"Mano Po" speaks directly to lineage and respect-an intimate gesture that connects generations through touch. The act of bringing an elder's hand to one's forehead is simple, yet deeply symbolic: it is a quiet acknowledgment of wisdom, humility, and gratitude. In this piece, that fleeting moment is held still, allowing its emotional weight to surface-revealing how such a small gesture can carry the depth of an entire cultural philosophy.

As an immigrant, these rituals take on an even more profound meaning. Distance can blur language, customs, and familiarity, but gestures like mano po remain anchored in the body, instinctive and enduring. They become a way of preserving identity across borders, a physical link to family, ancestry, and the values that continue to shape who we are. Through this work, I reflect on how respect is not only taught but embodied-passed down through generations, sustained through memory, and kept alive through practice.

"Grabe Ang Init" is playful at first glance, but beneath the humor lies a deeper tribute to strength, care, and authority within the Filipino household. The fan-so often used to cool the body in moments of heat-takes on a dual meaning here. It becomes an extension of the matriarch: ever-present, attentive, and commanding when needed. With a single motion, it can soothe, signal, or correct-embodying both tenderness and discipline.

In many Filipino families, women carry the weight of preserving structure, culture, and emotional balance. This piece honors those quiet acts of leadership-the unspoken rules, the watchful eyes, the gestures that kept everything in order. The fan, in this context, transforms from an everyday object into a symbol of resilience and authority, representing the women who held families together through warmth, sacrifice, and unwavering love.

"Tsibog" is pure nostalgia-an intimate return to the rituals that ground us. Eating with our hands-kamayan-is more than a way of sharing food; it's a language of connection, of presence, of trust. It invites us to slow down, to feel, to remember. In every shared meal, there is comfort and resilience-a quiet testament to survival and the ways we carry home within us. For immigrants, these moments become even more vital, a bridge between where we've been and where we are, nourishing not just our bodies but our sense of identity and belonging.

"Tumbang Preso" (toom-BAHNG PREH-so), meaning "fallen prisoner," was a cherished childhood game that consumed hours of our days-until sunset or until someone got hurt. Fiercely competitive, it remains a vivid part of my youth and inspires this painting, where I explore the intersections of memory, identity, and cultural history through a personal lens.

Though its exact origins are unclear, Tumbang Preso is believed to have emerged during the Spanish colonial period in the Philippines, shaped by both indigenous traditions and colonial influence. In this work, I center the condensed milk can we favored for its sturdy form-often a "Liberty Condensada" tin, branded with imagery that reflects colonial ideals of beauty. The game also relied on tsinelas (slippers), another colonial-era introduction that came to symbolize social status. These everyday objects, once part of play, now carry layered meanings-serving as quiet markers of history, resilience, and the complexities of cultural inheritance.

An entryway overflowing with slippers and shoes was a sure sign that a home was full of love, family, friends and YES - food. Arriving at the door, we'd leave our footwear outside and call out a casual "Tao Po!" ("We're Here!") before stepping in.

And that's where the tsinelas came in. Tsinelas were the slippers we wore around the house, a small but familiar part of everyday life. But there was one golden rule - never step inside with your outside slippers on! It was a simple ritual, but one that made the home feel like its own special world - a place where you could settle in, share a meal and stay awhile.

Though introduced during the Spanish era as a symbol of status, tsinelas became woven into Filipino home culture - transforming from footwear into something much more meaningful: a symbol of belonging.

The Icelandic Poppy holds a special place in my heart as the first paper flower I created after a long break from crafting that started when I moved from Japan to the US. It reconnected me with my passion for paper art. I periodically return to making poppies to measure my growth as an artist. With this piece, Tri Color Poppies, I draw inspiration from my Japanese background, focusing on the power of simplicity.

Paper Craft, 11 in height x 7 in width x 5 in depth

As I expanded my art beyond crepe paper, I started experimenting with different paper mediums to find my own artistic voice. Sunny Marigolds is crafted from standard cardstock. However, its vibrant color and detailed, frilled petals draw people in. It brings me so much joy to see people pick this arrangement as a thoughtful gift for someone special.

Paper Craft, 8 in height x 4 in width x 4 in depth

This piece reflects my core philosophy as a paper artist, inspired by Ruth Asawa's learning at Black Mountain College: I do not force a material to change, but instead listen to what makes it special and let its natural character guide the form. This white-dotted paper captivated me for a long time, but it took time to find the right use for it. When creating a bougainvillea arrangement, I realized this paper was perfect. Its wax-coated dots offer flexibility and capture the delicate, paper-thin nuance of bougainvillea petals.

Mixed media, 6.5 in height x 6 in width x 2.5 in depth

This is an innovative functional piece: reed diffuser sticks topped with handcrafted paper flowers. The petals are made of water-resistant stone paper, so they never droop or fade from absorbing oil, while the absorbent paper core delivers a rich, steady scent. It is a unique design built for both style and utility. (Includes diffuser oil, ready to use).

