Photograph by Joe Conzo Jr.

Image Title: Dancers

Paper Dimensions (H x W): 15.5x20

Image Dimensions (H x W): 12x17

Year Created: 1981

Signed on lower left corner with embossed Born In The Bronx stamp

Exclusive run for 1XRUN.com

Image Description: 3rd Ave Hub, Bronx 1981

Photographer's Bio: Born and raised in the Bronx, Joe Conzo Jr. was deeply involved growing up in the cultural and political experiences of South Bronx community activism, and New York's Puerto Rican cultural music scene. These two vivid realities would have a profound effect on how he viewed his environment through the lens of a camera. His seminal work on hip hop culture was featured in Henry Chalfant's film From Mambo to Hip Hop: A South Bronx Tale, and he co-authored, with New York musicologist and curator Johan Kugelberg a book on hip hop culture, Born In The Bronx: A Visual Record of the Early Days of Hip Hop. The book received worldwide acclaim and the entire collection of images featured in the publication became part of a permanent archive housed at Cornell University. The Cornell Hip Hop Collection is in the process of digitizing all his work and will be the permanent home for all Conzo's photographic images.

Www.joeconzo.com

Photograph by Doug Menuez

Image Title: Tequileros Making Tequila

Paper Dimensions (H x W): 19x22

Image Dimensions (H x W): 17x13

Medium: Archival Inkjet Print

Year Created: Created 2001, Printed 2021

Image Description: Throughout Mexico's complicated, often violent history, one drink, an ancient sacrament and gift from the gods, has remained a constant in the culture: tequila. Blue Agave, the source of tequila, has been cultivated, fermented and enjoyed for over 9000 years. Over time many traditions and rituals were born, later incorporated into and modified by conquering cultures. It was in the 1500s that the Spaniards applied their brandy distillation technology to fermented agave juice to create what we call tequila.

This photograph was taken at one of the oldest distilleries in Mexico, where they still produced tequila using naked "tequileros" and methods handed down from pre-Columbian Indians.

Photographer's Bio: Menuez has worked covering stories as a photojournalist for The Washington Post, Time, Newsweek, LIFE, USA Today, Fortune and many other publications. He has explored such subjects as the homeless crisis, the Ethiopian famine, the Oakland drug wars, the Olympics, and the AIDS crisis. His work recording the rise of Silicon Valley from 1985-2000, resulted in his book Fearless Genius: The Digital Revolution in Silicon Valley 1985-2000,, an Amazon Photo Book #1 Bestseller. His many awards and honors include the Kelly Awards, the AOP London, the Epson Creativity Award, and the International Photography Awards. His work has been exhibited in solo and group shows in Asia, Europe and the US, and is held in many private collections.

https://menuez.com/

Photograph by Iva Zimova

Image Title: The Forgotten Czechs of the Banat

Paper Dimensions (H x W): 16x20

Image Dimensions (H x W): 12x18

Medium:

Year Created: 1992

Inkjet printed signature on bottom right

Image Description: This photo is from a series of photographs dedicated to the isolated Czech communities in Romania's Banat region. The lifestyle of these communities, isolated from both Romanian culture and the rest of the world, is no different than what settlers lived 200 years ago. "This photo was taken in a local restaurant in the village of Eibenthal. I saw an elderly couple and a young boy holding their grandmother's dress tenderly. I pressed the button and froze the precise moment when their hands revealed the relationships between them."

Photographer's Bio: Iva Zimova, born in Czechia, immigrated to Canada in 1982. In 1992 she was awarded the Canada Council Grant to photograph Czech minorities in Romania. Her work has been exhibited internationally in Canada, the United States, China, Ukraine, Mexico, Jordan, Ethiopia, Turkey, Czech Republic and Russia.

Photograph by Rodrigo Abd

Image Title: Oil Fisherman

Paper Dimensions (H x W): TBD

Image Dimensions (H x W): TBD

Year Created: 2019

Image Description: Fishermen get ready to start a new work day in crab fishing in Maracaibo lake, Cabimas, Venezuela.

Prized oil wealth once pumped from Venezuela's Lake Maracaibo has turned the vast body of water into a polluted wasteland as boom turns to bust. Nobody lives as closely with the environmental fallout as hundreds of crab fishermen who scratch out an existence on its perpetually oil-soaked shores. Production in Venezuela has crashed to a fifth of its high two decades ago, leaving behind abandoned and broken equipment.

