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Still Life

1

Closed

Donna Godlove

$1000

2

Closed

Christine Chavis

$300

10

Closed

Robert Hoffman

$200

15

Closed

Lee Boot

$800

20

Closed

Jaejoon Jang

$70

32

Closed

Matthew McLaughlin

$400

36

Closed

Nathaniel S. Badder

$200

Baltimore Birds

"Decorative wall hanging spelling out BALTIMORE, using letters exclusively from Charm City and with a special nod to the city's favorite birds - the Orioles and Ravens. Specifically:

B - Window, Butchers Hill
A - Crosswalk, Federal Hill
L - Dock, Fells Point
T - Clothesline, Highlandtown
I - Fencepost, Hampden (and it says Maryland on it!)
M - Ladder, Inner Harbor
O - Natty Boh Tower, Brewers Hill
R - "Parking spot saver," Butchers Hill
E - Decorative metal work, Canton

Each "letter" is framed individually (8"" x 10"") and mounted to a single backing, so that it can be easily hung.

Approximate size is 6' wide x 10? tall."

43

Closed

Syeda Rahman

$400

50

Closed

Dottie Campbell

$200

67

Closed

Emily Ressler

$80

88

Closed

Tyler Yvette Wilson

$1900

104

Closed

MAHSA R FARD

$500

109

Closed

Susan Picard

$155

117

Closed

Jane Huie

$130

119

Closed

Anne Painter

$75

123

Closed

Pat Lang

$350

134

Closed

Bonnie Zuckerman

$250

139

Closed

Sarabel Santos-Negron

$250

146

Closed

Sara Joshi

$25

147

Closed

Bonnie Schupp

$200

163

Closed

Teresa Duggan

$60

164

Closed

Nicole Freeh

$50

178

Closed

Chandi Kelley

$500

191

Closed

Mya Heavener

$300

217

Closed

Andrea Hunt

$100

220

Closed

Ileana Hernandez

$900

Extreme White
Canvas Print with Glow in the Dark Paint, 2018, 24"H x 36"W x 1.5"D.
In "Extreme White" (2018), a white gun is photographed on a white background, leaving little distinction between where the gun stops and where the white background begins. The gun has been painted with glow-in-the-dark paint, in darkness the white background turns black and the gun becomes electric green. When this work is installed in an exhibition, it is labeled so that the materials used are available for the viewers to recognize. However, viewers are unable to experience the work in darkness, because the effect of the glow-in-the-dark paint is blocked by the lights in the gallery. The intention of this work is to offer the viewer the opportunity to scrutinize white privilege. "Extreme White" (2018) is a piece that might look obvious and simply at first glance, but it is also a piece in which the viewers are blocked the opportunity to appreciate all the characteristics it offers. By not allowing viewers to see how the work transforms but letting them know that I does, I give them a disadvantage, and trigger the audience to think about how white privilege feels like.