Beauty Revisited: After Weston - Blake as Tina 2018, platinum print on vellum with gold leaf backing, print size: 8" x 10", framed size: 12" x 14" (framed)

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Christa Blackwood is a photo, text and installation artist working with themes related to identity, gender, history, and popular culture. Her works employ multiple techniques and methods, fusing traditional, historical and alternative photographic processes with contemporary practices, street art and clandestine installations at cultural institutions. Blackwood received her Masters in Studio Art from New York University and Bachelors in Classics from The University of Oklahoma. She has exhibited in galleries and museums throughout the U.S. and abroad her work has been featured in several publications including The New York Times, ArtDesk Magazine, The Austin American Statesman, The Austin Chronicle, New York Newsday, The Village Voice and The Chicago Sun Times.

Untitled (Antarctica, 31 January 2009 22:36:30 GMT), Archival pigment print, print size: 11" x 15", image size: 8" x 12"

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Erika Blumenfeld is a transdisciplinary artist whose practice is motivated by the wonder of natural phenomena and the relationship between nature and culture. Her non-traditional research-based practice has led her to examine a range of subjects including astronomy, planetary science, ecology, the night sky among many others. Blumenfeld often works in collaboration with scientists and research institutions, including NASA, Scripps Institution of Oceanography, McDonald Observatory, and the South African National Antarctic Program. Blumenfeld is a Guggenheim Fellow, Smithsonian Fellow, and recipient of a Rauschenberg Foundation Artist-in-Residence and Creative Capital Award. She has exhibited widely in the U.S. and abroad, including a solo exhibition at Women & Their Work in 2013. Blumenfeld is featured in many books and publications and resides in national and international permanent collections. She is currently artist-in-residence at NASA Johnson Space Center, where she has been leading a team to create a 3D virtual library of NASA's Apollo Lunar and Antarctic Meteorite Collections for researchers and the public.

DIE MART, inkjet, 24" x 36" (framed)

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Sandy Carson is a self-taught documentary and commercial art photographer, film maker, musician and cyclist who grew up in Scotland, now based in Austin, Texas. He studied communications at University before dropping out to tour the UK and Europe playing in punk bands and making fanzines. After moving to the States in the '90s to pursue cycling, he travelled the world for 20 years as a professional BMX rider, where he honed his skills a photographer. His work is an intersection of two careers that have been the recipient of numerous awards. His work is published and exhibited nationally and internationally. Sandy's long-term photography projects and documentary works are represented by INSTITUTE.

One Tough Bitch, photograph/ documentation of porcelain shards, china paints, gold leaf, 30" x 19"

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Jennifer Ling Datchuk is an artist born in Warren, Ohio and raised in Brooklyn, New York. She holds an MFA in Artisanry from the University of Massachusetts Dartmouth and a BFA in Crafts from Kent State University. She has received grants from the Artist Foundation of San Antonio, travel grant from Artpace, and the Linda Lighton International Artist Exchange Program to research the global migrations of porcelain and blue and white pattern decoration. She was awarded a residency through the Blue Star Contemporary Art Museum to conduct her studio practice at the Künstlerhaus Bethanien in Berlin, Germany and has participated in residencies at the Pottery Workshop in Jingdezhen, China, Vermont Studio Center, European Ceramic Work Center in the Netherlands and Artpace in San Antonio, Texas. In 2017, she received the Emerging Voices award from the American Craft Council and was named a United States Artist 2020 Fellow in Craft. She is an Assistant Professor of Ceramics at Texas State University and lives and maintains a studio practice in San Antonio, Texas.