This picture was made with an ancient wooden box camera where the photo development process is carried out within the same box.

Photographer's Bio:

Rodrigo Abd was born in Buenos Aires, Argentina, and since 2003 has been a staff photographer for the Associated Press based in Guatemala. He has worked on AP special assignments covering stories from political turmoil in Bolivia to the 2010 earthquake in Haiti to political conflict in Libya. Abd, along with fellow AP photographers, Manu Brabo, Narciso Contreras, Khalil Hamra, and Muhammed Muheisen, were awarded the 2013 Pulitzer Prize for Breaking News Photograph for his gripping work covering the Syrian civil war.

www.Rodrigoabd.com

Photograph by Daniella Zalcman

Image Title: Ivory Gull

Paper Dimensions (H x W): 12x12

Image Dimensions (H x W): 10x10

Year Created: 2020

Image Description: An ivory gull perches on an iceberg off the northern coast of Greenland. The gulls live exclusively in the Arctic, and are currently classified "near threatened." The sea ice is one of their primary breeding grounds, and as Arctic sea ice declines, so do their population numbers.

Photographer's Bio:

Daniella Zalcman is a Vietnamese-American documentary photographer based in New Orleans. She is a multiple grantee of the Pulitzer Center on Crisis Reporting, a fellow with the International Women's Media Foundation, a National Geographic Society grantee, and the founder of Women Photograph, a non-profit working to elevate the voices of women and nonbinary visual journalists. She is a member of the board of trustees of the W. Eugene Smith Memorial Fund and the board of directors of the ACOS Alliance.

www.dan.iella.net

Photograph by Coco McPherson

Image Title: Coney

Paper Dimensions (H x W):

Image Dimensions (H x W):

Medium: 35mm Color Negative Film

Year Created: 2020

Image Description: This 35mm photograph was made in Coney Island in the summer of 2020, as New Yorkers seeking relief from the heat and the isolation of the pandemic cautiously returned to "the People's Playground."

Photographer's Bio: Coco McPherson is a reporter and photographer with bylines in Gothamist, Fast Company, Five Journal, Rolling Stone, Vibe, and The Village Voice, where she was also a weekly columnist. Her ongoing documentary projects examine political agency, environmental justice and the impacts of the climate crisis on vulnerable coastal communities in New York City. Her photographs have been exhibited at Photoville 2021, at the Bronx Documentary Center, in San Francisco,and at galleries including PC4 Gallery and Urban Studio Unbound.

www.cocomcpherson.com

Photograph by Johis Alarcón

Image Title: Walking Together

Paper Dimensions (H x W): TBD

Image Dimensions (H x W): TBD

Year Created: 2020

Image Description: This photograph is part of my work for the 2020 Joop Swart Masterclass World Press Photo exploring the world of Ecuador's indigenous new generation as a rebirth without fear of colonialism. It describes the youth that decided to stay in their land, with their family, and develop a lifestyle that combines modernity and ancestral knowledge, showing us possible ways of living in harmony with nature and ourselves.

Photographer's Bio: Johis Alarcón is a freelance photojournalist and visual storyteller based in Ecuador.

She has been selected for a Photography and Social Justice Fellowship Magnum Foundation (2021), Joop Swart Masterclass World Press Photo (2020), FotoEvidence Book Award for COVID LATAM (as a member of this collective of photojournalists covering Covid-19 in Latin America) (2021), and was a 2020 grantee of the Open Society and Gabo Foundation's fund for investigations and new narratives on drugs (2020), among many other recognitions.Her work has been published in The New York Times, Bloomberg, Volkskrant, and Reuters, among others.

www.johannaalarcon.com

Photograph by Ken Light

Image Title: Mr. Bucklesy, Shelby, Mississippi, 1990

Paper Dimensions (H x W): 11 x 14inches

Image Dimensions (H x W): 10 x 12inches

Medium: Gelatin Silver Print

Year Created: 1990

Edition #52 of 70

Signed on verso

Image Description: Mr. Bucklesy, Shelby, Mississippi, was a portrait I made in the small rural town of Shelby Mississippi in the heart of the Delta. The image always spoke to me showing the deep, powerful and beautiful culture and Mr. Bucklesy's style and the dignity and pride he effused. My book, Delta Time, published by the Smithsonian Institution Press in 1994, looks at rural Black poverty, cotton and the southern landscape with an essay by the legendary civil rights organizer Bob Moses.

