between Earth and Heaven, International Center of Arts, Remagen, Germany; Fox & Fowle Gallery; Pace University; Brooklyn College, NY; Moscow International Art Salon. Artists have exhibited in numerous museums and galleries including, Ca' Foscari Zattere Cultural Flow Zone,Venice; M. David & Co. Gallery, Brooklyn, NY; BAC Gallery; Chelsea Art Museum; Safe-T-Gallery, NY; Klutznic National Jewish Museum, Washington, DC; The Paxall Gallery, Long Island City, Museum, NY; Rutgers University, NJ; Kentler International Drawing Space, NY; Alumni Gallery, St. Joseph College, NY; Künstlerforum, Bonn, Germany; The Pushkin State Museum of Fine Arts, Moscow; The Russian Academy of Arts. Their works are in public and private collections including State Tretyakov Gallery, Russian Academy of Arts; Rutgers University, Jane Voorhnees Zimmerly Art Museum, Kolodzei Foundation of Contemporary Russian Art, NJ; Brooklyn College Library, Pace University, NY; Fox & Fowle Architects, NY; Moscow Ministry of Arts and Moscow Union of Artists. Their awards include Project Grant for Exhibition, NY State Council of the Arts; Award of Excellence, Nassau Community College; Shaw Award for Excellence in Painting; Medal of Russian Academy of Arts.
Asya Dodina graduated from the Moscow State Art Institute named after V. Surikov with a degree in Graphic Arts and received MFA in Printmaking and Painting/Drawing from Brooklyn College.
Slava Polishchuk graduated from the Moscow Art School Named After the Year 1905, Moscow and received MFA and BA in Painting/Drawing and Printmaking from Brooklyn College, NY.
131
Around the Bend # II
$1,400Asya Dodina and Slava Polishchuk
Around the Bend # II, 2021
Mixed media and acrylic on paper
29.5 x 40"
Value: $1400
Cold Spring, Long Island, from the ongoing Places of Silence Project (2020-2021).
*This piece will be available for fair market value.
Artist Bio:
Born in Russia, Asya Dodina and Slava Polishchuk work in collaboration since 2003.
Recent solo exhibitions include: 365: Asya Dodina & Slava Polishchuk, MoRA (Museum of Russian Art), Jersey City, NJ: What Remains: Asya Dodina & Slava Polishchuk, The Brooklyn College president's house, Brooklyn, NY; The Narthex Gallery, St Peter's Church, NY; Between Earth and Heaven, International Center of Arts, Remagen, Germany; Fox & Fowle Gallery; Pace University; Brooklyn College, NY; Moscow International Art Salon. Artists have exhibited in numerous museums and galleries including, Ca' Foscari Zattere Cultural Flow Zone,Venice; M. David & Co. Gallery, Brooklyn, NY; BAC Gallery; Chelsea Art Museum; Safe-T-Gallery, NY; Klutznic National Jewish Museum, Washington, DC; The Paxall Gallery, Long Island City, Museum, NY; Rutgers University, NJ; Kentler International Drawing Space, NY; Alumni Gallery, St. Joseph College, NY; Künstlerforum, Bonn, Germany; The Pushkin State Museum of Fine Arts, Moscow; The Russian Academy of Arts. Their works are in public and private collections including State Tretyakov Gallery, Russian Academy of Arts; Rutgers University, Jane Voorhnees Zimmerly Art Museum, Kolodzei Foundation of Contemporary Russian Art, NJ; Brooklyn College Library, Pace University, NY; Fox & Fowle Architects, NY; Moscow Ministry of Arts and Moscow Union of Artists. Their awards include Project Grant for Exhibition, NY State Council of the Arts; Award of Excellence, Nassau Community College; Shaw Award for Excellence in Painting; Medal of Russian Academy of Arts.
Asya Dodina graduated from the Moscow State Art Institute named after V. Surikov with a degree in Graphic Arts and received MFA in Printmaking and Painting/Drawing from Brooklyn College.
Slava Polishchuk graduated from the Moscow Art School Named After the Year 1905, Moscow and received MFA and BA in Painting/Drawing and Printmaking from Brooklyn College, NY.
168
Conch Shell
$350Conch Shell, 2021
Watercolor on paper
12 x 12"
Value: $350
*This piece will be available for the ticket price on opening night.
Artist Bio:
Denise Halpin studied art in Aix-en-Provence, France and earned a Fine Arts Degree at The School of Visual Arts in New York City. She has been working in Art, Design and Illustration since 1977, and creates work in oil, acrylic, watercolor and paper collage.