Ye Old Humbugge Shoppe, photo mounted on plexi with hanger, 5" x 5"

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Denise Prince is an American artist working in film, photography and performance. Her career has included independent exhibitions, public interventions, performative events and street art. Influenced by conceptual and critical theory at CalArts, Prince's work explores the ways we experience ourselves in relation to Desire (the memory of the missing thing); taking into consideration (because of language) that we understand ourselves, understand others and communicate as objects. Her work seeks to make explicit that we are always reading structures of meaning in the "relation between what we see and what we know" (John Berger from Ways of Seeing). Prince is captivated by the unequivocal, veiled visual language used in advertising and she plays with signs and signifiers, pointing towards the viewer as interpreter.

Flight of the Bumblebees, photography mounted on plexi with hanger, 5" x 7"

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Denise Prince is an American artist working in film, photography and performance. Her career has included independent exhibitions, public interventions, performative events and street art. Influenced by conceptual and critical theory at CalArts, Prince's work explores the ways we experience ourselves in relation to Desire (the memory of the missing thing); taking into consideration (because of language) that we understand ourselves, understand others and communicate as objects. Her work seeks to make explicit that we are always reading structures of meaning in the "relation between what we see and what we know" (John Berger from Ways of Seeing). Prince is captivated by the unequivocal, veiled visual language used in advertising and she plays with signs and signifiers, pointing towards the viewer as interpreter.

Octopus, photo mounted on gator board, 12" x 12"

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Amy Scofield investigates the relationship between things; the commonality within disparity and particularly the mysterious similarities between the Nature and the Man-made. Scofield's work expresses a harmonious collision of the two. In combining steel and stones, chrome and bark, she celebrates twin fascinations: the orderly mind, the origin of human innovation that produces beauty through architecture and design, and the wild, relentless and unmanageable character of Nature.

CHAOS, LamWood Ranch, b/w film photography, 11" x 14"

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Shelley Wood has work in private and public collections. She has received two Cultural Contracts from the City of Austin as well as a Partners in the Arts and Humanities award. She continues to create and exhibit work while sharing her love for photography through teaching. Wood teaches many avenues of photography at a variety of schools in Austin and privately. Her work has been published nationally and internationally. She has served as the Director of the DarkRoom Co-op since 1994 and has been teaching swimming since high school.

Without a connection, the camera is only a tool. A capture to document. A still reality, until the photographer communicates further, expressing emotion, mood or perception. With LamWood Ranch she wants the images to go beyond the time consuming responsibility of care taking, toward the enchanting existence of animals living as they do.

Little Blue, LamWood Ranch, b/w film photography, 11" x 14"

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Shelley Wood has work in private and public collections. She has received two Cultural Contracts from the City of Austin as well as a Partners in the Arts and Humanities award. She continues to create and exhibit work while sharing her love for photography through teaching. Wood teaches many avenues of photography at a variety of schools in Austin and privately. Her work has been published nationally and internationally. She has served as the Director of the DarkRoom Co-op since 1994 and has been teaching swimming since high school.

Without a connection, the camera is only a tool. A capture to document. A still reality, until the photographer communicates further, expressing emotion, mood or perception. With LamWood Ranch she wants the images to go beyond the time consuming responsibility of care taking, toward the enchanting existence of animals living as they do.

It's a sign, inkjet, 24" x 36" (framed)

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Sandy Carson is a self-taught documentary and commercial art photographer, film maker, musician and cyclist who grew up in Scotland, now based in Austin, Texas. He studied communications at University before dropping out to tour the UK and Europe playing in punk bands and making fanzines. After moving to the States in the '90s to pursue cycling, he travelled the world for 20 years as a professional BMX rider, where he honed his skills a photographer. His work is an intersection of two careers that have been the recipient of numerous awards. His work is published and exhibited nationally and internationally. Sandy's long-term photography projects and documentary works are represented by INSTITUTE.