Photographer's Bio: Ken Light has exhibited internationally in over 225 one-person and group shows, including one-person shows at the International Center for Photography, the Oakland Museum of California, the San Jose Museum of Modern Art, Visa pour L'image Perpignan (France), International Fotoage (Germany), Yerba Buena Center S.F. and Smith College. His work is part of collections at the San Francisco MOMA, the Houston Museum of Fine Arts, the International Center of Photography and the American Museum of Art at the Smithsonian, among many others. He is the Reva and David Logan Professor of Photojournalism and curator of the Center for Photography at the Graduate School of Journalism at the University of California Berkeley.

https://www.kenlight.com/

https://www.kenlight.com/

Photograph by Eugene Richards

Image Title: Rte42. Twist, Arkansas

Paper Dimensions (H x W): 13" x 19"

Image Dimensions (H x W): 11.25 x 16.875

Year Created: 2019

Image Description: Rte. 42 in Twist, Ark., is one of many towns that comprise the Arkansas Delta. Photographer Eugene RIchardsnoticed a migration from the area. "It's not the massive migration that we all know, huge numbers of people leaving the Delta for Chicago and the cities," he said. "Mainly, the farm work was gone. And to this day, the manufacturing is gone."

Photographer's Bio: Eugene Richards, photographer, writer, and filmmaker, was born in Dorchester, Massachusetts in 1944. After graduating from Northeastern University with a degree in English, he studied photography with Minor White. In 1968, he joined VISTA, Volunteers in Service to America, a government program established as an arm of the so-called" War on Poverty." Following a year and a half in eastern Arkansas, Richards helped found a social service organization and a community newspaper, Many Voices, which reported on black political action as well as the Ku Klux Klan. Photographs he made during these four years were published in his first monograph, Few Comforts or Surprises: The Arkansas Delta.

Upon returning to Dorchester, Richards began to document the changing, racially diverse neighborhood where he was born. After being invited to join Magnum Photos in 1978, he worked increasingly as a freelance magazine photographer, undertaking assignments on such diverse topics as the American family, drug addiction, emergency medicine, pediatric AIDS, aging and death in America. In 1992, he directed and shot Cocaine True, Cocaine Blue, the first of seven short films he would eventually make.

Richards has published seventeen books. Exploding Into Life, which chronicles his first wife Dorothea Lynch's struggle with breast cancer, received Nikon's Book of the Year award. For Below The Line: Living Poor in America, his documentation of urban and rural poverty, Richards received an Infinity Award from the International Center of Photography. The Knife & Gun Club: Scenes from an Emergency Room received an Award of Excellence from the American College of Emergency Physicians. Cocaine True, Cocaine Blue, an extensive reportorial on the effects of hardcore drug usage, received the Kraszna-Krausz Award for Photographic Innovation in Books. That same year, Americans We was the recipient of the International Center of Photography's Infinity Award for Best Photographic Book. In 2005, Pictures of the Year International chose The Fat Baby, an anthology of fifteen photographic essays, Best Book of the year. Richards's most recent books include The Blue Room, a study of abandoned houses in rural America; War Is Personal, an assessment in words and pictures of the human consequences of the Iraq war; and Red Ball of a Sun Slipping Down, a remembrance of life on the Arkansas Delta.

www. eugenerichards.com

Photograph by Richard Sandler

Image Title: Subway Noir

Paper Dimensions (H x W): 11x14

Image Dimensions (H x W): 9x13

Medium: silver gelatin, fiber based, selenium toned print on graded ilford ilfobrom paper

Year Created: 1986

Edition 4/15

Signed on verso

Image Description: Subway Noir, NYC, 1986

Photographer's Bio: Richard Sandler is a street photographer and documentary filmmaker based in New York City. He has directed and shot eight non-fiction films, including "The Gods of Times Square," "Brave New York" and "Radioactive City." Sandler's still photographs are in the permanent collections of the Brooklyn Museum, the Center for Creative Photography (University of Arizona), the Houston Museum of Fine Art, the Museum of the City of New York, the New York Historical Society, and the New York Public Library. He was awarded a New York Foundation for the Arts fellowship for photography, a John Simon Guggenheim Foundation fellowship for Filmmaking, and a New York State Council on the Arts fellowship for Filmmaking. His book The Eyes of the City was published in 2017.

http://www.richardsandler.com/

Photograph by Andrea Bruce

Image Title: Snowy Walk

Paper Dimensions (H x W): TBD

Image Dimensions (H x W): TBD

Year Created: 2002

Image Description: People tend to think this photo was taken someplace remote, but it was actually taken on the Mall in Washington, DC, during a snowstorm.

