Barbara Bashlow Gross Painting

Couple, Ochre Room (2006)

Oil on gessoed paper

11" x 15" (21 x 17" framed)

Ann Lewis

Empower Equality

5 color hand pulled screen print (2012) Edition of 200

30"h x 22"w

Framed

Ann Lewis is a multidisciplinary activist artist often working in public spaces who creates work challenging the perceived realities of society. She focuses her attention on social justice and environmental issues.

Bronze Sculpture by Vladimir Medinica

Vladimir Medinica -Born in Belgrade, Serbia 1948. Studied at Academy of Applied Arts And Architecture University of Belgrade. Received MFA at Otis Art Institute, LA 1976. Known for his sculptures exhibiting great beauty, form and scale while capturing gracefulness and imagination.

Barry L. Mason

Stepping, 2019

Oil on Shaped Canvas

39"w x 31"h

Barry Mason is an artist and photographer living in Mount Vernon, NY, and a Pelham Art Center instructor and Board Member. He was educated at The Corcoran School of Art and Indiana State University. " I see myself as a "composer" when I construct my large shaped and sculpted abstract paintings. As I'm creating, I feel an ancestry spirit pulling me far back to an ancient African trail. I hear their chant and it motivates me to extend my creative reach and change the boundaries thru my love of shapes."

Shepard Fairey

Knowledge + Action (red).

Screen Print, Edition of 550

18" x 24"

AP Signed by Shepard Fairey

Custom Framed at ArtEffects

Shepard Fairey is an American graphic artist and social activist. Fairey blurs the boundary between traditional and commercial art through type and image, communicating his brand of social critique via prints, murals, stickers, and posters in public spaces. Fairey currently lives and works in Los Angeles, CA. His works are included in the collections of the Smithsonian in Washington, D.C., the Los Angeles County Museum of Art, and the Victoria and Albert Museum in London.

Slate Forest on Red by Mike Gracie

37" x 57" panel

Founded in 1898, Gracie is best known for its signature product - exquisite hand painted wallpapers. Gracie's hand painted scenic wallpapers, based on 18th century Chinese designs, Japanese screens, and French panoramas, are produced entirely by hand, and customized to the client's architectural, color and design specifications. The firm is now led by brother and sister team Mike and Jenn Gracie who continue their great-grandfather's legacy as the fourth-generation leaders of the company.

This is Gracie's Slate Forest design on a custom red 18th century style pieced background.

Donated By Paula McKeever & Mike Gracie

Fran Sisco

Soul (2015)

36" H x 24" W

Acrylic on Canvas

"Soul" is a 24 X 36" acrylic painting that showcases a diversity of colors, shapes and relationships that may be presented in one's life, influencing a heightened expression of love for life and fulfillment of the soul (e.g. emotions of joy, sorrow, ascension, fluidity, organization, vivid, stark, background), in effect that magnificence of the soul."

Robert Hoppe (American, 20th century)

"Revenge with Music"

Signed Limited Edition Print : Lithograph in Color on Paper
32x33 in Print

Framed

From the Edition of 425

Glamorous dream visions are the central components of Robert Hoppe's artworks. In the tradition of movements such as Russian Constructivism and German Bauhaus, Hoppe stresses collaboration of the arts, and his work evolves from a variety of experiences. He is a painter, a draftsman and a sculptor, and he has created set designs for ballet companies and avant-garde dance troupes

Katharine Dufault

Landscape VI (2020)

GOUACHE ON PAPER

9X12 INCHES

British born Katharine Dufault is a New York Times-reviewed artist, curator and visual arts consultant. She has advised non-profit gallery boards, sat on visual arts panels and served as juror for several awards. Dufault graduated with honors from Columbia University, with a degree in painting and literature after studying visual arts, graphic design and photography at Anglia Ruskin University, Cambridge, England.

"I am continually interested in landscape. What I observe affects how I feel, and vice versa. I work from memories of recent woodsy walks, or journeys north in the car. Visible from my current studio, is a wild estural marshland, whose seasonal shifts in colors and light also inform my work. Areas of thin paint poured or applied like a wash onto flat, un-stretched canvas, contrast with thicker paint applied with a brush or palette knife. Through abstraction and play, the rhythm varies between swift calligraphic strokes and slow considered marks as I attempt to create landscapes which are both familiar and unknown. I want the work to attract the viewer with beauty and simultaneously prompt curiosity."