Her work is on permanent display at Mount Sinai Hospital, Columbia Presbyterian Hospital, and East Side Middle School, all in Manhattan, and at The Children's Home in Easton, Pennsylvania. She recently installed sixteen watercolor paintings of vegetables at the Ayurvedic Plate in Ditmas Park, Brooklyn.
Exhibits include the 2018 'Flower Show', a collection of large paper collages at the Farm on Adderley in Ditmas Park, Brooklyn, and a selection of culinary watercolor paintings at Almondine Patisserie in Dumbo, Brooklyn in 2016 and 2017. Between the years 2018 and 2019, she was also included in group shows for the Brooklyn Arts Council at the Usagi Gallery in Dumbo and the M. David &Co Gallery in Bushwick, a group show at Guild Hall in East Hampton, and a show titled 'Hidden', in Harlem, NYC. In 2020 she had an exhibit of acrylic paintings of Buddhas at Think Coffee in Manhattan.
An exhibit showcasing oil paintings and watercolor paintings of refugees from around the world, titled 'Seeking Refuge' was exhibited in Long Island City in May 2019, and at Nazareth Center for the Arts in Pennsylvania in July 2019.
Sea Shells on Parade, a series of watercolor paintings are presently on exhibit at Almondine Patisserie in DUMBO, Brooklyn. A new exhibit of Sea Shells will be at Think Coffee at one Bleecker inJuly and August 2021.
Work can also be seen online at www.denisehalpin.com.
Denise Halpin 917-743-0973 [email protected]
Instagram: DeniseHalpin
169
Oyster Shell
$1,000Oyster Shell, 2021
Watercolor on paper
25 x 32"
Value: $1000
*This piece will be available for fair market value.
Artist Bio:
Denise Halpin studied art in Aix-en-Provence, France and earned a Fine Arts Degree at The School of Visual Arts in New York City. She has been working in Art, Design and Illustration since 1977, and creates work in oil, acrylic, watercolor and paper collage.
Her work is on permanent display at Mount Sinai Hospital, Columbia Presbyterian Hospital, and East Side Middle School, all in Manhattan, and at The Children's Home in Easton, Pennsylvania. She recently installed sixteen watercolor paintings of vegetables at the Ayurvedic Plate in Ditmas Park, Brooklyn.
Exhibits include the 2018 'Flower Show', a collection of large paper collages at the Farm on Adderley in Ditmas Park, Brooklyn, and a selection of culinary watercolor paintings at Almondine Patisserie in Dumbo, Brooklyn in 2016 and 2017. Between the years 2018 and 2019, she was also included in group shows for the Brooklyn Arts Council at the Usagi Gallery in Dumbo and the M. David &Co Gallery in Bushwick, a group show at Guild Hall in East Hampton, and a show titled 'Hidden', in Harlem, NYC. In 2020 she had an exhibit of acrylic paintings of Buddhas at Think Coffee in Manhattan.
An exhibit showcasing oil paintings and watercolor paintings of refugees from around the world, titled 'Seeking Refuge' was exhibited in Long Island City in May 2019, and at Nazareth Center for the Arts in Pennsylvania in July 2019.
Sea Shells on Parade, a series of watercolor paintings are presently on exhibit at Almondine Patisserie in DUMBO, Brooklyn. A new exhibit of Sea Shells will be at Think Coffee at one Bleecker inJuly and August 2021.
Work can also be seen online at www.denisehalpin.com.
Denise Halpin 917-743-0973 [email protected]
Instagram: DeniseHalpin
171
Around the Bend # II
$1,400Asya Dodina and Slava Polishchuk
Around the Bend # II, 2021
Mixed media and acrylic on paper
29.5 x 40"
Value: $1400
Cold Spring, Long Island, from the ongoing Places of Silence Project (2020-2021).
*This piece will be available for fair market value.
Artist Bio:
Born in Russia, Asya Dodina and Slava Polishchuk work in collaboration since 2003.