Weave (tropics), photographic collage on rice paper, 12" x 9"

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Born in Austin and raised in Houston, Texas, Elizabeth Chiles graduated with a B.A. in Art History from Columbia University and an M.F.A. in Photography from San Francisco Art Institute. Chiles taught theory and photography at UT Austin, Texas State and Southwestern University for 6 years. Her work has been widely exhibited, including in the critically acclaimed exhibition Over Time (2016), which was nominated for Best Solo Show in Austin, and Weave (2018), a solo exhibition that earned her a nomination for the Best Artist of 2018 by the Austin Critics Table. Her work is held in public and private collections across the United States, including those of Dell Children's Hospital, Dimensional Worldwide, Google, Sidley Austin and The Line Hotel, among others.

Weave (calypso), photographic collage on rice paper, 12" x 9"

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Born in Austin and raised in Houston, Texas, Elizabeth Chiles graduated with a B.A. in Art History from Columbia University and an M.F.A. in Photography from San Francisco Art Institute. Chiles taught theory and photography at UT Austin, Texas State and Southwestern University for 6 years. Her work has been widely exhibited, including in the critically acclaimed exhibition Over Time (2016), which was nominated for Best Solo Show in Austin, and Weave (2018), a solo exhibition that earned her a nomination for the Best Artist of 2018 by the Austin Critics Table. Her work is held in public and private collections across the United States, including those of Dell Children's Hospital, Dimensional Worldwide, Google, Sidley Austin and The Line Hotel, among others.

Willie Nelson at the Paramount Theater Museum, quality framed and matted photo, frame size: 14" x 17", image size: 7" x 9" (framed)

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Matt Lankes, a seventh-generation Texas, grew up in Austin playing soccer and watching his father take photos for the Austin American-Statesman. "I grew up around the camera," says Lankes who has made his living through photography since attending St. Edward's University, specializing in portraits for people in their environments. Lankes' work is in the permanent collection of the National Portrait Gallery at the Smithsonian and at the The Wittliff Collections at Texas State University.

Lankes' clients include HBO, LiveStrong, Y&R, Texas Music, Fox Searchlight, Texas Monthly, The New York Times, Interview, Time Inc., Newsweek, GSD&M, Austin Monthly, Lee Jeans, Random House, Warner Brothers, Chevy and Pentagram Design.

Shelter, Pigment print, 7.5" x 6"

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Bucky Miller is an artist, writer, and a 2018 recipient of the Aaron Siskind Foundation Individual Photographer's Fellowship. His work has been shown in solo exhibitions at spaces such as the Contemporary Arts Museum Houston and in numerous group exhibitions. His first self-published book, The Picture of the Afghan Hound, was selected as one of photo-eye's best photobooks of 2016. Miller's work has also been featured in publications like n+1, Der Greif, The Believer, and spot. He has an MFA from the University of Texas at Austin, and resided in London as part of an exchange with the Royal College of Art program in sculpture. In 2018 he attended the Recycled Artist in Residency program in Philadelphia, PA. Bucky is from Phoenix, AZ but currently lives in Houston, TX.

Staircase 2. Milan, 2019, archival pigment print, 13" x 19" (including 1 inch border), limited edition

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Rino Pizzi is an Italian born photographer and independent curator. He has lived in the United States since 1985. His work mostly consists of collaborative projects, including, among others: The Mona Lisa Project, transFIGURATION, Photo/Montage (12x12), ArtFiction, and EnGendered Species. He lives and works in Austin with his wife and collaborator Teresa Elliott.

Valentino - Exclusivites MANFIELD - Modeles AVENUE : 95 F, photography mounted on plexi with hanger, 5" x 5"

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Denise Prince is an American artist working in film, photography and performance. Her career has included independent exhibitions, public interventions, performative events and street art. Influenced by conceptual and critical theory at CalArts, Prince's work explores the ways we experience ourselves in relation to Desire (the memory of the missing thing); taking into consideration (because of language) that we understand ourselves, understand others and communicate as objects. Her work seeks to make explicit that we are always reading structures of meaning in the "relation between what we see and what we know" (John Berger from Ways of Seeing). Prince is captivated by the unequivocal, veiled visual language used in advertising and she plays with signs and signifiers, pointing towards the viewer as interpreter.