This incredible pen and ink drawing is by world reknowned artist and cartoonist, Jack Ahasteen. The drawing is a young child and his family coming back from Fort Sumner, returning home after the Treaty of 1868 was signed.

The drawing is 18 x 24 in a wooden 24x20 frame.
Donated By Ahasteen Graphics, LLC

Arrowhead Cheii, 2024 Janet M Yazzie, Dine' Dimensions: 11' x 17' Cheii is a peaceful, large, colorful creature who wanders around my yard during the summer/fall season. He brings good luck and protection. Janet's clans are Kinlichini (Red House) and Ma'ii Deeshgiizhinii (Coyote Pass People). She is originally from Lower Greasewood, currently resides in Flagstaff, Arizona. Renown for her vibrant contemporary portrayals of landscapes, night skies and Navajo traditions. She infuses her canvases with a kaleidoscope of colors. Janet shares art enrichment with the community and is a member of "Art of the People" organization. The print is signed by Janet Yazzie.

Titled Cloth of Night, this acrylic and blackleaf on canvas painting is by acclaimed Laguna artist Marla Allison. The work features bold geometric abstraction in deep cobalt, black, and radiant gold, creating a powerful interplay of light and shadow. Inspired by the poetry of Joseph Delgado, the piece reflects themes of reflection, identity, and storytelling woven through contemporary Indigenous art. A striking and sophisticated canvas that highlights Allison's mastery of pattern, form, and color. It measures 11x14.

This striking black-and-white photograph measuring 4 in x 4 in by Navajo photographer Eugene Tapahe captures the raw power and beauty of two bison facing one another in the snow. Titled The Dance, the image conveys movement, strength, and balance in nature, evoking both reverence and resilience. Tapahe's work often weaves together themes of Indigenous identity, land, and spirit, making this photograph not only a stunning visual but also a reflection of cultural storytelling through the lens.

This vibrant ledger art print by acclaimed contemporary Native artist Lauren Good Day depicts a traditional Independence Day celebration through the artistry of regalia, color, and symbolism. The figures are adorned in brilliantly patterned garments, honoring the cultural vibrancy and resilience of Native nations. Executed on a background of historic ledger-style text, the piece pays homage to the Plains ledger art tradition while bringing forward a distinctly modern and Indigenous perspective. Lauren Good Day is an award-winning artist and fashion designer whose work bridges traditional and contemporary Native storytelling. She is Sahnish (Arikara), Minitari (Hidatsa), Niitsitapii (Blackfoot/Blackfeet), and Plains Cree, and her pieces are celebrated in both museum and private collections worldwide. It measures 16x20.

This piece by Ron Toahani Jackson was done in 1999. Artist notes that the design is as follows: "The stepped pyramid shape represents the clouds. The same shape is found in Navajo rugs and sand paintings. The little cross represents the four directions in which the artist developed a whole genre from this early pastel style of which he has won many awards. he used a black background and gold and copper prismacolor pencil stylized sacred geometry tight Navajo sandpainting Yei drawings using his architectural drafting, drawing, painting. This pieces measures 28x40.

A stunning digital print on metal by Navajo photographer Sam Minkler, celebrated for his powerful imagery that highlights the beauty of Native homelands. Minkler, a professor of photography at Northern Arizona University, masterfully captures the dramatic play of light across red rock formations and distant mountains, creating depth, brilliance, and movement in the landscape. Presented on sleek metal, this work combines modern technique with timeless vision, offering both durability and vibrancy. A striking addition for collectors of contemporary Native photography and Southwestern landscapes. It measures 10x20.

Original abstract painting by Navajo artist A. Thompson. This vibrant work, titled She Breathes and Dances, captures the spirit and movement of a Native dancer through expressive strokes and radiant bursts of color. Blending fluid abstraction with cultural resonance, the piece evokes vitality, breath, and rhythm, embodying both tradition and contemporary artistry. This piece measures 16x20.

Acrylic on canvas, 24 x 24 in.

O'odham artist Dwayne Manuel reinterprets the traditional O'odham basket shield design through a modern abstract aesthetic. Fragmented into angular sections of purples and neutral browns, the work bridges cultural tradition with cubist and abstract expressionist styles. A powerful blend of ancestral symbolism and contemporary artistry.

"Grandma's Weaving" is a striking 11x14 photoweaving by Navajo artist Edra Begay of Seba Dalkai, AZ. Shot with a 35mm camera in the 1990s, the original image of Grandma weaving a Navajo rug was digitally formatted and printed on metallic photo paper. Two photos were cut into strips and intricately woven together, forming a patterned design that echoes traditional weaving techniques. Edra Begay is of the Tsi'naajinii (Black-Streak of the Forest People), born for the Todich'ii'nii (Bitterwater People), with maternal ties to Kiniyaa'aani (Towering House People) and paternal ties to Ta'neezahnii (Tangle People).