Photographer's Bio: Through documentary photography, Andrea Bruce brings attention to people living in the aftermath of war. She is a co-owner and member of the photo agency NOOR. She has chronicled the world's most troubled areas as a staff photographer for The Washington Post., focusing on Iraq from 2003 to the present. Her awards include top honors from the White House News Photographers Association (where she has been named Photographer of the Year four times), several awards from the International Pictures of the Year contest, and the prestigious John Faber award from the Overseas Press Club in New York. She has also been a finalist for The Aftermath Project grant and a 2011 recipient of the Alicia Patterson Foundation Fellowship. In 2012, she was the recipient of the first Chris Hondros Fund Award for the "commitment, willingness and sacrifice shown in her work."

Photograph by Mitch Epstein

Image Title: Weeping Beech, Woodlawn Cemetery, Bronx 2011

Paper Dimensions (H x W): 14x11

Image Dimensions (H x W): 10x8

Medium: selenium-toned gelatin-silver print on Ilford warm tone paper

Year Created: 2011

Signed on verso

Image Description: This image is from "New York Arbor," a series of photographs of idiosyncratic trees that inhabit New York City; these pictures underscore the complex relationship between trees and their human counterparts. Rooted in New York's parks, gardens, sidewalks, and cemeteries, some trees grow wild, some are contortionists adapting to their constricted surroundings, and others are pruned into prized specimens. Many of these trees are hundreds of years old and arrived as souvenirs and diplomatic gifts from abroad. As urban development closes in on them, New York's trees surprisingly continue to thrive. The cumulative effect of these photographs is to invert people's usual view of their city: trees no longer function as background, but instead dominate the human life and architecture around them.

Photographer's Bio: Mitch Epstein, a photographer for over 50 years, helped pioneer fine-art color photography in the 1970s. His photographs are in numerous major museum collections, including New York's Museum of Modern Art, Metropolitan Museum of Art, and Whitney Museum of American Art; the J. Paul Getty Museum in Los Angeles; the San Francisco Museum of Modern Art; and the Tate Modern in London. His fifteen books include two recent volumes--Property Rights and In India, Family Business, winner of the 2004 Kraszna-Krausz Photography Book Award--and many others. Epstein was inducted into the National Academy of Design and has won the Prix Pictet, the Berlin Prize in Arts and Letters and a Guggenheim Fellowship.

https://mitchepstein.net/

Photograph by Henry Chalfant

Image Title: VTB (Very Tough Breakers) Busk on Broadway and 95th St. 1984

Paper Dimensions (H x W): 10 1/4"x15"

Image Dimensions (H x W): 9 1/4"x 14"

Year Created: Photo taken in 1984 and printed in 2021

Sign on lower right

Image Description: Some members of Rock Steady Crew lived in the neighborhood and they were mentors to the younger kids, who formed their own crew.

Photographer's Bio: Henry Chalfant is best known for his photography and film documentation urban youth culture. His photographs of New York's subway paintings record hundreds of ephemeral art works that have long since vanished. He has co-authored the definitive account of New York graffiti art, Subway Art (Holt Rinehart Winston, N.Y. 1984) and a sequel on the art form's world-wide diffusion, Spraycan Art (Thames and Hudson Inc. London, 1987).

In 1983, Chalfant co-produced the PBS documentary, Style Wars, the highly considered documentary about Graffiti and Hip Hop culture . In 1993 he and Rita Fecher directed Flyin' Cut Sleeves, a portrayal of 5 street gang presidents in the Bronx. His film From Mambo to Hip Hop was featured in the Latino Public Broadcasting series, Voces in 2006-2007, and won an Alma Award for Best Documentary.

Photograph by Andrea Hernández Briceno

Image Title: Choroní

Paper Dimensions (H x W): 26x26

Image Dimensions (H x W): 24x24

Medium: Kodak Portra 400 Film

Year Created: 2021

Image Description: View of the Choroní Caribbean coast in Venezuela on January 30, 2021.

