Inspired by renowned artist Nick Mount, each highball glass by Penn/Fairmount is is uniquely crafted with dynamic, neutral tones that highlight the beauty of form and function.

Inspired by renowned artist Nick Mount, each highball glass by Penn/Fairmount is is uniquely crafted with dynamic, neutral tones that highlight the beauty of form and function.

You'll receive the manager's choice of our gorgeous seasonal batch of "homeblown" glass pumpkins.

You'll receive the manager's choice of our gorgeous seasonal batch of "homeblown" glass pumpkins.

You'll receive the manager's choice of our gorgeous seasonal batch of "homeblown" glass pumpkins.

You'll receive the manager's choice of our gorgeous seasonal batch of "homeblown" glass pumpkins.

You'll receive the manager's choice of our gorgeous seasonal batch of "homeblown" glass pumpkins.

You'll receive the manager's choice of our gorgeous seasonal batch of "homeblown" glass pumpkins.

"On Fear" is a kiln casting of the nest of a paper wasp.

I grew up with a strong fear of wasps, and this piece represents my personal inquiries into how I relate to and generate narrative surrounding ideas of threat and safety, beauty, grotesqueness, home, routine, and fear. For me the wasp nest is a strong signifier. They may form spontaneously; represent a neglected space, or a space we cannot access. The wasp nest is an active home, full of life, and full of potential danger. The wasp's tendency to demand territory, sting and attack is not necessarily the fault of the wasp, but it is something we must contend with.

I was able to create a mold of the nest by painting thin layers of gesso on the nest over the course of two months. After strengthening the nest to a point where it could survive the weight of mold making materials, I created a silicone mold, cast it in wax, and then kiln cast the nest. It is a solid cast utilizing Czech Boma glass, and the lost wax process.

Turning this extremely light, organic, fragile and unique object into a solid glass casting, is a juxtaposition I enjoy, and allows me to reconsider and remap my relationship to fear. I enjoy the idea of removing language or and having the signifiers of our fear and unease become transparent, and unrecognizable.

16in. w x 16in. h x 16in. l

https://will-beattie.pixpa.com

Silent Auction items close Sep. 26 at 10pm ET.

Homie - Flannel Multi color shirt, blue pants, hand sculpted solid & blown components

7in. w x 16in. h x 7in. l

http://www.guerreroglass.com

Silent Auction items close Sep. 26 at 10pm ET.

Blue Mood
Blown Glass / Mixed Media

A collaborative piece created by Alison Siegel and Pamela Sabroso in the hot shop featuring a vivid blue color and playful pieces along the bottom of this vessel. The top resembles the hat of a jester that gives the sensation at any moment it will bounce and play in sudden movement!

9in. w x 13.5in. h x 9in. l

Silent Auction items close Sep. 26 at 10pm ET.

Here Comes the Sun

The hand-blown shape of fluctuating translucency of bright yellow glass resembles a living organism. It rests on black industrial casters, a familiar item from a hardware store. The two components of the sculpture that are brought together, suggest a potential of a cartoonish disaster - casters are rolling, and glass form is breaking.

Inna Babaeva's work takes off-the-shelf objects and mass-consumption materials and combines them with hand-blown glass sculptures that she makes herself. The shapes, colors, and fluctuating translucency of the glass alludes to the bodies of living organisms - fragile, vulnerable, and comical all at once. Her approach to glass blowing shows an appreciation for the material's beauty, peculiarity, and spiritedness. Babaeva's work probes the parallel coexistence of mass-produced and unique, machine-made and crafted-by-hand, disposable and precious.

Recent solo exhibitions include Hofstra University Art Gallery, Hempstead, NY, (2022), Peep Space, Tarrytown, NY( 2021), Underdonk, Brooklyn, NY (2021), Essex Flowers, New York, NY(2020), Art in Buildings, New York, NY(2017) and at TSA, Brooklyn, NY (2016). Institutional exhibitions include Flint Institute of Arts, Flint, MI, Gordon Galleries at Old Dominion University, Norfolk, VA, Kienzie Art Foundation, Berlin, Germany, and Ann Norton Sculpture Gardens, West Palm Beach, FL

Babaeva's work has been featured in The New York Times, VICE Magazine, December Magazine, SLEEK Magazine, Sculpture Center Notebooks, Glass Quarterly, and Art News, among others. Inna Babaeva is a recipient of the Joan Mitchell Foundation grant, a Sharpe-Walentas Studio Program grant, a Visiting Artist Fellowship grant at Urban Glass, Pittsburgh Glass Center's Ron Desmett Award, and she was a Rema Hort Mann Foundation grant nominee. Permanent collections include Flint Institute of Arts, Flint, MI, Savannah College of Art and Design, Savannah, GA

Babaeva received her MFA from Rutgers University and her BFA from Florida Atlantic University. She was born in Lviv, Ukraine, and she lives and works in New York City.

