Chewy, 2022

Monotype

25.24 x 19.25 x 1.5 inches, framed

Fair Market Value: $600

Starting Bid: $420

Buy It Now: $900

AMBER EVE ANDERSON is a multidisciplinary artist who recently moved back to Omaha, Nebraska after more than twenty years. Her work considers the ways identity and behavior are informed by one's surroundings-both physical and virtual-and ranges from sculpture to drawing, poetry, and video. Anderson has exhibited throughout the US with reviews in the Washington Post, Hyperallergic, The Creator's Project, and BmoreArt. Anderson has received awards from the Foundation for Contemporary Art, the DC Commission on the Arts & Humanities, and the Maryland State Arts Council. She has completed residencies at Jentel in Banner, WY, Wagon Station Encampment in Joshua Tree, CA, the Kimmel Harding Nelson Center for the Arts in Nebraska City, and Pigment Sauvage in Montreal, Canada. She received her BFA from the University of Nebraska-Lincoln and her MFA from the Maryland Institute College of Art in Baltimore, MD.

Lens Direct, 2022

Monotype

25.24 x 19.25 x 1.5 inches, framed

Fair Market Value: $600

Starting Bid: $420

Buy It Now: $900

AMBER EVE ANDERSON is a multidisciplinary artist who recently moved back to Omaha, Nebraska after more than twenty years. Her work considers the ways identity and behavior are informed by one's surroundings-both physical and virtual-and ranges from sculpture to drawing, poetry, and video. Anderson has exhibited throughout the US with reviews in the Washington Post, Hyperallergic, The Creator's Project, and BmoreArt. Anderson has received awards from the Foundation for Contemporary Art, the DC Commission on the Arts & Humanities, and the Maryland State Arts Council. She has completed residencies at Jentel in Banner, WY, Wagon Station Encampment in Joshua Tree, CA, the Kimmel Harding Nelson Center for the Arts in Nebraska City, and Pigment Sauvage in Montreal, Canada. She received her BFA from the University of Nebraska-Lincoln and her MFA from the Maryland Institute College of Art in Baltimore, MD.

Mojave yucca / succulent & stiff, 2025

Paper lithograph print on stretched muslin

20 x 16 x 0.75 inches

Fair Market Value: $1,000

Starting Bid: $700

Buy It Now: $1,500

MADELINE CASS (b. 1993) is a multidisciplinary artist based in Lincoln, Nebraska, working across photography, poetry, artist books, painting, and drawing. Rooted in a monoculture state, her practice seeks out overlooked wildness and explores the quiet entanglements between art, nature, and humanity.

Cass earned a BFA in Studio Art (Photography) from the University of Nebraska-Lincoln in 2017. Her book how lonely, to be a marsh was exhibited at Fotobokfestival Oslo and is held in the libraries of MoMA, the National Gallery of Art, the Getty Research Institute, and MFA Houston. Her photography has appeared in The New York Times, The Washington Post, Wall Street Journal, and National Geographic.

Acting as a translator for the natural world, Cass fosters intimate, sensory dialogue with the landscape. Her work invites deeper ecological awareness by honoring the often unnoticed, offering alternative ways to understand our place within a shared, living world.

Yucca brevifolia / blooming sporadically, 2025

Paper lithograph print on stretched muslin

20 x 16 x 0.75 inches

Fair Market Value: $1,000

Starting Bid: $700

Buy It Now: $1,500

MADELINE CASS (b. 1993) is a multidisciplinary artist based in Lincoln, Nebraska, working across photography, poetry, artist books, painting, and drawing. Rooted in a monoculture state, her practice seeks out overlooked wildness and explores the quiet entanglements between art, nature, and humanity.

Cass earned a BFA in Studio Art (Photography) from the University of Nebraska-Lincoln in 2017. Her book how lonely, to be a marsh was exhibited at Fotobokfestival Oslo and is held in the libraries of MoMA, the National Gallery of Art, the Getty Research Institute, and MFA Houston. Her photography has appeared in The New York Times, The Washington Post, Wall Street Journal, and National Geographic.

Acting as a translator for the natural world, Cass fosters intimate, sensory dialogue with the landscape. Her work invites deeper ecological awareness by honoring the often unnoticed, offering alternative ways to understand our place within a shared, living world.

Interzone, 2024

Lithograph

25.5 x 33 x 1.5 inches, framed

Fair Market Value: $2,050

Starting Bid: $1,435

Buy It Now: $3,075

EVAN COLBERT is an artist and printmaker in Longmont, Colorado, who has been producing art since the 1990s.

"In my recent prints I attempt to create satisfying abstract visual compositions. Using a process I consider to be a bit like sketching, I produce monotypes by stacking layers of colors, patterns, forms, and arrays of circles or other shapes onto paper. I employ a variety of ink application techniques, mostly using a combination of plexiglass plates, photolithographic plates, and actual found objects such as perforated metal sheets, bubble pack, or corrugated cardboard. I use lithographic plates to add patterns, photocopies of objects, and other found imagery. I use my favorites, or elements from them, as inspiration for my lithographs, of which a dozen have been published in editions of twenty by Shark's Ink in Lyons Colorado. My prints can be found in various collections around the country."