Photographer's Bio: Andrea Hernández Briceno is a Venezuelan photographer, journalist and National Geographic Explorer based in Caracas. She is an ICP alumna, an IWMF Adelante Fellow, National Geographic Summit Speaker (2021) and member of the all-women collective Ayün Fotógrafas. She works with international publications and her interests revolve around everything that touches the social sphere in Latin America and the Caribbean.

www.andreahb.com

Photograph by Michael Kamber

Image Title: Early Morning House Raids, Balad, Iraq

Paper Dimensions (H x W): 13x19

Image Dimensions (H x W): 10x15

Medium: Archival Digital Inkjet Print

Year Created: 2003

Edition #2 of 25

Signed on lower right

Image Description: School girls watch from their door as troops from the 4th Infantry Division carry out raids on homes in Balad, Iraq following attacks on American troops in the area.

Photographer's Bio: Mike Kamber, co-founder of the BDC, worked as a photojournalist and conflict photographer for 25 years, covering a dozen conflicts around the world for 12 years for The New York Times. As one of the first journalists to routinely file photography, video and written articles from overseas, he helped pioneer the use of multimedia in journalism. His photos have been published in nearly every major newspaper and magazine in the US and Europe. A former Revson Fellow at Columbia University, Kamber has won a World Press Photo award and been nominated three times for the Pulitzer Prize. In 2012, he published Photojournalists on War: The Untold Stories from Iraq.

Photograph by Fred Ramos

Image Title: Maya Wedding

Paper Dimensions (H x W): 12 x 15 inches

Image Dimensions (H x W): 11 x 14 inches

Medium: Digital Inkjet Print

Year Created: 2019

Image Description: Wedding of Gladis Rash, 18, and Alexander Caal, 22, in Las Munecas village, Guatemala. June 2019.

Photographer's Bio: Fred Ramos is a prize-winning photographer who works throughout Central America and Mexico. He started his career as a graphic designer and switched to journalism in an effort to understand and tell human-driven stories about the violence, poverty, and migration experiences that surrounded him. His work has been published in El Faro, The New York Times, The Washington Post, Bloomberg, Huck Magazine, Internazionale, and Time magazine.

www. fred-ramos.com

Photograph by Susan Meiselas

Image Title: Liberty Plaza, New York City, September 11, 2001

Paper Dimensions (H x W): 11x14

Image Dimensions (H x W): 9 x 13 3/8

Year Created: 2001

Signed en verso

Image Description: Liberty Plaza, New York City, September 11, 2001, is one from the series of photographs that Susan Meiselas shot in the aftermath of the terrorist attacks on the World Trade Center. This image features the statue named "Double Check" by John Seward Johnson II.

Photographer's Bio: Susan Meiselas is a renowned documentary photographer and member of Magnum Photos, based in New York. She is the author of Carnival Strippers (1976), Nicaragua (1981), Kurdistan: In the Shadow of History (1997), Encounters with the Dani (2003), among others. Meiselas is well known for her documentation of human rights issues in Latin America. She is the President of the Magnum Foundation.

www. susanmeiselas.com

Photograph by Marco Breuer

Image Title: Untitled (C-1365)

Paper Dimensions (H x W): 14 1/2" x 11 1/2"

Image Dimensions (H x W): 14 1/2" x 11 1/2"

Medium: Chromogenic Paper, folded/burned

Year Created: 2013

Signed, Titled and Dated Verso in Pencil

Image Description: Marco Breuer's Silent Speed series brings together interconnected groups of work and features both black and white and color works, as well as polaroid sequences and collages. Between silhouettes, logos or shadows, the work takes form through a process of subtraction, by which emulsion is removed to reveal the substrate of the paper.

Photographer's Bio: Marco Breuer, a German photographer, consistently challenges the conventions of photography by eschewing the use of camera, film and negative in favor of directly interacting with material and process. Breuer coaxes a vivid range of colors and textures from his materials by subjecting photographic paper to various forms of manipulation by hand, including burning, folding, scratching, sanding and scraping the surface, often down to the white of the paper. The results of his investigations are abstract, one-of-a-kind photographs that record their own evolution through an accumulation of physical marks.

Photograph by Jesus Emmanuel

Image Title: Fher, Moving Away

Paper Dimensions (H x W): 14x11

Image Dimensions (H x W): 9½ x12½

Medium: Silver Gelatin Print

Year Created: 2017

Image Description: A portrait of my neighbor Fher Carranza in University Heights, sitting by my window and contemplating a view of the Bronx.