Recent solo exhibitions include: 365: Asya Dodina & Slava Polishchuk, MoRA (Museum of Russian Art), Jersey City, NJ: What Remains: Asya Dodina & Slava Polishchuk, The Brooklyn College president's house, Brooklyn, NY; The Narthex Gallery, St Peter's Church, NY; Between Earth and Heaven, International Center of Arts, Remagen, Germany; Fox & Fowle Gallery; Pace University; Brooklyn College, NY; Moscow International Art Salon. Artists have exhibited in numerous museums and galleries including, Ca' Foscari Zattere Cultural Flow Zone,Venice; M. David & Co. Gallery, Brooklyn, NY; BAC Gallery; Chelsea Art Museum; Safe-T-Gallery, NY; Klutznic National Jewish Museum, Washington, DC; The Paxall Gallery, Long Island City, Museum, NY; Rutgers University, NJ; Kentler International Drawing Space, NY; Alumni Gallery, St. Joseph College, NY; Künstlerforum, Bonn, Germany; The Pushkin State Museum of Fine Arts, Moscow; The Russian Academy of Arts. Their works are in public and private collections including State Tretyakov Gallery, Russian Academy of Arts; Rutgers University, Jane Voorhnees Zimmerly Art Museum, Kolodzei Foundation of Contemporary Russian Art, NJ; Brooklyn College Library, Pace University, NY; Fox & Fowle Architects, NY; Moscow Ministry of Arts and Moscow Union of Artists. Their awards include Project Grant for Exhibition, NY State Council of the Arts; Award of Excellence, Nassau Community College; Shaw Award for Excellence in Painting; Medal of Russian Academy of Arts.
Asya Dodina graduated from the Moscow State Art Institute named after V. Surikov with a degree in Graphic Arts and received MFA in Printmaking and Painting/Drawing from Brooklyn College.
Slava Polishchuk graduated from the Moscow Art School Named After the Year 1905, Moscow and received MFA and BA in Painting/Drawing and Printmaking from Brooklyn College, NY.
172
Grasses 075
$0Grasses 075, ~1998 - 2005
Monoprint, 1/1, Estate stamp
11.5 x 30"
Rowland scoured her Brooklyn neighborhood
to find weeds for her monoprints.
Price available upon request
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
173
Grasses 074
$450Grasses 074, ~1998-2005
22.5 x 30"
Monoprint, 1/1, Estate stamp
11.5 x 30"
Rowland's botanical monoprints lead her to develop the concept for the 9/11 Monoprint Series.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
175
West Street
$0West Street, 2000
9/11 Monoprint, 1/1, framed and signed
15.75 x 15.75"
Rowland wondered what would grow first around the ruins after 9/11. In the collection of the Whitney Museum.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
176
Edgar Street
$0Edgar Street, 2002
9/11 Monoprint, 1/1, signed and framed
29.75 x 22.5"
After the 2001 terrorist attacks, Rowland pulled the first weeds growing near Ground Zero to make monoprints. In the collection of the Whitney Museum.
Price available upon request.
Artist bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
177
Botanical 239
$0Botanical 239, ~1998 - 2005
Monoprint, 1/1, signed
22.5 x 30"
For years, Rowland made monoprints of city weeds from parking lots, cracks in the sidewalk, gutters and demolition sites.
Price available upon request.
Artist bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
178
Fading Beauty
$0Fading Beauty, 1984
Acrylic painting, framed and signed
70 x 45"
Rowland studied abstract expressionism with Richard Diebenkorn, where she developed her own gestural vocabulary.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
179
Ice 099
$0Ice 099, ~1998 - 2005
Monoprint, 1/1
22.5 x 30"
In addition to weeds, Rowland experimented with ice, snow and dog fur.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
180
Untitled 022
$0Untitled 022, ~1980 - 1984
Mixed media, signed
21 x 28"
Rowland was fluent in many different media - paint, pastels, ceramics and prints.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
181
Botanical 054
$0Botanical 054, ~1998 - 2005
Monoprint, 1/1, Estate Stamp
22.5 x 30"
Rowland's brought her experimental mindset to the printmaking studio of Marina Ancona at Ten Grand Press.