Juan C. Matiz

Early Autumn Trees (2020)

Watercolor on paper

18in x 24in

Custom Framed at ArtEffects

Snowballs

Richard Griggs

6ft x 5ft x 4ft

Born in Mount Vernon, NY, Richard Griggs graduated from Emerson College with a bachelor of science in theatre arts. After doing electrical, lighting and carpentry work for various productions in Hollywood, he returned to his ancestral roots in West Cornwall, CT, where he now works with the renowned kinetic sculptor, Tim Prentice. His works can be found in numerous private collections and galleries.

Elizabeth Livingston

Iden (2019)

6x6"

tempera and gesso on paper

Custom Framed at ArtEffects

Elizabeth Livingston lives and works in Pelham, NY. She is a painter primarily working in oil on canvas. Livingston majored in Fine Art at Yale University in 2001, and then went on to complete her MFA at Boston University in 2006. She has been represented by Alpha Gallery in Boston since earning her MFA. Livingston has been the recipient of several residency and fellowship awards. Her work has been reviewed in The New York Times and The Boston Globe. She primarily depicts domestic environments in an effort to express ideas about human isolation and vulnerability in our modern world.

RC Hagans

9 Lives

Silkscreen and Mixed Media

24" x 36"

Custom Framed at ArtEffects

RC Hagans is an Alabama artist who communicates in a visual stream of altered-consciousness. The 34 year-old vandal's work invites the viewer to visit a parallel dimension where the architect seems to use decay as much as evolution to shape his universe. To create a final product that is equal parts fine/folk/street art, the former cage-fighter draws on imagery from religion, pop culture, punk rock, and conspiracy theories.

RC Hagans

Pink Slip

Silkscreen and Mixed Media

24" x 36"

Custom Framed at ArtEffects

RC Hagans is an Alabama artist who communicates in a visual stream of altered-consciousness. The 34 year-old vandal's work invites the viewer to visit a parallel dimension where the architect seems to use decay as much as evolution to shape his universe. To create a final product that is equal parts fine/folk/street art, the former cage-fighter draws on imagery from religion, pop culture, punk rock, and conspiracy theories.

Charlotte Mouquin
Blue and Purple Portrait 1, 2021
Watercolor and Ink on Yupo
11x14" original art framed in 17x21" frame

Original ink drawing on yupo paper,. This series of dream like portraits are reflections of inner and outer states of being. This series is created on Yupo paper in 2021. "Blue and Purple Portrait 1" has golden details, a double eye and comes framed.

Artist Statement:
My artwork is an exploration of human emotions, chaos, rotations, growth, and healing. I use oil paint, acrylic, ink and watercolor to create veils of color that are often combined with alternative mediums such as silver leaf added to create atmospheric effects that are then further defined with fine lines. Sculptural elements, such as assemblage, ceramics, or cold casting are sometimes used as the mediums of choice to convey concepts. Representational forms of faces, figures, plants, and animals become clear. Circular orbs are repeated in the work, representing points of meditation, punctuation, rest, seed pods, embryos, cycles, and cells. These circular shifting symbols are pathways of discovery through both a microcosmic and macro-cosmic landscape of consciousness.

Representations of transforming energy unifying emotional states become poetic puzzle pieces in the pieces. My work balances the chaotic forces of existence in human nature. Every piece created is a portrait of emotion, perception and a journey to experience on personal levels while also reflecting global concepts.

I create works on paper, paintings on canvas & wood panels, ceramics, and bas-relief sculptures. For over 20 years I have been continuing to execute and define my visual language to articulate complex issues of depth and perception to the world.