Photographer's Bio: Jesus Emmanuel is a native Puerto Rican artist who decided to pursue photography after he became an amputee after an accident in 2010. He is a member of the Bronx Photo League at the Bronx Documentary Center and is a portrait photographer. Jesus has created photographic work documenting social issues affecting his Bronx community, as well as his hometown in Puerto Rico. Together with the Bronx Photo League, his work was in the exhibition and book Jerome Avenue Workers Project in 2015. His project in Puerto Rico, Mi Escuelita Yo La Quiero con Amor, which was published by The New York Times Lens Blog in 2016.

www.instagram.com/jesusemmanuelphotography

Photograph by Victor Blue

Image Title: Taliban Prayers

Paper Dimensions (H x W): TBD

Image Dimensions (H x W): TBD

Medium: Archival Inkjet Print

Year Created: 2021

Image Description: Fighters loyal to Taliban commander Qari Salahuddin say their evening prayers at their temporary base in one of the homes belonging to Abdul Rashid Dostum, a notorious Afghan warlord who fled the country, on September 7, 2021. I made this picture three weeks after the fall of Kabul to the Taliban. I arrived in Afghanistan mid summer, and made the decision to stay as the Taliban rapidly took over the country, one of the few western journalists to do so. This picture was made in the home of a brutal warlord, Abdul Rashid Dostum, who fled the country and these Talibs had occupied it.

Photographer's Bio: Victor J. Blue is a New York based photojournalist whose work is most often concerned with the legacy of armed conflict, human rights, the protection of civilian populations, and unequal outcomes resulting from policy and politics. He covers national and international news stories for major newspapers and magazines, shoots documentary photo projects that accompany the conflict in Afghanistan and post-conflict Guatemala, and maintains a personal documentary practice that spans decades.

His photographs have appeared regularly in The New York Times, as have been published in The New Yorker, Harpers Magazine, The New York Times Magazine, Smithsonian Magazine, The Wall Street Journal, The San Francisco Chronicle, among other publications, and on The Discovery Channel and The History Channel. He has earned a total of 7 Pictures of the Year International awards and 5 National Press Photographers Association Best of Photojournalism awards, among other awards and citations.

http://www.victorblue.com/

Photograph by Kyle Meyer

Image Title: Untitled

Paper Dimensions (H x W): Approximately 13 1/4" x 11"

Image Dimensions (H x W): Approximately 13 1/4" x 11"

Year Created: 2020

Signed and Dated Verso in Ink

Image Description: For the series Interwoven, Meyer addresses eSwatini's (formerly Swaziland) hyper-masculine culture by photographing men and its LGBT community. The artist created unique fabric headwraps, and hand-shredded each photographic print and the fabric from the wrap, weaving them together to create a three-dimensional work that both conceals and reveals the subject's identity. This artwork is a weaving of two pages taken from the press printing of the artist's book Interwoven and combines together the portraits of two subjects.

Photographer's Bio: Kyle Meyer is an American multidisciplinary visual artist. He was awarded the Mortimer B. Hayes Brandeis traveling fellowship in 2009, which led him to Southern Africa where he has been working on several long-term projects focusing on LGBT rights, HIV awareness, and ritualistic religious practices. He has taken his experiences in this culture and created, through sculpture, performance, and photography a diverse body of work on gender, sexuality, and life and death.

https://www.thekylemeyer.com/

Photograph by Lisa Kahane

Image Title: Lady Pink, Times Square, 1983

Paper Dimensions (H x W): 11" x 14"

Image Dimensions (H x W):9" x 12

Year Created: Shot in 1983 and created in 2021

Signed on lower right

Image Description: Kahane captured the iconic graffiti artist, and painter, Lady Pink, from the years 1979-1985. In 1982 she had a starring role in the motion picture Wild Style. That role and her other significant contributions to graffiti have made her a cult figure in the hip-hop subculture.

Photographer's Bio: Lisa Kahane is a politically engaged documentary photographer, author and educator currently living and working in the Bronx. Her photographs have been exhibited at the Smithsonian's National Museum of American History, El Museo Nacional de Bellas Artes in Havana and the Institute of the Arab World in Paris. Her documentation of art and artists appears in contemporary art histories and is archived in the Fales Library at NYU and the Library of Congress. She publishes worldwide in trade and consumer magazines, newspapers and books. Her photographs are in private collections as well as the permanent collection of the New York Public Library and the Museum of the City of New York.