10in. w x 15in. h x 10in. l

http://www.innababaeva.com

Silent Auction items close Sep. 26 at 10pm ET.

Ngaratngat
Glass and steel, 2024

This sculpture is made of hot sculpted glass utilizing the Graal technique, and hand forged steel. The title refers to the native word for the subspecies "Rafflesia Leonardi" or Malaysian corpse flower. These are a fascinating plant species which parasitizes the Tetrastigma vine and produce none of their own photosynthetic tissues. It only emerges from its host to produce massive flowers (the largest in the world), which exude the stench of death and are intended to attract carrion flies as their primary pollinators.

14in. w x 14in. h x 6in. l

http://www.evankolker.com

Silent Auction items close Sep. 26 at 10pm ET.

Image Vessel Series

The blown glass, "Image Vessel Series" embodies painting and sculpture in a blown glass vessel format. Over a period of 9 years, the Image Vessel Series evolved. From 1976 to 1978 the series portrayed subjective imagery/storytelling. From 1978 to 1984 the vessels are nonobjective in subject matter to invoke a meditative abstract expressionist experience. Working at the furnace, the typical process time of an Image Vessel was about 3 to 5 hours. I compared the process to watercolor painting in both color and transparency.
-Herb Babcock

5.5in. w x 5.5in. h x 5.5in. l

http://www.herbbabcock.com

Silent Auction items close Sep. 26 at 10pm ET.

Dancing into Midnight

A whimsical mixed-media work combining fused glass, cermaics, and wood, Dancing into Midnight reflects the playful spirit and intricate detail of artist Janet Watkins. A self-taught creator who began her artistic journey after a banking career, Janet's hand-built pieces celebrate imagination and craftsmanship across diverse materials, inviting viewers into a world of joyful expression.

13.5in. w x 12.5in. h x 1in. l

Silent Auction items close Sep. 26 at 10pm ET.

Midsummer Niagara XIV

Midsummer Niagara XIV is a wall piece of fused and slumped glass. My work is often inspired by images of water. Imagine standing on a bridge overlooking a stream. What creatures might float by? How will that particular place reflect the sunlight? What plants grow on the banks of the stream?

At first, my pieces look like a jumble of shards of glass. I use (and reuse) parts of former pieces. I also create "set ups", images I think might be useful, out of threads, frit, and sheets of glass. My studio may look a little chaotic because if the pieces of glass I have available aren't right in front of me, I don't know what is available!

I fuse the shards together on a large kiln shelf, in the shape of a boat. Then, the front surface is sandblasted and the piece is slumped into a mold I build of softbrick covered with fabric that can be fired. The slumping is done at a temperature that slightly melts the sandblasted surface so that it glows. I fabricate glass tubes that are epoxied onto the back and metal hangers with hooks that match the tubes. My pieces are easy to hang.

10in. w x 40in. h x 3in. l

http://www.janetkelman.com

Silent Auction items close Sep. 26 at 10pm ET.

The Boudoir of Miss Mae Carothers (2024)

This mixed-media assemblage is studded on the outside with pieces of coral, mother of pearl, and abalone accents. Like a lightning rod, a green glass spire on the assemblage roof points to the sky. The inside of the assemblage is papered with correspondence and illuminated with battery powered LED lights. An entire interior scene is visible from the reverse side, including the bosom-clutching Miss Mae Carothers, who gazes longingly out her boudoir window.

6in. w x 19in. h x 13in. l

Silent Auction items close Sep. 26 at 10pm ET.

"always reaching for that one thing I wish i was closest" - blown glass sculpture

Pattern Play Glass is the studio & shop of Jordan Fine Using glass as the primary medium, my body of work is composed of visual patterns and juxtapositions- repetitive shapes, images, color relationships, size, texture-both organized and organic. It is my goal to create experiences and objects for people, viewers and wearers alike, that will grant them a tangible moment of playfulness, artfulness, and genuine joy.

9.25in. w x 21in. h x 9.25in. l

http://www.patternplayglass.com

Silent Auction items close Sep. 26 at 10pm ET.