Mixed Media, 8 in height x 4 in width x 2 in depth

I designed this original bulb-shaped ear cuff to contour comfortably around the back of the ear. It requires no piercings and pairs effortlessly with glasses or other earrings. The weightless design features a handcrafted dotted paper ornament that sways gently as you move.

Mixed Media, 6.69 in height x 10.63 in width x 3.54 in depth

Vibrant handcrafted paper bouquet featuring multi-layered marigolds in warm shades of yellow, orange, and maroon. Accented with detailed green stems and foliage for a long-lasting, joyful home decor.

Paper Craft, 17 in height x 4.5 in width x 4.5 in depth

A handcrafted paper rose bouquet featuring sculpted blooms in soft blush pink and rich deep red, accented with dark green leaves. Each petal is carefully shaped to capture the natural grace of a rose in full bloom, offering a timeless botanical piece that never fades.

Paper craft, 17 in height x 4.5 in width x 4.5 in depth

Handcrafted paper ornaments made with floral patterns, colorful ribbon trim, and gold bead details. Comes ready to hang with a baker's twine loop.

Paper Craft, 8.27 in height x 12.2 in width x 4.33 in depth

Add a touch of nature-inspired charm to your everyday look with these handcrafted leaf earrings. Lightweight and easy to wear, finished with secure lever-back hooks. Each earring has a handcrafted paper ornament featuring a pair of vibrant, green leaves.

Mixed Media, 6.69 in height x 10.63 in width x 3.54 in depth

Unique suncatchers made with glass prisms and crystals

mixed media, 3x8

Unique suncatchers made with glass prisms, crystals, and charms.

mixed media, 5x8

Unique suncatchers made with holographic prisms and glass prisms.

mixed media, 12x4

Physical prints of digital illustrations by Juang Studio, on cardstock

8.5 x 11

Geometric resin trays with holographic zodiac signs as goddesses

Mixed Media, 5x5

Graphic illustration print, printed on archival paper. I created this at time when I was deeply grieving the horrors of our country, and remembered that our grief and our tears carry wisdom. They connect us to our humanity and are needed. Instead of getting stuck by our grief, how can it move us towards creating change in our lives and our communities?

Graphic illustration print, printed on archival paper. Three AANHPI sisters connected through the stars. AANHPI women are so diverse in our beauty, going far beyond the east asian features of beauty that are often depicted to & of us. This piece represents the different skin tones and hair textures that weave and connect us together, intentionally leaning towards darker skin tones, as someone who was always criticized for my darker complexion growing up. AANHPI women often tell me this piece is one of art pieces they've been able to truly see themselves and their loved ones in.

A 7-crystal art piece, with each crystal representing & supporting the energetics of its corresponding chakra. The idea of energetic centers in the body can be found across multiple ancient cultures and religions, many of them rooted in Asian civilizations. While a lot of these spiritual practices and ideologies have been colonized and popularized in western spaces, there remains deep ancestral wisdom that we are connected to. This is a powerful grounding art piece to have in your space connect you to that wisdom within you.

Printed graphic illustration of the Year of the Fire Horse. This interpretation of the Fire Horse blends traditional Chinese elements with a modern style; it balances the masculine with the feminine; it embodies both elegance and power to symbolize the spirit of the Horse.

Originals are so hard to part with! Please enjoy these gouache watercolor pieces of my travels throughout the world. Inspired by intricate architecture, breathtaking landscapes, and colorful earth tones, I painted each piece with a lot of love, commitment to detail, and a goal of seeing the world with a whimsical eye.

Gouache watercolor and ink

These postcards are a "hello from San Francisco." Maybe you will recognize some of these famous landmarks, or perhaps you have some exploring ahead! From my favorite coffee shops, viewpoints, and places of solitude, I hope these postcards instill a sense of nostalgia, a spirit of gratitude, or an urge to adventure in our very beautiful city.

Prints of gouache watercolor and ink on hot pressed paper. 5x7.

These postcards are a "hello from San Francisco." Maybe you will recognize some of these famous landmarks, or perhaps you have some exploring ahead! From my favorite coffee shops, viewpoints, and places of solitude, I hope these postcards instill a sense of nostalgia, a spirit of gratitude, or an urge to adventure in our very beautiful city.

Prints of gouache watercolor and ink on hot pressed paper. 5x7.

Fine art (giclee) prints of watercolor on hot press paper. Limited SF Collection.

Prints of gouache watercolor and ink on hot pressed paper. 6x8.

Handcrafted bamboo coaster with exclusive watercolor print design by watercolorbyhan. Water resistant, heat resistant up to 100 degrees F

Bamboo + Cork, 4x4

4 handcrafted bamboo coasters with exclusive watercolor print design by watercolorbyhan. Water resistant, heat resistant up to 100 degrees F

Bamboo + Cork, 4x4

If you're an art lover and sticker collector, these are for you! Choose an assortment of stickers ranging from designs of food, drinks, SF landmarks, or representations of your hobby.