Framed Gicelee Print 18x 24 by Hopi artist, Kevin Coochwytewa. I VOTE. For our ancestors. For our children. For equality. For justice. For Mother Earth. For humanity. // Using color, shape and space as primary elements, the letterforms of the word "VOTE" create a striking design that embodies beauty, strength, balance and culture. The idea behind it is fairly simple - to engage, reflect, honor, inspire, and initiate a positive call to action. Gicelee Print 18x 24 Kevin Coochwytewa is an Isleta Pueblo and Hopi artist and graphic designer who has worked in the field for over 25 years, holding lead creative roles at the Heard Museum, Native Peoples Magazine, and Eighth Generation. His portfolio includes logo, print design, and exhibition graphics for notable organizations including the Denver Art Museum, First Americans Museum, Minneapolis Institute of Art, Smithsonian's National Museum of the American Indian, PBS, Google, and more.

Framed 18 x 24 signed print by Hopi artist, Kevin Coochwytewa. This design reflects the beauty of balance, harmony, life, and prayer. The circular designs represent corn seeds that are nourished by falling rains dancing across the high desert lands. The stalk of the mature corn plant is the result of answered prayers for moisture, strength, and a good life. Kevin Coochwytewa is an Isleta Pueblo and Hopi artist and graphic designer who has worked in the field for over 25 years, holding lead creative roles at the Heard Museum, Native Peoples Magazine, and Eighth Generation. His portfolio includes logo, print design, and exhibition graphics for notable organizations including the Denver Art Museum, First Americans Museum, Minneapolis Institute of Art, Smithsonian's National Museum of the American Indian, PBS, Google, and more.

This contemporary oil painting on canvas, titled Verbena Field by Mechoopda artist Jacob Meders combines bold geometric abstraction with the luminous touch of gold leaf. The composition features layered triangular forms in earthy and muted tones, balanced with shimmering highlights that evoke both modernist design and cultural symbolism. Meders, known for blending Indigenous perspectives with contemporary art practices, creates a visually striking work that speaks to tradition, transformation, and resilience. Elegantly framed, this piece is a testament to Meders' refined style and cultural voice. This piece measures 20.5x24.5

This collection of four prints by Mechoopda artist Jacob Meders exemplifies his interdisciplinary approach and critical engagement with representation. Meders' work reexamines historical and stereotypical documentations of Native Americans through the printmaking process, challenging viewers to confront their impact on Native culture. By incorporating book forms and prints as symbols of Western knowledge and linear thought, Meders reclaims these mediums as vehicles to reshape and expand perceptions of Native identity. A thought-provoking set from an artist whose work is featured nationally in exhibitions and collections. Each print measures 10x13.

This 24" x 36" canvas by Navajo artist Jalen Whitethorne presents an abstract contemporary interpretation of Yee bi Cheii. Created with a textured medium, the work bridges traditional Navajo spiritual imagery with modern artistic expression. The layered surface and bold abstraction highlight Whitethorne's innovative style while honoring the sacred presence of the Yei. A powerful piece that embodies both cultural continuity and contemporary vision.

This striking contemporary piece by Navajo artist Antoinette Thompson features her signature blend of geometric precision and spiritual depth. Using rich tones of indigo, turquoise, and ivory, Thompson explores themes of balance, direction, and movement through layered patterns and textured gradients.

Her work often bridges traditional Diné philosophy with modern abstraction, creating visual pathways that connect the physical and spiritual realms.
Perfect for collectors of modern Native art, this piece adds a bold yet harmonious statement to any space.

This stunning photograph by Stevost Jim (Navajo) captures the harmony between land, light, and identity. Featuring a Diné woman standing before the towering red rock formations of the Southwest, the image embodies strength, reverence, and cultural pride.

Jim's photography beautifully reflects the enduring relationship between the Navajo people and the sacred landscapes that shape their stories and traditions. This piece measures 18x24 inches.

Rattles hold deep cultural significance, used in ceremonies, healing, and dance.

This extraordinary piece by Shoshoni/Yokut artist Black Eagle is crafted from bison hair and vertebra, deer toes, and brain-tanned smoked deerskin.

Measuring 26" x 12", the rattle was awarded First Place at the 83rd Annual SWAIA Indian Market in 2004, making it both a cultural treasure and an award-winning work of art.

Another remarkable piece from the Black Eagle collection, this 20" x 7" red tomahawk is adorned with red wool trade cloth, brass tacks, and turkey feathers, and features an iron blade.

A striking blend of artistry and tradition, it reflects both cultural heritage and skilled craftsmanship.

This unique rattle, crafted from manzanita root, is richly decorated with bison hair, rawhide, smoked deerskin, deer toes, and brass tacks. A powerful blend of natural materials and cultural artistry, it embodies both tradition and skilled craftsmanship.

This piece was made by Shoshone/Yokut artist, Black Eagle.

An extraordinary painted shield by Shoshone/Yokut artist Black Eagle, measuring 56" x 21".

The shield features the image of a wolf-revered as a symbol of strategy, intelligence, and successful hunting-adorned with buffalo hair, turkey feathers, horsehair, and vintage trade beads. A bold red circle along the edge represents Mother Earth and the eternal circle of life. Suspended from the top are four locks of horsehair, honoring the courage of the warrior's horses.

This remarkable piece is accompanied by a framed explanation, beautifully decorated with wolf prints and white shell.