Lost in Music, 2024

Lithograph

25.5 x 33 x 1.5 inches, framed

Fair Market Value: $2,050

Starting Bid: $1,435

Buy It Now: $3,075

EVAN COLBERT is an artist and printmaker in Longmont, Colorado, who has been producing art since the 1990s.

"In my recent prints I attempt to create satisfying abstract visual compositions. Using a process I consider to be a bit like sketching, I produce monotypes by stacking layers of colors, patterns, forms, and arrays of circles or other shapes onto paper. I employ a variety of ink application techniques, mostly using a combination of plexiglass plates, photolithographic plates, and actual found objects such as perforated metal sheets, bubble pack, or corrugated cardboard. I use lithographic plates to add patterns, photocopies of objects, and other found imagery. I use my favorites, or elements from them, as inspiration for my lithographs, of which a dozen have been published in editions of twenty by Shark's Ink in Lyons Colorado. My prints can be found in various collections around the country."

Slipping Off the Edge, 2025

Ink on Japanese paper, woodblock relief print

21 x 25 x 1.5 inches, framed

Fair Market Value: $1,550

Starting Bid: $1,085

Buy It Now: $2,325

BETH FEIN is an interdisciplinary artist who was grew up in the Hudson Valley and now lives in Berkeley, California. She works in her Oakland studio and has long been an artist-in-residence at KALA Art Institute in Berkeley. Her art practice includes installation, sculpture, printmaking, video, and performance. She has exhibited nationally and internationally, Her work is in the collections: the Yale University Library, the Oakland Museum of California, the San Francisco Art Commission, Taller Grafica Experimental, Havana, Nevada Art Museum, UC Berkeley Graphic Arts, Bradbury Art Museum and the Zuckerman Art Museum. Fein's public art project (2005-2016) was focused on making art accessible to everyone with no fee to participate and no charge to see a performance; as a means for change, community and an opportunity to find common ground. She has been received many awards as well as artist residencies in Cuba, Spain, Argentina, Switzerland, New York, Vermont and California.

Fires Burn Cold, 2025

Ink on paper, woodblock relief print

21 x 27 x 1.5 inches, framed

Fair Market Value: $1,550

Starting Bid: $1,085

Buy It Now: $2,325

BETH FEIN is an interdisciplinary artist who was grew up in the Hudson Valley and now lives in Berkeley, California. She works in her Oakland studio and has long been an artist-in-residence at KALA Art Institute in Berkeley. Her art practice includes installation, sculpture, printmaking, video, and performance. She has exhibited nationally and internationally, Her work is in the collections: the Yale University Library, the Oakland Museum of California, the San Francisco Art Commission, Taller Grafica Experimental, Havana, Nevada Art Museum, UC Berkeley Graphic Arts, Bradbury Art Museum and the Zuckerman Art Museum. Fein's public art project (2005-2016) was focused on making art accessible to everyone with no fee to participate and no charge to see a performance; as a means for change, community and an opportunity to find common ground. She has been received many awards as well as artist residencies in Cuba, Spain, Argentina, Switzerland, New York, Vermont and California.

You, I miss the most, 2020

Limited edition woodblock print

21.5 x 18.5 x 1 inches, framed

Fair Market Value: $2,000

Starting Bid: $1,400

Buy It Now: $3,000

LINN MEYERS is known for her intricate mark-making and immersive drawing installations. Her work has been the focus of solo exhibitions at prestigious museums including the Hirshhorn Museum, the Hammer Museum, and the Phillips Collection. With studios in Los Angeles and Washington, DC, meyers has established a distinctive voice in contemporary drawing and painting.

meyers's work has been exhibited and acquired internationally by institutions including the AmorePacific Museum of Art in Seoul, the Smithsonian American Art Museum in Washington, DC, the Drawing Center in New York, the Tokyo Metropolitan Art Museum, the British Museum, the Los Angeles County Museum of Art, the National Gallery of Art, and the Philadelphia Museum of Art, among others.

meyers's artistic practice has been recognized with honors, including the Pollock-Krasner Foundation Award, the Smithsonian Artist Research Fellowship, several DC Commission on the Arts fellowship awards, and the Anonymous Was a Woman Award.

Artist-in-Residence, 1999-2000

Cactus Heart, 2025

Silk screen on paper

23 x 22.5 x 1 inches, framed

Fair Market Value: $400

Starting Bid: $280

Buy It Now: $600

JILL NAHRSTEDT (b.1977 in Omaha, Nebraska) is an artist and curator living and working in Chicago. Nahrstedt's artistic practice encompasses a wide range of media including painting, printmaking, installation, and curation. Utilizing electric hues not often found in nature, her paintings and prints knit together memories of time and place.ââ'¬'Layers of figures and drips, cacti and pools, architecture and peonies, build up to replicate the depth of experience Nahrstedt draws from to create. A trajectory that passed through blue collar grit and the gray areas of loss spit her out on the other side to joy. Inspired by the ecstatic pleasure found in the most simple, she is propelled forward by the lush layers one can build over time and the desire to share them. Nahrstedt loves a visual journey and wants nothing more than for you to join her.