Charlotte Mouquin (Voznesenskaya) is an artist, curator, and art professional. She is the Executive Director at the Pelham Art Center in Pelham, NY. (read more here) Previously she was the Director of Rush Arts Galleries of Rush Philanthropic Arts Foundation from 2010-2017 focusing on all exhibitions and public programs at Rush Arts Gallery in Chelsea and Corridor Gallery in Brooklyn. She is the principal of CharVoz, LLC. and was a founding board member of the Love Yourself Project. Her goal is enhancing community through art experiences that highlight our humanity as global citizens. Her degrees include a MA in Contemporary Art from Sotheby's Institute of Art, a BFA from Parsons School of Design, a MAT from the School of the Museum of Fine Arts Boston/Tufts University, and certificate in Arts & Culture Strategy from National Arts Strategy & UPENN. She has curated over 40 exhibitions at venues in and around NYC including: Rush Arts Gallery, Corridor Gallery, Sensei Gallery, Field Projects, CultureFix Gallery, Clover's Fine Art Gallery, The Living Gallery, Pelham Art Center and more. She has hosted art salons in private homes, and presented art with fairs in NY and Miami including: Volta, Scope, Pulse, Prizm, Fountain, Flux Harlem, Figment NYC, Select Miami and Alt-Break. She has been a guest judge for Curate NYC, the Bombay Sapphire Artisan Series, Art Slant NYC, and The Alexander Rutsch Award. She has been an educator with The Love Yourself Project, Brooklyn Art incubator, Alliance of Visual Arts, Pelham Art Center and more. She is often a guest speaker on panels for many topics within the art realm. She is also a current member of Art Table, and multiple Hudson Valley art organizations.

"Fields"
Original Artwork by Katy Garry
Encaustic wax on wood board.
16 x 20 inches
Includes white float frame.
Signed and dated on the back

"Encompassed, 2011
Oil on Canvas
36x36"

Artist Statement:
My artwork is an exploration of human emotions, chaos, rotations, growth, and healing. I use oil paint, acrylic, ink and watercolor to create veils of color that are often combined with alternative mediums such as silver leaf added to create atmospheric effects that are then further defined with fine lines. Sculptural elements, such as assemblage, ceramics, or cold casting are sometimes used as the mediums of choice to convey concepts. Representational forms of faces, figures, plants, and animals become clear. Circular orbs are repeated in the work, representing points of meditation, punctuation, rest, seed pods, embryos, cycles, and cells. These circular shifting symbols are pathways of discovery through both a microcosmic and macro-cosmic landscape of consciousness.

Representations of transforming energy unifying emotional states become poetic puzzle pieces in the pieces. My work balances the chaotic forces of existence in human nature. Every piece created is a portrait of emotion, perception and a journey to experience on personal levels while also reflecting global concepts.

I create works on paper, paintings on canvas & wood panels, ceramics, and bas-relief sculptures. For over 20 years I have been continuing to execute and define my visual language to articulate complex issues of depth and perception to the world.

Charlotte Mouquin (Voznesenskaya) is an artist, curator, and art professional. She is the Executive Director at the Pelham Art Center in Pelham, NY. (read more here) Previously she was the Director of Rush Arts Galleries of Rush Philanthropic Arts Foundation from 2010-2017 focusing on all exhibitions and public programs at Rush Arts Gallery in Chelsea and Corridor Gallery in Brooklyn. She is the principal of CharVoz, LLC. and was a founding board member of the Love Yourself Project. Her goal is enhancing community through art experiences that highlight our humanity as global citizens. Her degrees include a MA in Contemporary Art from Sotheby's Institute of Art, a BFA from Parsons School of Design, a MAT from the School of the Museum of Fine Arts Boston/Tufts University, and certificate in Arts & Culture Strategy from National Arts Strategy & UPENN. She has curated over 40 exhibitions at venues in and around NYC including: Rush Arts Gallery, Corridor Gallery, Sensei Gallery, Field Projects, CultureFix Gallery, Clover's Fine Art Gallery, The Living Gallery, Pelham Art Center and more. She has hosted art salons in private homes, and presented art with fairs in NY and Miami including: Volta, Scope, Pulse, Prizm, Fountain, Flux Harlem, Figment NYC, Select Miami and Alt-Break. She has been a guest judge for Curate NYC, the Bombay Sapphire Artisan Series, Art Slant NYC, and The Alexander Rutsch Award. She has been an educator with The Love Yourself Project, Brooklyn Art incubator, Alliance of Visual Arts, Pelham Art Center and more. She is often a guest speaker on panels for many topics within the art realm. She is also a current member of Art Table, and multiple Hudson Valley art organizations.

