Gems, graphite on paper, 12" x 15" (framed)

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Leah DeVun is a visual artist who engages historical subjects, and especially queer and feminist subjects. Her work has received coverage in publications such as Artforum, Huffington Post, People Magazine, Hyperallergic, Out, Art Papers, Feature Shoot, Redbook, Slate, Capricious, LA Weekly, Feministing.com, Gallerist, NYMag.com, Buzzfeed, Forbes, Refinery29, and Modern Painters, among others, and she has participated in numerous exhibitions, programs, and panels, including at venues such as Station Independent Projects (New York, NY), September Gallery (Hudson, NY), Johannes Vogt Gallery (New York, NY), Dose Projects (Brookyn, NY), Baxter Street Camera Club (New York, NY), Bemis Center for Contemporary Arts (Omaha, NE), the ONE Archives Gallery and Museum at the University of Southern California (Los Angeles, CA), The Front (New Orleans, LA), the Tang Teaching Museum and Art Gallery (Saratoga Springs, NY), Yale University School of Art (New Haven, CT), the Houston Center for Photography (Houston, TX), the Contemporary Austin (Austin, TX), Leslie-Lohman Museum (New York, NY), Blanton Museum of Art (Austin, TX), the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum (Brooklyn, NY), SPRING/BREAK Art Show (New York, NY), BRIC (Brooklyn, NY), Tracey-Barry Gallery at NYU's Fales Library (New York, NY), Paul Robeson Galleries (Newark, NJ), and Galerie Verbeeck - Van Dyck (Antwerp, Belgium).

Nature Pact, watercolor and graphite, 14" x 14"

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Chloé Gray creates botanical watercolor paintings that use elements of nature influenced by stories, symbolism, and myths.

Delta Dissonance, watercolor, ink, and pastel, 22" x 30"

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Jules Buck Jones creates art inspired by the mechanics and mysteries of the natural world. His body of work ranges from dense, organic watercolors and drawings, to large-scale performances employing costumes and puppetry. He is a founding member of the collective, non-profit, MASS Gallery and the art / science collective Animal Facts Club, both located in Austin, TX. Jones has participated in art residencies including Skowhegan School of Painting and Sculpture, Vermont Studio Center, Arrowmont School of Arts and Crafts, The Lighthouse Works, and The Everglades National Park. He shows extensively throughout TX with solo shows and representation in Austin, Dallas and Houston. He currently teaches drawing at Texas State University. He is now working in his new studio in Wimberley, TX, experimenting with new approaches to his practice.

Untitled (Daily Drawing), acrylic on paper, 12 3/4" x 16 3/4" (framed)

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Mihee Nahm was born and raised in South Korea until the age of sixteen when she moved to the United States. In America, she took her first painting class which compelled her to pursue art. Living as a foreigner in America for over a decade pushed her to explore themes of memory, sense of place and nostalgia. Mihee Nahm holds an MFA from the University of Texas at Austin, and a BFA from Art Academy of Cincinnati. She has attended residencies at the Vermont Studio Center and Brush Creek Foundation. She currently lives and works in Grapevine, Texas.

1000 Years from Now. 1991-2991, paper, 9H pencil, 21" x 17" (framed)

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Future time and space have been the central concern of Claude van Ligen's work since 1978. It is within this framework that he has explored the theme, 1000 Years From Now. These works reflect his deep concern for the environmental, political, and social well-being of the world in which we live. Hopefully, the work will stir viewers into thinking about their role in shaping current and future practices. In all his work the intention is to create a matrix from which may arise emotional, metaphoric, and associative responses in relation to experiencing-and projecting thoughts about-the ever/never-changing human condition and events through time and space.

Inside of Envelopes - Clouds, Pencil on envelope, 10" x 9.5"

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Hedwige Jacobs is a Singapore born Dutch artist. She currently lives and works in Houston. Besides drawing she creates animations based on her drawings and site-specific installations. She is interested in how personal space and shared space is experienced. She holds a BFA from the Royal Academy of Art in The Hague, The Netherlands and an MFA from the Pennsylvania Academy of the Fine Arts in Philadelphia. Selected shows include: Women & Their Work; Lawndale art Center; Houston, TX; Box 13 Artspace, Houston, TX; The Amarillo Museum of Art, Amarillo, TX; Metropolitan Museum of Art, The Hague; Philadelphia Art Alliance; Corcoran Gallery of Art, Washington DC; Blaffer Art Museum, Houston; Museum of Fine Arts, Houston; The Drawing Center, NYC; Friedman Benda, NYC; and the Red Dot Design Museum in Singapore. Her work is included in private, corporate and museum collections.

City and Dog, mixed media: graphite, ink, watercolor, pastel, 12" x 1"

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In creating her "horizonscapes," Katie Maratta acknowledges an apparent contradiction. While the literal picture plane is incredibly small - one inch high and up to four feet long, the visual space it suggests is vast. The technique is understated and monochromatic, but the elements of the composition retain their weight and authority. Upon moving to Texas in the mid 1990's, Maratta was struck by the rich visual experience of West Texas. While these wide-open expanses and long lonely highways may be the stuff of clichéd country songs and western movies, they still evoke wonder for the artist who calls Austin home.

Jaybird, ballpoint pen and watercolor on paper, 11" x 17" (framed)

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Christine Vanderkaap was classically trained at the Los Angeles Academy of Figurative art where she received an intensive drawing foundation. She likes to use that knowledge in multiple drawing mediums, effortlessly changing between the strictness of pen and ink to the forgiving, fluidity of charcoal.

A Touch Of God, charcoal on paper, 9" x 12"

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Desiree Vaniecia is a contemporary painter who lives and works in Dallas, Texas. Raised in a matriarchal home, her work pays homage to her family and their legacy. Her distinctive personal style challenges a stereotype of Black women constructed by society and the media. Her portraiture evokes both vulnerability and strength in the figures, either through posture, physical interaction or compositional format. Gesture and poses are presented as powerful, whether through sexuality or assurance, while facial expressions and anatomical detail are left reduced and neutral within empty or vague settings.

1000 Years from Now. Katrina, 2005, 6B pencil, paper, 12" x 15" (framed)

This artwork may be picked up at Women & Their Work or shipped to your door. Shipping will be billed separately.

Staff will contact buyer after the event to finalize pick up or shipping details.

Future time and space have been the central concern of Claude van Ligen's work since 1978. It is within this framework that he has explored the theme, 1000 Years From Now. These works reflect his deep concern for the environmental, political, and social well-being of the world in which we live. Hopefully, the work will stir viewers into thinking about their role in shaping current and future practices. In all his work the intention is to create a matrix from which may arise emotional, metaphoric, and associative responses in relation to experiencing-and projecting thoughts about-the ever/never-changing human condition and events through time and space.