Part of Being Human, 2024

Silkscreen on vellum, Posca pen on acetate, wood frame, eyehook and fishwire

20 x 35 x 1.5 inches

Fair Market Value: $450

Starting Bid: $315

Buy It Now: $675

JILL NAHRSTEDT (b.1977 in Omaha, Nebraska) is an artist and curator living and working in Chicago. Nahrstedt's artistic practice encompasses a wide range of media including painting, printmaking, installation, and curation. Utilizing electric hues not often found in nature, her paintings and prints knit together memories of time and place. ââ'¬'Layers of figures and drips, cacti and pools, architecture and peonies, build up to replicate the depth of experience Nahrstedt draws from to create. A trajectory that passed through blue collar grit and the gray areas of loss spit her out on the other side to joy. Inspired by the ecstatic pleasure found in the most simple, she is propelled forward by the lush layers one can build over time and the desire to share them. Nahrstedt loves a visual journey and wants nothing more than for you to join her.

Starburst, 2025

Reductive linocut on airbrushed paper

25 x 18 x 1.5 inches, framed

Fair Market Value: $450

Starting Bid: $315

Buy It Now: $675

TAYLOR POWELL is a painter and printmaker living in Lincoln, Nebraska. Powell creates intensely colored biomorphic abstractions inspired by her experiences with chronic illness and personal relationships. To honor the interests and knowledge she shares with her father, she implements airbrushing and pinstriping techniques into her work. There is a meticulous method to her mark making that teases mechanical precision while also allowing for traces of the human hand. For three years her practice was supported through the UCARE program and she was recognized for her work in UNL's Hixion-Lied Alumni Publication in 2023. Recently earning her BA in studio art from University of Nebraska-Lincoln, Powell has exhibited in numerous solo and group exhibitions and her work has earned several awards locally and outside of Nebraska.

Fragment, Small Springs (backsplash) AP, 2019, revised 2025

Selected fragment of color lithograph, hand colored and with pearlescent powder

15 x 20 x 1 inches, framed

Fair Market Value: $1,550

Starting Bid: $1,085

Buy It Now: $2,325

BARBARA TAKENAGA was awarded a John Simon Guggenheim Fellowship in 2020 and was commissioned by New York MTA Arts & Design to create a permanent installation of mosaic and laminated glass for the Metro-North Railroad White Plains Station. She also completed a thirty-foot wall mosaic at NYU Langone as part of their permanent art collection. In the fall of 2017, Williams College Museum of Art organized a twenty-year survey of Takenaga's work, curated by Debra Bricker Balken, accompanied by a book published by Prestel. Other presentations of her work include a two person exhibition at Bemis Center in Omaha, NE (2018); a large-scale public commission for SPACE | 42 at The Neuberger Museum of Art in NY (2017); and a large-scale installation Nebraska (2015-17) at MASS MoCA in North Adams, MA. She lives and works in New York City.

The Joy of watching things burn, 2025

Woodcut on paper

43 x 57 x 1.5 inches, framed

Fair Market Value: $6,500

Starting Bid: $4,550

Buy It Now: $9,750

WATIE WHITE (b. 1971) is an Omaha-based painter, printmaker, and public artist. Since relocating to Omaha in 2006, White's studio and public practice has created site-specific, socially engaged installations and murals that have led to collaborations with over a dozen schools and more than a hundred murals with nonprofits and neighborhood communities throughout the Midwest. White's work has been featured in exhibitions at the Crystal Bridges Museum of American Art (Bentonville, AR), the Minneapolis Institute of Art (Minneapolis, MN), Museum of Nebraska Art (Kearney, NE), Joslyn Art Museum (Omaha, NE), the Telfair Museums (Savannah, GA), The Mint Museum (Charlotte. NC), The Frist Center for the Arts (Nashville, TN), and the Dixon Gallery & Gardens (Memphis, TN).

Perseverance Is An Ugly Race, 2025

Screenprint, woodcut, and hand coloring

18 x 23 x 1 inches, framed

Fair Market Value: $950

Starting Bid: $665

Buy It Now: $1,425

AMY XU is an artist based in Lincoln, Nebraska. She received her Associate's Degree in illustration and is currently at the University of Nebraska-Lincoln for her BFA in art with an emphasis in printmaking. Xu's favorite mediums involve various printmaking and paper forms to create soft and dreamlike narratives. Her work is primarily expressed through playful but precise details drawing inspiration from East Asian influences and emphasizing the Asian American experience through her imagery.

Great Lengths, 2024

Linocut

22.25 x 54 x 1 inches, framed

Fair Market Value: $1,250

Starting Bid: $875

Buy It Now: $1,875

AMY XU is an artist based in Lincoln, Nebraska. She received her Associate's Degree in illustration and is currently at the University of Nebraska-Lincoln for her BFA in art with an emphasis in printmaking. Xu's favorite mediums involve various printmaking and paper forms to create soft and dreamlike narratives. Her work is primarily expressed through playful but precise details drawing inspiration from East Asian influences and emphasizing the Asian American experience through her imagery.