Anki King

Meeting (2020)

Mixed Media on Paper

25.5 x 19.5"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Anki King

Kneeler (2020)

Mixed Media on Paper

12.5 x 10"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Anki King

Letter (2020)

Mixed Media on Paper

26 x 20"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Anki King

Leaves (2021)

Oil on Canvas

78 x 60"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Anki King

White (2011)

Oil on Canvas

88 x 75"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Anki King

Wrap (2021)

Oil on Board

12 x 19"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Anki King

Two Figures (2021)

Oil on Canvas

22 x 23"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Anki King

One Figure (2021)

Oil on Canvas

21 x 22"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Anki King

Untitled (2021)

Oil on Canvas

26 x 37"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Anki King's creative process is that of meditation. The artist will often cut a random piece of canvas, staple it to the wall and prepare it, then sit and wait until the idea for a painting reveals itself. In mindful quietness, she discovers imagery through colors and lines. Despite the physicality of her process using big brushes and large canvases, the imagery that appears are figures that have a stillness. They seem to be in a stasis where the world is moving past them, but they will be there, waiting for the world to slow down enough to meet them.

"I paint and sculpt life sized figures that act as symbols for feelings that can't accurately be described in words. They are characterized by the object symbols with which they share space. Each figure, or fragment of a figure, stands still in readiness for a charged meeting with the viewer. The viewing activates a series of responses, where identity is projected onto the faceless figure, similar to a reflection that offers the gazer another view of him/herself. This frees the narrative from being contained within the subject matter of the artwork and allows it to exist in the viewing space."

Elaine Lorenz

Depleted (2018)

Ceramic

51"h x 13"w x 13"d

Steel base .25"h x 14"w x 14"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Torsion (2019)

Ceramic

46"h x 12"w x 10"d

Steel base .25"h x 14"w x 14"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Pulsation (2019)

Ceramic

58"h x 10"w x 8"d

Steel base .25"h x 14"w x 14"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Inflamed (2020)

Ceramic with Acrylic Wash

62"h x 12"w x 8"d

Steel base .25"h x 14"w x 14"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Spiraling Down (2020)

Ceramic

44.5"h x 13.5"w x 11"d

Steel base .25"h x 14"w x 14"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Turbulence (2020)

Ceramic

58"h x 15"w x 11"d

Steel base .25"h x 14"w x 14"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Empty Promise (2016)

Ceramic, oxide stains, wood, steel

25"h x 18"w x 13"d

Steel base .25"h x 17"w x 15"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Bristled Beauty (2018)

Ceramic, oxide stain

18"h x 13"w x 12.5"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Unfolding (2019)

Ceramic

10.5"h x 13"diameter

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Premonition (2020)

Ceramic, oxide stain

30.5"h x 5"w x 5"d

Steel base 0.25"h x 10"w x 10"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Flourish (2019)

Ceramic, acrylic and wax stain

8"h x 15"w x 15"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Lonely Shell (2018)

Stoneware clay, Oxide stain

14"h x 6.5"w x 4.5"d

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Elaine Lorenz

Tortuga (2018)

Stoneware clay, Oxide stain

13.25"h x 10"w x 5"d Each

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

The work of Elaine Lorenz has always been connected to the earth and the natural beauty that has been given us. Much of her art practice revolves around referencing the natural world-various types of vegetation, rock formations or animals-in an abstract way. The artist sees inspiration in everything from the grandeur of all-encompassing landscapes visited in her travels, to the small green sprout appearing from the winter's rest or a mushroom popping up through asphalt in her neighborhood. The uplifting forces, the perseverance and the endangerment of the natural world are all contemplated in the artist's sculptures.

Howard Nathenson

Skylands

Oil on canvas

48 x 48"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Howard Nathenson employs a variety of traditional media and disciplines of traditional and contemporary art. The artist is concerned with how natural forms transcend mere objects and become spiritually and psychologically relevant to both the viewer and himself. In the painting process, imagery becomes the artist's world where objects such as trees, clouds, rocks, water and mountains take on a life of their own.

Howard Nathenson

Rolling

Oil on canvas

48 x 48"

This artwork is available for purchase from the exhibition Meditations curated by Susan Nathenson.

Sales tax is included in the price of the artwork.

Howard Nathenson employs a variety of traditional media and disciplines of traditional and contemporary art. The artist is concerned with how natural forms transcend mere objects and become spiritually and psychologically relevant to both the viewer and himself. In the painting process, imagery becomes the artist's world where objects such as trees, clouds, rocks, water and mountains take on a life of their own.