Price upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
182
Botanical 046
$0Botanical 046, ~1998 - 2005
Monoprint, 1/1, Estate Stamp
22.5 x 30"
"I know the persistence of plants"- Susan Rowland
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
183
Botanical 079
$0Botanical 079, ~1998 - 2005
Monoprint with pastels, signed
30 x 22.5"
Unique among the monoprints, incorporating drawing.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
184
Grasses 060
$0Grasses 060, ~1998 - 2005
Monoprint, 1/1, Estate Stamp
22.5 x 22.5"
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
185
Vessel 057
$0Vessel 057, ~2002 - 2008
High Fired Glazed Stoneware, signed
19 H x 21 W
Rowland distorted classic vessel shapes.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
186
Vessel 004
$0Vessel 004, ~2002 - 2008
High Fired Glazed Stoneware, Estate Stamp
21.75 H x 7 D
Rowland created gestural flowers with the glaze.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
187
Vessel 012
$0Vessel 012, ~2002 - 2008
High fired glazed stoneware, Estate stamp
This nuanced vessel incorporates seashells and tears.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
188
KO Revolution
$0KO Revolution, ~2002 - 2008
High fired glazed stoneware, signed
15.5 H x 10.25 D
Rowland collaborated with poet Frederick Seidel to incorporate phrases on her vessels.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
189
The Voice is Almost Human
$0The Voice is Almost Human, 1991
High fired glaze stoneware, signed
6 W x 11 D x 16 H
Susan Rowland collaboration with Frederick Seidel. Inspired by calligraphic pottery in Tunis.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
190
Erupting Their Insides
$0Erupting Their Insides, ~1990 - 1997
High fired glazed stoneware, Estate stamp
13.5 H x 10.5 D
Susan Rowland collaboration with Frederick Seidel. A potent metaphor between the visual and visionary.
Price available upon request.
Artist Bio:
Susan Scott Rowland
1940 - 2019
Susan was a trustee of the Brooklyn Arts Council and was an avid supporter of Brooklyn Arts Council's mission to promote art in Brooklyn.
Her work is in major public and private collections, including the Whitney Museum of American Art, New York Historical Society, Santa Fe's Fine Arts Museum, and New Mexico's Roswell Museum and Art Center.
Rowland channeled an irrepressible exuberance through her work as a painter, printmaker and ceramicist. Rowland worked in New York for most of four decades, creating large, abstract expressionist canvasses and, later, pottery and sculpture with rough edges and whimsical animal forms. She graduated from Vassar College. In 1961 she married Dr. George B. "Robin'' Rowland. Her husband became a public health doctor when they moved to the Navajo reservation in Arizona with their two young children. Her restless personality and creative drive did not allow her to settle for long in one place. In 1967 she moved to New York City with her children. There, she studied at the Arts Students League. In 1974 she moved west again to a rural community north of Santa Fe, NM. She had space of her own in which to paint, and a rugged landscape to serve for inspiration. She was awarded a National Endowment for the Arts fellowship in 1976. Three years later, she returned to New York where she met and married her second husband, Charles P. "Tony'' Sifton, a judge in the US District Court in Brooklyn. After the terrorist attacks of 2001, Rowland pulled the first new weeds growing near Ground Zero the next spring to make monoprints. "I wanted to print the first plants that showed up, the weeds, the volunteers,'' Rowland said in a column by Times garden writer Anne Raver. She was a trustee of the non-profit Brooklyn Arts Council, where donations in Susan's name may be directed.
207
Water Lilies
$1,700Water Lilies, 2019
Acrylic paint
24 x 36"
Value: $1700
Abstract expressionist piece inspired by the lily pond at the Brooklyn Botanical Garden. Published in ChiArts Levitate Anthology Issue 4 (2020).
*This piece is included in the Opening Night Collection.
Artist Bio:
I am an emerging nonbinary queer artist working in acrylic and watercolor paints, creating abstract expressionist paintings, and a graphic designer with over a decade of experience. I currently live and create art in Queens, NY.
My work focuses on the contrast between urban life and nature. I am inspired by concrete walls overgrown by ivy and tree branches, train underpasses covered in graffiti and grass, a strong New York summer rainstorm beating against my window, the decaying Red Hook warehouses, tiny alleys, and the way the air smells on the first few days of September. It is my aim to create paintings that bring a moment of serenity and calm to the viewer.
More of my work can be seen on my website and on my instagram.
208
Vampire Protest
$700Vampire Protest, 2019
Acrylic paint
20 x 16"
Value: $700
Vampire Protest is a bright minimal expressionist piece inspired by punk rock aesthetics and the Brooklyn skyline.
*This piece will be available for fair market value.
Artist Bio:
I am an emerging nonbinary queer artist working in acrylic and watercolor paints, creating abstract expressionist paintings, and a graphic designer with over a decade of experience. I currently live and create art in Queens, NY.
My work focuses on the contrast between urban life and nature. I am inspired by concrete walls overgrown by ivy and tree branches, train underpasses covered in graffiti and grass, a strong New York summer rainstorm beating against my window, the decaying Red Hook warehouses, tiny alleys, and the way the air smells on the first few days of September. It is my aim to create paintings that bring a moment of serenity and calm to the viewer.
More of my work can be seen on my website and on my instagram